Colorado
As Sundance said goodbye to Utah, its Colorado connections became clear
PARK CITY, UTAH — The evening before the Sundance Film Festival kicked off its final appearance in Utah, Amy Redford stood on a temporary stage in a temporary gathering space and addressed a roomful of people.
“My dad loved this place and its people,” she said of her father, Robert Redford, and the state where, for more than 40 years, the Sundance Institute — with its series of labs for emerging filmmakers — and the festival have shaped the film industry, and to some extent American culture.
Boulder City Council approves $17.3 million incentives package for Sundance
Robert Redford died last September at 89, and his absence, as well as his vision, permeated this installment of the first festival without the Sundance Kid turned Elder Statesman. It’s hard to decide if it was fitting or a poetic injustice that Redford will not be following the festival to Colorado, a state he knew well, where Sundance will move in January 2027.
Colorado, though, is a state he knew well. Redford had, at one time, wanted to start his film festival in Colorado before heading to Utah. “Even though Bob Redford enjoyed a successful acting and directing career, he was never just content to rest on those laurels. He believed that with space to create and experiment, independent artists were poised to have a tremendous impact,” Ebs Burnough, chair of the board of trustees, told a roomful of film writers and journalists.
“And of course, he was right. To this day, artists who get their start at the Sundance Institute and at the film festival go on to shape storytelling, independent cinema, and our collective culture. And that has never mattered more than it does in this moment, when we need the empathy and inspiration and new perspectives independent storytelling provides,” he added.
Place is a funny thing. The wilderness of Utah, coupled with the intimacy of the ski town, served and shaped the festival well for decades — and vice versa. Now it moves to a new location at the foot of the Flatirons and adjacent to the Rockies. Boulder is beautiful, but as a city, it has a wholly different aura. And it has a university and a tech corridor.
Fortunately, Sundance hired the Boulder-based producer Paula DuPré Pesmen (“The Cove,” “Chasing Ice,” “Porcelain War”) to help envision the transition.
In the meantime, here are four things (there’s plenty more) to know about the globally renowned festival that concludes Sunday and the one headed to Colorado in January 2027.
Colorado represented
Colorado was represented a couple of times this year. “See You When I See You,” a Jay Duplass-directed film, premiered at Sundance. It is based on beloved Denver stand-up Adam Cayton-Holland’s 2018 book, “Tragedy Plus Time: A Tragi-Comic Memoir,“ about grief and his sister’s suicide. It stars David Duchovny, Hope Davis and Cooper Raiff and Kaitlyn Dever as siblings.
Then there was writer-director Ramzi Bashour, who in 2023 was among the cohort of young filmmakers working on their first feature during the Sundance Directors Lab, held at the Stanley Hotel in Estes Park. His debut feature, “Hot Water” — about a Lebanese mother and her son’s westward road trip — premiered in the U.S. Dramatic competition.
And the band DeVotchKa — with its roots in Colorado — returned to the place that launched them, as the festival celebrated the 20th anniversary of “Little Miss Sunshine.” “Yeah, everybody always says, ‘Man, I can’t believe it’s 20 years that flew by,’” frontman Nick Urata shared on a voice email. “But in this case, I have to say it doesn’t feel like that because that screening at Sundance 20 years ago was literally the first day of the rest of our lives. It was definitely the birth of our career as a band.”
They’d been touring and 21 years ago had self-released the album “How It Ends.” “Luckily, we got some airtime on listener-funded NPR stations, one of them being KCRW in L.A. And one morning they were playing us our song called “You’d Love Me,” he continued. “And Jonathan [Dayton] and Valerie [Faris], the directors, happened to hear it, and it sparked something. They got in touch with us about possibly using our music and doing some of the score for us. That is the coolest part of this whole story. The fact that those songs were released to little fanfare independently, and then it was repackaged along with this beautiful film, and the same exact songs were on the soundtrack album, and it got a Grammy nomination.”
Making young filmmakers household names
The Sundance labs are “a sneak peek at the artists you might see here … in the future,” Redford said in her speech. The next morning proved her prescient. When the Oscar nominations were announced, Sundance was well represented. Writer-director Ryan Coogler’s “Sinners” made history with 16 nominations. Nipping at its heels was Paul Thomas Anderson’s “One Battle After Another,” with 13. Chloe Zhao’s “Hamnet” garnered eight.
All three directors developed their first features in the Directors Lab: Coogler with “Fruitvale Station,” which starred his actor muse Michael B. Jordan; Anderson with the film that became “Hard Eight,” Zhao with “Songs My Brothers Taught Me,” set on the Pine Ridge Indian Reservation. And then there’s last year’s mournfully gorgeous meditation on a changing west, “Train Dreams,” which had four nominations, including Best Picture. The Oscar-nominated “Come See Me In the Good Light,” the tear-jerking, laugh-evoking documentary about the late Colorado Poet Laureate, Andrea Gibson, and her wife, the poet Megan Falley, as they faced Gibson’s cancer diagnosis, also won a nomination.
Colorado’s documentary filmmakers rule
Another world premiere was Daniel Roher and Charlie Tyrell’s “The AI Doc: Or How I Became an Apocaloptimist.” As engaging as it is terrifying, the doc about the reasonable existential dread AI has engendered in some, including director Roher, was produced by Colorado-based filmmaker Shane Boris and multi-hyphenate Ted Tremper (“Borat Subsequent Moviefilm,” “The Daily Show.”)
“We did the film with the intention of making a work that would be engaging, that could bring people into this issue,” said Boris. “But, also with like clarifying very complicated topics in a very short amount of time and in a way that gave people a sense of agency in a moment where it feels like everything is just happening to us as opposed to us.”
In his young career, Boris has an Oscar for “Navalny” and two nominations for “Fire of Love” and “The Edge of Democracy.” The movie, which demanded a deft editor, had two: Daysha Broadway and Denver’s own Davis Coombe, a Primetime Emmy winner for Jeff Orlowski’s social-media indictment, “The Social Dilemma.”
In one fell swoop, Colorado became a global film hub
While Sundance will be Colorado’s — heck, the country’s — biggest film fest in 2027, it arrives in a place that already has a rich film festival tradition. Shoutout to XicanIndie Film, Fest Durango Film Festival, Mountain Film, the Dragon Boat Film Festival, Rocky Mountain Women’s Film, the Boulder International Film Festival, the Denver Film Festival, and more. In fact, the Denver Film Festival had one of its best-attended iterations last November and will soon celebrate its 50th anniversary.
Sundance also arrives in Colorado at a time when the state is undergoing changes. Earlier this month, Gov. Jared Polis and the Colorado Office of Economic Development and International Trade announced the state’s new film commissioner: Lauren
Grimshaw Sloan, whose time at SeriesFest means she knows the ins and outs of festivals. The one-two punch of Sundance and the Telluride Film Festival (over Labor Day weekend) have seemingly made Colorado a global film destination.
At the end of her festival-eve comments, Redford encouraged the gathered. “Let’s make it a great festival celebration, remembrance and hope for all that is possible,” she said.
Subscribe to our weekly newsletter, In The Know, to get entertainment news sent straight to your inbox.
Colorado
‘We couldn’t do this in another place’: Horror film looks to make Southern Colorado the next Hollywood
COLORADO SPRINGS, Colo. (KKTV) – It’s commonly understood that many of the best blockbusters are made in Southern California but a group of local filmmakers wants to prove Southern Colorado can be a destination for both aspiring and established auteurs.
Shooting began in Fountain this spring on ‘Devil In The Trunk’, a new horror film set in Colorado’s eastern plains.
“Devil In The Trunk is about a small-town woman who encounters a mysterious traveler driving this car right here who claims to have the actual devil trapped in the trunk of her car,” executive producer Leon Kelly said. “As you can imagine, when the devil comes to your small town, terrible and dangerous things can happen.”
Director, writer, and producer Evan Alderson said they wanted to make the film as Colorado as possible.
“We ended up finding a local Colorado writer, and we ended up collaborating to come up with this idea that could act as a love letter to Colorado,” he said.
While Colorado may be most famous for its soaring mountain peaks, Kelly said the plains were a much more fitting setting.
“It’s both beautiful and dangerous at the same time,” he said. “One of the underlying themes is the desolation and the loneliness and how vulnerable some folks can be in small towns and out in rural areas.”
Kelly said not only is the film meant to showcase Colorado’s natural beauty, but also to showcase the talent of the people who live there.
“It’s a proof of concept, to show that we have not only the talented people but the infrastructure that can support really high-quality, independent films,” he said. “We know we’ve got great filmmakers here, we know we have really talented craftspeople here, but they don’t necessarily have the opportunities to work on something like this on this scale that’s a narrative film.”
With the Sundance Film Festival set to make its debut in Boulder in 2027, Kelly said people are asking new questions about what Colorado can do for those looking to tell stories on the big screen.
“Can Colorado become a hub? Can that be a place, a destination where others come? Can that be a place where our own filmmakers can come into their own?” he said.
Alderson said once the film is finished they will put it out on the film festival circuit, and even look for distribution.
“That will look like a theatrical release, potentially, in an ideal world, or it will be straight to streaming services like Amazon, Hulu, that type of stuff,” he said.
Copyright 2026 KKTV. All rights reserved.
The now 19-year-old victim, who Brent Metz is accused of shooting in the face, took the stand in Metz’s trial Thursday. Metz, a former town of Mountain View councilman, was in the second day of his trial hearings.
The teenager, who has recovered well physically from the shooting back in September of 2024, told the story of what led up to the shooting, then said he blacked out for a period after he was shot.
The young man, Jack (CBS Colorado is not sharing the victim’s last name) said he and his younger friend went to ask for permission to take pictures at a scenic home near Conifer. At first, they parked outside the gated driveway and tried to figure out how to contact someone there. They then hopped a low fence and went up to the house.
Jack said he had difficulty locating a front door on the home, but the large property also had a garage and barn. They heard music coming from the barn, which is a common practice for people with animals to leave music playing to calm animals while away.
“We decided to knock on the barn door and then after a couple a minutes we decided to go back down the driveway,” Jack said in court.
The two friends went back over the fence and moved the car to a spot not blocking the driveway along the right-of-way at the road. Minutes later, Brent Metz drove up in his black GMC pickup truck, blocking their car in. Metz got out. Jack testified that he raised his hands at some point, a claim the defense questioned in cross examination. He related that he was getting out to try to greet the person getting out of the truck.
“I just (got) the door open I kind of turned to open my door and then turned to get out, and I saw someone get out, and then it was black,” Jack said.
The victim soon awoke bleeding and injured. “I looked down and I thought I was going to die. So I said that a couple times,” Jack testified.
“My mouth was on fire and it felt like my upper lip was gone, and I could taste little fragments,” Jack told the court. Jack’s friend and Metz tried to help him out of the car.
“The one who shot me was trying to help me get out of the car.”
Soon after, Metz left his side.
“He helped me sit down, and then he walked away,” Jack said.
“I started to realize I needed to stay as calm as I could, and when I got out of the car, I sat down, but I was very anxious,” Jack recalled.
Later, the victim had to have surgery in order to have the bullet fragments removed from his face. One of the fragments was more than an inch in size. He had trouble breathing through his right nostril due to the injuries to his nose. His eye was blackened for a long time, and a tooth was shattered.
Jack did not remember Metz saying much.
The testimony followed hours of testimony from a gun testing expert who looked at the weapon at the request of the prosecution. Derek Watkins is an engineer who said he has seen many claims of weapons not working properly.
“My experience is that, if you manufacture a firearm, at some point in time, it’s going, you’re going to run across the claim that it behaves in a defective manner,” Watkins said.
Metz’s defense is centered on a claim that the Sig Sauer P320 he had fired on its own without Metz pulling the trigger.
“There was nothing about the gun through the testing or through the examination of the components indicating it would function any other way than it was designed and left the factory,” Watkins said.
The defense had little luck getting Watkins to agree the gun could fire on its own, but did try to point out to the jury in questions that Watkins has previously testified in civil litigation about the gun’s integrity on behalf of the manufacturer.
The case continues Friday when it could wrap up. Metz faces four charges, the most serious of which is second-degree assault, but also two menacing charges and one of illegal discharge of a firearm.
On the cusp of the United States’ 250th anniversary and Colorado’s 150th, the Centennial State and its Catholic witnesses show modern Catholics a path forward.
Colorado celebrates its own 150th anniversary this year, as the rest of the country marks 250 years since the founding of the United States. The two milestones bear an interesting connection. In the very year of independence, one of the most important explorations of Colorado was undertaken by two Franciscan friars: Francisco Atanasio Domínguez and Silvestre Vélez de Escalante.
Faith Crosses the Rockies
While the importance of the Domínguez-Escalante Expedition should not be overestimated — it didn’t lead to any settlements and mostly focused on Utah — it nonetheless symbolizes the coming of the Christian faith into Colorado. Their expedition traces the path the Church followed into the Rockies, initially coming up from the south, to be met later from the East by miners. Leaving Santa Fe in the very month independence was declared, the two friars and their companions crossed into the modern-day boundaries of Colorado at the beginning of August 1776. They were not the first Spaniards to enter the territory of the Ute and Arapahoe tribes north of Nueva Mexico — Juan de Oñate was in 1598, and they also relied on the previous expeditions of Rivera — but the friars opened up more regular access to it as they laid the foundation for the Santa Fe Trail that would lead from New Mexico to Southern California.
The friars found in Colorado beautiful mountain vistas, remarking that it was cold even in the summer, as well as dangerous canyons and abandoned settlements in the Mesa Verde area. Their journal remarks: “We traveled a league and turned west through very pleasant narrow valleys with woods, very abundant with pastures, with different blooms and flowers.” (The Domínguez-Escalante Journal, translated by Fray Angelico Chavez, University of Utah Press, 15). Focusing on possible mission sites more than a continental passage, they insisted to all their companions that they should not “have any purpose other than the one we had, which was God’s glory and the good of souls” (40). Their desires would take 110 years to come to fruition with the founding of the first Catholic mission to Native Americans in Colorado, St. Ignatius, on the Southern Ute Reservation in Ignacio, Colorado, in 1886.
From Frontier Territory to Catholic Settlement
Catholic life was slow to arrive in Colorado compared to other parts of the nation, especially given the early settlement of New Mexico not far to the south. The Spanish were never able to create permanent settlements in Colorado, with one failed attempt near Pueblo in 1787. This is where 1776 regains its significance, even for the Church’s development in the region. It was only after the United States annexed the Southwest following the Mexican-American War in 1848 that Catholic settlement began. From the south, settlers arrived from Taos to establish San Luis on April 9, 1851. Not long after, in 1858, the Pikes Peak Goldrush brought a flood of miners from the East. From this mix of New Mexican settlers, Native missions and Catholic miners, the Catholic Church of Colorado finally emerged.
In 1860, Father Joseph Projectus Machebeuf arrived from Santa Fe and, in the eight years before he became Denver’s first bishop, the energetic priest established eighteen churches. I first encountered him through Willa Cather’s fictional portrayal of him as the character Vaillant in her novel, Death Comes for the Archbishop (and she relied heavily on Machebeuf’s letters for the book). Though primarily set in New Mexico, Cather brings the history of the Church in the Southwest to life through the vibrant, often tense meetings of Natives, Mexicans, newly arrived Americans and the French clergy seeking to unite them into a cohesive whole. It was Bishop Machebeuf who presided over the Church when Colorado became a state in 1876.
A Little-Known Bishop With An Important Lesson
His successor, Bishop Nicholas Matz, likewise came to Colorado as a missionary from France and experienced firsthand the difficulties miners faced in mountain towns, especially as a pastor in Georgetown. Seth Fabian brings this lesser-known figure to life in his new book, The Pilgrim Bishop: The Spiritual Biography of Nichols C. Matz (TAN Books, 2026).
Even after living in Colorado for nearly twelve years and working for the Archdiocese of Denver for six, I didn’t know much about this misunderstood and even controversial bishop, who often lacked support from his clergy. Even in a newly established state, still riding high from its mining operations, Bishop Matz interpreted the events around him with a lens formed by the violent revolutions of the Old World, fearing and overestimating the “potential reach of radical socialists or anarchists” (11).
Bishop Matz’s difficulty in addressing the social question in his diocese points to an ongoing difficulty for both Colorado and the entire nation in this celebratory year marking their founding. Dr. Fabian raises a fundamental question we must consider: “the question of how individual Catholics live their daily lives in a pluralist society” (386).
We have a strong legacy of Catholic settlement across the continent, of our ancestors seeking to consecrate this land to God. In fact, in just a few weeks, on June 11, the U.S. bishops will do so again when they consecrate the nation to the Sacred Heart of Jesus. Yet we face pressing challenges that call us to wade into difficult social questions, especially those related to technology and artificial intelligence, as Pope Leo XIV is expected to do in his first encyclical, to be released on May 25.
Despite the real challenges, if we advance, as Domínguez and Escalante did, seeking “God’s glory and the good of souls” above all else, we can continue our great Catholic legacy and open a path for future generations to follow.
-
Movie Reviews4 minutes agoThe Breadwinner (Christian Movie Review) – The Collision
-
-U43648517271Shc-1440x752@IlSole24Ore-Web.jpg?r=1170x507&w=400&resize=400,240&ssl=1 "War breaking news. Trump postpones decision: nothing after two hours in Situation Room")
-U43648517271Shc-1440x752@IlSole24Ore-Web.jpg?r=1170x507&w=80&resize=80,80&ssl=1 "War breaking news. Trump postpones decision: nothing after two hours in Situation Room")
World16 minutes agoWar breaking news. Trump postpones decision: nothing after two hours in Situation Room
-
News22 minutes agoJudge Tosses Citizenship Law Aimed at New Voters in New Hampshire
-
Politics28 minutes agoVideo: Trump’s Counterterror Strategy Focuses on the Left
-
Science40 minutes agoVideo: Crowds Flood New York City Streets for First Day of Manhattanhenge
-
Lifestyle1 hour agoTrump’s name must come off of the Kennedy Center, judge rules
-
Technology1 hour agoAcer’s launching a Linux handheld for streaming your PC games
-
World1 hour agoPentagon hosts first-ever Israeli–Lebanese military talks aimed at curbing Hezbollah
