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Sundance Film Festival will explore options beyond 2026 — and a move out of Utah is on the table

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Sundance Film Festival will explore options beyond 2026 — and a move out of Utah is on the table


The organizers of the Sundance Film Festival, which has called Park City home for more than 40 years, are taking a hard look at the independent film event’s future — including whether it will stay in Utah or move elsewhere.

The Sundance Institute, the nonprofit that has presented the Sundance Film Festival since 1985, announced Wednesday it is starting a process to “explore viable locations in the United States to host” the festival, beginning in 2027.

Eugene Hernandez, director of the festival and head of the institute’s public programming, said the move was prompted by the fact that the festival’s contract with Park City is up for renewal. The institute is obligated to inform Park City by October whether it will start negotiating a new contract.

“This hasn’t happened in over a decade,” Hernandez said, “so in really trying to think about how to be the most responsible to our festival, … we created this [Request for Information] and [Request for Proposals] process that can help us really develop the right process to evaluate and consider about how we build the future of the festival.”

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(Francisco Kjolseth | The Salt Lake Tribune) Troy Higgins makes a delivery along Main Street in Park City on opening-day of the Sundance Film Festival on Thursday, Jan. 18, 2024.

In a statement Wednesday, Park City Mayor Nann Worel said the city “will work collaboratively with all our state and local partners on next steps.”

Worel said, “we appreciate our partnership with Sundance, and we want the festival to remain here for another 40 years. We will not be alone in the effort to ensure that Utah remains host to diverse new voices from around the globe.”

Virginia Pearce, director of the Utah Film Commission, said Wednesday in a statement that “we see this as an opportunity to reimagine what the future of the festival looks like in Utah. With over 40 years of demonstrated success as the home of the Sundance Film Festival, we are well-positioned to continue this partnership.”

The process, according to a release from the institute, begins Wednesday with a Request For Information (RFI) phase, which will run for two weeks and close on May 1. Interested parties can submit proposals to proposal@sundance.org.

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The festival, the release said, “will employ the RFI process to identify new opportunities to elevate artists while providing a space that reflects the festival’s values of inclusion, racial equity, accessibility and belonging at every level for artists, audiences, staff and volunteers.”

On May 7, a Request for Proposals (RFP) phase will open. In this phase of the process, “specific details will be assessed,” the release said. The RFP process will close on June 21.

A final decision on the festival’s location for 2027 and beyond will be announced in the fourth quarter of this year or the first quarter of 2025.

Hernandez didn’t share specifics about the criteria the institute is looking for from cities or proposals, except that it is all “about continuing the vital work of the Sundance festival.”

(Trent Nelson | The Salt Lake Tribune) Eugene Hernandez, new director of the Sundance Film Festival, in Salt Lake City on Wednesday, Jan. 10, 2024.

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He added, “we really want and hope Utah will go along on this journey with us, and we feel like we’re really well-suited to have this conversation with our friends in Utah, because of the long history and legacy of this festival that we share together.”

Hernandez noted that the 2025 and 2026 festivals will be held in Park City — and that he’s already started watching early films for next year’s festival, which the institute announced in March will happen in Park City and Salt Lake City from Jan. 23 to Feb. 2, 2025.

“We are committed to our audience, because the audience has been committed to Sundance for all of these decades,” he said. “This is a festival for people who live there in Utah, and also for people who travel. … So for 2027 and beyond that, we’re going do what’s best for artists and [the] audience. But there’s no need to panic.”

The institute’s release noted the decades that Sundance has been in Utah. “Sundance Institute’s connection to Utah is profound, reflecting decades of shared cultural achievements that have shaped the festival into what it is today,” the release said.

The festival’s connection to Utah predates the institute’s existence. The first Utah/US Film Festival was held September 1978 in Salt Lake City, and moved to Park City in January 1981 — a few months before actor-director-activist Robert Redford founded the Sundance Institute as a laboratory for independent filmmakers. In 1985, the institute took over operations of what was then called the United States Film Festival; the name was changed to Sundance in 1991.

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When Sundance came to Park City, Mayor Worel said in her statement, “it was buoyed by a tight-knit and passionate group of individuals who worked together to provide a voice for independent storytellers that became impactful beyond anyone’s imagination.”

At the same time, Worel said, Park City was “just starting to realize what this place could become. As Sundance grew, so did we — into a world-class mountain town that welcomes the world year-round.”

(Francisco Kjolseth | Salt Lake Tribune file photo) Robert Redford, seated alongside festival director John Cooper, answers questions from the media at the Egyptian Theatre as the Sundance Film Festival gets underway in Park City on Thursday, Jan. 21, 2010.

Over the years, festival visitors from time to time have complained about trudging through the snow during Sundance — but Redford has long argued that the difficulty of navigating the festival was the point.

“The snow and the inconvenience — I love it,” Redford told The Tribune in 1996. “This is sort of what the idea was: Make it in the winter, move into Park City, make it a little rougher atmosphere to suit the image of what independent film is.”

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Redford, 87, retired from acting in 2018 (his last on-screen role was in 2019′s “Avengers: Endgame”), and as founder is on the institute’s board of trustees. His daughter, Amy, also a filmmaker, is also a board member — and will be on the task force looking through the RFI and RFP submissions.

Wednesday’s announcement comes at a turbulent time for the festival and the institute — weeks after the sudden departure of the institute’s CEO, Joana Vicente, who had held the job for just 2½ years. Amanda Kelso, a member of the institute’s board, has been named acting CEO.

(Francisco Kjolseth | The Salt Lake Tribune) Joana Vicente, CEO of Sundance Institute, leads a conversation during the Sundance Scoop opening-day press conference at the Filmmaker Lodge in Park City on Thursday, Jan. 18, 2024. Vicente left the CEO job in March 2024.

This year’s festival, Hernandez’s first as director, saw an increase in single-ticket prices. Two of the festival’s largest Park City venues, the Eccles Theatre and the Prospector Square Theatre, housed movie screenings only during the festival’s first half. Two other venues, the MARC and the Temple Theatre, have not been used since 2020, before the COVID-19 pandemic forced Sundance to go completely online in 2021 and 2022.

IndieWire, the online trade publication Hernandez co-founded, reported in March that Metropolitan Theaters Corporation, which operates two of Sundance’s Park City venues — the Redstone 8 and Holiday Village Cinemas 4 multiplexes — filed for chapter 11 bankruptcy in February. Park City radio station KPCW later reported that the Holiday Village has closed its doors.

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On the upside, according to the trade paper Variety, the festival’s inaugural gala fundraiser — which toasted actor Kristen Stewart and directors Christopher Nolan and Celine Song — raked in $1.5 million for the nonprofit. And, The New York Times reported, distribution deals for festival films were robust after a slow start.

According to its most recent 990 forms — the tax forms nonprofits file with the Internal Revenue Service — in 2021, Sundance Institute took in $24 million more in revenue than in 2020, and ended the year with $78.1 million in net assets and a net revenue of $13 million.

The festival continued to attract independent filmmakers and fans from around the world. The 2024 festival drew 17,345 submissions from 153 countries — the most in its history.

On a podcast in January, reported by KPCW, Vicente spoke about the challenges the festival faced being held in Park City, including accessibility and cost. She also expressed excitement about what the festival is doing in its Salt Lake City venues, “really getting to a more diverse, younger audience.”

Hernandez, who has been attending the festival for 30 years, said the event has continued to “evolve right in front of everyone’s eyes.”

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What brings success to the festival, Hernandez said, is “so inherent in what you can see at the Sundance Film Festival over these 40-plus years. … It’s that openness of the audience. It’s that careful curation.”

This is a developing story.

Tribune culture & business editor Sean P. Means and business reporter Shannon Sollitt contributed to this report.



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Utah hit with largest measles outbreak in over 30 years

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Utah hit with largest measles outbreak in over 30 years


Utah has been hit with the largest measles outbreak in more than 30 years.

The Utah State Epidemiologist stated that it’s the most contagious disease scientists know of.

As of this month, the Utah Department of Health and Human Services reported 115 confirmed cases.

MORE | Measles

“It’s a little surprising to see an uptick in measles, but it’s not surprising to hear that Utah County is one of the places where we have seen more of those cases,” said Elsie, a Utah County resident with several children in local schools. “I think because there’s kind of been a movement towards anti-vaccination.”

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Samantha Marberger, who also lives in Utah County and has a young child, said measles wasn’t something she thought was here.

“I’ve heard of big outbreaks like that in Texas and a few other places, but it wasn’t something that I thought was as local,” she said.

Utah State Epidemiologist Leisha Nolen called the outbreak “extreme” and “really concerning.”

“Why does the health department believe this is happening now? Is this like a delayed reaction of previous low vaccination rates?” 2News asked her.

“Yeah, I think unfortunately our vaccine rates have gone down over time, and we do now have a number of people who are vulnerable to this infection, and they haven’t been protected,” Nolen said. “There also has been cases in neighboring states, and so it was easy to introduce here in Utah.”

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The DHHS stated that roughly 90% of the population is vaccinated, but those rates vary from area to area and aren’t enough to reach herd immunity for measles.

“Measles is highly contagious. It’s the most contagious infection we know of,” Nolen said. “The data historically says that if you have 20 people in a room and somebody with measles comes in, 18 of those people are going to get measles.”

She said that since the outbreak started, the health department has given 30% more vaccines than they did last year at this time. She said most infections can be traced back to southwestern Utah and appear to be from in-state travel.

“It’s likely in Utah, many hundreds of Utahns who are vaccinated have been exposed to this virus, and they did not know it, and their bodies fought it off as it should,” Nolen said.

The second largest outbreak in Utah is in Utah County, with 10 confirmed cases.

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The state is asking people to cooperate with the health department’s contact tracers if they call.

If you suspect measles in yourself or a loved one, they urge you not to go to a clinic waiting room but call ahead for the next steps to stop the spread.

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Widow of slain Utah County sergeant testifies in favor of accomplice’s parole

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Widow of slain Utah County sergeant testifies in favor of accomplice’s parole


EAGLE MOUNTAIN, Utah — Nannette Wride-Zeeman says her late husband, Utah County Sheriff’s Sergeant Cory Wride, is still very much a part of her life nearly 12 years after he was ambushed and killed in Eagle Mountain.

On Tuesday, Wride-Zeeman did something that might surprise many people: She testified in favor of parole for Meagan Grunwald, the young woman who was an accomplice in her husband’s murder.

Wride’s killer lost his life in a shootout with police the same day as the ambush. But Grunwald, who was with the shooter, has been serving time for her role in the crime.

Before the parole hearing, Wride-Zeeman met Grunwald face to face on Monday for the first time since the tragedy.

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“She was in the other room, hyperventilating and sobbing. And she was so afraid to come and meet me. And I can’t even tell you. The days and probably weeks of sleepless nights I had, being afraid to meet her, and what do I say, and how do I, how do I do this, and am I making a mistake, and like all these things that it felt in my heart, just this calm feeling like it was the right thing to do,” Wride-Zeeman said.

“She was so afraid that I was going to be angry with her, and those angry days have long passed,” she said.

When Grunwald entered the room, the emotion was overwhelming for both women.

“And she came walking in, she had her hands over her face, and she was still sobbing and she was shaking. And I just saw this little girl that was just terrified,” Wride-Zeeman said.

“And she’s sitting across from me, and she, her hands or her face are in her hands, and she’s just sobbing, and she keeps repeating, I’m so afraid, I’m so afraid. I’m so sorry, I’m so sorry, I’m so afraid, just back and forth. And when she got done, I said, Megan, you don’t have anything to be afraid of. I said, Look at me, and she looks up at me, and I see her blue eyes and all the tears,” she said.

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What happened next was a moment of healing that lasted three hours.

“So I walked over to her, and I went like this to her, and she stood up, and we embraced for the first time, and she just sobbed and sobbed. And I just held her and I said, do not be afraid of me. We’re here to heal. And it opened up 3 hours of healing,” Wride-Zeeman said.

The widow says she has completely forgiven Grunwald and wants to be part of her life when she’s released.

“I said, you can’t live with me, but I want to be a part of your life when you get out, and I want us to stay in touch. I am your biggest cheerleader, and I want to see you find your happy like I did, because I never thought I’d be happy, and here I am happier than I’ve ever been in my life, and I want her to find that. And we talked about what her dreams are, what her passions are, how she wants to give back to the community, to people, across the board, including veterans and first responders,” Wride-Zeeman said.

Wride-Zeeman says 100 percent she has forgiven Grunwald and wants nothing but the brightest of futures for her.

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Utah Supreme Court considers defamation lawsuit over ‘Sound of Freedom’ movie

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Utah Supreme Court considers defamation lawsuit over ‘Sound of Freedom’ movie


SALT LAKE CITY — The state’s top court is considering whether to allow a defamation lawsuit to move forward over the movie “Sound of Freedom” and its portrayal of a villain in the movie.

On Wednesday, the Utah Supreme Court heard an appeal by Angel Studios, the filmmakers who created “Sound of Freedom” and Operation Underground Railroad founder Tim Ballard. They are being sued by Kely Suarez, who alleges the central villain character in the movie has defamed her and ruined her reputation.

Cherise Bacalski, Suarez’s attorney, said the character of “Katy Giselle” in the film is “a kingpin sex trafficker.”

“And she never was,” Bacalksi said of her client.

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Before the Utah Supreme Court, Bacalski argued Suarez was a college student who was caught up in a raid that Ballard was involved with in Colombia.

A lower court allowed Suarez’s lawsuit to move toward trial. The studio and Ballard have appealed, arguing they are protected under a Utah law designed to safeguard speech and that the film is a docudrama that is “based on a true story.” The justices grilled lawyers for all sides about the level of involvement each party had and whether promotion of the film crossed any lines.

“Here it’s alleged the movie itself was defamatory and Angel Studios is the one who is putting out the movie,” Justice Paige Petersen said during Wednesday’s hearing.

Robert Gutierrez, an attorney for Angel Studios, insisted to the court that while the film may be based on Ballard’s experiences, there were disclaimers in the film.

“The Katy Giselle character was, in fact, a composite character in order to make it a subject matter the viewing public could actually watch,” he argued. “And fulfill the writer’s mission about the ugly truth of child trafficking.”

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The justices questioned where the line is in a “docudrama” or when things are “based on a true story.”

“So under your definition is this a movie of and concerning Mr. Ballard? Or is that they happen to use the same name?” asked Justice John Nielsen.

Gutierrez replied it was a story “inspired by Tim Ballard.” Later in arguments, he noted that Suarez had actually been convicted of criminal charges in Colombia. That was something Bacalski said was not properly before the court and she argued against the veracity of it.

“We also believe the conviction is unreliable, coming from Colombia and really under suspicious circumstances,” she told FOX 13 News outside of court. “That conviction would not likely stand because of the constitutional protections we enjoy in the United States of America.”

Ballard’s attorney, Mark Eisenhut, argued that his client was not involved in the movie-making itself. Ballard was consulted as the film was being created.

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“I do not believe there’s any evidence of him producing, writing, directing, anything of that nature,” Eisenhut argued.

The justices took the case under advisement with no timeline for a ruling. The movie, which starred Jim Caviezel as Ballard, went on to become a box office success in 2023.

“She’s very hopeful our justice system will do her justice,” Bacalski said of Suarez outside court.

Ballard faced a number of lawsuits and accusations of misconduct that led to ties being cut with Operation Underground Railroad, the anti-human trafficking organization he founded. He has denied wrongdoing and filed his own defamation lawsuit against some of his accusers.





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