Maine
Charles Rotmil, Holocaust survivor who shared his story with Maine students, dies at 93
Decades after surviving the Holocaust, Charles Rotmil often shared a simple but powerful message: “I don’t live in the past. The past lives in me.”
Rotmil, one of Maine’s most significant voices in Holocaust remembrance and human rights education, died Tuesday morning, his partner, Cathryn Wilson, confirmed. He was 93.
After emigrating to the United States and settling in Maine, Rotmil shared his story with thousands of students and pushed for schools to teach about the genocide committed against Jews by Nazis in Germany.
“We need to know what happened during this period so that it will never happen again,” Rotmil said in 2021 during testimony before the Legislature.
Rotmil, of Portland, was remembered Wednesday as a storyteller, survivor, artist and teacher whose openness about his horrific experiences as a child impacted the lives of many Mainers.
“Through his stories, his art, and his courage, he inspired countless students, educators, and community members to stand against injustice and embrace compassion,” Tam Huynh, executive director of the Holocaust and Human Rights Center of Maine, said in a statement. “His presence will be deeply missed, and his legacy will live on in every student he taught and every life he touched.”
Secretary of State Shenna Bellows came to know Rotmil well while she was the director of the HHRC and said it was inspiring to see his courage, authenticity and resilience in action.
“It must have been difficult and painful for Charles to tell the stories of the Holocaust and his personal losses over and over again, but he recognized how important it was,” Bellows said. “He had seen the worst of the worst. He lost his parents, he lost everything, yet he survived to share the lessons of the Holocaust with the next generation.”
SURVIVING THE HOLOCAUST
Charles Rotmil, of Portland, describes fleeing Nazis and losing his family during the Holocaust to Orono Middle School students at the The Holocaust and Human Rights Center of Maine in Augusta in 2019. (Andy Molloy/Staff Photographer)Rotmil was born in Strasbourg, France, in 1932, six months before Hitler came to power. He would later tell people his childhood was normal until his family moved to Vienna, Austria.
After Nazis closed the synagogues, religion centered around the dinner table for Rotmil and his family, he told students during a 1994 school visit in Waterboro.
“To this day, I like to linger at the table,” he said.
During Kristallnacht — two nights of violent persecution of Jewish people across Germany and Austria in November 1938 — German soldiers smashed down the family’s door and arrested Rotmil’s father after beating his head against a table.
The next morning, Rotmil and his sister walked over shards of glass and past walls scrawled with antisemitic graffiti. The family fled to Belgium, where Jewish refugees were being accepted. Rotmil’s father carried him trough the woods during their journey.
When Belgium was invaded in 1940, thousands of Jews were forced to walk into France while airplanes shot at them from above. The scene was “total chaos,” with fires burning on the horizon and dead bodies strewn across the road, Rotmil recounted decades later.
Rotmil’s father, Adi, left the road to find a wheelbarrow for their bags and disappeared, but the family continued on and boarded a train. His sister died when the train hit a car on the tracks, and his mother died a week later from her injuries.
Rotmil and his brother, Bernard, were eventually reunited with their father and went back to Austria. There, his father was turned in by a neighbor and arrested. He was executed upon arrival at Auschwitz concentration camp.
With help from Father Bruno Reynders, a Belgian monk who hid over 350 children, Rotmil and his brother were sheltered in Christian homes. They often had to change their names and lived in constant danger, according to the HHRC.
On a foggy morning in December 1946, Rotmil and his brother arrived in the United States aboard the Ile de France and went to Peekskill, New York, to stay with their aunt and uncle.
A CREATIVE LIFE
After college, Rotmil worked as an assistant to a prominent photographer in New York City, where he was active in the downtown arts scene in the 1970s. He photographed artists Andy Warhol and Robert Indiana, said Wilson, Rotmil’s partner. His photographs of artist Bob Thompson were included in a retrospective at Colby College a few years ago.
Rotmil was also a painter and filmmaker. His short film “The Eternal Hat” was featured in the 1970s in the Ann Arbor Film Festival. Another short film, “Street Musicians,” won an award from Space Gallery in 2007, Wilson said.
Holocaust survivor Charles Rotmil plays Beethoven’s “Ode To Joy” on harmonica to end his speech during a Kristallnacht remembrance ceremony on Nov. 9, 2018, in the at the Holocaust and Human Rights Center at University of Maine at Augusta. (Joe Phelan/Staff Photographer)He played a variety of instruments, including guitar and Japanese flute. He often brought his harmonica to schools to play for students during his presentations. He enjoyed writing both fiction and nonfiction, and was working on a manuscript about his life before his death.
“He was a very gifted artist on many different levels,” Wilson said. “He was a very alive, creative person with a great sense of humor. People would be caught by surprise.”
Rotmil, who had four children, moved to Maine in 1982 and started a career teaching foreign languages to high school students. Wilson said he was somewhat of a teaching nomad, working at schools across the state — from the mountains to the Midcoast to Aroostook County.
Wilson said Rotmil, like many Holocaust survivors, didn’t always speak openly about his experience in the decades after he came to the U.S. But by the 1980s, more people were interested to hear from survivors about their experiences, she said.
“He was aware that hatred still exists. He thought there were very important lessons to be learned about what happened during the Holocaust so it wouldn’t happen again. He sensed a responsibility to share what had happened,” Wilson said.
Bellows said Rotmil was a charismatic and compelling speaker. When he was talking to students, it was sometimes the first time students were learning about the Holocaust. It was clear some students felt shock, anger and sadness, but he also “brought some light and hope for the future to his stories,” she said.
“He was always able to communicate the importance of human rights and standing up to evil,” Wilson said.
Maine
This Classic New England-Style Cottage in Maine Has 200 Feet of Atlantic Ocean Frontage
A waterfront home with open ocean views on the coast of Maine came to market Tuesday asking $4 million.
Built in 1978, the three-bedroom cottage is at the southern point of Cape Elizabeth, less than 10 miles from downtown Portland. The 1.1-acre property on Sunny Bank Road features 200 feet of south-facing water frontage on the wide open Atlantic.
It is bordered by a rocky sea wall that’s about 28 feet high, according to listing agent Sam Michaud Legacy Properties Sotheby’s International Realty
“The views are like a Monet painting,” he said via email. “The water sparkles and the waves are endless.”
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The 3,364-square-foot home was built in classic New England style, with shingle siding, a single sloped roofline and large windows—complemented by white-washed walls, exposed-beam ceilings and wide-plank flooring on the interiors.
The main common area features cathedral ceilings with a step-down between the living and dining room, and a partial wall divides the dining room from the kitchen. There is also a wood-paneled family room off the kitchen, a gym and a covered porch.
The sellers purchased the property in 2010 for $1.562 million, according to property records accessed through PropertyShark. They could not immediately be reached for comment.
“I have received quite a few inquiries since hitting the market two days ago,” Michaud said. “Buyers understand that this is a golden opportunity to own over an acre with 200 feet of bold oceanfront in Cape Elizabeth.”
MORE: Iranian Strikes on Dubai Put the City’s Roaring Real Estate Market to the Test
There are currently just seven three-bedroom homes available for sale in Cape Elizabeth and fewer than five waterfront properties, according to Sotheby’s and Zillow data. It is also the most expensive listing in the town, with another waterfront property on a tiny lot just south of Portland coming in a close second, according to Zillow.
Michaud sold the former Cape Elizabeth home of Bette Davis this past summer for $13.4 million, the priciest sale on the cape in at least a decade—and even those views can’t compare. They’re “just magical,” he said.
Maine
NECEC conservation plan will not protect Maine’s mature forests | Opinion
Robert Bryan is a licensed forester from Harpswell and author or co-author of numerous publications on managing forests for wildlife. Paul Larrivee is a licensed forester from New Gloucester who manages both private and public lands, and a former Maine Forest Service forester.
In November 2025, the Department of Environmental Protection (DEP) approved a conservation plan and forest management plan as mitigation for impacts from the NECEC transmission corridor that runs from the Quebec border 53 miles to central Maine.
As professional foresters, we were astonished by the lack of scientific credibility in the definition of “mature forest habitat” that was approved by DEP, and the business-as-usual commercial forestry proposed for over 80% of the conservation area.
The DEP’s approval requires NECEC to establish and protect 50,000 acres to be managed for mature-forest wildlife species and wildlife travel corridors along riparian areas and between mature forest habitats. The conservation plan will establish an area adjacent to the new transmission corridor to be protected under a conservation easement held by the state. Under this plan, 50% of the area will be managed as mature forest habitat.
Under the forest management plan, a typical even-aged stand will qualify as “mature forest habitat” once 50 feet tall, which is only about 50 years old. These stands will lack large trees that provide wildlife denning and nesting sites, multiple vegetation layers that mature-forest birds use for nesting and feeding habitats and large decaying trees and downed logs that provide habitat for insects, fungi and small mammals, which in turn benefit larger predators.
Another major concern is that contrary to the earlier DEP order, the final approval allows standard sustainable forestry operations on the 84% of the forest located outside the stream buffers and special habitats. These stands may be harvested as soon as they achieve the “mature forest habitat” definition, as long as 50% of the conserved land is maintained as “mature.”
After the mature forest goal is reached, clearcutting or other heavy harvesting could occur on thousands of acres every 10 years. Because the landowner — Weyerhaeuser — owns several hundred thousand acres in the vicinity, any reductions in harvesting within the conservation area can simply be offset by cutting more heavily nearby. As a result, the net
mature-forest benefit of the conservation area will be close to zero.
Third, because some mature stands will be cut before the 50% mature forest goal is reached, it will take 40 years — longer than necessary — to reach the goal.
In the near future the Board of Environmental Protection (BEP) will consider an appeal from environmental organizations of the plan approval. To ensure that ecologically mature forest develops in a manner that meets the intent of the DEP/BEP orders, several things need to change.
First and most important, to ensure that characteristics of mature forest habitat have time to develop it is critical that the definition include clear requirements for the minimum number of large-diameter (hence more mature) trees, adjusted by forest type. At least half the stocking of an area of mature forest habitat should be in trees at least 10 inches in diameter, and at least 20% of stands beyond the riparian buffers should have half the stocking in trees greater than or equal to 16 inches in diameter.
Current research as well as guidelines for defining ecologically mature forests, such as those in Maine Audubon’s Forestry for Maine Birds, should be followed.
Second, limits should be placed on the size and distribution of clearcut or “shelterwood” harvest patches so that even-aged harvests are similar in size to those created by typical natural forest disturbance patterns. These changes will help ensure that the mature-forest block and connectivity requirements of the orders are met.
Third, because the forest impacts have already occurred, no cutting should be allowed in the few stands that meet or exceed the DEP-approved definition — which needs to be revised as described above — until the 50% or greater mature-forest goal is reached.
If allowed to stand, the definitions and management described in the forest management plan would set a terrible precedent for conserving mature forests in Maine. The BEP should uphold the appeal and establish standards for truly mature forest habitat.
Maine
Rage Room in Portland, Maine, Developing ‘Scream Room’ Addition
For a lot of people throughout Maine, there’s some built up frustration that they’ve just been keeping inside.
That frustration can come in a lot of different forms. From finances to relationships to the world around you.
So it makes plenty of sense that a rage room opened in Portland, Maine, where people can let some of that frustration out.
It’s called Mayhem and people have been piling in to smash, crush and do dastardly things to inanimate objects that had no idea what was coming.
But Mayhem has realized not everyone is down with swinging a sledgehammer. So they’ve decided to cook up something new.
Mayhem Creating ‘Scream Room’ at Their Space in Portland, Maine
Perhaps the thought of swinging a baseball bat and destroying a glass vase brings you joy. The thought of how sore your body will be after that moment makes you less excited.
Mayhem Portland has heard you loud and clear and is developing a new way to get the rage out. By just screaming.
Mayhem is working on opening their very first scream room. It’s exactly what you think it is, a safe place to spend some time just screaming all of the frustration out.
There isn’t an official opening date set yet but it’s coming soon along with pricing.
Mayhem in Portland, Maine, Will Still Offer Rage Rooms and Paint Splatter
While a scream room is on the way, you can still experience a good time at Mayhem with one of their rage rooms or a paint splatter room.
Both can be experienced in either 20-minute or 30-minute sessions.
All the details including some age and attire requirements can be found here.
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Looking for fun things to do in Portland, ME? Here is what the reviewers on TripAdvisor say are the 10 best attractions.
This list was updated in March of 2026
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