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‘It’s behind you!’ How Britain goes wild for pantomimes during the holidays

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‘It’s behind you!’ How Britain goes wild for pantomimes during the holidays

The Wicked Witch ‘Adelphaba’ (played by Gigi Zahir) on stage at the Pleasance Theatre in North London

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LONDON — Foreboding music begins. A scary green witch announces her arrival with a cackle. It’s the opening of Wicked Witches, a British holiday-time play known as a “pantomime,” at a North London theater.

But soon after she walks on stage, it’s clear the witch isn’t happy with the audience.

She says the audience is being too quiet, and should boo her as loudly as they can, because she is the “villain” of the pantomime. She leaves the stage and comes back on — and this time, the audience does what it’s told, heckling with loud boos.

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Throughout the two-hour play, the audience is expected to join in, shouting out classic lines that most people who attend already know, even if they haven’t seen this play. Pantomimes are famous for crowds calling out catch phrases e like “it’s behind you!” — to alert the actors to something, or someone, they can’t see on stage.

All across Britain during the festive period, families attend pantomimes — often shortened to “pantos” — which help get them into the Christmas spirit. Pantomimes are usually based on a well-known story, often a fairy tale, which is then given a bawdy twist. Traditionally, they feature female characters, or “dames,” played by a man in drag, and include lots of music, particularly pop parodies.

The show at the Pleasance Theatre is inspired by The Wizard of Oz and Wicked. Its storyline imagines a blizzard that brings Dorothy (whose name has changed to Dor) back to Oz, 20 years after that first visit. But in many ways, the plot comes second to the silly jokes, innuendos, and songs.

Actor Sir Ian McKellen playng Toto the Dog in a video clip for the Wicked Witches pantomime.

Actor Sir Ian McKellen playng Toto the Dog in a video clip for the Wicked Witches pantomime.

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Pantomimes are also known for featuring celebrities and public figures. This one features politician Jeremy Corbyn, who used to lead Britain’s Labour Party He appears on video as the Wizard of Oz-lington, a pun on Islington, the area of London he represents, now as an independent, in Parliament. Even more exciting is actor Ian McKellen — famous for playing Gandalf in the Lord of the Rings films — who is seen in a video clip as Toto the dog.

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The Wicked Witches pantomime in North London was actually written by an American, Shane “ShayShay” Konno, who comes from California’s Bay Area but has lived in the United Kingdom for 12 years. “I didn’t grow up in the U.K., and when I moved here, starting to understand pantomime felt like a huge cultural hurdle,” Konno says.

Pantomime has its roots in Italian commedia dell’arte, a form of theater that dates back to the 16th century. In Britain, it has gradually developed over the years. “The actual history of pantomime is it started in East London, and it used to be this huge thing where the whole community would come together,” Konno explains.

Konno is nonbinary, and their pantomime is consciously inclusive of LGBTQ people, featuring a nonbinary character in the lead role of Dor, and a message that people should accept people who are different from them. “I wanted to make something that made an explicitly LGBT version of The Wizard of Oz and Wicked, because that’s such a beloved franchise for the queer community,” Konno says.

There are two versions: one for families with children, and one just for adults. But Konno says they aren’t as different as you might think. Many of the ruder jokes remain in the family-friendly show, but they are carefully disguised. “When a quite rude joke is said, but one that goes over the kids’ heads, it does tickle the adults in the room more than it would in an adult show because they’re like, ‘Oh my goodness, I can’t believe that they said that in front of the children,’” Konno says.

Characters perform on stage at the Wicked Witches pantomime in north London, on Dec. 6.

Characters perform on stage at the Wicked Witches pantomime in north London, on Dec. 6.

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Most theaters around Britain have an annual pantomime in the festive period — and it’s often their most popular production of the year. Johnny McKnight, from Paisley, a town near Glasgow, Scotland, has been performing and writing pantomimes in Scotland for 20 years, and says it’s a vital part of many British people’s Christmas celebrations.

“I’ve always said to everybody, when you do a pantomime, and you’re doing 12 shows a week, you’re giving people the gift of their Christmas ritual, their Christmas night out,” McKnight says. McKnight often plays the role of the dame, dressing up in drag.

McKnight has seen different generations of the same families grow up watching his shows, and explains that pantomime is often the first time that children in Britain ever visit the theater. “A lot of the time it’s a child’s first entry point,” McKnight says. “It was certainly mine — my first entry point into live theater.”

At the Wicked Witches show in North London, there are lots of children at the theater for the first time. Imogen Coackley is 8 years old, and attending with her father Alex and 5-year-old sister Emily. Imogen explains that she likes the pantomime because “they say very funny jokes and talk to the audience.”

McKnight says that seeing children enjoy his shows is one of the best parts of the job. “There’s something … magical in that, that you’re creating something accessible that talks to its audience rather than at them, that asks them to participate,” he says.

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‘Stay Alive,’ about daily life in Nazi Berlin, shows how easy it is to just go along

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‘Stay Alive,’ about daily life in Nazi Berlin, shows how easy it is to just go along

It’s been 80 years since Adolf Hitler shot himself in his bunker, yet our fascination with the Nazi era seems eternal. By now I’ve read and seen so many different things that I’m always surprised when somebody offers a new angle on what the Nazis wrought.

Ian Buruma does this in Stay Alive: Berlin, 1939-1945, a new book about living in a country where you have no control over what happens. Inspired by the experience of his Dutch father, Leo, who was forced to do factory work in Berlin, Buruma uses diaries, memoirs and some personal interviews — most of the witnesses are dead, of course — to explore how it felt to be in Berlin during World War II. He weaves together a chronicle that carries Berliners from the triumphant days when Germany steamrolled Poland and daily life felt almost “normal” (unless you were Jewish, of course) through the end of the war when bombs pulverized the city, and Soviet soldiers arrived to rape and pillage.

As he writes of air raid drills, food shortages and the incessant deluge of rumors, Buruma has to deal with the difficulty that most ordinary Germans left behind very little record. They kept their heads down and tried to stay alive. And so the book moves among more interesting characters whose multiplicity gives dimension to our usual flattened sense of Nazi Germany.

We meet Coco Schumann, a young Jewish guitarist who risks his life to play the jazz music that Nazis considered degenerate. We meet 15-year-old Lilo, who starts off thinking that Nazi ideals make life beautiful, but comes to admire the greater nobility of those who tried to assassinate Hitler. There’s the dissident intelligence officer Helmuth von Moltke, a conservative who seeks to work from inside against the Nazis (he gets hanged for his trouble). And there’s Erich Alenfeld, a Jew who converted to Christianity and remained a German patriot: He sent a letter to Reichsminister Hermann Göring asking if he could serve.

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We also encounter several of the usual suspects, most notably propaganda minister Joseph Goebbels who, when not coercing young actresses into sex, is busy generating false headlines, ordering movie spectacles to distract the masses (he loved Disney films), and monitoring the city’s morale. Always laying down edicts — like ordering Jews to wear the yellow star — he’s the Nazi who may have done most to affect Berlin’s daily life: He even keeps banning and reinstating dancing.

Along the way, Stay Alive is laced with nifty details. How one family trained its parrot to say “Heil, Hitler” to fool the Nazis if they came to arrest someone. How, a crew of filmmakers kept shooting a movie with no film in the camera so they wouldn’t be drafted to fight doomed last ditch battles. How Jewish villas in the posh Grunewald area were bought up or seized by Nazi bigshots, but now belong to Russian oligarchs. And how some of those trying to elude the Nazis became known as U-boats, because they dived into the city’s murky underworld, even hiding out in brothels.

As one who’s written well for decades about historical guilt and denial, Buruma is too savvy to belabor familiar Nazi horrors. That said, he offers two dark truths that strike me as being especially apt in these days when authoritarianism is making a worldwide comeback.

The first is that you can’t live in a dirty system without somehow being corrupted. Whether you were a famous symphony conductor or a cop on the beat, Nazism tainted virtually everyone, forcing people to do and say abhorrent things they often didn’t believe in, and weakening their moral compass. As von Moltke wrote his wife: “Today, I can endure the sufferings of others with an equanimity I would have found execrable a year ago.”

He wasn’t alone. The second dark truth is how easy it is to simply go along. Most Berliners — and even Buruma’s own father — did their jobs, took their pleasures and preferred not to think about the evils under their noses. This, Buruma says, “is disturbing but should not surprise anyone. Human beings adapt, carry on, turn away from things they don’t wish to see or hear.”

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If the book has a hero, it’s probably Ruth Andreas-Friedrich, a journalist who didn’t turn away. Along with her partner, the conductor Leo Borchard, she ran a resistance group named Uncle Emil, risking her life to protect Jews, help them escape, and support other groups battling the Nazis. All this makes her much braver than I’ve ever been. But I equally admire her refusal to be sanctimonious about those who, fearing prison or worse, didn’t rise up against the dictatorship. She had the rare virtue of being righteous without being self-righteous.

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Stop and smell the native plants at the L.A. Times Plants booth at Festival of Books

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Stop and smell the native plants at the L.A. Times Plants booth at Festival of Books

Are you interested in creating a native habitat or have questions about your plants? Come meet experts from the Theodore Payne Foundation and the California Native Plant Society, along with Times staffers, at the L.A. Times Plants booth during The Times’ Festival of Books at USC on April 18 and 19.

In a new location this year — booth 554 in the Red Zone — the L.A. Times Plants booth will be a tribute to L.A. Times plants writer Jeanette Marantos, a passionate supporter of native plants, who died in February.

There will be giveaways of hundreds of 4-inch plants from Theodore Payne and The Times throughout the weekend. Also, anyone who signs up for our free monthly L.A. Times Plants newsletter will receive Jeanette’s Mix, a special packet of sunflower seeds and California poppy seeds that Marantos hoped to offer this year.

Jeanette Marantos at the L.A. Times Plants booth at Festival of Books on April 21, 2024.

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We’ll also have colorful plant-inspired stickers and copies of the Weekend print section with Times garden coverage to give away.

Booth visitors will be able to smell and look at plants from the Theodore Payne Foundation and learn how native plants can not only save water but also support local wildlife such as bees, birds and monarch butterflies. Theodore Payne will also have merchandise available for purchase and other seed packets to hand out.

As part of the booth, representatives from the California Native Plant Society will show visitors how to use Calscape, an online database of native plants that allows you to customize your landscape needs based on your ZIP Code.

Stop by the L.A. Times Plants booth (booth 554 in the Red Zone) between 10 a.m. and 6 p.m. on April 18 or from 10 a.m. to 5 p.m. on April 19. The Festival of Books is held on the USC campus. For more information, check the festival’s FAQ page.

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Ziggy Stardust and Hacky Sack: What life was like the last time we went to the moon

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Ziggy Stardust and Hacky Sack: What life was like the last time we went to the moon

David Bowie debuted his Ziggy Stardust persona and released The Rise and Fall of Ziggy Stardust and the Spiders from Mars in 1972 — the last year humans went to the moon.

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The Artemis II rocket launched on Wednesday, carrying astronauts to the moon for the first time in over half a century.

The four-person crew is headed on a 10-day, 230,000-mile journey around the moon and back — a pivotal test of the Orion spacecraft that NASA hopes will bring future astronauts to the lunar surface as soon as 2028 and Mars after that.

The last time humans went to the moon was the Apollo 17 mission in December 1972.

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The final Apollo mission involved three astronauts: Command module pilot Ronald Evans orbited above as Eugene Cernan and Harrison “Jack” Schmitt — a professional geologist, in a notable first — touched down on the moon’s Taurus-Littrow valley.

The pair spent just over three days on the lunar surface, collecting some 250 pounds of moon rock and soil samples. They set multiple records, including the longest stay on the moon (75 hours), the most lunar samples collected and the longest mission duration at 12 days, 14 hours.

NASA astronaut Eugene Cernan, commander of the Apollo 17 lunar mission, is welcomed back to Earth after splashing down in the Pacific Ocean on Dec. 19, 1972.

NASA astronaut Eugene Cernan, commander of the Apollo 17 lunar mission, is welcomed back to Earth after splashing down in the Pacific Ocean on Dec. 19, 1972.

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The crew knew they would be the last to visit the moon at least for the foreseeable future, as NASA had decided two years earlier to cancel the remaining Apollo missions, primarily due to budget cuts.

Cernan became the last human to walk on the moon on Dec. 14, 1972. He acknowledged the significance of the moment out loud as he stepped off the lunar surface, seemingly nodding to Neil Armstrong’s infamous words from the 1969 moon landing.

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“As we leave the moon and Taurus-Littrow, we leave as we came — and God willing as we shall return: with peace, and in hope, for all mankind,” said Cernan, who died in 2023.

A lot has changed in the 53 years since. Here’s what life was like the last time astronauts launched to the moon.

A banner year for geopolitics, pop culture and technology

Richard Nixon became the first U.S. president to visit China in February 1972.

Richard Nixon became the first U.S. president to visit China in February 1972.

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The year 1972 is in many ways synonymous with upheaval: the uncovering of the Watergate scandal, “Bloody Sunday” in Northern Ireland, the “Munich massacre” at the 1972 Olympics, North Vietnam’s “Easter Offensive” in the final years of the Vietnam War — and antiwar protests at college campuses and political conventions.

That was the year President Nixon announced that no more draftees would be sent to Vietnam, and the year he visited China in a presidential first.

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The Volkswagen Beetle officially surpassed the Ford Model T as the most popular — and most-produced — car in the world. And a gallon of regular gasoline cost 36 cents, or the equivalent of $2.53 a gallon today, according to the AARP.

Herbie, the anthropomorphic Volkswagen Beetle featured in the 1969 Disney film "The Love Bug" and its sequels, terrorizes a young woman at a car show in Berlin in June 1972. (Photo by Keystone/Hulton Archive/Getty Images)

Herbie, the anthropomorphic Volkswagen Beetle featured in the 1969 Disney film The Love Bug, terrorizes a young woman at a car show in Berlin in June 1972.

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1972 was also a major year for still-beloved cultural creations. It marked the debut of David Bowie’s alter ego Ziggy Stardust, the formation of ABBA, the opening of Grease on Broadway. The top-selling album of the year was Neil Young’s Harvest, and the biggest box office hit was The Godfather, which came out in March.

Fashion was dominated by bold colors and patterns, bell-bottoms, shawls, platform shoes and synthetic fabrics, as part of “the Polyester Decade.” Style icons included Bianca Jagger, Jane Birkin and Diana Ross.

Mick Jagger and Bianca Jagger watching the final cricket test between England and Australia at the Oval.

Mick Jagger and Bianca Jagger, pictured in 1972, were among the style icons of the era.

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There was a lot of news, but fewer ways to consume it. Some 95 percent of U.S. households owned televisions, according to Census data, and just three commercial broadcast networks dominated the airwaves: ABC, CBS and NBC. Total print newspaper circulation reached a record 62.5 million, before it began to drop.

And of course, it was a time of innovation — and not just in space. The digital watch made its debut. Atari published “Pong,” the first commercially successful arcade video game. Other key inventions from that year include the floppy disk, the first handheld scientific calculator (the HP-35) and the Hacky Sack. McDonald’s Egg McMuffin entered test markets, and Shrinky Dinks were on the brink of creation.

According to Merriam Webster, some of the words recorded in print for the first time in 1972 include: animatronic, beer pong, bird flu, habanero, garage band, glam rock, lowrider, page-turner, sound bite, spaghetti strap, veggie burger, women’s studies and yard sale. Far out!

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