Education
Opinion | Yale Has Come Up With a Surefire Way to Make a Terrible Situation Worse
Yale University’s report on how to restore public confidence in America’s colleges and universities is full of smart and sensible recommendations. That’s not surprising when one sees the smart and sensible faculty who wrote it, led by the scholars Beverly Gage and Julia Adams. Among the suggestions: Reinforce the academic core of the university; don’t allow classes to be dominated by open laptops or other devices; do more to ensure that people do not self-censor; respect the ideals of free speech and academic freedom; “be human.” Although the committee doesn’t go so far as to say that nepotism in admissions should be eliminated (it asks only that it be reduced), it does suggest that Yale try to make its educational offerings free for a larger percentage of the population. Who would disagree?
It’s the recommendation to shrink the mission of the university that caught my eye. The committee claims that in 2016, “departing from its traditional emphasis on the creation and dissemination of knowledge, Yale expanded its mission statement to include ‘improving the world today,’ educating ‘aspiring leaders worldwide,’ and fostering ‘an ethical, interdependent and diverse community.’”
That is incorrect. It is true that Yale shifted its mission statement a bit in 2016, but the underlying ideal of cultivating people who would, as the language now says, “lead and serve in every sphere of human activity” had long been among the university’s goals. In fact, that cultivation has long been among the goals of many universities in the United States, adopted as these institutions sought secular replacements for their founding denominational creeds. Leaders of colleges and universities thought they had a duty to defend the freedoms that allowed higher education to thrive. My own school’s founding documents, written in 1831, spoke of furthering the “good of the individual educated and the good of the world.” We still cite that today when we speak of our mission to produce graduates who will use their educations to make a positive difference.
This is what the Yale committee wants to trim. “These are all worthy goals. But they are not what makes a university a university,” its authors opine. “At a moment when higher education is being buffeted from all sides, it is imperative to understand what we are here for and what universities do best. That requires clarity, not diffusion, of purpose.”
Amid the Trump administration’s ongoing attack on higher education, the message is clear: Don’t worry, it says, we are staying in our narrow lane. That’s not a mission; it’s a defense strategy. And the retreat from public purpose will not enhance trust; it will further erode it. A lack of public engagement and an air of cloistered privilege are a big part of why so many people now view universities with suspicion. Retreating further behind the gates will make a bad situation much worse.
Not all American colleges are viewed with distrust — community colleges, for example, still enjoy high levels of confidence, as do regional public institutions. The problem is with the attention-grabbing elite institutions. As the Yale report notes, they are far from blameless.
These institutions too often seem to offer lessons in condescension. Their faculty and students can appear to be better at moral posturing than at listening effectively to those with whom they disagree. Their campus cultures can breed premature and intolerant consensus, causing people to censor themselves for fear of being called out as having the wrong ideals. The need for more intellectual diversity in higher education is clear, except to those who believe that their exclusive club possesses a purity that other members of our society haven’t yet attained.
Most Americans understand that these elite schools give many wealthy people more opportunities to become even wealthier. They understand that the most popular career choices for Ivy League graduates tend to be consulting and finance and tech. Trust in finance is even lower than it is in higher education. Why should people trust the sector’s feeder schools? And why should they trust their admissions policies, with their opaque pricing structures and their pride in exclusivity?
Yale is one of the very few, very wealthy institutions that can admit applicants regardless of their ability to pay. Starting this fall, the university will charge no tuition at all to students whose families fall outside the richest 10 percent of the population. That’s an impressive step, one I wish my own institution could take. But the whole competitive admissions system at Yale and most other highly selective institutions — including my own — still favors applicants whose families could afford to expose them to private high schools, private tutoring and expensive résumé-expanding extracurricular activities, and who weren’t obligated to balance their calculus homework with the demands of an after-school job. As the committee notes, Yale admits fewer than 5 percent of its applicants. Unspoken is that probably three-quarters of them are qualified to attend and even get A’s, the average grade at the university.
The Yale committee calls for relying more on objective admissions standards such as standardized tests. The problem there is that those tests are anything but objective; the more colleges rely on them, the more the uncredited work of expensive tutors or test prep classes can distort the profile of the incoming class.
Expanding opportunities for affordable, high-quality academic experiences can make things better. That’s why recruiting a diverse class of students, with talented young people from areas of the country often underrepresented on elite campuses, is so important. The Trump administration’s war on D.E.I. makes this dangerous work, and so we should celebrate programs that bring college-level classes to underserved communities, such as those sponsored by Bard College and by the National Education Opportunity Network.
This cautious committee does call on the university to do more public programming, opening its gates even further to the communities around it. It also joins the national chorus for more programs in “dialogue across difference,” and I think it should be applauded for advocating civics instruction for all undergraduates. But these are small steps.
One can well imagine why a university committee might want to avoid provoking the ire of the Trump administration, which has hit higher education with more than a billion dollars of fines and has threatened schools whose campuses don’t seem to line up with its priorities.
But the ideals the Trump administration has been punishing are prerequisites for higher education to flourish — independent thought, a commitment to truth even when it’s inconvenient and a focus on the creation of truly democratic citizens. Endangering these ideals endangers the whole operation. Yale and other elite universities should find the courage to say so.
Education
École des Sables, Africa’s Premier Dance School, Faces a Precarious Future
Toubab Dialao came to the rescue. This small fishing village was already an unlikely haven for artists: In the 1970s, the Haitian artist Gérard Chenet, a political exile, had settled in the area and built a hybrid art center, Sobo Badè, which boasts a theater and space for artist residencies, as well as a hotel and restaurant.
“Step by step, my father brought a lot of international artists,” Ibrahima Jacques Chenet, Chenet’s son, said at Sobo Badè. Some stayed and opened other art spaces, earning Toubab Dialao a reputation as a cultural village, Chenet said.
After holding some intensives at Sobo Badè, Acogny and Vogt looked for a space of their own. Acogny sold a small apartment she owned in Paris and Vogt added his savings to secure the grounds of the École des Sables and build the sand studio. Yet developing the school further, and making it financially viable, proved daunting.
“We would hold workshops with dancers from 25 African countries,” Vogt said, “but we had to find ways to cover the costs, because African dancers often don’t have the money to pay for training.”
In the absence of funding from Senegal’s ministry of culture, help has mostly come from European and American foundations, as well as the European Union; the luxury brand Chanel has been a partner for the past two years. Over the years, the school was able to build bungalows to house students and artists on site, as well as a second studio. But the lack of resources directed to culture on the African continent is an issue for artists, Acogny said. (Earlier this week, the budget for the African Dance Biennial, set to open on April 29, was still around $47,000 short, according to Vogt.)
Education
Video: Which Instant Coffee Is Best?
new video loaded: Which Instant Coffee Is Best?
April 21, 2026
Education
A Time of Growth for Museums for Children
This article is part of our Museums special section about how institutions are commemorating the past as they move into the future.
As kidSTREAM prepares to open in Ventura County, it joins a national wave of new children’s museums, expansions of existing institutions and a broadened lineup of programming aimed at young visitors.
Originally opened in 1963 as the Junior Museum of Oneida, the institution has relocated several times and reopened last May in a 14,000-square-foot space. A two-story climber anchors the main floor, allowing children to navigate ramps, platforms and woven rope pathways. The museum houses five themed galleries, including World Market, which introduces music, art and cultural traditions from around the world, and Let’s Experiment, devoted to STEAM-based learning through prism and light exploration, an animation station and other hands-on activities.
The Museums Special Section
Founded by two mothers, Erin Gallagher and Meg Hagen, the museum opened last September in a former farm and garden center. They set out to establish a dedicated children’s institution to serve as an anchor for the community. The 6,400-square-foot space includes 12 exhibit areas focused on STEM exploration, art, engineering, imaginative play and sensory activities. It also offers family and after-school programs, as well as designated sensory-friendly hours. An additional 4,000 square feet of outdoor play space is expected to open in late spring.
In March, the 90,000-square-foot museum expanded with the Gallery of Wonder, a 9,000-square-foot early childhood space designed for children from infancy to age 5. The gallery includes five interactive environments. Into the Woods invites climbing, swinging and fort building in a forest setting, while Under the Waves offers a softly lit ocean cove with sensory-focused light and sound where children can play with puppets. Viva Village centers on community life, encouraging children to role-play everyday helpers. Tot*Spot, reimagined as an oversized garden, caters to infants and toddlers, while the outdoor Treetop Terrace is a space for active play.
The museum debuted two permanent exhibits in October as part of a broader transformation. Galactic Builders is a 1,788-square-foot space-themed environment that invites children to design rockets, engineer rovers and explore physics concepts through hands-on exploration. SKIES is a quieter, sensory-focused space featuring reading nooks, a dedicated area to rest and recharge and immersive visuals of sunrises, sunsets and drifting clouds. Together, the additions expand the museum’s interactive footprint by more than 4,500 square feet and mark the first phase of a multiyear effort to update its learning environments for young visitors.
In November, the museum unveiled a $11.6 million expansion that doubled its footprint to more than 30,000 square feet. The addition includes three galleries, two of which house permanent exhibits. The Sunflower Gallery is a hands-on environment where children can explore the prairie ecosystem and includes a two-story sunflower structure they can climb. The Hall of Bright Ideas celebrates creative Kansans with engineering-based activities. A third gallery will host traveling exhibitions, and the expansion adds three laboratory classrooms for STEAM programs and camps.
Conceived by a former preschool teacher and children’s cartoon artist, Mike Bennett, the Portland Aquarium opened last June as an animal-free, cartoon-style aquarium. Bennett said he wanted marine science to feel like “stepping inside a hand-drawn cartoon.” The 5,000-square-foot space showcases six ocean biomes, including the Wreck, focused on deep-sea carnivores and mysterious creatures, and the Open Ocean, highlighting some of the largest animals that swim in the seas. Throughout, visitors encounter illustrations of more than 100 marine species, including sea otters, jellyfish and great white sharks. Each child receives a guidebook created in collaboration with marine biologists to use throughout the galleries.
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