An 8th-grade Colorado Jewish student was called a ‘stupid k***’ while being strangled by a laptop charging cord, in one of many antisemitic assaults by other students described in a Title VI complaint to Boulder Valley Public School District.
Colorado
As Sundance said goodbye to Utah, its Colorado connections became clear
PARK CITY, UTAH — The evening before the Sundance Film Festival kicked off its final appearance in Utah, Amy Redford stood on a temporary stage in a temporary gathering space and addressed a roomful of people.
“My dad loved this place and its people,” she said of her father, Robert Redford, and the state where, for more than 40 years, the Sundance Institute — with its series of labs for emerging filmmakers — and the festival have shaped the film industry, and to some extent American culture.
Boulder City Council approves $17.3 million incentives package for Sundance
Robert Redford died last September at 89, and his absence, as well as his vision, permeated this installment of the first festival without the Sundance Kid turned Elder Statesman. It’s hard to decide if it was fitting or a poetic injustice that Redford will not be following the festival to Colorado, a state he knew well, where Sundance will move in January 2027.
Colorado, though, is a state he knew well. Redford had, at one time, wanted to start his film festival in Colorado before heading to Utah. “Even though Bob Redford enjoyed a successful acting and directing career, he was never just content to rest on those laurels. He believed that with space to create and experiment, independent artists were poised to have a tremendous impact,” Ebs Burnough, chair of the board of trustees, told a roomful of film writers and journalists.
“And of course, he was right. To this day, artists who get their start at the Sundance Institute and at the film festival go on to shape storytelling, independent cinema, and our collective culture. And that has never mattered more than it does in this moment, when we need the empathy and inspiration and new perspectives independent storytelling provides,” he added.
Place is a funny thing. The wilderness of Utah, coupled with the intimacy of the ski town, served and shaped the festival well for decades — and vice versa. Now it moves to a new location at the foot of the Flatirons and adjacent to the Rockies. Boulder is beautiful, but as a city, it has a wholly different aura. And it has a university and a tech corridor.
Fortunately, Sundance hired the Boulder-based producer Paula DuPré Pesmen (“The Cove,” “Chasing Ice,” “Porcelain War”) to help envision the transition.
In the meantime, here are four things (there’s plenty more) to know about the globally renowned festival that concludes Sunday and the one headed to Colorado in January 2027.
Colorado represented
Colorado was represented a couple of times this year. “See You When I See You,” a Jay Duplass-directed film, premiered at Sundance. It is based on beloved Denver stand-up Adam Cayton-Holland’s 2018 book, “Tragedy Plus Time: A Tragi-Comic Memoir,“ about grief and his sister’s suicide. It stars David Duchovny, Hope Davis and Cooper Raiff and Kaitlyn Dever as siblings.
Then there was writer-director Ramzi Bashour, who in 2023 was among the cohort of young filmmakers working on their first feature during the Sundance Directors Lab, held at the Stanley Hotel in Estes Park. His debut feature, “Hot Water” — about a Lebanese mother and her son’s westward road trip — premiered in the U.S. Dramatic competition.
And the band DeVotchKa — with its roots in Colorado — returned to the place that launched them, as the festival celebrated the 20th anniversary of “Little Miss Sunshine.” “Yeah, everybody always says, ‘Man, I can’t believe it’s 20 years that flew by,’” frontman Nick Urata shared on a voice email. “But in this case, I have to say it doesn’t feel like that because that screening at Sundance 20 years ago was literally the first day of the rest of our lives. It was definitely the birth of our career as a band.”
They’d been touring and 21 years ago had self-released the album “How It Ends.” “Luckily, we got some airtime on listener-funded NPR stations, one of them being KCRW in L.A. And one morning they were playing us our song called “You’d Love Me,” he continued. “And Jonathan [Dayton] and Valerie [Faris], the directors, happened to hear it, and it sparked something. They got in touch with us about possibly using our music and doing some of the score for us. That is the coolest part of this whole story. The fact that those songs were released to little fanfare independently, and then it was repackaged along with this beautiful film, and the same exact songs were on the soundtrack album, and it got a Grammy nomination.”
Making young filmmakers household names
The Sundance labs are “a sneak peek at the artists you might see here … in the future,” Redford said in her speech. The next morning proved her prescient. When the Oscar nominations were announced, Sundance was well represented. Writer-director Ryan Coogler’s “Sinners” made history with 16 nominations. Nipping at its heels was Paul Thomas Anderson’s “One Battle After Another,” with 13. Chloe Zhao’s “Hamnet” garnered eight.
All three directors developed their first features in the Directors Lab: Coogler with “Fruitvale Station,” which starred his actor muse Michael B. Jordan; Anderson with the film that became “Hard Eight,” Zhao with “Songs My Brothers Taught Me,” set on the Pine Ridge Indian Reservation. And then there’s last year’s mournfully gorgeous meditation on a changing west, “Train Dreams,” which had four nominations, including Best Picture. The Oscar-nominated “Come See Me In the Good Light,” the tear-jerking, laugh-evoking documentary about the late Colorado Poet Laureate, Andrea Gibson, and her wife, the poet Megan Falley, as they faced Gibson’s cancer diagnosis, also won a nomination.
Colorado’s documentary filmmakers rule
Another world premiere was Daniel Roher and Charlie Tyrell’s “The AI Doc: Or How I Became an Apocaloptimist.” As engaging as it is terrifying, the doc about the reasonable existential dread AI has engendered in some, including director Roher, was produced by Colorado-based filmmaker Shane Boris and multi-hyphenate Ted Tremper (“Borat Subsequent Moviefilm,” “The Daily Show.”)
“We did the film with the intention of making a work that would be engaging, that could bring people into this issue,” said Boris. “But, also with like clarifying very complicated topics in a very short amount of time and in a way that gave people a sense of agency in a moment where it feels like everything is just happening to us as opposed to us.”
In his young career, Boris has an Oscar for “Navalny” and two nominations for “Fire of Love” and “The Edge of Democracy.” The movie, which demanded a deft editor, had two: Daysha Broadway and Denver’s own Davis Coombe, a Primetime Emmy winner for Jeff Orlowski’s social-media indictment, “The Social Dilemma.”
In one fell swoop, Colorado became a global film hub
While Sundance will be Colorado’s — heck, the country’s — biggest film fest in 2027, it arrives in a place that already has a rich film festival tradition. Shoutout to XicanIndie Film, Fest Durango Film Festival, Mountain Film, the Dragon Boat Film Festival, Rocky Mountain Women’s Film, the Boulder International Film Festival, the Denver Film Festival, and more. In fact, the Denver Film Festival had one of its best-attended iterations last November and will soon celebrate its 50th anniversary.
Sundance also arrives in Colorado at a time when the state is undergoing changes. Earlier this month, Gov. Jared Polis and the Colorado Office of Economic Development and International Trade announced the state’s new film commissioner: Lauren
Grimshaw Sloan, whose time at SeriesFest means she knows the ins and outs of festivals. The one-two punch of Sundance and the Telluride Film Festival (over Labor Day weekend) have seemingly made Colorado a global film destination.
At the end of her festival-eve comments, Redford encouraged the gathered. “Let’s make it a great festival celebration, remembrance and hope for all that is possible,” she said.
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The ADL (the Anti-Defamation League) has filed a federal civil rights complaint with the US Department of Education’s Office for Civil Rights, alleging that Jewish Student A was subjected to repeated antisemitic bullying, slurs, and physical assault by multiple fellow students at Southern Hills Middle School (SHMS) throughout 7th and 8th grade.
In one incident, students in Student A’s PE class attempted to play a game called “Jew touch tag” and said Jews were “dirty” and “contaminated.”
In another, in December 2025, a classmate reportedly fashioned a Chromebook charging cord into a lasso, threw it around the student’s neck and dragged him backward from a chair while calling him a “stupid k***.” This was deemed severe enough that the Boulder Police Department was called in to investigate.
Following this particular incident, the Boulder Police Department opened a Juvenile Court Referral for third-degree assault.
ADL says no meaningful action taken by school district over assault
As a result of these incidents, Student A no longer wears a Star of David necklace and does not share his religious identity with anyone.
ADL and the family allege that the school took no meaningful action despite being informed of the situation on multiple occasions. For example, the complaint says the school failed to enforce the no-contact order between Student A and the classmate involved in the Chromebook assault.
The complaint also says that the burden was consistently placed on the victim, such as reassigning his study hall class rather than restricting the aggressor, forcing him to miss a school trip, and asking him to leave class early to avoid crowded hallways.
“The record here is overwhelming: written pleas from the student’s parents, formal school reports, and a police investigation all point to the conclusion that antisemitic harassment at Southern Hills Middle School was pervasive, escalating, and severe,” said James Pasch, ADL Vice President of Litigation.
“Despite the family’s pleas for help to stop the harassment, the school district failed to effectively address it, a clear violation of Title VI of the Civil Rights Act. No family should have to fight this hard to ensure a Jewish child’s safety at school, and certainly no Jewish student should face the threat of assault or harassment because of their Jewish identity.”
Susan Rona, ADL Mountain States Regional Director, noted that 167 antisemitic incidents were recorded in Colorado in 2025, a “stark reminder that antisemitism is not something abstract – it is showing up in our communities, in our neighborhoods and even in our schools.”
ADL is requesting that the US Department of Education require the district to take steps to comply with Title VI and ensure that this student and all Jewish students feel safe and protected.
Boulder Valley School District said that while it does not comment on ongoing legal matters, “we take all allegations of discrimination and harassment seriously.”
“We continue to focus on improvements to our policies, reporting systems, practices, and education efforts – all with the goal of ensuring every BVSD student feels safe, welcomed, and a strong sense of belonging.”
When you walk inside the Conoco station at the corner of University Boulevard and Bonnie Brae Boulevard in Denver, you can’t help but notice the history on the walls.
“Here’s the 40s. The 50s and my dad and uncle in the 70s,” says owner Ken Wilson pointing to the pictures on the wall.
Ken is the third generation of the Wilson family to own the gas station and service center.
“Grandpa Ken started to lease this out in 1942. My dad bought the business from my grandpa and my uncle worked his whole career here for my dad and for me,” Ken recalls.
In all, the Wilson family has owned the Conoco station for more than 80 years.
“I started working here in 1978 when I was 12, just part time in the summers. I worked through high school and through college and then did my own thing, and I’ve been back here about 15 years,” said Ken.
“It means so much to our family. It’s been a great business.”
But Ken is the end of the road for the Wilson family ownership. In February, a for sale sign went up at the Bonnie Brae Conoco.
“We’re just looking now. We’re not in a rush. It’s not like we’re going to sell and be done this year. We’re going to get a price we want to get, and if it takes us years to do that’s okay,” he said.
Wilson has seen a lot of change during his time working at the station and service center.
“There aren’t a lot of garages anymore. They used to be everywhere. There were four of them on this block when I was a kid, he said.
When asked what he’ll miss most, Ken points to his relationship with his customers.
“I’ve had customers now where I actually waited on their grandparents. And then their parents. And now them.”
As for what his grandpa would say if he could see the place now, Ken says, “I think he’d say he was really proud of what we’ve done. Both my father, my uncle and myself. Hopefully he’s still hanging around here once in a while.”
The Colorado Buffaloes are still putting the finishing touches on their 2027 class over the next few months, but their 2028 recruiting plan continues to take shape.
Earlier this week, Deion Sanders’ staff extended an offer to one of the top prospects in the class of 2028, composite five-star wide receiver Jaylen Addai. Addai now holds 43 offers, including one from nearly every blue-blood program in the country.
247Sports’ Composite currently ranks Addai as the No. 12 overall prospect in the 2028 class, the No. 3 overall wide receiver and the top player from the state of Texas.
At 5-foot-11, 165 pounds, the Pearland, Texas native fits the mold of the modern-day receiver. He seems likely to fill into his frame given his youth. Addai is a multiple-sport athlete with elite athleticism on the field, on the basketball court and on the track.
Given how early it is in Addai’s recruitment, several teams are in contention for his commitment, with Notre Dame and Ohio State leading the way early. When the 2028 cycle picks up later this year, who really has a chance should come into focus, especially when visits begin.
Colorado’s 2028 class does not have any commitments yet, but has offers out to 28 different wide receiver prospects.
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