Connect with us

Culture

What happened to Deion Sanders' Colorado castoffs? Revisiting a record-setting exodus

Published

on

What happened to Deion Sanders' Colorado castoffs? Revisiting a record-setting exodus

Chase Sowell walked into Colorado’s football facility on the Sunday after the 2023 spring game and saw more than a dozen teammates lined up against a wall.

As each player entered the head coach’s office and emerged within minutes enraged or in tears, the second-year receiver nervously pondered his fate.

“We knew it was going to happen, but we didn’t know it was going to happen that soon,” Sowell said.

Deion Sanders, given his Power 5 head coaching shot in December 2022 after three successful years at Jackson State, had promised to clean house. He vowed talented transfers were on the way to replace anyone unprepared to play for him. And less than 24 hours after the Buffaloes’ ballyhooed ESPN-televised spring showcase, Sanders informed 20 scholarship players they were moving on.

“He didn’t sugarcoat it,” Sowell said. “He was telling me, ‘You’re coming off injury. I don’t think you will be one of the guys we need to start this year. We need guys that are going to be ready to play now.’”

Advertisement

Sanders didn’t need to use the word “cut.” Sowell understood it was time to pack his bags, enter the transfer portal and find a new home.

First-year coaches running off underperforming players are commonplace in college football. Dumping 20 in one day is not. By the end of the spring, 53 scholarship players transferred out of the program.

Colorado’s extreme roster makeover, unprecedented in modern college football history, yielded 87 newcomers and far more fascination about what Sanders could bring to Boulder. The Buffaloes were a downright phenomenon when they stunned TCU and started 3-0. They backslid hard, losing eight of nine Pac-12 games. Win or lose, Sanders got everyone watching – including his former players.

Where did they go?

 

Advertisement

Colorado’s castoffs went off on new journeys across college football. Fifteen matriculated to Power 5 programs. Twenty-two ended up on Group of 5 rosters, 11 went FCS or Division II, and two attended junior colleges. Three ex-Buffs went unsigned out of the portal and haven’t played since. And several had to fight the NCAA for the opportunity to keep playing.

Quarterback Owen McCown arrived at Colorado in 2022 with a freshman class desperate to turn around a program that had eight losing seasons over the past decade. The son of Minnesota Vikings assistant Josh McCown started three games as a freshman during the brutal 2022 season. Coach Karl Dorrell was fired after an 0-5 start. The Buffs got blown out almost weekly.

“Going through that rough season made us all close,” McCown said of his class. “And then, obviously, it all went away.”

Sanders walked into his first Colorado team meeting on Dec. 4, Tupac’s “All Eyez on Me” on the speakers, and delivered his first warning.

Advertisement

“I’m coming to restore, to replace, to re-energize some of y’all that are salvageable,” Sanders said. “I’m not going to lie. Everybody that’s sitting their butt in a seat ain’t going to have a seat when we get back.”

Sowell, a redshirt freshman from Houston, was unfazed.

“I don’t think he was being a d— about it,” Sowell said. “I think he was just being straight up: Prove to me that you can play.”

McCown skipped the team meeting. He was the third Colorado player to enter the transfer portal, going to UTSA, where he could start this fall. Sowell stayed to battle it out, but after season-ending surgery for a torn labrum, it was a tough time to be at his best. He was cleared to practice a week into spring ball.

Every day felt like a tryout. Sowell thought he had to be perfect to gain approval. He wasn’t himself. More stressed, more withdrawn. New coaching staffs can be disorienting for players, because they don’t know whom to trust. Sowell’s father grew up in Florida and revered Sanders, and Sowell didn’t want to disappoint his family by failing.

Advertisement

There was nowhere to hide. Cameras followed the team around constantly for Sanders’ Amazon documentary series and his son’s Well Off Media YouTube channel.

“It kinda felt like a reality TV show,” Sowell said.

It didn’t take long for returning Colorado players to figure out the narrative. Quarterback Shedeur Sanders, wide receiver/cornerback Travis Hunter and 19 more transfers were brought in for spring practice. They were the stars of the show.

“We felt like it was us vs. them instead of all of us together,” Sowell said. “That’s the best way I can put it. The new guys were going against the players that had already been there. It wasn’t a good environment to be in. It wasn’t a team environment.”

His freshman class was an inseparable group. The players lived on campus together, dined together and played pickup basketball together. They would return to the dorms at night that spring and talk openly about their predicament: What do we do?

Advertisement

On the morning of April 23, their group text blew up. Players were called into exit meetings with Sanders and told they couldn’t play at CU. One described the experience as going to see the Grim Reaper. Sowell’s meeting was his first one-on-one conversation with the head coach.

The following morning, Sowell said, players were locked out of Colorado’s football facility. They couldn’t grab their things from the locker room. They couldn’t grab a meal at the training table.

“When you’re gone, you’re gone,” Sowell said.

Sowell wanted to go where he could play as many snaps as possible. He picked ECU. It was a big move across the country for a Texas kid who knew hardly anything about the school. But he connected with receivers coach Dyrell Roberts and felt welcomed in his first team meeting with the Pirates.

They needed him, too. Sowell emerged as ECU’s No. 1 wide receiver, leading the team with 47 receptions for 622 yards and a touchdown.

Advertisement

Sowell says he’s happier than ever. His mom says he’s back to being his “true self” at ECU. A year later, he remains in touch with his freshman class in the group text.

Jordyn Tyson picked Arizona State. Dylan Dixson chose Missouri State. Grant Page and Simeon Harris are at Utah State. Anthony Hankerson and Van Wells left Colorado this offseason and are now at Oregon State.

Not one member of their 31-man signing class is still playing for Colorado.

Xavier Smith’s sitdown with Sanders was later Sunday. By then, the redshirt freshman safety knew what to expect. His father encouraged him to hope for the best. But he didn’t even get a one-on-one. Defensive coordinator Charles Kelly brought Smith and safety Oakie Salave’a into the office together.

“We sat on the sofa, and he’s talking to us, but he’s not even looking at us,” Smith said. “I’m looking Coach Kelly dead in his eyes. (Sanders) said he felt like I should hit the portal. He didn’t want me to waste a year thinking I could earn a spot.

Advertisement

“I was actually getting mad, like tears coming to my eyes. Because, bro, you never even tried to get to know me.”

Smith wasn’t shocked he was cut, given his injury history. He’d broken his right leg during his senior season in high school and again in the spring while rehabbing. He played in one game in 2022 but missed the rest of the season with a hamstring injury. Now Smith was finally healthy and, as a young defensive back from Atlanta, eager to learn from his Hall of Fame coach.

Smith assumed Sanders would dump older players and embrace the young talent he inherited. During the team meeting, he told himself: He’s not talking about me. I ain’t leaving.

During the spring, Smith felt more like an extra in the background of the reality show. He tried to make the most of second-team reps and made plays in the spring game but struggled to get Sanders’ attention. So as he sat on that couch and listened to Kelly encourage him to leave, sure, there was frustration.

Advertisement

“He was destroying guys’ confidence and belief in themselves,” Smith said. “The way he did it, it could’ve been done with a little more compassion.”

For Smith and many of the inexperienced players cut by Colorado, the spring transfer window was unnerving. Schools have limited scholarships available entering the summer, and it’s tougher to earn offers with limited game and practice tape. Among the 30 scholarship players who left the program after the spring game, 20 continued playing at the FBS level but only nine joined Power 5 programs.

Smith regained his confidence at Austin Peay. The FCS program in Clarksville, Tenn., provided an opportunity to play right away, and coach Scottie Walden won him over with his relentless enthusiasm. Smith caught up quickly to earn a starting role and Freshman All-America recognition on a 9-3 team that won its conference.

At the end of the season, Walden landed the head job at UTEP. Smith re-entered the transfer portal and followed him to El Paso.

“It’s rare you meet a head coach who genuinely wants to see every player on his roster succeed,” Smith said.

Advertisement

Jake Wiley did not get cut. But he wasn’t looking to stay.

The offensive tackle from Aurora, Colo., spent four years with the Buffaloes and saw it all. He committed to Mike MacIntyre in 2018, redshirted during Mel Tucker’s lone season, became a two-year starter under Dorrell and had five different offensive line coaches.

“That’s not a normal number,” Wiley said.

He stayed for the spring to finish his degree and to see if he fit with the new staff. On cut day, Wiley received an ominous text.

“In our O-line group chat, one of the offensive line coaches texted the group and said, ‘Good luck fellas,’” Wiley said, “and then he just removed all of them. It said these five people were removed from the chat. We were like, ‘Huh? What happened?’”

Advertisement

Two days after they entered the portal, Wiley joined them. He said players who survived the cut still felt unwanted and expendable. He was one of seven returning starters who departed that spring along with running back Deion Smith (BYU), receiver Montana Lemonious-Craig (Arizona), defensive linemen Jalen Sami (Michigan State) and Na’im Rodman (Washington State), cornerback Nikko Reed (Oregon) and safety Tyrin Taylor (Memphis).

“Let me tell you this, because this is something you may not know,” Sanders said last November on “The Dan Patrick Show.” “Maybe 20 kids we may have sat down with and said, ‘We may head in a different direction; I don’t know if this is gonna work out.’ Everybody else quit. They quit. You can’t hold me responsible.”

Wiley was overwhelmed by the number of calls he received upon entering the portal and narrowed his list to UCLA, Duke and Purdue. He flew to Los Angeles to watch a spring practice and was told the Bruins needed a tackle. Wiley loved the campus and liked staying in the Pac-12. It was an easy decision.

He didn’t learn he was moving to guard until the day before preseason camp. That’s a lot of new technique to learn in addition to a new offensive scheme. Wiley rotated in at right guard in UCLA’s first four games but then saw his playing time drop off considerably.

For many of his fellow ex-Buffs, this was a common issue. Among the 37 transfers who departed after Sanders was hired and landed at FBS schools, 23 did not start a game last season. Three former teammates – running back Jayle Stacks, receiver Maurice Bell and cornerback Nigel Bethel Jr. – went unsigned and didn’t play last season. Bell is now a trainer and working in real estate back home in California.

Advertisement

Going from playing to watching wasn’t fun, and Wiley admits he might’ve handled the letdown poorly if he were younger. He tried to respond with maturity.

“I wasn’t going to be that guy that was really complaining a lot or pouting and being negative,” he said. “If I wasn’t going to play, I wasn’t going to sit there and be a drain on the team.”

Wiley re-entered the portal in late November and relocated to Houston, where he’s once again playing tackle and helping a new coaching staff set a standard.

Wiley says he’ll always be a Colorado alum and fan, and he couldn’t help but marvel at the spectacle Sanders created.

“I never would’ve ever thought that Lil Wayne would be running the CU Buffs out of the tunnel,” Wiley said.

Advertisement

While his new Miami (Ohio) teammates enjoyed a day at Universal Studios in Orlando, Fla., Maddox Kopp testified via Zoom in a U.S. District Court hearing in West Virginia.

At the conclusion of the Dec. 13 hearing, District Judge John P. Bailey issued a 14-day temporary restraining order against the NCAA, granting immediate eligibility to college athletes who’ve transferred multiple times. The TRO halted the organization’s attempts to enforce a one-time transfer rule. And it was a former Colorado quarterback who helped make history.

Kopp was required to sit out the 2023 season as a two-time transfer. So were defensive back Tayvion Beasley (San Diego State), tight end Seydou Traore (Mississippi State) and offensive linemen Yousef Mugharbil (NC State) and Noah Fenske (Southern Illinois). Beasley, Traore and Mugharbil came to Colorado as transfers with Sanders and were gone by the end of the spring.

Kopp was sitting in the front row when Sanders arrived. He’d trained with Shedeur Sanders and knew what came next. In his first visit with the QBs, Sanders told them Shedeur was on the way and their job was to make him better.

“I was just sitting there thinking, it is what it is,” Kopp said. “I need to find a new home and a place that wants me.”

Advertisement

Kopp was starting over again after one year at Houston and one at Colorado. He transferred to Miami (Ohio) and built his case for an eligibility waiver.

The NCAA significantly altered its waiver criteria in January 2023. Getting run off by a school was no longer a valid justification. Kopp needed to provide a documented medical or safety-related reason for leaving. His attorney argued Colorado did not make accommodations for learning disabilities Kopp has dealt with since elementary school. The NCAA denied his waiver and then denied his appeal in August.

Fenske went through the same ordeal. The offensive lineman left Iowa in 2021 for mental health reasons and was a backup with the Buffaloes for two seasons. He didn’t like what he heard in Sanders’ team meeting.

Fenske rode back from the meeting with lineman Alex Harkey and said he was entering the portal. Harkey told him he was overreacting. Harkey was cut after the spring game and is now at Texas State.

“There’s not one person that watches that video – even the people who love him – and says he’s not gonna sh–can everybody,” Fenske said.

Advertisement

Fenske transferred to FCS Southern Illinois and was set to be the Salukis’ starting left tackle last fall. He submitted his waiver request in July and waited 70 days for a rejection in September, three games into the season. He kept preparing to play, believing he’d win on appeal. The final denial from the NCAA came Oct. 17, days before Southern Illinois faced No. 1 South Dakota State. Fenske broke down in tears in coach Nick Hill’s office upon learning the news.

“It didn’t matter if we had letters of recommendation from (Colorado athletic director) Rick George and (Colorado interim coach) Mike Sanford,” he said. “It didn’t matter if we had proof that I was seeking counseling and wasn’t getting it. They decided that my mental health was not dangerous enough to myself that I needed to leave there.”

The eligibility cases of North Carolina’s Tez Walker and several men’s basketball players generated national attention and political pressure. Ohio Attorney General Dave Yost led a seven-state antitrust suit filed in December.

Though Kopp was eligible to play in the Cure Bowl against Appalachian State since the school semester had ended, he was eager to push for reform and help athletes avoid the NCAA’s complicated waiver process. Xavier Smith was able to transfer to UTEP after the TRO and said he’s thankful Kopp went the extra mile.

“It takes the power out of their hands,” Kopp said of the NCAA. “If they’re gonna make these rules, I just want them to be consistent.”

Advertisement

Empowered by the court ruling and the NCAA’s subsequent adoptions of new rules permitting unlimited transfers, more college football players are entering the portal than ever before. At Colorado, more than 30 Buffs are moving on, including 18 transfers Sanders brought in to replace those he cut.

Their exits have not brought the same shock-and-awe fanfare of last spring’s purge, but the motivations are similar: Sanders retooling with eyes on dramatic improvement while his departing players seek better situations. The head coach joked on a podcast this month that the portal is akin to room service.

“I can order what I want,” Sanders said.

For the Colorado players he didn’t want, those 53 transfers whose locations and lives changed over the past 12 months, the bitterness is beginning to wear off.

Advertisement

“My experience with Deion wasn’t one where I’m going to go bash him,” Sowell said. “There were things I agreed with that he did and things I didn’t agree with that he did. But that’s like any head coach. When he came in and made his decisions, I trusted God and I said everything happens for a reason.

“And I got to meet Deion Sanders, so I can’t really complain. I got to meet one of the best to ever do it.”

(Illustration: John Bradford / The Athletic; photo: Ryan King / Getty Images)

Advertisement

Culture

Frank Stack, Painter Who Secretly Drew ‘The Adventures of Jesus,’ Dies at 88

Published

on

Frank Stack, Painter Who Secretly Drew ‘The Adventures of Jesus,’ Dies at 88

Frank Stack, an art professor and painter who secretly moonlighted as Foolbert Sturgeon, the satirical cartoonist who created “The Adventures of Jesus,” a chronicle of Christ’s encounters with sanctimonious hypocrites that is widely considered the first underground comic, died on April 12 in Columbia, Mo. He was 88.

The death, at a hospital, was confirmed by his daughter, Joan Stack.

Mr. Stack taught studio art at the University of Missouri and was well regarded for his intricate drawings, etchings and watercolor paintings, which he often composed alone, sitting cross-legged on a quiet riverbank.

As Foolbert Sturgeon — a persona he concealed for two decades to protect his day job — he lampooned religion, academia and the military, among other sacred tendrils of the 1960s and ’70s, signing his acerbic broadsides with his vaudevillian nom de plume.

“His comics were funny, well drawn and smart,” his friend the cartoonist R. Crumb said in an interview. “And he was a very, very fine watercolor artist and oil painter. He was the real thing.”

Advertisement

Mr. Stack was especially adept at nudes, once drawing Mr. Crumb’s wife, the feminist underground cartoonist Aline Kominsky-Crumb, in a state of total undress.

“He did a very fine job,” Mr. Crumb said. “He really knew anatomy.”

Mr. Stack did not become as famous (or notorious) as Mr. Crumb, a subversive and misanthropic character in San Francisco’s counterculture scene, whose heavily crosshatched, grotesquely sexual drawings came to define underground comics during the 1960s.

In contrast to Mr. Crumb, whose roguish demeanor was immortalized in the 1994 documentary “Crumb,” Mr. Stack worked secretively in the Midwest, his only notable behavioral quirk an ability to deliver astonishingly long monologues on seemingly any subject that occurred to him.

“Frank is an incredible story,” James Danky, a historian and co-author of “Underground Classics: The Transformation of Comics Into Comix” (2009), said in an interview, adding: “He’s not who you think he is. He’s more than that.”

Advertisement

Mr. Stack got his start in creative flippancy as a writer and then the editor of Texas Ranger, the humor magazine at the University of Texas at Austin, whose staffers, known as Rangeroos, have included the gossip columnist Liz Smith, the screenwriter Robert Benton and the comic book artist and publisher Gilbert Shelton.

After graduating in 1959 with a degree in fine arts, he worked briefly at The Houston Chronicle, one desk over from Dan Rather, and joined the Army Reserve. In 1961, he enrolled at the University of Wyoming for a master’s degree in art, but was called into active duty the same year following the Berlin Wall crisis.

Attached to a data processing unit on Governors Island in New York, he rented an apartment on West 94th Street and spent his evenings attending gallery openings, plays and art house movies with Mr. Benton and Mr. Shelton, who were also living in New York. He had no use for the Army.

“My entire company was constantly grumbling, grousing, growling, snarling, moaning and whining with discontent,” Mr. Stack wrote in “The New Adventures of Jesus: The Second Coming” (2006). “CBS actually sent a film crew to the island, but they were only allowed to speak with delegated individuals who, naturally, were hardly discontented at all.”

One day, Army officers distributed patriotic pamphlets titled “Why Me?”

Advertisement

“The gist was something about drawing a line in the sand to save the free world from communism. It didn’t go down well at all,” Mr. Stack wrote, adding that most, “if not all, of us thought it was ridiculous and insulting.”

He responded by drawing a cartoon on the back of a computer card depicting Christian martyrs being handed a pamphlet titled “Why Me?” as they entered an arena of hungry lions. He posted it on a bulletin board. A half-hour later, it had disappeared.

Undeterred, Mr. Stack continued drawing Jesus in a series of absurd situations — being arrested, registering to vote, attending faculty parties.

In one scene, a military police officer asks Jesus to produce his identification. “I don’t have one!” Jesus says. “I don’t have anything!” In another scene, Jesus walks on water by becoming a duck.

In 1962, the Austin gang in New York went their separate ways. Mr. Stack returned to Wyoming to finish his graduate studies in art. Mr. Shelton moved back to Austin for graduate school and to edit Texas Ranger.

Advertisement

Mr. Shelton loved the Jesus comics and had made copies for himself. He printed a few in a newsletter that he published locally. In 1964, with help from a friend who had access to a Xerox machine at the University of Texas law school, he made an eight-page book titled “The Adventures of Jesus.”

Scholars consider it to be the first underground comic. The cover credit went to “F.S.” because Frank Stack was now teaching at the University of Missouri, where demeaning Jesus, especially in comic-book form, probably wouldn’t have looked great on a curriculum vitae.

“I’ve always loved to see my stuff in print, but I was on the horns of a dilemma,” he wrote. “Did I dare to publish the cartoons under my own name when my job was at risk if the university ever noticed that I worked in the most disgraceful of all media — the awful COMIC BOOK?”

Instead, he created the ridiculous-sounding pen name Foolbert Sturgeon, which reminded him vaguely of Gilbert Shelton. Rising through the ranks of academia, he continued publishing Jesus strips.

“I kind of liked the anonymity of it — there wasn’t anything respectable about it, so you didn’t have to be careful about what you said,” he told The Comics Journal in 1996. “And of course, as a university professor, and as a painter, and as an ‘authority’ — as a role model — you do have to be careful about what you say.”

Advertisement

Frank Huntington Stack was born on Oct. 31, 1937, in Houston. His father, Maurice Stack, was an oil field supply salesman, and his mother, Norma Rose (Huntington) Stack, was a teacher.

Growing up, he drew constantly — on scraps of paper, the backs of envelopes, anything he could get his hands on. He loved newspaper comic strips, especially “Tarzan,” “Prince Valiant,” “Alley Oop” and “Krazy Kat.”

During high school, he visited an aunt who lived in Austin and worked at the University of Texas. There, he came across copies of Texas Ranger and decided to apply to the school, majoring in journalism before switching to fine arts. After he joined the humor magazine, one of the first artists he published was his classmate Mr. Shelton.

“He had something unusual at the time — an appreciation for things that made people laugh,” Mr. Shelton said in an interview.

Mr. Stack’s other books as Foolbert Sturgeon include “Dorman’s Doggie” (1979), about his dog, Pingy-Poo, and “Amazon Comics” (1972), an indecent retelling of Greek myths. He dropped the pen name in the late 1980s when he began collaborating with the underground comics writer Harvey Pekar on his “American Splendor” series.

Advertisement

In 1994, Mr. Stack illustrated “Our Cancer Year,” an autobiographical graphic novel by Mr. Pekar and his wife, Joyce Brabner, recounting Mr. Pekar’s battle with lymphoma.

The “narrative is by turns amusing, frightening, moving and quietly entertaining,” Publisher’s Weekly said in its review. “Stack’s brisk and elegantly gestural black-and-white drawings wonderfully delineate this captivating story of love, community, recuperation and international friendship.”

Mr. Stack married Mildred Powell in 1959. She died in 1998.

In addition to their daughter, he is survived by their son, Robert; six grandchildren; and his brother, Stephen.

Writing in “The New Adventures of Jesus,” Mr. Stack reflected on spending so many years as Foolbert Sturgeon.

Advertisement

“If I’d stuck by my guns maybe I’d be out of a job, disinherited, back in New York (not Texas, for sure) and dead by now,” he wrote. “But I ain’t apologizing. Who would I apologize to? God and Jesus? Why would they care?”

Continue Reading

Culture

Judith Barnard, of Best-Selling ‘Judith Michael’ Fame, Dies at 94

Published

on

Judith Barnard, of Best-Selling ‘Judith Michael’ Fame, Dies at 94

Judith Barnard, a freelance writer who stumbled on a second career as a best-selling author at 50, when she teamed with her husband, Michael Fain, a onetime aerospace engineer, to publish a potboiler novel under the pen name Judith Michael, died on May 6 in Chicago. She was 94.

Her death, at a hospital near her home, was caused by heart failure, her daughter, Cynthia Barnard, said.

Combining their first names to create the pseudonym Judith Michael, the couple published 11 commercially successful novels over the years, starting with “Deceptions,” an out-of-nowhere hit, in 1982.

Equal parts romance and thriller, “Deceptions” concerned identical twin sisters — Sabrina, a globe-trotting socialite living in London, and Stephanie, a suburban Illinois housewife — whose fleeting experiment with swapping lives proved to be less fleeting than expected.

Entertaining, yes. A Kirkus review called it “a strenuously inventive, big-budget” romance.

Advertisement

High literature? Not so much. The same review described the book as “glossily seamless nonsense” but noted its potential as fodder for a TV movie — an observation that proved prescient when NBC adapted it in 1985 as a two-part mini-series with Stefanie Powers, of “Hart to Hart” fame, playing the twins.

Then again, their plan had never been to give Thomas Pynchon a run for his money.

Ms. Barnard had already taken a stab at a literary career, publishing her first novel, “The Past and Present of Solomon Sorge,” in 1967. An introspective tale about a Midwestern university professor whose wife of 30 years abruptly abandons him, the book sold only a few thousand copies, leading Ms. Barnard to turn to freelance work on educational films and textbooks, as well as writing articles for Chicago magazines and newspapers.

Her literary horizons expanded after she married Mr. Fain, her second husband, in 1979. “We were looking for something we could do together,” she recalled in a 1991 interview with The Chicago Tribune. “Michael had written technical articles and liked the process but hadn’t found a field he was happy in.”

They began by writing articles about marriage and family for newspapers and magazines, including Good Housekeeping and Redbook. “We had such a good time working together that one day Michael said, ‘Enough of this! Why don’t we write a book?’” Ms. Barnard recalled in a 1999 interview with The Ledger of Lakeland, Fla.

Advertisement
“Deceptions” concerned identical twin sisters whose fleeting experiment with swapping lives proved to be less fleeting than they expected.Credit…Simon & Schuster

With “Deceptions,” they discovered a winning formula that they employed with many of their following books — what they called universal fantasies, about ordinary, if strong-willed, people who, by a stroke of fate, escape a quotidian existence to taste a life of wealth and adventure, only to face unforeseen challenges along the way.

In “Possessions” (1984), for example, a Vancouver mother of two, whose shady businessman of a husband vanishes, begins a glamorous new life as a jewelry designer in San Francisco, only to fall in with the wealthy family that he had concealed from her.

Similarly, in “Pot of Gold” (1993), a Connecticut housewife must learn for herself whether more money really does mean more problems after she wins a $60 million lottery.

Like their characters, Ms. Barnard and Mr. Fain found their lives transformed by unexpected success. As novel after novel climbed the best-seller lists, they traveled the world to research their books and divided their time between a spacious 16th-floor apartment overlooking Lincoln Park in Chicago and a second home in Aspen, Colo.

The couple’s 1993 novel told the story of a Connecticut housewife who wins a $60 million lottery.Credit…Poseidon

Also like their characters, they learned that success can be complicated — in their case, because it required juggling the usual pressures of marriage with the inevitable Lennon-McCartney-style tug of war that comes with creative collaboration.

Advertisement

As Ms. Barnard told The Ledger, “It’s very difficult to have a working relationship with this person who you think has done really dumb things that day and is going to be in your bed.”

Judith Goldman was born on Feb. 17, 1932, in Denver, the elder of two children of Samuel Goldman, who owned a shoe store, and Ruth (Eisenstat) Goldman.

After her parents divorced when she was a child, her mother married Harry Barnard, a prominent historian and biographer, and moved with her children to Chicago.

The family temporarily relocated to Ohio when she was in high school, and she graduated from Fremont Ross High School in 1949. She earned a bachelor’s degree in English from the Ohio State University in 1953. The same year, she married Jerre Papier, an electrical engineer. They divorced in 1970.

She met Mr. Fain by chance at a hospital, where both were visiting his ailing mother, a friend of Ms. Barnard’s. “Bittersweet times, as Michael’s mother was dying and we were falling in love,” she told The Ledger.

Advertisement

Once the couple decided to bet on a publishing career, there was no turning back. “We burned all our bridges, both quit our jobs, lived on our savings for one year,” Ms. Barnard said in a 1997 interview with The Oklahoman newspaper of Oklahoma City.

The couple’s 1984 novel focused on a Vancouver mother of two who reinvents herself after her husband, a shady businessman with a hidden past, vanishes.Credit…Simon & Schuster

“We didn’t know how hard it would be,” she added. “We just thought it would be wonderful to work together. And it was, after a while.”

In addition to her daughter, Ms. Barnard is survived by Mr. Fain; her son, Andrew Sharpe; five grandchildren; and a brother, David Barnard.

It helped that the couple adhered to a strict division of labor. After what could be months of plotting and laying down a basic outline together, Ms. Barnard then did the writing, while Mr. Fain served as the editor.

“He’s a superb one,” she said in a 1988 interview with The Houston Chronicle. “And sometimes a harsh critic.”

Advertisement

Each book might require five or six drafts, with endless fiddling. When the inevitable disagreements arose, Mr. Fain, an amateur photographer, would disappear into his darkroom to cool off, he told The Ledger, while Ms. Barnard headed to the kitchen to “knead bread and take out her aggressions.”

Then again, their shared career also proved a marital blessing.

As Ms. Barnard once put it, “It probably kept us married because we always had a book to finish.”

Continue Reading

Culture

Closed-Door Romance Books That Will Make You Swoon

Published

on

Closed-Door Romance Books That Will Make You Swoon

As a lifelong fan of romantic comedies, my list of favorite “sweet” romances is extensive.

Not because I have a spice aversion — but because the rom-coms I love most, with that classic cinematic vibe, often come with fewer peppers on the spice scale.

Some people refer to these books as “closed door.” I prefer to think of them as “in the hall” romances (though that admittedly doesn’t roll off the tongue quite the same way). The reader is there for all the swoon, the burn and the banter — but when things head to the bedroom, the reader remains out in the hallway. With less focus on what happens inside the boudoir, all that juicy heightened tension and yearning really shine. Here are a few of my favorites.

Continue Reading
Advertisement

Trending