Sports
Arsenal's Africa-inspired away kit tells the story of their unique connection to Black culture
Arsenal’s new away kit is designed by an immigrant.
Foday Dumbuya, the founder and creative director of London-based menswear brand Labrum, wants you to know that.
Forget the demeaning connotations foisted upon people who have put down fresh roots in a country they weren’t born in by those who seek to divide — Dumbuya’s heritage is a point of pride, so much so that Labrum has used “designed by an immigrant” as a slogan on numerous products.
In collaboration with Arsenal’s usual kit supplier Adidas, Labrum has dressed manager Mikel Arteta’s side for away games next season, creating a kit that pays homage, directly, deliberately and unashamedly, to the club’s players and fans shaped by the African diaspora.
Predominantly black with red and green details to mimic the Pan-African flag, Arsenal’s away kit also boasts panels with a black-and-white zigzag design, intended to represent the flow of people who emigrated from African nations in the 1920s and the art that came with them.
This is not a football kit that only Black people can wear but it is designed to tell a story, and this project, which shines a light on Arsenal’s connection to Black culture, wouldn’t have been the same if it involved another Premier League club.
Arsenal’s 2024-25 away kit and its accompanying collection (Daniel Barnes/The Athletic)
Fashion brands collaborating with recognised manufacturers to make kits is nothing new.
Juventus’ fourth strip in 2019-20 was co-produced by Palace, Daily Paper lent its style to Ajax’s 2022-23 third shirt, the Jamaica national team’s kits in 2023 were made in collaboration with Wales Bonner and last season, AC Milan released two strips designed in partnership with LA-based label Pleasures.
So what makes Labrum’s association with Arsenal stand out? For starters, this is the strip Bukayo Saka, Martin Odegaard and company will likely wear at Old Trafford and Anfield in 2024-25.
This is no throwaway side collection to be quietly buried among a season’s worth of releases. As Arsenal’s primary away kit, it will be seen — and is designed to start a conversation about the club’s Black influences.
“With Arsenal, they have a huge African fanbase,” says Dumbuya, who was born in Sierra Leone and moved to London aged 12. “From when (Nwankwo) Kanu, (Emmanuel) Eboue, Kolo Toure and all those guys used to play for Arsenal; I think African fans gravitate to that because they can see themselves in those players.
“The next thing will be, ‘How we follow through with this?’. Can we connect conversations and can we influence a community of people to understand Africa as a whole, understand being Black in London, Pan-Africanism, and also the work that Arsenal has been doing for a while now?
Arsenal’s new away kit (Daniel Barnes/The Athletic)
“Sometimes, you educate yourself by seeing something and you don’t have a clue about what it means, but now you’re prompted to go and investigate it. People talk about Pan-Africanism. Now it’s in your face.”
Labrum’s name is a Latin term that loosely translates as ‘having an edge’.
Its clothes are inspired by west Africa and in 2023, Labrum won The Queen Elizabeth II Award for British Design, which Dumbuya received from King Charles.
Last year, ex-Arsenal and England striker Ian Wright walked the runway for Labrum at London Fashion Week. Chelsea’s Trevoh Chalobah has modelled for the brand. It has also designed clothes for Saka, Arsenal team-mate Reiss Nelson and former England international Rio Ferdinand.
When Netflix sponsored Hackney Wick FC — of Eastern Counties First Division South, tier nine of the English football pyramid — Dumbuya designed their kits. Labrum also outfitted the Sierra Leone team at the Tokyo Olympics three years ago and, in partnership with Adidas, will do so again at this summer’s Games in Paris.
Ian Wright and England rugby union star Maro Itoje have modelled for Labrum at London Fashion Week (Getty Images)
Yet designing an African-inspired Arsenal kit feels like a landmark moment for Dumbuya, who founded Labrum in 2014 and expects to see his designs worn in a game for the first time when Arteta’s side face fellow Premier League club Bournemouth in a friendly in Los Angeles on Wednesday (the early hours of Thursday UK time) to begin a three-match U.S. pre-season tour.
“I don’t know if another club would have done this, how it would transcend to those African fans, because they might not have a huge African fanbase,” says Dumbuya.
“Talking to Arsenal and Adidas, they’ve both always pioneered Black culture, Black history — from hip hop to other cultural stuff — that’s why we thought it’s a relationship and collaboration that was bound to happen.
“They chose wisely to find a brand; not just because we’re big and noisy, but more how authentic we are and that we tell stories about where we’re from, about London, and about west Africa. When things feel natural, people gravitate to it.”
How does one define the particular nuances of Arsenal’s connection to Black culture?
Lots of clubs have Black fans, of course, but Arsenal’s unique relationship is distinct, the outcome of a swathe of geological, societal and cultural factors, including the different Black heroes numerous generations of fans have seen play at the club’s former home Highbury or the Emirates Stadium.
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“I’m not an Arsenal fan per se, but I’m certainly one in the sense that I’m a Londoner and to be involved in Black identity and Black people, you have some affiliation with Arsenal at some level, be it in the playground, in the cultural spaces like the churches and the barber shop,” says Clive Chijioke Nwonka, associate professor of film, culture and society at University College London and co-editor of Black Arsenal, an upcoming book that explores the club’s place in Black British culture.
Arsenal’s players departed for their U.S. tour earlier this week wearing items from the Adidas-Labrum collection (Stuart MacFarlane/Arsenal FC via Getty Images)
“This is a shirt that attempts to celebrate what has been largely recognised, which is a movement towards Arsenal by people of the Black diaspora over a number of years — not just recently — and it’s only natural that brands and manufacturers move to that kind of space, and make it something that can be tangible and can be packaged for mass consumption.
“I think when we are talking about and describing Black culture, and Black culture production, we must also just be cognisant that what is really important is Black people and Black people’s experiences of that, which often sometimes is lost when we begin talking about brand culture.
“That being said, I am relieved that the final design was done using a Black designer, because that hasn’t always been the case.”
Authenticity matters and Arsenal, Adidas and Labrum all have a responsibility to ensure their partnership resonates.
That can be particularly difficult when a nod to culture is communicated through a piece of sportswear, a tangible item that people will purchase and wear.
The African diaspora is defined as the movement of people outside the continent and, subsequently, the people living around the world who can trace their roots back to Africa, whether that movement happened willingly or by force.
Expect to see this Arsenal away shirt. A lot. It’s bound to be popular and in 2024, football kits have evolved into desirable fashion items.
Labrum founder creative director Foday Dumbuya (Henry Nicholls/AFP via Getty Images)
It will also carry a particular weight and provide a knowing nod to Black culture, no matter who wears it and where they come from.
“I think this is something that we would struggle to conceive of and even accept if another club had done something similar but that’s also why it needs a particular form of ethics around it, and curation and description, because it can’t just be ‘business as usual — here is another brand product’,” says Nwonka.
“I welcome the shirt and I celebrate the shirt because I know that is something that’s only possible through the optics and lens of Arsenal, and no one else.
“I think the best way that I can describe this in a broad way is that the Black Africa shirt attempts to capture and materialise what is already in existence or has already been expressed. They’re not creating Black Africa. The Arsenal connection already exists. Here is something that is now able to be distributed and shared.
“Of course, there’s an economic dimension there — but that’s neither here nor there, because everything we do in terms of being fans is a transaction in many ways — but it’s capturing and packaging and kind of materialising what is already present, already expressed, already felt by people.”
“I want people always to remember the first club that actually celebrated their fanbase outside of their territory and also included everything about that particular territory, which is Africa as a whole,” says Labrum creator Dumbuya, who is an Arsenal fan.
“It hasn’t been done before. The players that came from abroad have actually changed this league and have added so much depth and culture, so when people sort of remember the kit, I’m hoping that’s what they remember — that it was a celebration of those past players and the Arsenal African fanbase.”
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(Top photos: Adidas/Labrum)
Sports
Tom Izzo explodes on former Michigan State player in wild scene: ‘What the f— are you doing?’
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Michigan State head coach Tom Izzo has been known to get visibly angry with his players over his years in East Lansing, but what happened Monday night against USC was different.
Izzo let loose his frustration on a former player.
During the Spartans’ blowout over the Trojans, 80-51, Izzo was spotted unloading on former Michigan State center Paul Davis, who played for the team from 2002-06, after he caused a disturbance in the stands.
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Head coach Tom Izzo of the Michigan State Spartans reacts to a call during a game against the Nebraska Cornhuskers during the first half at Pinnacle Bank Arena Jan. 2, 2026, in Lincoln, Neb. (Steven Branscombe/Getty Images)
Referees pointed out Davis, who was a spectator, from his courtside seat after he was among many in the building who disagreed with a call in the second half. Davis stood up and shouted at referee Jeffrey Anderson.
Anderson responded with a loud whistle, stopping play and pointing at Davis. Then, Anderson went over to Izzo to explain what happened, and the 70-year-old coach went ballistic.
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First, he was motioning toward Davis, and it was clear he asked his former center, “What the f— are you doing?”
Davis was met by someone asking him to leave his seat, and that’s when Izzo went nuts. He shouted “Get out of here!” at Davis, who appeared to gesture toward Izzo, perhaps in apology for disturbing the game.
Izzo was asked about Davis’ ejection after the game.
“What he said, he should never say anywhere in the world,” Izzo responded when asked what happened. “That ticked me off. So, just because it’s 25, 20 years later, I’m going to have to call him tomorrow and tell him what I thought of it. And you know what he’ll say? ‘I screwed up, coach. I’m sorry.’”
Izzo quickly clarified that what Davis said “wasn’t something racial” and “it wasn’t something sexual.”
Michigan State Spartans head coach Tom Izzo protests a call that benefited the Iowa Hawkeyes during the first half at Jack Breslin Student Events Center Dec. 2, 2025. (Dale Young/Imagn Images)
“It was just the wrong thing to say, and I’ll leave it at that.”
Davis later met with reporters Tuesday, apologizing for his actions.
“I’m not up here to make any excuses. I’m up here to take accountability, to own it,” Davis said. It was a mistake that will never happen again. It was a mistake that’s not me, but, unfortunately, last night it was.”
Izzo said Davis was one of his “favorite guys” during his time playing for the Spartans. He had a breakout sophomore campaign with 15.8 points, 6.2 rebounds and two assists per game in 30 starts for Izzo during the 2003-04 season.
Head coach Tom Izzo of the Michigan State Spartans reacts during a game against the Nebraska Cornhuskers during the second half at Pinnacle Bank Arena Jan. 2, 2026, in Lincoln, Neb. (Steven Branscombe/Getty Images)
In his senior year, Davis averaged 17.5 points, a career-high, in 33 games.
He was taken in the second round of the 2006 NBA Draft by the Los Angeles Clippers. Davis played just four seasons in the league, his final one with the Washington Wizards.
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MADISON, Wis. — Can a team be in crisis just a handful of games into conference play?
UCLA is testing that possibility given what happened here Tuesday night as part of a larger downward trend.
Lacking one of their top players with guard Skyy Clark sidelined by a hamstring injury, the Bruins also were deficient in many other areas.
Defense. Heart. Toughness. Cohesion. Intelligence.
In a game that the Bruins needed to win to get their season back on track and have any realistic chance at an elite finish in the Big Ten, they fell flat once more.
Another terrible first half led to another failed comeback for UCLA during an 80-72 loss to Wisconsin on Tuesday night at the Kohl Center, leaving the Bruins in search of answers that seem elusive.
There was a dustup with 10 seconds left when UCLA’s Eric Dailey Jr. pushed Wisconsin’s Nolan Winter after absorbing a hard foul, forcing a scrum of players to congregate along the baseline. Winter was assessed a flagrant-1 foul and Dailey a technical foul that was offset by a technical foul on Badgers guard Nick Boyd.
About the only thing to celebrate for the Bruins was not giving up.
Thanks to a flurry of baskets from Dailey and a three-pointer from Trent Perry that broke his team’s 0-for-14 start from long range, UCLA pulled to within 63-56 midway through the second half. Making the Bruins’ rally all the more improbable was that much of it came with leading scorer Tyler Bilodeau on the bench with four fouls.
But Wisconsin countered with five consecutive points and the Bruins (10-5 overall, 2-2 Big Ten) never mounted another threat on the way to a second consecutive loss.
Dailey scored 18 points but missed all five of his three-pointers, fitting for a team that made just one of 17 shots (5.9%) from long range. Bilodeau added 16 points and Perry had 15.
Boyd scored 20 points to lead the Badgers (10-5, 2-2), who won in large part by their volume of three-pointers, making 10 of 30 attempts (33.3%) from beyond the arc.
Unveiling a turnover-choked, defensively challenged performance, UCLA played as if it were trying to top its awful first-half showing against Iowa from three days earlier.
It didn’t help that the Bruins were shorthanded from tipoff.
With Clark unavailable, UCLA coach Mick Cronin turned to Perry and pivoted to a smaller lineup featuring forward Brandon Williams alongside Bilodeau as the big men.
For the opening 10 minutes, it felt like a repeat of Wisconsin’s blowout victory over UCLA during the Big Ten tournament last March. The Badgers made seven of 11 three-pointers on the way to building a 20-point lead midway through the first half as Cronin continually tinkered with his lineup, trying to find a winning combination.
It never came.
He tried backup center Steven Jamerson II for a little more than a minute before yanking him after Jamerson committed a foul. He put in backup guard Jamar Brown and took him out after Brown gave up a basket and fumbled a pass out of bounds for a turnover. Backup guard Eric Freeny got his chance as well and airballed a three-pointer.
Wisconsin surged ahead with an early 13-0 run and nearly matched it with a separate 11-0 push. The Bruins then lost Perry for the rest of the first half after he hit his chin while diving for a loose ball, pounding the court in frustration with a balled fist before holding a towel firmly against his injured chin during a timeout. (He returned in the second half with a heavy bandage.)
Just when it seemed as if things couldn’t get worse, they did. Williams limped off the court with cramps late in the first half and the Bruins failed to box out Wisconsin’s Andrew Rohde on two possessions, leading to a putback and two free throws after he was fouled on another putback attempt.
UCLA almost seemed fortunate to be down only 45-31 by the game’s midpoint, though being on pace to give up 90 points couldn’t have pleased a coach known for defense.
Another comeback that came up short didn’t make things any better.
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Dolphins’ Tua Tagovailoa open to fresh start elsewhere after disappointing season: ‘That would be dope’
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Tua Tagovailoa appears to be ready to move on from the Miami Dolphins – a feeling that seems mutual between the two sides.
Tagovailoa was benched for the final three games of the season due to poor performance. A day after the Dolphins’ season ended with a 38-10 loss to division rival New England, the sixth-year signal-caller appeared open to the idea of a “fresh start.”
Mike McDaniel speaks with Miami Dolphins quarterback Tua Tagovailoa (1) in the fourth quarter of a game against the Buffalo Bills at Hard Rock Stadium on Sept. 25, 2022, in Miami Gardens, Florida. (Megan Briggs/Getty Images)
“That would be dope. I would be good with it,” Tagovailoa said Monday, according to The Palm Beach Post, when asked specifically if he was “hoping for a fresh start.”
When asked by another reporter if he understood “fresh start” as playing “elsewhere,” Tagovailoa reportedly confirmed it.
The remarks came the same day that head coach Mike McDaniel confirmed that the team would be approaching the 2025-2026 season with a competitive mindset for the position.
“In 2026, I think there will be competition for our starting quarterback. What that is and how that looks, there’s a lot that remains to be seen. It’s the most important position on the football field, and you have to make sure you do everything possible to get the best person out there on the field.”
Miami Dolphins quarterback Tua Tagovailoa runs off the field during the first half of an NFL football game against the New England Patriots in Foxborough, Massachusetts, on Jan. 4, 2026. (AP Photo/Robert F. Bukaty)
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“Who that is – whether they’re in-house or somewhere else, that’s something that we’ll be extremely diligent on,” he continued. “But I know there will be competition for those reins. That much I do know.”
Tagovailoa threw for 2,660 yards with 20 touchdowns this season, but he struggled with accuracy and mobility, throwing a career-high of 15 interceptions. His poor performance comes just one season after signing a four-year, $212.4 million contract extension in July 2024.
Miami Dolphins quarterback Tua Tagovailoa speaks during a press conference after an NFL football game against the Baltimore Ravens, Thursday, Oct. 30, 2025, in Miami Gardens, Florida. (AP Photo/Rebecca Blackwell)
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The Dolphins face a serious decision regarding Tagovailoa, as releasing him next year would result in a $99 million dead cap charge. If the move is designated as a post-June 1 release, those charges would be split over two years, with $67.4 million allocated to the 2026 cap and $31.8 million in 2027.
The Associated Press contributed to this report.
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