Connect with us

California

‘There’s so much beauty’: artists celebrate California in the wake of tragedy

Published

on

‘There’s so much beauty’: artists celebrate California in the wake of tragedy


The California artist Dashiell Manley had been at work for over a year on the paintings he was to exhibit at Marianne Boesky Gallery’s elegant new show California Is Somewhere Else when fate intervened. In early January, he set the works to dry in his studio in Altadena – and two days later nearby Eaton Canyon was engulfed in flames, part of recent California wildfires. “My sense of security was shattered around 11pm on January 7th,” Manley told me via video interview. “I went in the studio and it was smoky, and all the paintings were wet.”

That night, Manley’s thoughts were more preoccupied with protecting his family and grabbing on to what precious mementoes he could take with him as he fled the fires. His studio was ultimately spared, but the paintings were not: smoke and other particles embedded into the still-wet surface, ruining the pieces. “I don’t know that I’ve processed that these 10 paintings that I’ve spent a year working on are gone,” he told me. “They smell like a camp fire, and there’s lead particles in the surface – I don’t want to touch them. It’s weird how they’re gone but they’re not.”

In lieu of those works, Manley is showing a suite of vibrantly colorful, intricately layered oil pieces, in which he uses a palette knife to painstakingly carve innumerable overlapping objects resembling a folding fan into the paint. Using the back of his hand for a palette, Manley works quickly, layering up color upon color on to the linen canvass.

“I go back into them multiple times, it’s a very additive and layered process,” he said. “It’s largely muscle memory and intuition at this point. I could duplicate the painting but I couldn’t tell you how.”

Advertisement
Dashiell Manley’s the possible exception, plausible. Photograph: Courtesy of Marianne Boesky Gallery

The resultant pieces have a structural quality reminiscent of the layered paintings of Jay DeFeo. There are many points for the eye to access them, pleasurably wandering around throughout the intricate networks of color and texture. “I’ve always wanted to make work that has as many entry points to the viewer as possible,” Manley said.

The colors comprising Manley’s paintings are analogous to those that encompass the tones of a southern California sky from dawn to dusk: a range of blues, reds, oranges and yellows. Flecks of green are mixed in, along with veins and pops of black that provide structure and weight to the overall composition. “I’ve been struck by beauty being a counterpoint to grief,” he said. “Working on these paintings has become a kind of routine, in a good way. I noticed how meaningful that routine was for me after the Eaton fire, and how this is something I can never really stop doing.”

The Haas Brothers’ gorgeous, art nouveau Moon Towers sit comfortably alongside Dashiell Manley’s paintings in the exhibition. Nikolai Haas and his twin brother, Simon, have always felt deeply influenced by the southern California landscape and way of life. Together, they create dreamy, tactile sculptures informed by a lifelong connection to the California way of being.

California is Somewhere Else at Marianne Boesky Gallery. Photograph: Photo by Jason Wyche

“It’s just like, things come from nothing here,” Nikolai told me while musing on the feeling of being a Californian. “There’s something about the landscape and the vibe and the energy here. There’s something about California being so geographically removed from rest of the US historically, it being so difficult to get here. It’s its own kind of place.”

The Moon Towers are inspired by actual streetlights that were a common part of cityscapes throughout the 1800s but that went into decline around the turn of the century. A few such streetlights still existed in Austin in the 1990s, where the Haas Brothers spent several youthful years. Once they returned to California, they brought memories of the towers with them and began working on their own takes on the structures. “In the 90s, Austin was at the top of its alt moment,” Nikolai said. “It was a very 90s, grunge stoner culture. For us the Moon Tower is the hero of that moment in our upbringing. Going back home, we wanted to make something that signified our creative growing up.”

Advertisement

Simon added: “If I could city plan Los Angeles, I’d do a lot of things, and one would be to install Moon Towers. They’re so big that they light up whole neighborhoods, but the lighting is low-key, moonlike. We’re trying to capture that feeling and pay homage to this different perspective. Moodwise we’re leaning into this dreaminess, the safety and fantasy and sheer LA of it.”

Inspired by snowbells, the pieces rise up in lithe, sinuous columns of jade green, then droop over at the top, where a lightbulb is inserted, casting a carefully chosen hue. Some of them rise up to almost 9ft in height, while others would fit comfortably on to an end table. The brothers worked carefully to find just the right temperature of lightbulb to give their sculptures a transportive glow for any who stand within their light. “We want to create an experience,” said Nikolai. “Something to take someone a little out of their reality.”

Anthony Pearson’s Untitled (Casement). Photograph: Courtesy of Marianne Boesky Gallery

The show is rounded out by Anthony Pearson’s minimalist sculpture, whose seeming simplicity belies an exacting technique that leaves the surfaces of his pieces covered in networks of densely worked texture. These are deeply meditative works that draw in a viewer’s eye with their beguiling plays of light, and that reward careful, lengthy examination. As Taney Roniger put it in The Brooklyn Rail: “the strongest unifying thread here is the sense of mystery and wonder that these works exude … [T]hese pieces encourage a shift away from discursive reason toward deeper, more intuitive reflection, and the effect is a rich contemplative experience.”

What makes California Is Somewhere Else such a remarkable success is how its works so effortlessly showcase the sublimity that lives in California – both in its landscape and its cityscape – and that is a key ingredient in the psyche of the Golden state. A place of excesses and enormities, it nonetheless inspires a sense of safety and familiarity that gives rise to fantastic flights of artistic fancy. As Manley put it: “When I feel like I’m out of my body, I go to the mountains, I have this hike with these giant rocks. I lay on these rocks, and everything that is so monumentally large in those moments becomes small. I feel small, everything becomes small. There’s so much beauty in this experience.”



Source link

Advertisement

California

California Central Valley city’s first-ever Pride event moves indoors after pushback

Published

on

California Central Valley city’s first-ever Pride event moves indoors after pushback


Oakdale’s first Pride event is moving forward this weekend after organizers changed venues following pushback over its original location and a planned drag performance.

Some residents pushed back over the event’s original location at Dorada Park and a planned drag performance.

“I also understand staff has issued a permit for a so-called Pride event,” one speaker said during the latest City Council meeting.

Another speaker raised concerns about the event being advertised as open to all ages, including children, and having a drag queen host.

Advertisement

After the public pushback, organizers moved the event indoors to the Bianchi Center.

“It was a huge upgrade to be able to provide a more accessible space in the heart of Oakdale,” said Ryan Hall, president of CalPride.

Hall said the idea to bring Pride to the city did not come from outside Oakdale, it came from people living there.

“That’s my place as a mom of rainbow kids, absolutely,” said Elizabeth May, owner of Sisters Coffee.

May’s coffee shop hosts a monthly LGBTQ+ social.

Advertisement

“I had a young man walk in here and say, ‘We don’t have anywhere to have a social here for LGBTQ.’ I said, ‘Heck yes,’” May said.

Still, the backlash has left parents like May concerned.

“How does it feel? Scary. I’m excited, but as a mom of a kid in the community, I’m nervous for them,” May said.

May said the venue change helped ease some of the tension.

“The different venue made a win-win situation for everyone. I was very proud of the kids for making that hard decision,” May said.

Advertisement

For organizers, the drag performance is part of the celebration.

“Enjoy some line dancing, enjoy some live music, enjoy the drag show, and then also enjoy community members and our local businesses, our local artists and partner organizations,” Hall said.

Oakdale Pride is scheduled for Sunday from 10 a.m. to 2 p.m. Entry is free.



Source link

Continue Reading

California

Newsom urges a national ‘billionaires’ tax’ while fighting one in California

Published

on

Newsom urges a national ‘billionaires’ tax’ while fighting one in California


California Gov. Gavin Newsom, a Democrat who is considering a run for president as he approaches the end of his term, called for a national “billionaires’ tax” on Friday even as he fights another proposal targeting the wealthy in his home state.

Newsom also said the U.S. government should own a stake in artificial intelligence companies. His proposals, outlined in a Substack post, aligns him with the Democratic Party’s populist left, and he argued that urgent changes are needed to prevent the elite concentration of wealth and power from undermining democracy.

“It’s time for an economic reset for America,” Newsom wrote.

The governor announced his agenda a day after an influential health care union in California pledged to go forward with a ballot measure that would impose a one-time 5% tax on the assets of billionaires living in the state as of Jan. 1, 2026.

Advertisement

Newsom opposes that measure, as do many of the liberal interest groups that typically favor higher taxes. They fear it would drive billionaires out of California, eroding the state’s tax base over the long term for a one-time influx of cash. A technology mecca, California has more billionaires than any other state — a few hundred, by some estimates.

“You may not be able to pick up and move to Texas or Florida to shelter your income from taxation, but I promise you that billionaires can, and do,” Newsom wrote. “Wealth is movable, and it shops for the state with the lowest taxes. The fight belongs at the federal level, where this broken system was created in the first place.”

A minimum tax on large net worths

Newsom said the solution is a new national tax policy, rather than a state-by-state system. He proposed a minimum tax on anyone with a net worth above $100 million. He also wants to make it illegal for the wealthy to borrow against their stock portfolios to fund their luxury lifestyles tax free.

Newsom said there should be new rules for inheritance taxes, warning that “the transfer of wealth among the ultra-wealthy will lock in a permanent American aristocracy of inherited wealth.” And he wants to raise corporate tax rates to where they were before President Donald Trump’s first-term tax cut.

READ MORE: Sanders and Newsom clash over proposed tax on California’s billionaires

Advertisement

The need is especially urgent as artificial intelligence threatens to displace workers and further concentrate wealth, he wrote.

“We need to ensure every American owns a stake in the future being built by AI through a national public equity fund that takes a major stake in the new economy,” he wrote. “Simply, as artificial intelligence reshapes the country, every American should own a piece of the future it builds.”

Revenue generated by his proposals could be used to retrain workers, fund universal child care, make college free and increase funding for health care.

‘Money buys influence’

Newsom, who has drawn attention as one of Trump’s most high-profile political antagonists, is getting an early start on laying out a policy framework for his potential White House bid months before the midterm elections, which have typically marked the informal start of overt presidential campaigning.

WATCH: News Wrap: Newsom says Trump ordering DOJ to investigate him and wife

Advertisement

The embrace of a wealth tax by Newsom, a moderate on tax policy despite his liberal reputation, signals a notable shift in the political landscape since Massachusetts Sen. Elizabeth Warren struggled to get traction in her 2020 campaign, which she largely centered around a 2% levy wealth tax.

Newsom portrayed the nation’s tax code as a corrupt system built to help an elite few.

“Money buys influence, and influence rewrites the rules,” he wrote. “Those rewritten rules funnel even more wealth to the few. Under this weight, democracy itself starts to buckle.”

A free press is a cornerstone of a healthy democracy.

Support trusted journalism and civil dialogue.

Advertisement




Source link

Advertisement
Continue Reading

California

This 1947 adobe home has found a new life as a ‘modern California hacienda’

Published

on

This 1947 adobe home has found a new life as a ‘modern California hacienda’


This is the latest instalment of The Inside Story, Wallpaper’s series spotlighting intriguing, innovative and industry-leading interior design.

Nestled at the base of the San Gabriel Mountains in Sierra Madre, a 1947 adobe home – a traditional building method using sun-dried bricks of organic materials – has been reimagined. Removed from the noise and polish of Los Angeles, this neighbourhood is shaded by California oaks, eucalyptus and pine, and shares its hillside with bears. It’s an unusual setting for a design story.

(Image credit: Michael P.H. Clifford)

Advertisement

mid-century california home redesigned by Kirsten Blazek

(Image credit: Michael P.H. Clifford)

The home’s transformation began with a fire that destroyed much of the structure, leaving only the original adobe brick wall standing. Rather than rebuild from scratch, designer Kirsten Blazek of A1000XBetter chose to work with what remained.

‘The overall vision was to maintain as much of the original character and style of the home as possible, while making it more functional for modern living,’ she explains. New rooms were added – a kitchen, a primary suite, a family room – though the expansion was restrained. ‘We worked mainly within the original footprint,’ the designer notes, ‘only adding a small amount of square footage for the primary closet.’

mid-century california home redesigned by Kirsten Blazek

(Image credit: Michael P.H. Clifford)

mid-century california home redesigned by Kirsten Blazek

(Image credit: Michael P.H. Clifford)

Advertisement

mid-century california home redesigned by Kirsten Blazek

(Image credit: Michael P.H. Clifford)

On the original adobe side, the layout was left untouched. The hallway windows, original to the 1947 build and ‘one of [Blazek’s] favourite features’, were preserved. ‘I wanted the house to feel like a modern California hacienda,’ she says of her guiding aesthetic, ‘and embraced that through every colour choice and finish.’



Source link

Continue Reading
Advertisement

Trending