Movie Reviews

Do Aur Do Pyaar Movie Review: Vidya Balan & Pratik Gandhi’s romantic, lighthearted film on infidelity is refreshing

Published

2 years ago

April 19, 2024

Do Aur Do Pyaar Movie Review: Vidya Balan & Pratik Gandhi’s romantic, lighthearted film on infidelity is refreshing

Both Vidya Balan and Pratik Gandhi shines in a relatable love story that is nonjudgmental when it comes to infidelity.

Marriage is no doubt a wonderful institution, but who wants to live in an institution. Azazel Jacobs’s The Lovers (2017), Do Aur Do Pyaar movie shows that marriages are not only about sharing a bed and a bedroom. It needs to have the zing which is missing in most modern day marriages. Probably the familiarity and the comfort of the relationship is so huge that couples start taking the relationship for granted. And that is where the down slide begins.

Marriages are never rosy. It’s mostly messy and that’s what make it challenging. Kavya (Vidya Balan) and Ani (Pratik Gandhi) are married for 12 years. They are not exactly unhappily married, but that mad, passionate love is not there anymore. So, they are looking for affection outside marriage. A relationship outside marriage that makes them feel alive and that partner outside marriage is not judging you for your looks, clumsiness or your personality. That partner outside marriage is finding your flaws to be attractive.

Still from Do Aur Do Pyaar movie

Often in marriages beyond a certain year, you stop engaging with each other, you lose interest and most importantly you don’t argue or fight with each other. Both of you are just like two pieces of furniture. Like Kavya (Vidya Balan) says in the film, “Why is that we don’t have fights like the way we used to do during our initial years of our relationship.” Very true, isn’t it? Relationships stay alive with fights and we often forget that. And again not always do you need to be faithful to each other. Shirsha Guha Thakurta’s feature debut
Do Aur Do Pyaar
tries to say that a certain element of adultery in a relationship is normal.

**Vidya Balan, Pratik Gandhi’s Do Aur Do Pyaar movie**

Do Aur Do Pyaar
shows that for Kavya (Vidya Balan) and Ani (Pratik Gandhi) relationship all they talk about is the size of the garbage bags and allergy medicine. The relationship has gone monotonous and there isn’t any freshness in their conversation. Kavya finds happiness in her relationship with a handsome photographer who mostly works out of New York, but has decided to settle down with her in Bombay. The role is played by Sendhil Ramamurthy. While Ani feels alive in the arms of an aspiring actor Nora played by Ileana D’Cruz. Simple concept that happens in many urban households, but the way the film treats it is what makes it refreshing.

**Vidya Balan and Pratik Gandhi in Do Aur Do Pyaar movie**

But the happiest part of the film is when Kavya and Ani make a trip to her hometown, Ooty, Tamil Nadu when Kavya’s grandfather expires. They revisit the beginning of their love from there. It kind of brings back nostalgic memories of their love story starting from the lamppost where they hit while riding a scooter to the retro-bar where they used to go for a drink and most importantly their favorite love songs.

The connection of food in films is kind of dying and it is great to see the new filmmaker showing the origin of Chicken65 and Begun posto (aborigines with poppy seed paste). The clash of cultures and the clash of two states (Tamil Nadu and West Bengal) is beautifully depicted in Do Aur Do Pyaar.

Rating: 3 and half out of 5

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Movie Reviews

Movie Review: AFFECTION – Assignment X

Published

11 hours ago

May 9, 2026

Press Room

By ABBIE BERNSTEIN / Staff Writer

Posted: May 8th, 2026 / 08:34 PM

Rating: Not Rated
Stars: Jessica Rothe, Joseph Cross, Julianna Layne
Writer: BT Meza
Director: BT Meza
Distributor: Brainstorm Media
Release Date: May 8, 2026

AFFECTION is an odd title for this tale. While it is about a number of topics and emotions, fondness isn’t one of them. Obsession, definitely. Love, possibly. The kind of general warm fellow feelings associated with “affection”? No.

There have been a lot of movies lately in which characters – mostly women – are grappling with false identities and/or false memories imposed upon them, mostly by men.

Let us stipulate that the protagonist (Jessica Rothe) in AFFECTION is not an android or in an artificial reality. However, we can tell something is way off from the opening sequence. A car is stalled on a tree-bordered highway. Rothe’s character is lying face down on the asphalt beside it, possibly dead.

But then the young woman rises, dragging a broken ankle. She experiences a full-body seizure. Fighting to recover, she sees oncoming headlights and tries to run, only to be hit by a car.

The woman wakes up in a bed she doesn’t recognize, next to a man (Joseph Cross) she likewise is sure she’s never seen before. One big confrontation later, the man says his name is Bruce – and that the woman is his wife, Ellie.

Ellie insists that her name is Sarah Thompson, and she is married to someone else, with a son. When she sees her reflection in a mirror, she doesn’t relate to the face looking back at her.

Bruce counters that Ellie has a rare neurological condition that causes her to block out her waking life and believe her dreams are real. This is why they agreed, together, to move to this isolated house, without the kinds of interruptions that can hinder Ellie’s recovery.

The set-up is presented in a way where we share Ellie’s skepticism. But Ellie and Bruce’s little daughter Alice (Julianna Layne) immediately identifies Ellie as “Mommy!” Alice appears to be too young to be in on any kind of deception, so what is going on here?

AFFECTION eventually explains this via a helpful videotape, though it’s so convoluted that viewers watching on streaming may want to replay the sequence to make sure they understand the exposition.

Writer/director BT Meza musters a sense of menace and lurking weirdness, as well as making great use of his location.

We still have a lot of questions, many of which are still unanswered by the film’s end. It may not matter to the points AFFECTION is trying to make, but a better sense of exactly how all this started might help our investment.

As it is, despite a heroically versatile performance by Rothe, a credible and anguished turn by Cross and appealing work from Layne, we’re so busy trying to piece together what’s important and what’s not and how we’re supposed to feel about all of it that it can be hard to keep track of the action as it unfolds.

Agree or not, Meza’s arguments are lucid and illustrated clearly by AFFECTION’s events. However, the movie is structured in a way that becomes more frustrating as it goes. We comprehend it intellectually but can’t engage viscerally.

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Movie Reviews

8News Reel Talk: ‘The Devil Wears Prada 2’ movie review

Published

23 hours ago

May 8, 2026

Press Room

8News Reel Talk: ‘The Devil Wears Prada 2’ movie review

RICHMOND, Va. (WRIC) — In this episode of 8News Reel Talk, digital producer Julia Broberg is joined by anchor Deanna Allbrittin and reporter Allison Williams to talk about “The Devil Wears Prada 2.”

The hosts gave their reviews and assigned the following star ratings:

Deanna: ★★★★.5

Allison: ★★★.25

Julia: ★★

To watch more livestreams and digital video content, head to the WRIC+ Originals page. You can also watch full on-demand videos on your smart TV using the WRIC+ app.

Movie Reviews

“Billie Eilish – Hit Me Hard and Soft: The Tour” Movie Review – Spotlight Report

Published

1 day ago

May 8, 2026

Press Room

“Billie Eilish – Hit Me Hard and Soft: The Tour” Movie Review – Spotlight Report

Billie Eilish fans prepare yourself, the much talked about secret project has finally arrived on the big screens!

Billie Eilish has always been about intimacy over artifice, but her latest concert film takes that to a visceral new level. Co-directed by Eilish and James Cameron, Billie Eilish – Hit Me Hard and Soft: The Tour (Live in 3D) manages to bridge the gap between a massive stadium show and the quiet grit of life backstage.

The film starts 18 minutes out from the show and builds the tension until audiences are literally folded into a box with her. Being taken under the stage, passing fans who have no idea she’s inches away, sets a tone of total immersion. What makes this film different is the balance between the spectacle and the behind-the-scenes reality. We see the creative shorthand between Billie and James Cameron as they chase what she calls the “best kind of sensory overload”.

The film is very much fan focussed, with the sound mix being so specific that you can hear individual fans singing along in sync with the visuals.

There are so many standout moments, the handheld camera work during “Bad Guy” that gives a dizzying POV of the band, and the chilling minute of silence Billie requests from the crowd to record a vocal loop.

The film captures her unique stage presence. Influenced by rap culture, Billie refuses to have anyone else on stage, unlike many female artists that use back up dancers. Billie can hold the entire stadium in awe by herself which is incredible to witness, until Finneas joins her for a beautiful, emotional piano set.

Between the high-tech visuals and the “Puppy Room” (where she keeps rescue dogs for staff to decompress), the film feels incredibly personal. While the film doesn’t give us any new insights into Billie, Billie Eilish – Hit Me Hard and Soft: The Tour (Live in 3D) is an enjoyable experience that elevates the tradition concert film.