Connect with us

Entertainment

Tiffany Haddish just can't quit. Even when she knows she should

Published

on

Tiffany Haddish just can't quit. Even when she knows she should

“Come with me,” Tiffany Haddish says, walking out her front door.

I’ve barely had the chance to say hello before she’s heading down the sidewalk. I trail behind, fumbling around in my bag for a recording device as she explains that there’s an open house she wants to check out before we sit in her Crenshaw home and discuss her new book of autobiographical essays — or anything else.

Haddish doesn’t sleep on local real estate opportunities. She’s deeply invested in South L.A., spiritually and financially. She already owns about a dozen properties in the area, many of which she rents out to organizations that house foster youth.

For Real with Amy Kaufman

Who are the people shaping our culture? In her column, Amy Kaufman examines the lives of icons, underdogs and rising stars to find out — “For Real.”

Advertisement

She has two houses on this boulevard alone — one she sleeps in, one she works in — but neither needed the kind of work that is obviously required to make livable the for-sale property she walks into on this Sunday afternoon.

There are dark stains permeating the carpets, missing ceiling tiles, an enormous window above the toilet that opens to the hallway for no discernible reason.

“How many developers came through here today?” Haddish asks the real estate agent, who confirms that about 90% of the visitors have been investors. Most have estimated the house needs around $300,000 worth of renovations. But the sellers want a regular buyer.

“I’m a regular buyer!” she says. “I got my first house here for around $600,000, but that was in 2015. And now this is what, $1 million?”

Advertisement

The agent shakes his head.

“More?” she asks, incredulous. The 1,548-square-foot abode is in fact listed for $1.1 million, he says. She is aghast but continues surveying the space. There are kumquats and lemons growing in the backyard, which she likes. She’s big into eating healthy, and is in the midst of attempting to open a grocery store nearby that will give the community access to nutritious food choices.

“I’d need to do another movie,” she says, mulling it over.

By the end of the week, she has a tentative plan: Get a few of her friends to help her buy the place, then put the property in a trust, fix it up and rent it out for a reasonable price.

“I mean, if you want to get in on this, you are more than welcome to join,” she tells me over the phone from San Antonio, where she is, appropriately, giving a paid keynote for the Texas Apartment Assn.

Advertisement

And the thing is, she’s totally serious. Because that is who Tiffany Haddish is. Someone who divulges the details of her real estate portfolio in lieu of exchanging pleasantries. One of maybe three celebrities on Earth who will answer any question, no matter how intimate. A comedian who has bared her open wounds — homelessness, domestic violence, rape, miscarriage — and used them as material.

For Real With Amy Kaufman Tiffany Haddish digital cover

Her latest book, “I Curse You With Joy,” out May 7, is even more raw than her first: She goes from describing how she located her G spot to revealing that when she was 7, her mother got “Satan’s fire” in her eyes and hissed: “You wouldn’t even be here if [your dad] didn’t rape me.”

So when she says she’s been working with a therapist to learn how to set better boundaries — be more mindful of her own limitations — I believe her. It’s a decision she came to after her inability to draw lines started to threaten not just her career but her sanity. Since her star-making turn in “Girls Trip” seven years ago, headlines about Haddish have shifted from anointing her as Hollywood’s next big thing to predicting her downfall after a series of scandals.

Four women excited to be traveling on an airplane

Comedy “Girls Trip,” starring Regina Hall, left, Tiffany Haddish, Jada Pinkett Smith and Queen Latifah, was a breakout hit for Haddish.

(Michele K. Short / Universal Pictures)

Advertisement

It started with a 2019 alcohol-fueled disaster, when Haddish was so inebriated at a New Year’s Eve show in Miami that she forgot her jokes and fans walked out in protest. Then, in 2022, she was arrested in Georgia on suspicion of driving under the influence after police received a call about a driver who was allegedly asleep at the wheel. She was similarly detained this past November, when Beverly Hills cops found her asleep in her badly parked car and charged her with her second DUI.

She’s never had a problem with alcohol, she insists. The issue was pushing herself past her limits.

Just before her 2023 arrest, she’d spent the day cooking and then serving food to 2,000 people at the Laugh Factory. Afterward, she went to her family’s house to share some leftovers when she got a call that more food was needed elsewhere. She could have — should have, she says she knows now — sent it in an Uber.

Instead, she drove herself, even though she’d been up since 5 a.m. and was exhausted. (Her blood alcohol level that night was 0.03% and the DUI charge was later dismissed; she ultimately pleaded no contest to a misdemeanor reckless driving violation.)

Tiffany Haddish wears latex gloves and a plastic apron onstage at the Laugh Factory on Nov. 23, 2023.

Tiffany Haddish performs at Laugh Factory Hollywood’s 43rd Thanksgiving Feast and Show on Nov. 23, 2023. She was arrested early the next morning for DUI but said she was just exhausted.

(Olivia Wong / Getty Images)

Advertisement

For those who know Haddish, this tracks. Shermona Clark, a friend since ninth grade, says, “It was like nothing for us” when their friends heard Haddish fell asleep in her car.

“It was like, that’s what she do. She’ll pull over and go to sleep in the car,” Clark says. “We’d ask her why she was driving, tell her it wasn’t safe. She’s always done that. Go, go, go.

“She always wants to prove that she’s not a quitter,” Clark adds. “That she’s gonna make it, that she’s smart and talented. We all know that already. But there’s something in her where she just can’t see it like we do.”

But at 44, Haddish says she’s legitimately trying to slow down. Not take every job she’s offered, stop doing so many favors, sleep more.

Advertisement
a pull quote from the story

“If I say I can’t do something, I can’t do it. I feel way more comfortable saying that now,” she says. “I can’t bend backwards no more. I’m not built for it.”

Not everyone is convinced.

“She ain’t slowing down,” says Clark, laughing. “What does ‘chill’ mean? ‘OK, I’m not gonna take on 11 projects, just 10?’”

If you’ve been training yourself to keep pushing and tough things out for four decades, it becomes endemic to your personality. When Haddish got hugely, suddenly famous in 2017, so too did the story of her challenging upbringing.

Tiffany Haddish, in a yellow dress, reaches one arm up to pick a piece of fruit off a tree at her home

Growing up in South L.A., her home life was unstable. Haddish’s father had left the family when she was 3; five years later, her mother was in a car accident and suffered such serious brain damage that she started physically and verbally abusing her children. Haddish and her four younger half-siblings ended up in foster care.

Advertisement

When Haddish was 15 and living in a group home, she landed a spot in a free comedy camp at the Laugh Factory, where she was mentored by Richard Pryor. Still, she struggled for years to make ends meet. She was homeless and living out of her 1995 Geo Metro before she started getting roles in TV series like “Real Husbands of Hollywood” and “The Carmichael Show” beginning in 2013.

When “Girls Trip” came out, she was 37, and the media turned her into a sort of rags-to-riches, never-give-up poster child. She hosted “Saturday Night Live” and won an Emmy for it, landed the cover of Time’s 100 issue, took home a Grammy for narrating her New York Times bestselling memoir. She headlined a movie with Kevin Hart, voiced characters in all the big animated kids films, hosted MTV award shows.

Actress Tiffany Haddish in a blue top with shoulder cutouts, on a TV set.

Haddish on the set of NBC sitcom “The Carmichael Show,” on the Fox Studios lot, in 2016.

(Jay L. Clendenin / Los Angeles Times)

Tiffany Haddish and Kevin Hart stand talking next to lockers in a school hallway

Haddish’s success in “Girls Trip” led to a leading role opposite Kevin Hart in the comedy “Night School.”

(Eli Joshua Ade / Universal Pictures)

Advertisement

“And then, all of a sudden, it almost felt like, ‘OK, now you too famous,’” says Lil Rel Howery, who has been close with Haddish since they met while competing on “Who’s Got Jokes?” in 2006. “People love underdogs until you become, I guess, a top dog.”

There has definitely been a palpable vibe shift surrounding Haddish. It’s not that she doesn’t still get work — in the last year she’s appeared in Disney’s “Haunted Mansion,” the last season of “The Afterparty” on Apple TV+ and filmed a role in the forthcoming “Bad Boys” sequel. But she’s no longer one of those beloved stars everyone seems to root for.

Some of that is due to a disturbing lawsuit that was filed and then dismissed within the span of three weeks in 2022.

In a legal complaint filed in L.A. Superior Court, an anonymous young woman claimed that Haddish and fellow comedian Aries Spears had “groomed” her and her younger brother to engage in sexually suggestive comedic sketches when they were minors.

Advertisement

Haddish and Spears denied this and less than a month later, the Jane Doe asked a judge to dismiss the case and released a statement recanting the accusation. “My family and I have known Tiffany Haddish for many years,” it read, “and we now know that she would never harm me or my brother.”

But the damage to Haddish’s reputation had been done. The deal she made for “I Curse You With Joy” in 2020 “went sour,” as did a second one; the publishing houses “got scared,” she says. “Scared of me, scared it wouldn’t do well. ‘Oh, she’s a problem. She’s too controversial.’”

Haddish says she was preparing to self-release the project, but it eventually found a home at Diversion Books. It will arrive on shelves a couple of months after her latest controversy — a February trip to Israel, which she announced via Instagram video from a first-class airline seat.

After reconnecting with her father as an adult, Haddish learned that she had Jewish roots in Eritrea. She dove into the religion, joining the Stephen Wise Temple and being bat mitzvah’d at age 40.

In the video, she said she was embarking to Israel for the first time on a self-funded trip to “learn and see with my own eyes.” But fans did not respond well to news that she was heading to the country in the midst of the war with Hamas. “Insecure” star Amanda Seales said on Patreon that she was so “disturbed” by the trip that she would end her friendship with Haddish, declaring the comedian didn’t “have the backbone to stand on what is right.”

Advertisement

To her closest friends, the prolonged backlash has been troublesome — and baffling.

“Because everybody was kissing her a—” after “Girls Trip,” says Howery, the “Get Out” star. “Then the jealousy started with other actors and stuff. They’re like, ‘How is she winning?’ Everybody was cheering her on for being herself, and then that’s the same thing that people got mad about. ‘She’s doing too much!’ But she’s been doing too much.”

a pull quote from the story

The foster kids Haddish works with through her nonprofit She Ready Foundation get especially upset about hate they see directed toward her online.

“They cry to me, like, ‘Stop being famous! I want you to quit!” she says. “They said it hurts their feelings to see what people say about me.”

After the open house, Haddish and I have returned to the home she uses as an office. She bought it last year for $1.6 million — a totally redone three-bedroom with subway tile backsplash, soaking tub and solar panels. It’s modern and sparse, lacking personal details save for a random, small canvas on the wall that she made in a Sip ’n’ Paint class she bought off Groupon a few years back.

Advertisement

Haddish grabs an apple off the kitchen island, eats it and then clutches the core in her hand for half an hour, rather than throw it out and disrupt her thoughts about getting trolled.

Comments about her online have gotten so negative that last year, she began blocking certain phrases on Instagram, including “setback,” “pedo” and “not funny.” She hired a digital forensics analyst to research where her death threats were coming from — 75% were created by robots in Malaysia and Iran, which made her feel better.

She also created a fake Instagram account where an alter ego named Sarah will go in and “destroy” anyone hating on her by deploying details from their personal lives.

“I’ve learned how to find people’s information — like I pull up the credit report, police records. You can do that for $1.99,” Haddish says. “Sometimes, I get so mad that I’ll get they phone number and I’ll just call them.”

She registers the disbelief on my face.

Advertisement

“Oh, I have called people, honey,” she says. “They be shocked that I called. They’ll be like, ‘I can’t believe you even saw that.’ You did a whole video, b—! You made a full, five-minute video! On the internet, people think they can just say whatever and you not gonna say anything. I try my best not to, but I’m a human being.”

Tiffany Haddish smiles and looks upward

Many of the comments pertain to the lawsuit, she says. Haddish doesn’t feel it’s affected her career — plenty of folks still approach her to fan out in the airport, she says — but she has noticed an attitude adjustment from some people in the industry.

Recently, she says, someone “of status” approached her and asked: “Is your mental health OK? Your name is always in the headlines. You said this, you said that. All I see is people attacking you. It’s like, ‘Oh, don’t get too close to Tiffany. I’m going to get attacked too.’”

Her mental health is perfectly fine, she says. Not that there haven’t been moments she’s questioned it. Usually when she’s on her period, suffering from such bad menstrual cramps that she often passed out. For years, doctors shrugged off her pain, suggesting that she take birth control pills or eat less acidic foods. Haddish recounts the words of one relative — “We used to be out in the fields having babies and working right after.” A woman who complained about her period, Haddish was told, was lying, weak, just trying to get sympathy.

So she started to think maybe she was mentally ill. Then, last year, a doctor finally diagnosed endometriosis. The chronic disease also explained why she’d suffered eight miscarriages — something a prior OB-GYN had misattributed to the shape of her uterus. Until last year, she kept the losses from almost everyone.

Advertisement

“I’d call her and say, ‘How’s your day?’ and she might start talking about work,” recalls Selena Martin, who has been Haddish’s best friend since seventh grade. “And I’m like, ‘OK, that’s nice. But how are you doing?’ In track, our coach used to call us odd names if we were running slow, like ‘hamburger.’ So I’ll ask, ‘No, how’s old hamburger doing?’”

Even as she was miscarrying, Haddish kept quiet, showed up to work, went onstage. She saw the way people talked about pregnancy loss — how they treated women who went through it like pariahs. “I remember Gabrielle Union talked about having a bunch of miscarriages, and it was like, ‘Gabrielle Union can’t hold a baby,’” she says.

She didn’t want to hear that. Tried to be remain positive. This was just God’s birth control, she told herself, God’s way of telling her she was with the wrong man.

“Shame on you, Tiffany,” she admonishes herself now. “I didn’t want to be a quitter. Because my body was quitting. People have no idea what it feels like to have your soul falling out of your body. Because that’s what it feels like. My soul is like, ‘Oh, man. We was gonna grow that.’ You ever plant anything and then it f— dies and you really want it to live? You try to play cool, like it ain’t that bad. But it is.”

There are procedures Haddish could have to help her endometriosis — laparoscopic surgery to remove scar tissue. But she refuses. Years ago, she says, she had an abortion under anesthesia and she liked the feeling of the drugs so much that she’s scared that if she had access to them again, she’d develop an addiction.

Advertisement

She reasons with herself that menopause is probably only five years away and she finds ways to cope with the pain — marijuana helps a lot, though she’s been sober since Thanksgiving, when the judge in her ongoing Georgia DUI case instituted regular drug and alcohol testing following the Beverly Hills arrest. She says she plans to abstain from drinking even after the case is wrapped up, especially because she’s noticed a discernible difference in her pain over the last few months.

And she’s decided that she doesn’t want to have kids.

“I would hate to give birth to someone who looks like me, knowing they’re going to be hunted or killed,” she writes in “I Curse You With Joy.” “I don’t want the stress of worrying every time my Black baby goes to school or goes to hang out with their friends that they they could end up dead.”

Growing up three miles away near 54th and Western, she was in gang territory. The park she hung out at was infamous for drive-by shootings and filled with police. When she was 13, she says, she watched a boy in her friend group get beat to death by the cops.

“You see s— like that? That don’t go away,” she says, her voice turning quiet and heavy. “You develop this underlying narrative of: ‘Are we being hunted?’ And people always tried to take advantage of me, even when I didn’t have nothing. I see these helicopter parents worried about they child, and I get it, because there are a lot of predators out here.”

Advertisement

She starts to cry, apologizes. This is a topic she particularly hates talking about — at 17, she explains, she was raped by a police cadet on the night of her homecoming dance. She was going to delve into it in her second book, but when she went to record the audio version, she found the experience too painful and cut the pages.

The incident dramatically affected how Haddish viewed men. In the years following it, she attempted to take her sexuality into her own hands. She slept with men freely, spoke unabashedly about her exploits. “I Curse You With Joy” is filled with graphic details of her sex life, including an oral sex tutorial and her preference for a “smedium” penis — something she says she established after intercourse with an extremely well-endowed man sent her to the hospital with a tilted uterus.

She thought sex of her own volition would empower her. If she was the pursuer, she’d be taking something from the man.

Tiffany Haddish stands in front of a white building on a sunny day
A closeup of Tiffany Haddish with a slight smile and short hair, wearing white

“But I was hurting myself the whole damn time,” she says now. “You’re really just kind of raping yourself. You’re giving up a piece of your spirit. I feel different, a little less, every time.”

Advertisement

In her comedy, and in her life, Haddish talks a lot about how closed off she is to relationships. Her last serious one was with rapper-actor Common; that ended after two years in 2021. Since then, she says she’s adopted a new policy: Nine months and then she’s out. She’ll go on Bumble, but never Raya. No more celebrities.

“All the famous guys I used to think, ‘Oh, I would love to do it to him,’ I know them now and I’m like, ‘No,’” she says. “I used to really want Henry Cavill. I think he’s so hot. But I met him and he was so awkward. It was like, ‘This would be weird. I should be talking to him about Dungeons & Dragons. Maybe he’d be more comfortable.’

“Or,” she adds, “maybe he’s just never had a Black woman be like, ‘What’s up? What’s your credit score? Do you like spaghetti? I’ll cook for you. Are you afraid of South Central or not?’ But he’s still beautiful.”

Clark, who met Haddish when they were bused to El Camino Real Charter High School in Woodland Hills, isn’t buying this supposed stance on monogamy.

“Oh, she wants to be in a relationship,” says Clark. “I think it would be really, really good for her to be in a healthy — key word — relationship. She keeps that young, 20-year-old girl in her mind when she’s talking about it onstage, but really, deep down she’s such a relationship girl.”

Advertisement

Haddish says she has other things to work on first, like fixing her sleep routine. She used to get between two and three hours a night. Her fatigue got so bad that sometimes she even fell asleep during sex. And not always in the missionary position. She jumps up and gets on her hands and knees to imitate how it’s possible to be on top and still drift off with your head resting on someone’s chest.

So there’s the sleep thing — she’s getting between five and eight hours a night now. No more drinking. Exercising more frequently, cooking with the vegetables in her garden. Continuing to invest in her neighborhood. Coming to terms with her family.

Haddish’s mother lives with one of her half-sisters in Inglewood now after being institutionalized. Haddish takes their relationship “day by day,” she writes in her book. “I love her, but whew, it is still hard.”

If I met her mother, Haddish says, I wouldn’t notice anything off at first. But after a few hours, she’d start talking to herself, or turn swiftly argumentative. Haddish clings to the “glimmers of her — of my mommy” — the woman she knew before the accident. “And I miss her. But it’s not the same.”

Advertisement

Still, her mother’s admiration is the carrot that’s always dangling. “Am I doing all this, working myself to the bone, just for my mom’s approval?” she writes in “I Curse You With Joy.” “You know what? Kinda.”

There was a moment, recently, when Haddish brought her mom over to see a large home she’d just invested in. She watched as her mother took in the property, impressed.

“She goes, ‘I’m proud of you,’ and that was awesome. That was the best feeling in the world to hear that,” Haddish says. “At the end of the day, all you want is your mommy and daddy to be proud of you. Well, my daddy dead now. And I think she is proud.”

Tiffany Haddish in a mint green romper standing in front of a yellow backdrop under a tree
Advertisement

Movie Reviews

‘Ladies First’ Review: Sacha Baron Cohen and Rosamund Pike in a Netflix Comedy That’s High-Concept but Hopelessly Predictable

Published

on

‘Ladies First’ Review: Sacha Baron Cohen and Rosamund Pike in a Netflix Comedy That’s High-Concept but Hopelessly Predictable

You don’t have to have seen the 2018 French film on which it’s based to predict exactly where Ladies First is going every step of the way. This comic tale of an arrogant, sexist male executive who gets his comeuppance when he hits his head and wakes up to find himself in a world dominated by women hits every satirical note you’d expect but provides more knowing chuckles than genuine laughs. An almost ridiculously overqualified cast of notable British thespians does their best to elevate the material of this Netflix comedy directed by Thea Sharrock (Wicked Little Letters, Me Before You), but it’s heavy lifting.

Sacha Baron Cohen, unusually not relying on changing his vocal and physical attributes for comic effect, plays Damien, an advertising company executive who revels in his misogynistic attitudes and playboy lifestyle. He’s looking forward to an upcoming promotion at the hands of his boss (Charles Dance), swaggering through the office to the strains of “Da Ya Think I’m Sexy?” (one of far too many on-the-nose soundtrack selections).

Ladies First

The Bottom Line

No, you go right ahead.

Advertisement

Release date: Friday, May 22
Cast: Sacha Baron Cohen, Rosamund Pike, Charles Dance, Emily Mortimer, Tom Davis, Richard E. Grant, Fiona Shaw, Weruche Opia, Kathryn Hunter, Kadiff Kirwan, Bill Paterson
Director: Thea Sharrock
Screenwriters: Natalie Krinsky, Cinco Paul, Katie Silberman

Rated R,
1 hour 30 minutes

Most egregiously, he treats fellow executive Alex (Rosamund Pike) horribly condescendingly during company meetings strategizing over an ad campaign for their latest client, Guinness. He treats her so badly, in fact, that she quits. But during their subsequent angry encounter out on the street, Damien runs smack into a pole and knocks himself out.

It’s not hard to guess what happens next, as he wakes up in a topsy-turvy world where the agency’s receptionist (Fiona Shaw) is now the CEO and the cleaning woman (Kathryn Hunter) a top executive. Alex is very much in charge, and the men at the agency, including Damien and his former boss, are treated derisively, the sexism very much in reverse.

Advertisement

Things are equally akilter in his family’s home, with his mother now sitting on the couch watching TV while his father slaves away in the kitchen. And his accomplished dentist sister (Emily Mortimer) amuses herself greatly with fart jokes.

Damien attempts to get things back to normal by slamming his head again, to no avail. So now, fueled by advice from an eccentric street person (Richard E. Grant) who has multiple pigeons perched on his head, he attempts to rise up the corporate ranks again using masculine wiles. It’s not easy, since when he attempts to make suggestions at a corporate strategy mission, he’s told such things as “You need to relax” and “Don’t get too emotional.” 

Screenwriters Natalie Krinsky, Cinco Paul and Katie Silberman clearly seem to have enjoyed reversing every sexist stereotype they could think of with such gags as female construction workers ogling Damien on the street; his attempting to become “fuckable” for career advancement through such things as a “testicle bra” and body waxing (cue The 40-Year-Old Virgin-style screams of pain); and, of course, ordering a plain salad for dinner instead of steak.

And when Damien and Alex do wind up in bed together even though she’s now his boss, they engage in a wrestling match over which one of them will be on top.

It’s mildly amusing but all so obvious, including the sexual reversals evident on such book titles as “Harriet Potter” and “Donna Quixote” and retail outlets like “Burger Queen” and “Victor’s Secret.” Not to mention the female Pope Beatrice.

Advertisement

The film moves swiftly enough, with the gags coming at such a consistent pace, that inevitably some of them land. And the performers certainly know how to sell the material, with Cohen amusingly leaning into his character’s humiliations, Pike appealingly reveling in her character’s dominance, and the top-notch supporting cast going through their paces like the pros they are.

But long before Alex inverts the stereotypical male/female dynamic by showing no interest in a relationship after she and Damien have their one-night stand, you realize that despite its high concept, Ladies First is hopelessly old-fashioned in its satirical conceit. No points for guessing that Damien will have seen the past error of his ways by the film’s conclusion.

Continue Reading

Entertainment

Stephen Colbert takes final bow on ‘The Late Show’ with Paul McCartney as last guest

Published

on

Stephen Colbert takes final bow on ‘The Late Show’ with Paul McCartney as last guest

The roar erupting from the capacity audience inside the Ed Sullivan Theater when Stephen Colbert stepped on the stage of his “Late Show” for the last time made it clear that they did not want him to say goodbye.

Colbert took his final bow as his beloved late-night show came to an end Thursday. The episode was so crammed with top celebrities who showed up to share a last moment with the comedian that it extended nearly 30 minutes beyond its usual one-hour run time.

Before the official start, Colbert addressed the audience as he thanked the staff, calling the show “The Joy Machine”: “We call it the Joy Machine because to do this many shows, it has to be a machine. But the thing is, if you choose to do it with joy, it doesn’t hurt as much when your fingers get caught in the gears, and I cannot adequately explain to you what the people who work here have done for each other, and how much we mean to each other.”

In his opening monologue, Colbert downplayed the event‘s status, rolling a series of jokes about news stories in New York and New Jersey. But he was repeatedly interrupted by audience members Bryan Cranston, Paul Rudd, Tim Meadows and Ryan Reynolds, who all became irritated — except for Tig Notaro — when Colbert informed each of them that they would not be his last guest.

Tim Meadows, left, and Paul Rudd in the audience during the show.

Advertisement

(CBS)

When the show’s supposed scheduled last guest, Pope Leo XIV, refused to leave his dressing room, Paul McCartney popped on stage to a rapturous ovation. The legendary musician presented Colbert with a framed photo of the Beatles when they appeared on “The Ed Sullivan Show” in 1964.

One of the few subtle references to President Trump came when McCartney relayed a story how the Beatles, before their Sullivan appearance, got their faces covered with bright orange makeup. “That’s pretty popular in certain circles these days,” Colbert quipped.

Later in the show, a pre-taped segment that revolved around a wormhole that was threatening to consume Colbert featured several celebrities, including “The Daily Show” host Jon Stewart, Neil DeGrasse Tyson, Elijah Wood and fellow late-night hosts Jimmy Kimmel, Jimmy Fallon, Seth Meyers and John Oliver. The show ended with “The Late Show” band, led by Louis Cato, who accompanied Colbert, Elvis Costello and former “Late Show” band leader Jon Batiste in singing with McCartney on the Beatles’ “Hello, Goodbye.”

Advertisement

The final scene after almost 90 minutes featured Colbert and McCartney going to the light box of the theater and pulling the lever to “off.” The theater vanished into the green wormhole, disintegrating into a snow globe with the theater inside.

1 A man seated on a chair pointing at a man sitting behind a desk.

2 Two men on a stage at singing into microphones. One holds a guitar.

3 A group of men perform a song on stage.

1. Paul McCartney and Colbert during the interview segment. 2. Colbert and McCartney performing together. 3. Louis Cato, left, Colbert, McCartney, Elvis Costello, and Jon Batiste performing “Hello, Goodbye” together. (Scott Kowalchyk /CBS)

The episode marked the finale of Colbert’s 11-year run on CBS’ late-night show, which he has been counting down since July of last year, when CBS said it was canceling the show because of financial difficulties. “The Late Show” franchise, which Colbert inherited in 2015 from David Letterman, was the top-ranked late-night show, but it faced challenges due to dramatic declines in viewership and a drop in advertising revenue.

Advertisement

However, industry observers also contended the move was tied to Colbert’s relentless criticism of Trump. The decision was announced after Paramount, the parent company of CBS, had settled a lawsuit filed by Trump over a “60 Minutes” interview with then-Vice President Kamala Harris. The company agreed to pay $16 million to settle the suit, which came as Paramount was attempting to get regulatory approval for its merger with Skydance Media, which Colbert called “a big fat bribe.” Trump made no secret of his disdain for Colbert and other late-night hosts who have skewered him and his administration over the years.

Colbert, his guests and others continued to blast Trump in this final week. In his introduction Wednesday of his performance of “Streets of Minneapolis,” Bruce Springsteen said: “I’m here in support tonight for Stephen, because you’re the first guy in America who has lost his show because we got a president who can’t take a joke.”

A man stands facing four men who are holding out their arms with fingers pointed at his face.

Colbert, left, was visited by fellow late-night hosts John Oliver, Seth Meyers, Jimmy Kimmel and Jimmy Fallon in a segment on Thursday’s show.

(Scott Kowalchyk/CBS)

And Kimmel on his ABC late-night series “Jimmy Kimmel Live!” said Wednesday, “I will be watching tomorrow night. I hope that those of you who watch will also tune in to CBS for the last time. Don’t ever watch it again.”

Advertisement

In a tribute to Colbert, Kimmel, another target of Trump, and Fallon said their respective shows would not air new episodes during Colbert’s finale.

But the overall vibe on “The Late Show” this week has centered on celebration and spotlighting the show’s comedic formula. Several celebrities who have a special connection with the show made appearances, including Stewart and filmmaker Steven Spielberg.

In one of the more arguably iconic sequences, David Byrne and his band — all attired in bright blue uniforms — appeared Tuesday to perform the Talking Heads anthem “Burning Down the House.” Colbert joined in at the end, dancing in his matching blue outfit.

The “Late Show” time slot will be occupied starting Friday by Byron Allen and his “Comics Unleashed” syndicated show. CBS executives have said they hope to develop a new original late-night series in the future.

Advertisement
Continue Reading

Movie Reviews

‘Death Has No Master’ Review: Asia Argento Plays a Woman Contending With Unwanted Housemates in Listless Venezuelan Drama

Published

on

‘Death Has No Master’ Review: Asia Argento Plays a Woman Contending With Unwanted Housemates in Listless Venezuelan Drama

Featuring powerfully atmospheric music and sound design, and a sense of tropical place so moistly palpable one might feel concerned about developing crotch rot after viewing, Venezuelan writer-director Jorge Thielen Armand’s third feature, Death Has No Master, is well dressed up but doesn’t really go anywhere.

Mind you, his previous full-length works, La Soledad and La Fortaleza (Fortitude), were similarly light on action but strikingly moody. However, somehow their arthouse idiosyncrasies felt more audacious. Given that this is his first outing with a relatively well-known star — Asia Argento, playing a woman returning from Europe to Venezuela to sell off her late father’s cacao estate — expectations may have perhaps irrationally piqued that he’d up his game somehow. But the final product doesn’t come to a boil, despite the promising simmering of the first act.

Death Has No Master

The Bottom Line

Lots of atmosphere, little substance.

Advertisement

Venue: Cannes Film Festival (Directors’ Fortnight)
Cast: Asia Argento, Dogreika Tovar, Yermain Sequera, Jorge Thielen Hedderich, Arturo Rodríguez, Jericó Montilla, José Aponte, Rafael Gil, Juan Francisco Borges, Teresa Bracho, Ana Helena Anglade Armand, Gumercindo Aponte
Director/screenwriter: Jorge Thielen Armand

1 hour 46 minutes

After an ominous maybe-dream/maybe-flashback sequence, never entirely explained, which finds Argento’s protagonist Caro in a ravine where one masked man covered in blood (Roberto Conde) encourages her to kill another (David Tiburcio), the action cuts abruptly to Caro, newly landed in the country. After being stopped by cops looking for a quick bribe, her driver reassures her that Venezuela is much safer now that they’ve killed all the criminals.

Not entirely reassured, but at least in possession of the deeds to her father’s house where she grew up after meeting her lawyer Roque (Jorge Thielen Hedderich, the director’s father and star of La Fortaleza), Caro arrives at the decrepit mansion. A stone construction decorated with bas-relief Corinthian column motifs with an interior that’s all chipped parquet flooring and shabby chic Victorian furniture, the house is by this point barely separate from the encroaching tropical forest that surrounds it. No wonder Roque has warned her that the house and the land surrounding it are not worth the million dollars she expects; she’ll be lucky if it fetches half that.

Advertisement

But home improvement is the least of Caro’s worries. There are various people living at the house, seemingly at the dispensation of Sonia (Dogreika Tovar, a non-professional with an incredible screen presence). Sonia remembers Caro from the old days when she worked for Caro’s father, and has been at the house for years, living there now with her son Maiko (Yermain Sequera, another find), a kid old enough to be in elementary school if only he were enrolled in one. A tenant (José Aponte) rents a room from Sonia and may sometimes share her bed, while old retainer Yoni (Arturo Rodríguez) also has the run of the estate, especially the plantation. Luckily, his loyalties lie more with Caro, which is lucky as things swiftly turn sour between Caro and Sonia when the former tells the latter she’s going to have to leave so Caro can sell the estate.

Not that we see her getting in the real-estate agents or even doing much about the dead leaves everywhere. After spending a lot of time in bed and looking at mysterious books of illustrations her father left lying about among his Chekhovian rifle and machete, Caro moves to the town for a while to stay in a hotel and plot with Roque about how to get rid of Sonia. The police are clearly not going to help, claiming that Sonia has a right to stay put having lived there more than five years, and anyway, she has other legal claims on the place.

Presumably, this was all filmed well before U.S. forces captured Venezuelan President Nicolás Maduro earlier this year, not that the abduction has had much effect on the country’s regime. But it’s clear from the attitude of the locals that no one likes a pushy, arrogant gringa like Caro around these parts, least of all one who struts about in leather boots and a gaucho hat like she owns the place. Well, yes, she does own it technically, but it’s not a good look here, where the sufferings of colonial rule are well remembered. As one policewoman points out, all she’s lacking is a whip. (Don’t worry, there’s also a whip back at the house, which will play a significant role in the story.)

Argento has enough instinctive ferality about her to make her blend well with the less experienced actors, but this is not one of her better performances and the character is very underwritten. The sound and music tracks by Sylvain Bellemare and Vittorio Giampietro, respectively, have to work extra hard to make it feel like something is going to happen, eventually, and it won’t be pretty. Mission accomplished, but that doesn’t quite make for an entirely satisfying viewing experience.

Advertisement
Continue Reading
Advertisement

Trending