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A group of college students are violently killed one-by-one after a fateful tarot reading in the frightfully unimaginative Tarot, which opens in Prague and cinemas worldwide this weekend. Following in the well-worn footsteps of tepid horror films like Ouija, Truth or Dare, and Wish Upon, this one is painfully obvious from the word go, but never gets silly enough to provide any bad-movie fun.

Last year’s monkey paw chiller Talk to Me suggested brighter things on the horizon for this type of horror movie, but Tarot dials things back to the same narrative these things have been following for decades: group of college students plays around with supernatural object they don’t understand, and quickly comes to regret it. This very specific sub-genre’s roots lie in early 2000s successes like The Ring and Final Destination.

Tarot opens with a group of largely interchangeable Boston-area college students played by Harriet Slater, Humberly González, Larsen Thompson, Avantika, Wolfgang Novogratz, Adain Bradley, and Jacob Batalon (Spider-Man: No Way Home) during a weekend retreat at an isolated manor in the Catskills (played by locations in Belgrade, Serbia). Desperate and out of booze, they search the weekend rental for a hidden stash but only turn up a box of creepy hand-illustrated tarot cards.

No alcohol? Sure, some tarot readings from this musty old deck will liven up the party. But when those readings start coming true over the following days, things start to take a dark turn. Waitaminute… surely all of these characters didn’t get a reading implying imminent violent death? No, they did not. But they did draw a creepy central card that comes to life to murder them in ways hinted at by the literal language of their reading.

In past films of this type, the characters would have to visit a library and scan microfiche to uncover the true horror behind the curse that stalks them. But in Tarot, that kind of thing is just a Google search away. In fact, there have been multiple cases of young adults mysteriously dying after tarot readings, though our protagonists have to pay a midnight visit to a tarot expert with pinboard walls (Mandy‘s Olwen Fouéré) to get the full story. It involves a royal astrologer in old Hungary, an ancient curse, and an expedient five minutes of climactic exposition.

The saving grace keeping Tarot from the bottom of this horror barrel is the novelty of the tarot cards themselves, which are nicely illustrated and lead to some briefly appealing creatures. Despite working with a script that couldn’t have inspired much confidence, the effects team, at least, gives this movie more effort than it deserves.

There’s precisely one engaging death scene here, a magician-inspired sequence that features a character hiding in a box… no prizes for guessing what happens. While the setting is transposed from what should be 17th century Hungary to 1920s vaudeville, the vibrant makeup effects used to set the scene evoke some Insidious-like goofball hellscape vibes, and provide a taste of the kind of horror stylings the rest of the film could have desperately used.

Tarot is based on the 1992 YA novel Horrorscope, written by the pseudonymous Nicholas Adams, which focused on daily hororscopes rather than tarot cards. It was directed by Spenser Cohen (co-writer on The Expendables 4 and Moonfall) and Anna Halberg, who previously collaborated on the fictional horror podcast Classified. But the end result leaves you feeling as if an algorithm is the true brainchild behind the story; this PG-13 movie about a group of college students who play around with a cursed deck of tarot cards certainly won’t surprise anyone who has the poor fortune of stumbling upon it.

“Come with me,” Tiffany Haddish says, walking out her front door.

I’ve barely had the chance to say hello before she’s heading down the sidewalk. I trail behind, fumbling around in my bag for a recording device as she explains that there’s an open house she wants to check out before we sit in her Crenshaw home and discuss her new book of autobiographical essays — or anything else.

Haddish doesn’t sleep on local real estate opportunities. She’s deeply invested in South L.A., spiritually and financially. She already owns about a dozen properties in the area, many of which she rents out to organizations that house foster youth.

Who are the people shaping our culture? In her column, Amy Kaufman examines the lives of icons, underdogs and rising stars to find out — “For Real.”

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She has two houses on this boulevard alone — one she sleeps in, one she works in — but neither needed the kind of work that is obviously required to make livable the for-sale property she walks into on this Sunday afternoon.

There are dark stains permeating the carpets, missing ceiling tiles, an enormous window above the toilet that opens to the hallway for no discernible reason.

“How many developers came through here today?” Haddish asks the real estate agent, who confirms that about 90% of the visitors have been investors. Most have estimated the house needs around $300,000 worth of renovations. But the sellers want a regular buyer.

“I’m a regular buyer!” she says. “I got my first house here for around $600,000, but that was in 2015. And now this is what, $1 million?”

The agent shakes his head.

“More?” she asks, incredulous. The 1,548-square-foot abode is in fact listed for $1.1 million, he says. She is aghast but continues surveying the space. There are kumquats and lemons growing in the backyard, which she likes. She’s big into eating healthy, and is in the midst of attempting to open a grocery store nearby that will give the community access to nutritious food choices.

“I’d need to do another movie,” she says, mulling it over.

By the end of the week, she has a tentative plan: Get a few of her friends to help her buy the place, then put the property in a trust, fix it up and rent it out for a reasonable price.

“I mean, if you want to get in on this, you are more than welcome to join,” she tells me over the phone from San Antonio, where she is, appropriately, giving a paid keynote for the Texas Apartment Assn.

And the thing is, she’s totally serious. Because that is who Tiffany Haddish is. Someone who divulges the details of her real estate portfolio in lieu of exchanging pleasantries. One of maybe three celebrities on Earth who will answer any question, no matter how intimate. A comedian who has bared her open wounds — homelessness, domestic violence, rape, miscarriage — and used them as material.

Her latest book, “I Curse You With Joy,” out May 7, is even more raw than her first: She goes from describing how she located her G spot to revealing that when she was 7, her mother got “Satan’s fire” in her eyes and hissed: “You wouldn’t even be here if [your dad] didn’t rape me.”

So when she says she’s been working with a therapist to learn how to set better boundaries — be more mindful of her own limitations — I believe her. It’s a decision she came to after her inability to draw lines started to threaten not just her career but her sanity. Since her star-making turn in “Girls Trip” seven years ago, headlines about Haddish have shifted from anointing her as Hollywood’s next big thing to predicting her downfall after a series of scandals.

Comedy “Girls Trip,” starring Regina Hall, left, Tiffany Haddish, Jada Pinkett Smith and Queen Latifah, was a breakout hit for Haddish.

(Michele K. Short / Universal Pictures)

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It started with a 2019 alcohol-fueled disaster, when Haddish was so inebriated at a New Year’s Eve show in Miami that she forgot her jokes and fans walked out in protest. Then, in 2022, she was arrested in Georgia on suspicion of driving under the influence after police received a call about a driver who was allegedly asleep at the wheel. She was similarly detained this past November, when Beverly Hills cops found her asleep in her badly parked car and charged her with her second DUI.

She’s never had a problem with alcohol, she insists. The issue was pushing herself past her limits.

Just before her 2023 arrest, she’d spent the day cooking and then serving food to 2,000 people at the Laugh Factory. Afterward, she went to her family’s house to share some leftovers when she got a call that more food was needed elsewhere. She could have — should have, she says she knows now — sent it in an Uber.

Instead, she drove herself, even though she’d been up since 5 a.m. and was exhausted. (Her blood alcohol level that night was 0.03% and the DUI charge was later dismissed; she ultimately pleaded no contest to a misdemeanor reckless driving violation.)

Tiffany Haddish performs at Laugh Factory Hollywood’s 43rd Thanksgiving Feast and Show on Nov. 23, 2023. She was arrested early the next morning for DUI but said she was just exhausted.

(Olivia Wong / Getty Images)

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For those who know Haddish, this tracks. Shermona Clark, a friend since ninth grade, says, “It was like nothing for us” when their friends heard Haddish fell asleep in her car.

“It was like, that’s what she do. She’ll pull over and go to sleep in the car,” Clark says. “We’d ask her why she was driving, tell her it wasn’t safe. She’s always done that. Go, go, go.

“She always wants to prove that she’s not a quitter,” Clark adds. “That she’s gonna make it, that she’s smart and talented. We all know that already. But there’s something in her where she just can’t see it like we do.”

But at 44, Haddish says she’s legitimately trying to slow down. Not take every job she’s offered, stop doing so many favors, sleep more.

“If I say I can’t do something, I can’t do it. I feel way more comfortable saying that now,” she says. “I can’t bend backwards no more. I’m not built for it.”

Not everyone is convinced.

“She ain’t slowing down,” says Clark, laughing. “What does ‘chill’ mean? ‘OK, I’m not gonna take on 11 projects, just 10?’”

If you’ve been training yourself to keep pushing and tough things out for four decades, it becomes endemic to your personality. When Haddish got hugely, suddenly famous in 2017, so too did the story of her challenging upbringing.

Growing up in South L.A., her home life was unstable. Haddish’s father had left the family when she was 3; five years later, her mother was in a car accident and suffered such serious brain damage that she started physically and verbally abusing her children. Haddish and her four younger half-siblings ended up in foster care.

When Haddish was 15 and living in a group home, she landed a spot in a free comedy camp at the Laugh Factory, where she was mentored by Richard Pryor. Still, she struggled for years to make ends meet. She was homeless and living out of her 1995 Geo Metro before she started getting roles in TV series like “Real Husbands of Hollywood” and “The Carmichael Show” beginning in 2013.

When “Girls Trip” came out, she was 37, and the media turned her into a sort of rags-to-riches, never-give-up poster child. She hosted “Saturday Night Live” and won an Emmy for it, landed the cover of Time’s 100 issue, took home a Grammy for narrating her New York Times bestselling memoir. She headlined a movie with Kevin Hart, voiced characters in all the big animated kids films, hosted MTV award shows.

Haddish on the set of NBC sitcom “The Carmichael Show,” on the Fox Studios lot, in 2016.

(Jay L. Clendenin / Los Angeles Times)

Haddish’s success in “Girls Trip” led to a leading role opposite Kevin Hart in the comedy “Night School.”

(Eli Joshua Ade / Universal Pictures)

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“And then, all of a sudden, it almost felt like, ‘OK, now you too famous,’” says Lil Rel Howery, who has been close with Haddish since they met while competing on “Who’s Got Jokes?” in 2006. “People love underdogs until you become, I guess, a top dog.”

There has definitely been a palpable vibe shift surrounding Haddish. It’s not that she doesn’t still get work — in the last year she’s appeared in Disney’s “Haunted Mansion,” the last season of “The Afterparty” on Apple TV+ and filmed a role in the forthcoming “Bad Boys” sequel. But she’s no longer one of those beloved stars everyone seems to root for.

Some of that is due to a disturbing lawsuit that was filed and then dismissed within the span of three weeks in 2022.

In a legal complaint filed in L.A. Superior Court, an anonymous young woman claimed that Haddish and fellow comedian Aries Spears had “groomed” her and her younger brother to engage in sexually suggestive comedic sketches when they were minors.

Haddish and Spears denied this and less than a month later, the Jane Doe asked a judge to dismiss the case and released a statement recanting the accusation. “My family and I have known Tiffany Haddish for many years,” it read, “and we now know that she would never harm me or my brother.”

But the damage to Haddish’s reputation had been done. The deal she made for “I Curse You With Joy” in 2020 “went sour,” as did a second one; the publishing houses “got scared,” she says. “Scared of me, scared it wouldn’t do well. ‘Oh, she’s a problem. She’s too controversial.’”

Haddish says she was preparing to self-release the project, but it eventually found a home at Diversion Books. It will arrive on shelves a couple of months after her latest controversy — a February trip to Israel, which she announced via Instagram video from a first-class airline seat.

After reconnecting with her father as an adult, Haddish learned that she had Jewish roots in Eritrea. She dove into the religion, joining the Stephen Wise Temple and being bat mitzvah’d at age 40.

In the video, she said she was embarking to Israel for the first time on a self-funded trip to “learn and see with my own eyes.” But fans did not respond well to news that she was heading to the country in the midst of the war with Hamas. “Insecure” star Amanda Seales said on Patreon that she was so “disturbed” by the trip that she would end her friendship with Haddish, declaring the comedian didn’t “have the backbone to stand on what is right.”

To her closest friends, the prolonged backlash has been troublesome — and baffling.

“Because everybody was kissing her a—” after “Girls Trip,” says Howery, the “Get Out” star. “Then the jealousy started with other actors and stuff. They’re like, ‘How is she winning?’ Everybody was cheering her on for being herself, and then that’s the same thing that people got mad about. ‘She’s doing too much!’ But she’s been doing too much.”

The foster kids Haddish works with through her nonprofit She Ready Foundation get especially upset about hate they see directed toward her online.

“They cry to me, like, ‘Stop being famous! I want you to quit!” she says. “They said it hurts their feelings to see what people say about me.”

After the open house, Haddish and I have returned to the home she uses as an office. She bought it last year for $1.6 million — a totally redone three-bedroom with subway tile backsplash, soaking tub and solar panels. It’s modern and sparse, lacking personal details save for a random, small canvas on the wall that she made in a Sip ’n’ Paint class she bought off Groupon a few years back.

Haddish grabs an apple off the kitchen island, eats it and then clutches the core in her hand for half an hour, rather than throw it out and disrupt her thoughts about getting trolled.

Comments about her online have gotten so negative that last year, she began blocking certain phrases on Instagram, including “setback,” “pedo” and “not funny.” She hired a digital forensics analyst to research where her death threats were coming from — 75% were created by robots in Malaysia and Iran, which made her feel better.

She also created a fake Instagram account where an alter ego named Sarah will go in and “destroy” anyone hating on her by deploying details from their personal lives.

“I’ve learned how to find people’s information — like I pull up the credit report, police records. You can do that for $1.99,” Haddish says. “Sometimes, I get so mad that I’ll get they phone number and I’ll just call them.”

She registers the disbelief on my face.

“Oh, I have called people, honey,” she says. “They be shocked that I called. They’ll be like, ‘I can’t believe you even saw that.’ You did a whole video, b—! You made a full, five-minute video! On the internet, people think they can just say whatever and you not gonna say anything. I try my best not to, but I’m a human being.”

Many of the comments pertain to the lawsuit, she says. Haddish doesn’t feel it’s affected her career — plenty of folks still approach her to fan out in the airport, she says — but she has noticed an attitude adjustment from some people in the industry.

Recently, she says, someone “of status” approached her and asked: “Is your mental health OK? Your name is always in the headlines. You said this, you said that. All I see is people attacking you. It’s like, ‘Oh, don’t get too close to Tiffany. I’m going to get attacked too.’”

Her mental health is perfectly fine, she says. Not that there haven’t been moments she’s questioned it. Usually when she’s on her period, suffering from such bad menstrual cramps that she often passed out. For years, doctors shrugged off her pain, suggesting that she take birth control pills or eat less acidic foods. Haddish recounts the words of one relative — “We used to be out in the fields having babies and working right after.” A woman who complained about her period, Haddish was told, was lying, weak, just trying to get sympathy.

So she started to think maybe she was mentally ill. Then, last year, a doctor finally diagnosed endometriosis. The chronic disease also explained why she’d suffered eight miscarriages — something a prior OB-GYN had misattributed to the shape of her uterus. Until last year, she kept the losses from almost everyone.

“I’d call her and say, ‘How’s your day?’ and she might start talking about work,” recalls Selena Martin, who has been Haddish’s best friend since seventh grade. “And I’m like, ‘OK, that’s nice. But how are you doing?’ In track, our coach used to call us odd names if we were running slow, like ‘hamburger.’ So I’ll ask, ‘No, how’s old hamburger doing?’”

Even as she was miscarrying, Haddish kept quiet, showed up to work, went onstage. She saw the way people talked about pregnancy loss — how they treated women who went through it like pariahs. “I remember Gabrielle Union talked about having a bunch of miscarriages, and it was like, ‘Gabrielle Union can’t hold a baby,’” she says.

She didn’t want to hear that. Tried to be remain positive. This was just God’s birth control, she told herself, God’s way of telling her she was with the wrong man.

“Shame on you, Tiffany,” she admonishes herself now. “I didn’t want to be a quitter. Because my body was quitting. People have no idea what it feels like to have your soul falling out of your body. Because that’s what it feels like. My soul is like, ‘Oh, man. We was gonna grow that.’ You ever plant anything and then it f— dies and you really want it to live? You try to play cool, like it ain’t that bad. But it is.”

There are procedures Haddish could have to help her endometriosis — laparoscopic surgery to remove scar tissue. But she refuses. Years ago, she says, she had an abortion under anesthesia and she liked the feeling of the drugs so much that she’s scared that if she had access to them again, she’d develop an addiction.

She reasons with herself that menopause is probably only five years away and she finds ways to cope with the pain — marijuana helps a lot, though she’s been sober since Thanksgiving, when the judge in her ongoing Georgia DUI case instituted regular drug and alcohol testing following the Beverly Hills arrest. She says she plans to abstain from drinking even after the case is wrapped up, especially because she’s noticed a discernible difference in her pain over the last few months.

And she’s decided that she doesn’t want to have kids.

“I would hate to give birth to someone who looks like me, knowing they’re going to be hunted or killed,” she writes in “I Curse You With Joy.” “I don’t want the stress of worrying every time my Black baby goes to school or goes to hang out with their friends that they they could end up dead.”

Growing up three miles away near 54th and Western, she was in gang territory. The park she hung out at was infamous for drive-by shootings and filled with police. When she was 13, she says, she watched a boy in her friend group get beat to death by the cops.

“You see s— like that? That don’t go away,” she says, her voice turning quiet and heavy. “You develop this underlying narrative of: ‘Are we being hunted?’ And people always tried to take advantage of me, even when I didn’t have nothing. I see these helicopter parents worried about they child, and I get it, because there are a lot of predators out here.”

She starts to cry, apologizes. This is a topic she particularly hates talking about — at 17, she explains, she was raped by a police cadet on the night of her homecoming dance. She was going to delve into it in her second book, but when she went to record the audio version, she found the experience too painful and cut the pages.

The incident dramatically affected how Haddish viewed men. In the years following it, she attempted to take her sexuality into her own hands. She slept with men freely, spoke unabashedly about her exploits. “I Curse You With Joy” is filled with graphic details of her sex life, including an oral sex tutorial and her preference for a “smedium” penis — something she says she established after intercourse with an extremely well-endowed man sent her to the hospital with a tilted uterus.

She thought sex of her own volition would empower her. If she was the pursuer, she’d be taking something from the man.

“But I was hurting myself the whole damn time,” she says now. “You’re really just kind of raping yourself. You’re giving up a piece of your spirit. I feel different, a little less, every time.”

In her comedy, and in her life, Haddish talks a lot about how closed off she is to relationships. Her last serious one was with rapper-actor Common; that ended after two years in 2021. Since then, she says she’s adopted a new policy: Nine months and then she’s out. She’ll go on Bumble, but never Raya. No more celebrities.

“All the famous guys I used to think, ‘Oh, I would love to do it to him,’ I know them now and I’m like, ‘No,’” she says. “I used to really want Henry Cavill. I think he’s so hot. But I met him and he was so awkward. It was like, ‘This would be weird. I should be talking to him about Dungeons & Dragons. Maybe he’d be more comfortable.’

“Or,” she adds, “maybe he’s just never had a Black woman be like, ‘What’s up? What’s your credit score? Do you like spaghetti? I’ll cook for you. Are you afraid of South Central or not?’ But he’s still beautiful.”

Clark, who met Haddish when they were bused to El Camino Real Charter High School in Woodland Hills, isn’t buying this supposed stance on monogamy.

“Oh, she wants to be in a relationship,” says Clark. “I think it would be really, really good for her to be in a healthy — key word — relationship. She keeps that young, 20-year-old girl in her mind when she’s talking about it onstage, but really, deep down she’s such a relationship girl.”

Haddish says she has other things to work on first, like fixing her sleep routine. She used to get between two and three hours a night. Her fatigue got so bad that sometimes she even fell asleep during sex. And not always in the missionary position. She jumps up and gets on her hands and knees to imitate how it’s possible to be on top and still drift off with your head resting on someone’s chest.

So there’s the sleep thing — she’s getting between five and eight hours a night now. No more drinking. Exercising more frequently, cooking with the vegetables in her garden. Continuing to invest in her neighborhood. Coming to terms with her family.

Haddish’s mother lives with one of her half-sisters in Inglewood now after being institutionalized. Haddish takes their relationship “day by day,” she writes in her book. “I love her, but whew, it is still hard.”

If I met her mother, Haddish says, I wouldn’t notice anything off at first. But after a few hours, she’d start talking to herself, or turn swiftly argumentative. Haddish clings to the “glimmers of her — of my mommy” — the woman she knew before the accident. “And I miss her. But it’s not the same.”

Still, her mother’s admiration is the carrot that’s always dangling. “Am I doing all this, working myself to the bone, just for my mom’s approval?” she writes in “I Curse You With Joy.” “You know what? Kinda.”

There was a moment, recently, when Haddish brought her mom over to see a large home she’d just invested in. She watched as her mother took in the property, impressed.

“She goes, ‘I’m proud of you,’ and that was awesome. That was the best feeling in the world to hear that,” Haddish says. “At the end of the day, all you want is your mommy and daddy to be proud of you. Well, my daddy dead now. And I think she is proud.”

No it is not a regular fan fiction. In fact, it is not a fan fiction at all. For me, it is why sadistic people around us hate happy women. When you hit rock bottom emotionally, you will find people loving you and caring for you. But when you are happy and at the high in your life, then people start having problems.

Anne Hathaway’s
The Idea of You
teaches you when you hit rock bottom, you have nowhere to go, but up. That’s exactly what happened to Solène (Anne Hathaway), a recently divorced woman just about to hit 40. She unknowingly lands up in a relationship with a British boy band sensation Hayes Campbell (Nicholas Galitzine).

Solène is in a dilemma because Campbell is way younger to her and on top of that he is the heart throb of many young girls. And he is hugely rich and famous too. It is just that Solène (Anne Hathaway) didn’t know who he was. Solène is a stylish woman who was initially unimpressed by his celebrity status. The Idea of You is a fresh take on the popular rom-com-drama formula

The initial part of the film deals with how she has still not come to terms with her sudden divorce and how she was the last one to know that her husband was cheating with her. She got married young and had a baby was very early on life and while she was struggling with motherhood and setting up her art gallery, the husband was having an affair with a lawyer from his firm. The wound of her husband cheating on her is still raw and she is still dealing with it. Burdened with responsibilities of motherhood and loneliness, she really doesn’t know what she wants from life.

Even when Solène (Anne Hathaway) meets Hayes Campbell (Nicholas Galitzine) she is totally confused. Campbell is in his twenties and madly in love with her. She feels that the relationship with a young man just doesn’t fit in her life and on top of that she has got a young girl. But she can’t stop herself from meeting him and being loved by him. Yet at the back of her mind there is always that feeling of guilt and things get worse when the intimate images of her and Hayes Campbell (Nicholas Galitzine) got leaked on the internet. She gets slut-shamed by Campbell’s fans.

The Idea of You is a feel good film and most importantly it is always refreshing to see good looking actors on screen. And with Anne Hathaway flashing her million-dollar dolphin smile every now and then, you definitely can’t take your eyes off her. The place where both Solène (Anne Hathaway) and Hayes Campbell (Nicholas Galitzine) are in an intense kissing scene and she, a single mother of a teenage daughter, stops herself from getting more intimate by saying, “I could be your mother.” And to this Hayes quickly says, “But you are not.” So, that’s the whole dilemma of Solène.

There is something very pure and beautiful in the way the love between the two are shown. Never for once, will you feel the relationship to be dirty. The simple love and attraction between the two is shown in such a beautiful way makes it a great weekend watch. The music, the styling, and the outfits are great. The story is simple and pure fluff, so just enjoy it!

Rating: 3 out of 5