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Civil rights leader Daisy Bates and singer Johnny Cash to replace Arkansas statues at the US Capitol – The Boston Globe

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Civil rights leader Daisy Bates and singer Johnny Cash to replace Arkansas statues at the US Capitol – The Boston Globe


LITTLE ROCK, Ark. (AP) — When Arkansas lawmakers decided five years ago to replace the statues representing the state at the U.S. Capitol, there was little objection to getting rid of the existing sculptures. The statues that had stood there for more than 100 years were obscure figures in the state’s history.

“I remember giving tours to constituents from Arkansas, to young people, and I would point out the two representatives in Statuary Hall in our United States Capitol from Arkansas,” said former Gov. Asa Hutchinson, who also served in Congress. “And they would say, ‘We’ve never heard of them.’”

Instead of two little-known figures from the 18th and 19th centuries, the state will soon be represented by the “Man in Black” and a woman who was instrumental in the fight over school desegregation.

Officials plan to install statues of civil rights leader Daisy Bates this week and musician Johnny Cash later this year.

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Bates, who headed the state NAACP, mentored the Black students known as the Little Rock Nine who integrated Central High School in 1957. She is a well-known civil rights figure in Arkansas, where a downtown street in the capital, Little Rock, is named in her honor. The state also marks Daisy Bates Day on Presidents Day.

Benjamin Victor, the Idaho sculptor who was chosen to create the statue of Bates, said he began his work by extensively studying her, including reading her 1962 autobiography and visiting her Little Rock home and Central High. He said he hopes the statue will help U.S. Capitol visitors learn more about her as well.

“I hope it really first and foremost inspires them to study Daisy Bates’ life and legacy,” Victor said. “A big part of it is to capture that spirit of hers and inspire others to do the same and stand up for what’s right.”

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The 8-foot tall bronze statue depicts Bates, who with her husband published the Arkansas State Press newspaper, walking with a newspaper in her arm. She holds a notebook and pen in one hand and wears a NAACP pin and rose on her lapel.

Cash was born in Kingsland, a tiny town about 60 miles (100 kilometers) south of Little Rock. He died in 2003 at age 71. His achievements include 90 million records sold worldwide spanning country, rock, blues, folk and gospel. He was among the few artists inducted into both the Country Music Hall of Fame and Rock & Roll Hall of Fame.

The 8-foot (2.4-meter) tall statue of Cash depicts the singer with a guitar slung across his back and a Bible in his hand. Little Rock sculptor Kevin Kresse, who was selected to create the statue, has sculpted other musical figures from Arkansas such as Al Green, Glen Campbell and Levon Helm.

Kresse views Cash as a much-needed addition to the Capitol as a counterbalance to the conflict in Congress, he said.

“He walked the walk and he lived what he believed. And that was just this quality that really appealed to me,” Kresse said. “And that interior thoughtfulness was something that I really wanted to try to bring out in this sculpture.”

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The Bates and Cash statues will replace ones depicting James P. Clarke, a former governor and U.S. senator in the late 1800s and early 1900s, and Uriah Rose, a 19th century attorney. The statues had come under scrutiny, especially over racist comments Clarke made calling on the Democratic Party to preserve “white standards.”

Republican Sen. Bart Hester, a Republican who is now the Senate president pro tem, began calling for the statues to be replaced in 2018. Clarke Tucker, Clarke’s great-great-grandson and a Democratic state senator, also called for his ancestor’s statue to come down.

“There was recognition broadly that it was time for a change,” said Hutchinson, who signed the 2019 law requiring the Bates and Cash statues to go up.

Choosing their replacements was the hard part, with lawmakers offering competing ideas ranging from Walmart founder Sam Walton to a Navy SEAL from the state who was killed in Afghanistan. After some wrangling, lawmakers eventually approved Bates and Cash.

Sen. David Wallace, who sponsored the legislation to replace the previous sculptures, said he hoped the new statues would tell people more about the types of figures Arkansas has produced over the years.

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“We wanted to do the common person that represented Arkansas,” Wallace said. “And I think that with Daisy Bates and with Johnny Cash, we covered the spectrum in Arkansas. Just, they represent the common folks of Arkansas.”





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Freshman OL Tucker Young never wavered through Arkansas football coaching changes | Whole Hog Sports

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Freshman OL Tucker Young never wavered through Arkansas football coaching changes | Whole Hog Sports





Freshman OL Tucker Young never wavered through Arkansas football coaching changes | Whole Hog Sports







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ROBERT STEINBUCH: DEI deja vu | Northwest Arkansas Democrat-Gazette

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ROBERT STEINBUCH: DEI deja vu | Northwest Arkansas Democrat-Gazette


Central Arkansas Library System formalized a four-month timeline two weeks ago to find its next executive director. During that meeting, Miguel Lopez, a banker and former chairman of the Arkansas Ethics Commission who is among the community members serving on the hiring committee, stepped up with the sad but predictable racialized script.

He’d like an emphasis on programming, he said. So far, so good. But then came the kicker: He wants a director who “either has a diverse background or diverse perspectives, and that can make anyone feel included.”

You know this autotuned siren song by now. DEI isn’t dead; it’s just rebranded, as if the United States Supreme Court, the Arkansas Legislature and governor, and basic common sense hadn’t already weighed in against it.

Note Lopez’s ask: diverse background or diverse perspectives. Of course, the former is the pigment and plumbing mandate that I’ve discussed here many times.

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What exactly is “diverse perspectives,” though? Is it someone who believes (i.e., knows) that affirmative action is unconstitutional? Someone who understands that biological sex is real? Someone who voted for Donald Trump?

Somehow, those perspectives never seem to count. That’s because the phrase isn’t a commitment to viewpoint diversity at all. It’s a coded assurance that the successful candidate will embrace the “right” (i.e., left) views–an unwavering adherence to the narrow ideological catechism of race-conscious policy preferences, biological-sex denial, and the full DEI lexicon of systemic grievance–even if the candidate, mon Dieu, doesn’t check the preferred demographic boxes himself. And the moment a candidate expresses support for merit-based hiring, he is no longer “diverse.” He is disqualified. Diversity, it turns out, is remarkably homogenous.

But at least Lopez comes to his outlook organically, having once served as the “Hispanic resource officer” at First Community Bank. Who came up with that title–Archie Bunker?

Lopez says he wants to make everyone feel included. Here’s a radical idea that actually works: include them by hiring the best person for the job without regard to race, sex, or other identity checkboxes. And treat patrons as individuals who come to the library for books, knowledge, programming, and quiet refuge–not as avatars of demographic grievance.

That’s not only good policy, it’s the law. Arkansas prohibits any governmental entity from “discriminat[ing] against, or grant[ing] preferential treatment to, an individual or group on the basis of race, sex, color, ethnicity, or national origin . . . .”

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Sadly, the left has spent decades using schools, media, politics, and captured institutions to indoctrinate the public into believing that “diversity” means something nobler than old-fashioned affirmative discrimination. It doesn’t. It functions as a linguistic loyalty oath. To be considered a candidate of a “diverse background” or possessing “inclusive values,” an individual must subscribe wholesale to a specific framework of systemic grievance and identity politics–where dissent is not viewed as a valid counterpoint, but an existential threat to the collective.

Forgive my return to this topic in this column after having had a brief respite, but Lopez’s comments demonstrate that euphemized discrimination resists eradication like a fungus, and efforts to conceal its nature are one of the great hypocrisies of modern times. Take, for example, those academics who insist that their replacement of the pre-Bakke admissions quotas with “holistic review” was anything beyond a transparent shell game.

Holistic review’s score sheet includes such, uh, measurable qualifications as “grit,” which rides along with “lived experience” as wonderfully pliable tools allowing admissions officers to engineer the same racial outcomes as quotas while pretending to evaluate character. The subjectivity isn’t a bug. It’s the feature that makes demographic tailoring possible. No surprise, then, that the outcomes of this alleged comprehensive evaluation method remarkably track the old quota system.

Consider, similarly, the inverted logic of those bemoaning the “implicit bias” of standardized exams painstakingly designed to be neutral. DEI ideologues deride that objectivity, because they won’t abide testing that doesn’t necessarily produce equal results across cohorts. So their solution is always the same: discard the test, massage the scores to create the à priori demanded outcomes, or declare objectivity itself suspect.

Even worse is the central paradox of the modern diversity apparatus: DEI directives champion a kaleidoscope of appearance, but the orthodoxy of thought is non-negotiable. DEI turns neutral public institutions into Red Guard re-education camps (forgive my mixing of communist thuggery for illustrative purposes).

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The library should be about literacy, access to ideas, and community enrichment–not an outpost for the latest equity workshop. Patrons don’t check the director’s demographic scorecard before checking out a book. They care whether the shelves are stocked, the programs are substantive, the budget is managed responsibly, and the doors open on time.

Merit doesn’t have a skin color or gender quota. The country has moved past this failed experiment. Corporations have abandoned it. Courts have struck it down. And states are legislating against it, as Arkansas already has. If public institutions like CALS don’t lead by example, they should at least stop lagging behind.

This is your right to know.


Robert Steinbuch, the Arkansas Bar Foundation Professor at the Bowen Law School, is a Fulbright Scholar and author of the treatise “The Arkansas Freedom of Information Act.” His views do not necessarily reflect those of his employer.

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Dino Fest brings interactive experiences, lifelike dinosaurs and reptiles to Arkansas July

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Dino Fest brings interactive experiences, lifelike dinosaurs and reptiles to Arkansas July


Set for Saturday, July 18, Dino Fest is bringing prehistoric fun to Arkansas with interactive experiences, lifelike dinosaurs, and even some real reptiles.

Jurassic J. and Connor Hesington stopped by to share what attendees can expect.



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