New York
Art Fairs to See in New York City and Jersey City in May
Art lovers of all kinds — from seasoned curators and collectors to newcomers — flock to New York City in May to experience the area’s vibrant art scene.
“May in New York is a special moment on the cultural calendar — the city is in full bloom,” said Amy Hau, director of the Noguchi Museum in Queens. Art fairs such as TEFAF and Frieze bring together artists and galleries from around the world, but the scope and volume can be overwhelming.
“For anyone just starting to collect, I always say — don’t be intimidated by the big fairs, even if they can feel like a bit of a visual overload,” Hau said. “Just go, look around, and see what resonates with you. Even if you’re not buying, these fairs are an inspiring, low-pressure way to learn, explore and connect with artists and gallerists.”
Here is a selection of some of the May fairs that will introduce visitors to works and experiences, including 18th-century portraits, new voices in contemporary art and an interactive art scavenger hunt. Venues range from an elegant Beaux-Arts building on Manhattan’s East Side to a former warehouse in the Powerhouse Arts District in downtown Jersey City, N.J. Some offer free admission.
May 1-4 and 8-11 at 528-532 West 28th Street
More than 70 self-represented contemporary and emerging artists are displaying about 250 works, including paintings, sculptures, photographs, mixed media works and installations, at Clio Art Fair, named for the Greek Muse of history and the poetry she inspired. The artists have their own exhibition spaces to encourage relaxed and direct interaction with visitors, and prices range from $250 to $25,000. “Behave as if God Exists,” an immersive performance project, explores spiritual, social and existential themes through live actions and interventions by artists.
May 6-10 at New York Estonian House, 243 East 34th Street
Twenty-five galleries from 18 cities around the world will fill the elegant New York Estonian House for Esther’s second year. Founders Margot Samel and Olga Temnikova, gallerists with strong connections to Tallinn, Estonia, discarded the traditional art fair booth concept in favor of shared gallery spaces. Artworks, site-specific installations, performances and events will be presented — and experienced — throughout the four-story Beaux-Arts building, once a gathering spot for Estonian refugees after World War II. “Return to Innocence,” a series of sculptural candle holders by the Tallinn artist Edith Karlson, will guide visitors, and the basement will be transformed into a showroom that will include custom-made products by the Estonian designer Laivi.
May 6-12 at 75 Varick Street
Nontraditional exhibition venues, free spaces for independent curators and reduced-cost spaces for galleries and nonprofits — strategies designed to reduce upfront risk and encourage experimental work — are a few of the hallmarks of SPRING/BREAK Art Show. More than 350 midcareer and emerging artists will be showcased at a landmark building that was once home to many firms in printing and related trades. Among them is the actor Alia Shawkat, whose paintings chart her Assyrian lineage and family migration, reflecting the immigrant story motif that recurs in this year’s theme of “PARADISE LOST + FOUND.”
May 7-10 at Chelsea Industrial, 535 West 28th Street
Future Fair’s fifth anniversary edition will feature nearly 70 local, national and international exhibitors. A quarter are minority-owned, a quarter are global and over half are led by women. Since its founding in 2020, the fair has embraced a cooperative business model, initially profit sharing with founding galleries. Starting this year, the fair will commit 15 percent of its profits toward a pay-it-forward fund that allocates grants to rising art dealers. Visitors can swing by a culinary pop-up by the Brooklyn restaurant Stowaway and grab some Southern-inspired fare and limited-edition anniversary beers crafted by Grimm Artisanal Ales.
May 8-11 at 157B First Street, Jersey City
“Our name (14C) is a wink to the ‘What exit?’ joke about New Jersey,” Robinson Holloway, Art Fair 14C’s chief executive, wrote in an email, “and we embrace our Jersey roots and celebrate the art of our native state.” But exhibitors are wide ranging and include the International Sculpture Center, an artists collective from Brooklyn and a small New Jersey nonprofit that works with artists with disabilities. The Pompidou Center in Paris, which plans a North American outpost in Jersey City, she said, will provide programming, including a workshop for children based on masterpieces from their permanent collection in cooperation with the Jersey City Free Public Library. The venue is a former warehouse for the Great Atlantic and Pacific Tea Company (A&P) in the Powerhouse Arts District. Tours will be available before regular hours for visitors who are visually impaired or need low sensory environments.
May 8-11 at ZeroSpace, 337-345 Butler Street
The 15th edition of the Other Art Fair Brooklyn, presented by Saatchi Art, continues its mission to support artists and make the art world more accessible and inclusive in unexpected and fun ways. A wide variety of works, in forms including documentary photography and embroidery, by 125 New York-area artists, will be shown along with immersive installations, performances and artist-led activities. Highlights include a fantasy drawing experience by the portrait painter Ben Lenovitz, an interactive art scavenger hunt led by the multimedia artist Joe Kraft and machine-free tattoo pop-ups. Special Mother’s Day weekend events feature photographic portrait sessions with the artist and author Anna Marie Tendler and hands-on workshops for making paper flowers.
May 10-13 at Bohemian National Hall, 321 East 73rd Street
The American Art Fair, now in its 18th year, exclusively celebrates 18th- to 21st-century American works. More than 400 landscapes, portraits, still lifes and sculptures — from folk Art and the Hudson River School through the modernist movements — will be on view. The fair offers a series of lectures, such as one tied to the “Sargent and Paris” exhibition at the Metropolitan Museum of Art that looks at the early years of the American painter John Singer Sargent’s career, from his arrival in Paris in 1874 as a young art student through the mid-1880s.
More Art Events
There are plenty of art goings-on in New York City beyond the fairs.
MoMA PS1 in Queens will present the first U.S. museum exhibition of the Angolan-born artist Sandra Poulson. Her sculptures, made from furniture and influenced by daily life and customs in her hometown, Luanda, examine how intimate spaces become spheres for political consciousness.
Nature lovers may enjoy the photo-based work inspired by the gardens of the poet Emily Dickinson at Rick Wester Fine Art in Chelsea, or a respite at the Davis Center in Central Park, which opened last week and has a series of special events planned.
NYC Tourism + Conventions’ Spring 2025 Arts Guide provides a raft of art exhibitions, live performances, festivals and outdoor public art programs, including museums, memorials, monuments and attractions that are always free or are free on specific days and times. A special website this year lists places and events that commemorate 400 years of New York City history.
“Don’t miss some of the great museum exhibitions that will be on view,” Hau of the Noguchi Museum said. “This season’s highlight is definitely the Amy Sherald show at the Whitney.”
She also recommends visiting the newly renovated Frick Museum, checking out the public art along the High Line, stopping by the nearby Chelsea galleries and taking a ferry to Queens to visit the institution she leads, which is dedicated to the work of the Japanese American sculptor Isamu Noguchi. Special exhibits, art-making activities, musical performances, and dance and culinary programs are among the events planned at the museum in May, many to celebrate its 40th anniversary.
“And visitors shouldn’t forget the garden,” she added. “It’s one of the most beautiful times to experience our outdoor space, offering a quiet, contemplative escape from the energy and pace of the city.”
New York
Video: Two Men Face Terrorism Charges in Bomb Attack at Gracie Mansion
new video loaded: Two Men Face Terrorism Charges in Bomb Attack at Gracie Mansion
transcript
transcript
Two Men Face Terrorism Charges in Bomb Attack at Gracie Mansion
Federal prosecutors charged two men with attempting to support the Islamic State after they attempted to set off homemade explosives at Gracie Mansion on Saturday. The bombs did not detonate and no one was injured.
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“Federal charges have been filed in the Southern District of New York against two individuals: Emir Balat and Ibrahim Kayumi. The defendants were inspired by ISIS to carry out their attack.” “Get him, get him, get him.” Preliminary testing has determined that one of the devices contained triacetone triperoxide — highly volatile explosive that has been used in multiple terrorist attacks over the last decade.” “Many of the counterprotesters met this display of bigotry peacefully, with a vision of a city that is welcoming to all. But a few did not. Two men, Emir Balat and Ibrahim Kayumi, traveled from Pennsylvania and attempted to bring violence to New York City. While I found this protest appalling, I will not waver in my belief that it should be allowed to happen. Ours is a free society where the right to peaceful protest is sacred.”
By Christina Kelso
March 9, 2026
New York
How a Choreographer Lives on $55,000 in Kensington, Brooklyn
How can people possibly afford to live in one of the most expensive cities on the planet? It’s a question New Yorkers hear a lot, often delivered with a mix of awe, pity and confusion.
We surveyed hundreds of New Yorkers about how they spend, splurge and save. We found that many people — rich, poor or somewhere in between — live life as a series of small calculations that add up to one big question: What makes living in New York worth it?
It is a perennial question: Can artists still afford to live in New York? For Carrie Ahern, a choreographer and dancer who has lived and worked in the city for 30 years, the answer is yes — but it takes a couple of day jobs, a friendly landlord and a willingness sometimes to tell friends, “I can’t tonight, I’m too broke.”
Ms. Ahern moved to New York from Wisconsin in 1995, at age 19, with a dream to become a professional dancer. She had the drive and some contacts. But just as important, she had a nose for cheap real estate. She scored an apartment in Park Slope, Brooklyn, for $850 a month, split with a roommate. Supporting herself through a series of waitress jobs, she began pursuing her dream.
Now 50, Ms. Ahern runs her own nonprofit dance company, staging performances in private homes or unusual spaces, including a butcher shop, where she butchered a lamb as part of the show, then sold the meat at the end.
“I kept expanding that dream,” she said of her years in New York. The city, in turn, “continued to let me bring out some skills that I didn’t even know I had.”
Those skills include creativity, resourcefulness and agility — in finance as well as dance.
A Landlord to Cook and Garden With
The dance company pays Ms. Ahern a stipend of $4,800 a year, which she augments by teaching Pilates and movement therapy — sometimes in clients’ homes, sometimes in a rental studio, for which she pays $30 an hour.
A third income stream comes from a family company that manufactures industrial parts, which she has helped run since her father’s death in 2018. Her income from those three sources came to about $55,000 last year — about 10 percent higher than usual.
The key to making it work, she said, is her apartment, one floor of a townhouse in the Kensington section of Flatbush, Brooklyn. After 16 years there, her rent is $1,350 a month, about half the median asking price for the neighborhood, according to StreetEasy.
“It’s like a cooperative in a lot of ways,” she said. “My landlord and I are very close, and we help each other out. We cook for each other. Or she was really excited that I love to garden, because she wanted help out there. So she keeps my rent low because she likes that I’m here and that we help each other out.”
Special Expenses for a Dancer
Because Ms. Ahern’s apartment doubles as her office, she writes off part of the rent and utility bills as business expenses. She also deducts books, tickets to performances and any other expenses related to her work — including fitness and dance clothes, hair and makeup for performances, studio rentals and her Spotify subscription. It helps, she said, to have an accountant who works extensively with performing artists, and who had been one herself.
Those expenses bring Ms. Ahern’s income below $21,600, the threshold for Medicaid eligibility, which spares her from having to pay for health insurance. “It’s actually been the best insurance I’ve ever had,” she said. “You know, there’s no co-pay.”
She does, however, still have to pay for routine maintenance on her 50-year-old dancer’s body.
She pays $120 for weekly sessions with a personal trainer, plus $115 for monthly acupuncture treatments and another $160 for monthly massage therapy appointments. “Almost all these people slide their scale for me, because of my career,” she said.
Finding Deals on Apps and Online
Ms. Ahern gets free tickets to a lot of performances because she knows the people involved. Yet a free ticket can turn into an expensive night out if she isn’t careful. “Like, if someone says, ‘Oh, do you want to meet for dinner before?’” she said. “I feel like we’re good about being honest with each other, like, ‘I’m just really broke right now, and I can’t do it.’”
For meals at home, she uses the app Too Good to Go, where restaurants or stores offer deep discounts on food that would otherwise be thrown away — a new spin, she said, on dumpster diving. “This is a more refined version of that,” she said.
She does, however, find her way to occasional splurges. If she cannot afford to treat friends to dinner, she treats them to coffee. And she splurged recently on tickets to see LCD Soundsystem at Knockdown Center in Queens and Nick Cave and the Bad Seeds at Barclays Center in Brooklyn. For the latter, she waited until a few days before the concert, then looked on the ticket resale site StubHub for people trying to unload their passes. Bingo: $70 for a quality seat.
For all its financial challenges, she said, New York still offers artists chances to grow. A few years ago, for example, she needed a change, so she took a class in new way vogue, a dance style known for its sharp geometric lines and precision, and it introduced her to a different community with new energy.
“There’s all these little niches here,” she said. “So in another city, could I make the work that I make? Yeah, probably. But I don’t know if it would feed me in the same way.”
New York
How a Parks Worker Lives on $37,500 in Tompkinsville, Staten Island
How can people possibly afford to live in one of the most expensive cities on the planet? It’s a question New Yorkers hear a lot, often delivered with a mix of awe, pity and confusion.
We surveyed hundreds of New Yorkers about how they spend, splurge and save. We found that many people — rich, poor or somewhere in between — live life as a series of small calculations that add up to one big question: What makes living in New York worth it?
Sara Robinson boarded a Greyhound bus from Oregon to New York City to attend Hunter College in the early 2000s, bright-eyed and eager to pick up odd jobs to fuel her dream of living there.
For a long time, she made it work. But recently, that has been more challenging than ever.
Right around her 40th birthday, Ms. Robinson began to feel financially squeezed in Brooklyn, where she had lived for years. Ms. Robinson (no relation to this reporter) was also feeling too grown to live with roommates.
“As a child,” she said, “you don’t think you’re going to have a roommate at 40.” She decided to move into a place of her own: a one-bedroom apartment in the Tompkinsville neighborhood of Staten Island.
After she moved, the preschool where she’d worked for over a decade closed. Now, she works two jobs. She is a seasonal employee for the state Office of Parks, Recreation and Historic Preservation, working from Tuesday to Saturday. And on Monday nights, she sells concessions at the West Village movie theater Film Forum, which pays $25 an hour plus tips.
Ms. Robinson, now 45, loves her job as an environmental educator at a state park on Staten Island. Her team runs the park’s social media accounts and comes up with event programming, like a recent project tapping maple trees to make syrup.
But the role is temporary. Her last stint was from June 2024 to January 2025. Then she was unemployed until August 2025. Ms. Robinson’s current contract will be up in April, unless she gets an extension or a different parks job opens up.
Ms. Robinson’s biweekly pay stubs from the parks department amount to about $1,300 before taxes. She barely felt a difference, she said, while she was out of work and pocketing around $880 every two weeks from her unemployment checks. (Her previous parks gig paid $1,100 a check.)
Living in New York’s Greenest Borough
“It used to be, ‘There’s no way I’m moving to Staten Island,’” Ms. Robinson said. “But the place is close to the water. I’m three minutes from the ferry. The rest is history.” She lives on the third floor of a multifamily house, above an art studio and another tenant. Her rent is $1,600 a month, plus $125 in utilities, including her phone bill.
“If my situation changes, I don’t know if I could find something similar,” she said. “So much of my New York life has been feeling trapped to an apartment. You get a place for a good price, and you’re like, ‘I can’t leave now.’”
Staten Island is convenient for Ms. Robinson’s parks job, but it’s become harder to justify living in a borough where she knows few people. It takes more than an hour to get to friends in Brooklyn, an especially hard trek during the winter. After four years of living on Staten Island, Ms. Robinson feels somewhat isolated.
“All my friends on Staten Island are senior citizens,” she said. “It’s great. I love it. But I do want friends closer to my age.”
One of Ms. Robinson’s friends, Ray, took her on nature walks and taught her about tree identification, sparking an interest in mycology, the study of mushrooms. This led to a productive — and free — fungi foraging hobby during unemployment. She has found all sorts of mushrooms, including, after a month of searching, the elusive morel.
The Budgeting Game
Ms. Robinson doesn’t update her furniture often, but when she does, she shops stoop sales in Park Slope or other parts of Brooklyn.
“It’s like a treasure hunt,” she said. “You could make a whole apartment off the street, off the stuff that people throw away.”
She also makes a game out of grocery shopping, biking to Sunset Park in Brooklyn or Manhattan’s Chinatown to go to stores where there are better deals. She budgets about $300 for groceries each month.
Ms. Robinson bikes almost everywhere, sometimes traveling a little farther to enter the Staten Island Railway at one of the stations that don’t charge a fare. She spends $80 a month on subway and ferry fares, and $5 a month for a discounted Citi Bike membership she gets through a credit union, though she usually uses her own bike. She is handy and does repairs herself.
There are certain splurges — Ms. Robinson drops $400 once or twice a year on round-trip airfare to Seattle, where her family lives. She also spent $100 last year to see a concert at Forest Hills Stadium in Queens.
She said she has many financial saving graces. She has no student loans and no car to make payments on. She doesn’t get health insurance from her jobs, but she qualifies for Medicaid.
She mostly eats at home, though sometimes friends will treat her to dinner. She repays them with tickets to Film Forum movies.
Nothing Beats the Twinkling Lights
Ms. Robinson’s friends often talk about leaving the city — and the country.
Two friends have their eyes set on Sweden, where they hope to get the affordable child care and social safety net they are struggling to access in New York.
Ms. Robinson can’t see herself moving elsewhere in the United States, but she is entertaining the idea of an international move if she can’t hack it on Staten Island.
Yet the pull of the city is hard for her to resist.
“I just get a rush when I’m riding the Staten Island Ferry across the bay,” she said. “You see all the little twinkling lights. It’s this feeling of, ‘everything is possible here.’”
That feeling, plus the many friendly faces Ms. Robinson sees every day — the ferry operators, the conductors on the Staten Island Railway, her co-workers at Film Forum — are what tie her to New York.
“My savings are not increasing, so there’s that,” she said. “But I’ve been OK so far. I think I’m going to figure it out.”
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