“Wow, what an entrance!” said a well-coiffed woman as other patrons seated at the sidewalk cafe, now standing, began to applaud my exit from the electric bubble car like I was stepping out of a limousine.
Technology
Microlino electric bubble car review: urban delight
That really happened in one of Amsterdam’s wealthiest neighborhoods, on a street dotted with Range Rovers and a G-Class Merc costing nearly ten times as much as the little BMW Isetta throwback I was driving. What followed was a bevy of questions I had already answered dozens of times in my one week with the car: What is it? How much does it cost? Can I drive it on the highway?
It’s an Italian-made Microlino from a Swiss-company called Micro with prices starting at around €18,000 (about $19,500). Yes, it’s highway legal.
While cars in general are embiggening, in some cities a new breed of electric microcars are trending. They’re cheaper to own, easier to park, consume less public space and energy, and maneuver around obstacles that would otherwise block big SUVs and snarl traffic.
And you know what? Some, like the Microlino, are so much fun that maybe, just maybe, they’ll help reverse the trend of people buying increasingly larger and heavier cars. Assuming they’ve fixed a software issue that bricked my test car at the end of the review (more on that later).
Let me start by saying that I don’t own a car, but I do regularly drive one. I’ve long subscribed to a car sharing service with a dedicated fleet parked in dedicated spots around town, that lets me select the right car for my current need: compact, wagon, or panel van; gas or EV. But not everyone lives in a city that spent the last 50-odd years trying to break away from car dependency to perfect multimodal transport, so the desire to own a large car that can do all the car things is understandable.
Yet even here in Amsterdam — a city dominated by bicycles with easy access to good public transportation — there are still lots of privately owned cars suffering from autobesity, just sitting there on the street unused 96 percent of the time, by some accounts. That’s space that could be used for public walkways, cycleways, benches, cafes, greenery… or about three microcars parked side by side.
The midtier Microlino Dolce I reviewed starts at €20,000 (about $21,700) and is an absolute joy for quick trips to the market or dropping a kid at school while staying warm and dry in bad weather. It has a top speed of 90km/h (55mph) and range of up to 228km (142 miles) for destinations well beyond the city center.
Last weekend, I drove my wife and dog to the sea and back and then returned to the dunes for a trail run the following day before needing to recharge the Microlino, for a real-world range of about 110km. I plugged it in at one of the 12 public 11kW AC chargers in the parking lot with about 20 percent remaining, and returned from my run 90 minutes later to find a 50 percent charge — more than enough for the 30-minute drive home.
The Microlino’s no speed demon, but it’s still an EV and so lightweight that I’d beat unsuspecting taxis off the starting line and “win” the merged lane. The small and responsive steering wheel and super stiff suspension contribute to a go-kart feel when whipping around corners and through traffic circles at I-should-know-better speeds. “It feels like a real car,” is how one owner of a €15,000 (about $16,300) Biro — one of the first and most popular electric microcars to seduce Amsterdammers — described driving the Microlino.
It’s not without its faults, however. To start with, there’s a lot of plastic inside the Microlino (but the windows are all glass unlike some microcars). One plastic clip helping to keep a plastic service panel in place snapped off in my brief time with the car, which I received with just 10km on the odometer. The motor has a distinct whine, the phone holder rattles when empty, the wiper motor is noisy, and the fan has two settings: loud or louder. The only thing that isn’t loud is the included portable Bluetooth speaker.
I also watched the main display reboot once while driving but without any impact on the motor or controls (thankfully!). And while the front door has a nice soft-close mechanism, the trunk requires a solid slam to catch. The sloped-back roof also exposes the interior to rain when the door is open, and I experienced some drips while driving around curves due to water that must have collected in the door closure.
The “vegan” (fake) leather on the seats and steering wheel were nice touches on my Dolce Edition, as was the intuitive mechanical sunroof, but overall I’d describe the fit and finish of the Microlino Dolce as basic. At least until I drove a top-end Biro and realized just how superior the Microlino was by comparison. A Microlino is a tiny expensive car, whereas a Biro is a tiny expensive golf cart.
The Microlino did, however, suffer a total failure after sitting on a 11kWh public charger for about four hours. When I returned to what should have been a fully charged car, it wouldn’t power on. After hauling it away on a trailer, Micro identified the issue and assures me it won’t affect future cars. They blamed the problem on a system that protects the car against peak voltage from the charging station, which “was not adjusted correctly after a software update.”
Micro tells me that my poor little guy is fine after the update. Good, but such a failure would have been a huge hassle if I was the vehicle’s owner, and without the priority attention afforded to journalists.
Still, despite the mishap and all my nitpicking, none of the aforementioned issues are enough to dissuade my enthusiasm for the Microlino — it’s that much fun.
1/55
As much as I enjoyed my week with the Microlino, I’m not yet a convert — there’s simply no faster, more convenient, or healthier way of going door to door than on a bicycle in cities with good cycling infrastructure, despite the rain and cold for which I can dress. And less capable but very appealing microcars like the Opel Rocks (sold as the Citroen Ami in some markets) can be had for half the price at €8,700 (about $9,470).
The Microlino isn’t for everyone. Hell, microcars aren’t even for most people. But they are for anyone who wants a vehicle that’s more nimble, efficient, inexpensive, and fun to drive than a full-sized car.
Fun… there’s that word again. I can’t help but return to it even if it’s impossible to quantify. But anecdotally, my time with the Microlino delivered more smiles per city kilometer — both inside and outside the car — than any car I’ve ever been in, and I’d wager more than any new car available today, no matter the size or price.
Photography by Thomas Ricker / The Verge
Technology
Apple just had a record-breaking iPhone quarter
Apple says the iPhone had its “best-ever” quarter, with revenue hitting more than $85.3 billion over the past few months. The company announced the news as part of its Q1 2026 earnings report, which also revealed record-breaking revenue of $143.8 billion, up 16 percent when compared to the same time last year.
“iPhone had its best-ever quarter driven by unprecedented demand, with all-time records across every geographic segment, and Services also achieved an all-time revenue record, up 14 percent from a year ago,” Apple CEO Tim Cook says in the press release.
Apple’s services revenue, which includes subscriptions like Apple Music, iCloud, and Apple TV surged 14 percent year over year, while Mac and wearable revenue were down.
In the coming months, Apple will bring promised AI-powered personalization features to Siri. Apple is partnering with Google to power this upgrade, which will use a custom version of Google’s Gemini AI model.
The company is also acquiring an AI startup, called Q.ai, for $2 billion, according to the Financial Times. Though there aren’t any details on how Apple plans to use the startup’s technology, the Financial Times reports that Q.ai’s patents “show its technology being used in headphones or glasses, using ‘facial skin micro movements’ to communicate without talking.”
Technology
Humanoid robot makes architectural history by designing a building
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What happens when artificial intelligence (AI) moves from painting portraits to designing homes? That question is no longer theoretical.
At the Utzon Center in Denmark, Ai-Da Robot, the world’s first ultra-realistic robot artist, has made history as the first humanoid robot to design a building.
The project, called Ai-Da: Space Pod, is a modular housing concept created for future bases on the Moon and Mars. CyberGuy has covered Ai-Da before, when her work focused on drawing, painting and performance art. That earlier coverage showed how a robot could create original artwork in real time and why it sparked global debate.
Now, the shift is clear. Ai-Da is moving beyond art and into physical spaces designed for humans and robots to live in.
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3D-PRINTED HOUSING PROJECT FOR STUDENT APARTMENTS TAKES SHAPE
Ai-Da Robot is the humanoid artist that made architectural history by becoming the first robot to design a building. (FABRICE COFFRINI/AFP via Getty Images)
Inside the ‘I’m not a robot’ exhibition
The exhibition “I’m not a robot” has just opened at Utzon Center and runs through October. It explores the creative capacity of machines at a time when robots are increasingly able to think and create for themselves. Visitors can experience Ai-Da’s drawings, paintings and architectural concepts. Throughout the exhibition period, visitors can also follow Ai-Da’s creative process through sketches, paintings and a video interview.
ELON MUSK TEASES A FUTURE RUN BY ROBOTS
How Ai-Da creates art and architecture
Ai-Da is not a digital avatar or animation. She has camera eyes, specially developed AI algorithms and a robotic arm that allows her to draw and paint in real time. Developed in Oxford and built in Cornwall in 2019, Ai-Da works across disciplines. She is a painter, sculptor, poet, performer and now an architectural designer whose work is meant to provoke reflection.
“Ai-Da presents a concept for a shared residential area called Ai-Da: Space Pod, a foreshadowing of a future where AI becomes an integrated part of architecture,” explains Aidan Meller, creator of Ai-Da and Director of Ai-Da Robot. “With intelligent systems, a building will be able to sense and respond to its occupants, adjusting light, temperature and digital interfaces according to needs and moods.”
A building designed for humans and robots
The Space Pod is intentionally modular. Each unit can connect to others through corridors, creating a shared residential environment.
Through a series of paintings, she envisions a home and studio for humans or robots alike. According to the Ai-Da Robot team, these designs could evolve into fully realized architectural models through 3D renderings and construction. They could also adapt to planned Moon or Mars base camps.
Aidan Meller presents Ai-Da robot, the first AI-powered robot artist during the UN Global Summit on AI for Good, where they are giving the keynote speech, on July 7, 2023, in Geneva, Switzerland. (Johannes Simon/Getty Images for Aidan Meller)
While the concept targets future bases on the Moon and Mars, the design can also be built as a prototype on Earth. That detail matters as space agencies prepare for longer missions beyond our planet.
“With our first crewed Moon landing in 50 years coming in 2027, Ai-Da: Space Pod is a simple unit connected to other Pods via corridors,” Meller said. “Ai-Da is a humanoid designing homes. This raises questions about where architecture may go when powerful AI systems gain greater agency.” The timing also aligns with renewed lunar exploration tied to NASA missions.
AUSTRALIAN CONSTRUCTION ROBOT CHARLOTTE CAN 3D PRINT 2,150-SQ-FT HOME IN ONE DAY USING SUSTAINABLE MATERIALS
Why this exhibition is meant to challenge you
According to Meller, the exhibition is meant to feel uncomfortable at times. “Technology is developing at an extraordinary pace in these years,“ he said, pointing to emotional recognition through biometric data, CRISPR gene editing and brain computer interfaces. Each carries promise and ethical risk. He references Brave New World and warnings from Yuval Harari about how powerful technologies may be used.
In that context, Ai-Da becomes a mirror of our time. “Ai-Da is confrontational. The very fact that she exists is confrontational,” said Line Nørskov Davenport, Director of Exhibitions at Utzon Center. “She is an AI shaker, a conversation starter.”
Aidan Meller, British Gallery owner and specialist in modern and contemporary art, stands beside the AI robot artist “Ai-Da” at the Great Pyramids of Giza, where she exhibits her sculpture during an international art show, on the outskirt of Cairo, Egypt, Oct. 23, 2021. (REUTERS/Mohamed Abd El Ghany)
What this means for you
This story goes beyond robots and space travel. Ai-Da’s Space Pod shows how quickly AI is moving from a creative tool to a decision-maker. Architecture, housing and shared spaces shape daily life. When AI enters those fields, questions about control, ethics and accountability become unavoidable. If a robot can design homes for the Moon, it may soon influence how buildings function here on Earth.
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Kurt’s key takeaways
A humanoid robot designing a building once sounded impossible. Today, Ai-Da’s work sits inside a major cultural institution and sparks real debate. She offers no easy answers. Instead, she pushes us to think more critically about creativity, technology and responsibility. As the line between human and machine continues to blur, those questions matter more than ever.
If AI can design the homes of our future, how much creative control should humans be willing to give up? Let us know by writing to us at Cyberguy.com.
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Technology
Halide co-founder Sebastiaan de With is joining Apple’s design team
I’ve never been more optimistic about the future of Lux and Halide. Today we launched the public preview of Halide Mark III, and the reception is more positive than we possibly could have hoped.
As we mentioned in the announcement post today, we’ve been working with legendary team at The Iconfactory on Mark III. We’re also super excited to be collaborating with the renowned colorist Cullen Kelly on the new looks in Mark III.
Ten years ago I started Halide, and for ten years, I lead product, ran the business, and coded almost everything. Except for the paywall. I hate working on payment screens. But I built everything else, and design was always a collaborative experience.
So in short, Halide is going nowhere. This has been my full time job since 2019, and I couldn’t imagine doing anything else.
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