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Kevin Conroy, longtime voice of animated Batman, dies at 66 | CNN

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Kevin Conroy, longtime voice of animated Batman, dies at 66 | CNN



CNN
 — 

Kevin Conroy, the person behind the gravelly bass voice of Batman and who popularized that unmistakable growl that separated Bruce Wayne from the Caped Crusader, has died, in response to his consultant Gary Miereanu. He was 66.

DC Comics additionally confirmed the information.

Conroy died Thursday, shortly after he was recognized with most cancers, Miereanu mentioned.

Conroy’s work within the function is the idea for each iteration of Batman well-liked tradition has seen since. He performed Wayne and his superheroic alter ego for years on TV, together with on the beloved “Batman: The Animated Collection,” and his affect may be heard within the performances of Christian Bale, Robert Pattinson and lots of extra who’ve performed the character.

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However few actors can say they’ve performed Batman fairly as typically as Conroy: He appeared in additional than 400 episodes of TV because the voice – and as soon as, embodiment – of the Darkish Knight.

Earlier than he was Batman, Conroy commonly carried out the work of the Bard: A graduate of Julliard’s esteemed performing program, Conroy appeared in variations of Shakespearean works from “Hamlet” to “King Lear,” often on the Outdated Globe in San Diego. He appeared on Broadway, too, in “Lolita” and “Japanese Customary.”

But it surely’s undoubtedly the Bat for which Conroy is finest identified. He performed Batman in over 60 productions, in response to DC (which shares guardian firm Warner Bros. Discovery with CNN). His first and most enduring addition to the Batman canon is “Batman: The Animated Collection,” which ran from 1992-1996, in response to DC. In all, he would play the Bat and Bruce in over 15 completely different animated collection (totaling practically 400 episodes) and 15 movies, together with “Batman: Masks of the Illusion.”

He typically performed in opposition to Mark Hamill, who commonly voiced the Joker in animated initiatives, together with the darkish and disturbing “Batman: The Killing Joke.” The 2 had an apparent chemistry of their vocal performances that echoed the tug-of-war Joker and Batman typically performed.

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“Kevin was perfection,” Hamill mentioned in an announcement to DC. “For a number of generations, he has been the definitive Batman. It was a kind of excellent eventualities the place they received the precise proper man for the precise proper half, and the world was higher for it.”

However Conroy wasn’t a Batman fan when he started his tenure – all he knew, he mentioned, was Adam West’s campy portrayal from the Nineteen Sixties. In a 2014 interview, he mentioned he went in blind, certainly one of lots of of actors auditioning to voice the beloved superhero. To search out the character, he turned to his Shakespearean coaching, saying he noticed a little bit of Hamlet in Bruce Wayne.

“I gave life to the character. I believe I gave ardour to the character,” he mentioned within the 2014 interview. “I approached it from a purely performing perspective. Loads of the followers strategy it from the entire ‘bible’ of Batman…It’s humbling to me.”

In 2019, Conroy lastly appeared as a live-action Batman in a crossover episode of a number of DC TV properties, together with “Arrow,” “Batwoman” and “Supergirl.” As a Bruce Wayne from a distinct universe, Conroy’s hero was battle-worn, relying on a robotic swimsuit to assist him stroll after a “lifetime of accidents.”

Conroy associated to his best-known character for one more purpose, too: Like Bruce Wayne, he additionally hid his insecurities behind a masks – he wasn’t snug popping out as homosexual on account of homophobia inside his business. However being Batman helped him discover his internal energy, he wrote in a brief comedian for DC.

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“I typically marveled at how applicable it was that I ought to land this function. As a homosexual boy rising up within the ’50s and ‘60s, in a devoutly Catholic household, I’d grown adept at concealing elements of myself,” Conroy wrote within the comedian, in response to gaming outlet Kotaku.

Conroy later married Vaughn C. Williams, who survives him, in response to DC.

Batman introduced pleasure to others in instances of want, too: A local New Yorker, Conroy felt referred to as after the occasions of September 11 to work at a meals aid station for first responders. One of many males he served acknowledged him, however a colleague didn’t imagine that Conroy actually was the voice of Batman. So Conroy performed certainly one of his most well-known traces, in that signature bass: “I’m vengeance. I’m the night time. I’m Batman!”

And with that, he proved he was, certainly, Batman and delighted first responders.

Followers and fellow voice actors mourned Conroy’s loss on-line.

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Clancy Brown, the voice of Mr. Crabs on “Spongebob Squarepants” and Lex Luthor in a number of animated collection, called Conroy his “hero.” Liam O’Brien, well-known for voicing anime collection like “Naruto” and a number of other video video games, said he’s unsure he’d be a voice actor if he hadn’t been “so impressed by Kevin Conroy.”

Tara Robust, identified for her voice work in “Rugrats” and “Loki” and labored with Conroy on “The New Batman Adventures,” shared a photograph of Conroy mendacity on her lap with a smile. “He IS #Batman,” she wrote.

Hamill concurred. Many well-known males have taken up Batman’s mantle – Bale, Pattinson, Ben Affleck, George Clooney amongst them – however few have gotten to discover all the superhero’s feelings and traumas over a number of many years. For a lot of followers of Batman, Conroy was the primary iteration of the Darkish Knight they ever knew and liked.

“He’ll at all times be my Batman,” Hamill mentioned.

Throughout the early days of the pandemic, Conroy shared a clip of himself reciting Shakespeare’s Sonnet 30 from his backyard. A bittersweet reflection on misplaced family members and time handed, it ends on a hopeful observe, all of which Conroy conveyed in his 45-second, off-the-cuff clip.

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“But when the whereas I believe on thee, pricey pal/All losses are restor’d, and sorrows finish.”

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Movie Reviews

The Fall Guy Movie Review: Ryan Gosling, Emily Blunt's Action Romance Is A Fun Ode To Filmmaking

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The Fall Guy Movie Review: Ryan Gosling, Emily Blunt's Action Romance Is A Fun Ode To Filmmaking

The Fall Guy Movie Review: Ryan Gosling, Emily Blunt’s Action Romance Is A Fun Ode To Filmmaking

About The Fall Guy

The hero of The Fall Guy is a stuntman, Colt Seavers, played by Ryan Gosling. The action romance is a madcap adventure that kicks off summer blockbuster season and reminds you one of the reasons you got to the movies – to see stuff get blown up. Director David Leitch‘s film highlights the nameless men and women behind your favourite action scenes. Using Gosling and Oppenheimer’s Emily Blunt as the amiable leads, The Fall Guy is a delightful love story with wonderful beats of comedy.

The Fall Guy: Plot

Inspired by the 1980s American TV series, The Fall Guy is a behind-the-scenes romance between camera operator-turned director Jody (Blunt) and Colt (Gosling), stunt double to one of the top stars in Hollywood. After a stunt goes horribly wrong, Colt disappears to lick his wounds. But he is summoned back to work on Jody’s directorial debut, Metalstorm, a sci-fi cosmic love story, where the exes have an awkward reunion. But Colt finds himself involved in much more dangerous plot as a situation threatens to derail Jody’s first film as director. With the film and his career on the line, Colt does what he knows best, he gets into action mode.

The Fall Guy: Writing and Direction

Drew Pearce’s screenplay is warm, heartfelt and makes you laugh out loud more than once, even though the main plot gets a bit silly at times. This is clearly a film made by those who love the movies and what it represents. There are several inside jokes about filmmaking and the movie business that manage to translate over.

Deadpool 2 and Bullet Train filmmaker Leitch, who himself was a stunt professional before, seems to be having a blast dropping his characters in outlandish situations. The action sequences that Colt finds himself in repeatedly are situations in which he has been preparing himself all his career. The title of the film has a nice nod to the predicament Colt finds himself in for the second half of the movie.

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The Fall Guy: Performances

Over the last few years, there’s been a lot writeups about how there are no more movie stars anymore. With The Fall Guy, I’d like to present exhibits A and B. Both A-listers Gosling and Blunt are coming off two massive hits from 2023 with Barbie and Oppenheimer respectively. In this film, they combine their star power for fantastic chemistry as reunited exes. Whether they are bantering about listening to Taylor Swift or arguing about motivation in scene, their chemistry is always entertaining. A charismatic and self-deprecating Gosling especially nails the comedic portions.

Gosling and Blunt are backed by a great supporting cast, with Hannah Waddington as the harried film producer, Aaron Taylor-Johnson as the spoilt movie star Tom Ryder and Winston Duke as Metalstorm stunt’s coordinator. There’s also a scene-stealing cute dog named Jean Claude who only responds to commands in French.

The Fall Guy: Critique

The Screen Actors Guild is one of the few mainstream awards organisations that honours stunt performers. The Oscars recently announced that they would be adding a new category for casting from 2025. The Fall Guy makes a great argument as to why stunt professionals should be next on that list. From acting, comedy, romance to meta quips about the movie business, The Fall Guy checks all the boxes for a good time at the movies this summer.

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It's another all-Taylor Swift edition of the Hot 100 chart this week

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It's another all-Taylor Swift edition of the Hot 100 chart this week

Once again, there’s only one name on the Top 10 of the Billboard Hot 100 this week — Taylor Swift.

Swift repeated — and bested — her own 2022 feat by claiming the 14 top slots on the singles’ chart. She previously took out the entire top 10 after the debut of her 2022 album, “Midnights” — the first artist ever to do so.

With the release this month of “The Tortured Poets Department,” it was never a question as to whether Swift would dominate the pop charts, only whether she could break her own previous records. She did so handily , with the Post Malone collaboration “Fortnight” leading the Hot 100 en route to 2.61 million equivalent album sales in the U.S.

Among the many chart records Swifts set this week — “Fortnight” is her 12th Hot 100 No. 1, placing her sixth on the all-time chart leaderboard. She now has 59 top 10 singles, and placed 32 songs on the Hot 100 this week (all 31 from the deluxe version of “The Tortured Poets Department,” plus older single “Cruel Summer”), each the most ever for a woman in the chart’s history.

With “Poets,” she tied Jay-Z for the most No. 1s among solo artists in the seven-decade history of the Hot 100. Only the Beatles, with 19 No. 1s, best her so far.

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The Hot 100 is a mix of all-genre U.S. streaming services (both official audio and video), radio airplay and sales data. The latter figure was especially impressive for Swift, as “Pets” sold 859,000 vinyl LPs among 1.914 million album sales (vinyl, CDs , downloads and cassettes) in its first week, while the 31 songs on the deluxe edition generated 891.34 million week one streams.

Swift most recently won album of the year at the Grammys for “Midnights,” becoming the most lauded artist in the Recording Academy’s most acclaimed category. Swift’s record-obliterating Eras tour begins again May 9 in Paris with a whole new era to add to the set list.

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Film Review: 18×2 Beyond Youthful Days (2024) by Michihito Fujii

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Film Review: 18×2 Beyond Youthful Days (2024) by Michihito Fujii

A compelling romantic film, bathed in nostalgia, that will please immensely the fans of this genre.

A real viral travelogue blog by Jimmy Lai is the inspiration behind “18×2 Beyond Youthful Days”, a Japan-Taiwan co-production, directed and co-written by Michihito Fujii of “The Journalist” fame.

18×2 Beyond Youthful Days is screening at Udine Far East Film Festival

36-year-old Jimmy (Hsu Kuang-han) is back at home in Tainan, after leaving it 18 years prior. He is going through a difficult and delicate stage of his life, having been excluded by the successful game developing company he founded and developed. It is certainly time for a break and a reassessment of life priorities and Jimmy starts from his ancestral home, where it all started. Rummaging into his bits and pieces in his teenager bedroom, he finds a postcard from an old crush, a Japanese traveler called Ami he had met the summer before starting University. Remembering how she liked travelling and how important it was for her; Jimmy decides to use this moment between jobs/decisions to explore Japan and maybe head towards Ami’s hometown in the North of the country.

From this point on, the film alternates flashbacks from that summer of 18 years ago and the slow trip that Jimmy is making by train across North Japan. Radiant backpacker Ami (Kiyohara Kami) had showed up one summer day at the karaoke parlor where Jimmy was working his summer job, waiting to know the results of the university admission exams. She had lost her wallet and just needed to work for a short while in order to save enough money to carry on her journey. It had been love at first sight for clumsy and shy Jimmy and Amy had always been friendly with him but somehow distant. Memories of that bright summer until the moment they had parted, and Amy had left Taiwan, resurface while today-Jimmy travels and meets some friendly strangers on his way; It was a summer that had shaped heavily his life choices and his future.

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Michihito Fujii attempts an interesting experiment with an unusual mix of romantic teen drama, coming-of-age, travelogue, past and present, set in Taiwan and Japan, alternating both languages. The episodic structure of the film utilizes a series of flashbacks that gradually reveal the past events, some generated by conversations that Jimmy has with his occasional travel companions in his soul-searching itinerary that unfold at the same time. The two lines will eventually collide during the final act. It is an ambitious project as the fragmented nature of the narrative in these kind of flashback-rich films is often confusing and tedious too at times. However, in “18×2”, the pieces of the jigsaw fall in place rather effectively, completing nicely an elliptic arch of narrative.

The two 18-year-apart lines of narrative are kept well separated until the last act, by a series of stylistic choices. First of all, an almost opposite palette of colors, a bright, yellowish light imbues young Jimmy’s memories, giving it a luminous feeling of youth and cheerfulness. On the contrary, adult Jimmy is set against a muted gray/blue snowy landscape, a sobriety that reflects his moment in life. Camerawork follows this stylistic line too with a net distinction between a dynamic past and a more static present. Moreover, the acting complements these technicalities, with a virtuoso performance from Hsu Kuang-han, acting restless, messy and fidgety as a clumsy teenager and beautifully restrained as a 36-year-old man.

However, despite the clever storytelling, the film suffers a bit of a lack of “pizazz” in a plot the eventually feels slightly predictable and doesn’t add much to the plethora of similar stories. A good job at overcoming this lack is carried on by the good protagonists’ chemistry and the amiable characters that populate Jimmy’s youth, Ami, of course, and the whole gang of his co-workers at the Karaoke joint, run by a charming boss.

All in all, “18×2 Beyond Youthful Days” is a compelling romantic film, bathed in nostalgia, that will please immensely the fans of this genre.

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