Lifestyle
Witches Are Having a Cultural Moment. Maryland Is Taking Up Their Cause.
It was February 1698, and disease was sweeping through Leonardtown, a small village in southern Maryland. Locals knew whom to blame: They set fire to the hut of Moll Dyer, a single woman living alone on the edge of town who had been deemed a witch.
She escaped the enraged citizens, only to die in the frozen wilderness. Her body was found clinging to a rock, on which her knees and hands supposedly left impressions.
Ms. Dyer, arguably, inspired one of the most famous fictional witches in American pop culture: the one at the center of the 1999 horror film “The Blair Witch Project.” Although the film never explicitly mentioned Ms. Dyer’s fate, it is widely believed to have been based on her story. Ingeniously marketed as found footage, the hit film also endowed Maryland with a haunted reputation.
Ms. Dyer is one of seven people who were tried and convicted of witchcraft in Maryland in the 17th and 18th centuries. Only one was executed: Rebecca Fowler, a widow who was hanged in 1685 after a servant accused her of witchcraft. But all had their reputations sullied for centuries.
Now, the Maryland delegate Heather A. Bagnall, who represents a patch of the state north of Annapolis, has introduced a resolution in the general assembly to exonerate them all. The proposed resolution, which had an initial committee hearing on March 10, has been criticized as out of step with Marylanders’ priorities, but Ms. Bagnall bristled at any suggestion that the measure was frivolous. In an interview, she said she was partly motivated by the demise of Roe v. Wade, which was struck down by the Supreme Court in 2022, and by the anti-abortion measures passed in states like Texas.
“I’ve got a real appetite for it, and the more I talk about it, the more people realize, ‘No, this is serious,’” Ms. Bagnall said. “This is not just like a flight of fancy. It’s relevant today.”
She compared the campaigns against witches to those against transgender rights and racial diversity initiatives, which have recently come under sustained assault.
At the initial hearing last week, Ms. Bagnall was joined by witch exoneration advocates, including an Episcopalian priest. Afterward, her staff was thrilled but unsure of just when the measure might come up for a full vote. It could be months, even years.
Daniel Myrick, who co-directed “The Blair Witch Project,” said he supported her effort. “We are a flawed nation, and were born out of doing some incredibly cruel things,” he said in an interview. Better “symbolic” reckoning, as he put it, than none at all — and better late than never.
“It’s a social justice issue,” said Elizabeth Pugliese-Shaw, a family law attorney in the Washington, D.C., suburbs. “These people should never have been accused.” She became interested in witch exoneration after learning that other states had done so: In 2022, Massachusetts cleared Elizabeth Johnson Jr., whose conviction was the last to remain standing from the notorious Salem Witch Trials. Connecticut followed with its own witch exonerations in 2023.
Perhaps most notably, Scotland apologized for its witchcraft trials that led to the torture and execution of thousands of women from the 16th to the 18th centuries. “Anyone who didn’t fit the mold of what people expected would be targeted,” said Marlisa Ross, who recently staged a play about the victims of the Scottish witch hunt in Glasgow. Much like Ms. Bagnall, Dr. Ross said she saw a parallel between the witchcraft panic and the rising social animosities today. “It was a way to make everybody have a common enemy,” she said.
In the Puritan colonies of New England, witchcraft was a catchall accusation leveled against women for a variety of reasons: lack of a husband, personality quirks, an interest in herbal medicine or childbirth.
“The accusations are usually against outsiders within the community,” said Daniel T. Howlett, who is completing his doctoral studies in religion and disability in the American colonies at George Mason University in Virginia. Mr. Howlett is related to Mary Bradbury, who was convicted of witchcraft in the Salem trials. “Being a witch meant that you’d signed a covenant with the devil in most European traditions,” he said.
Often, women were simply convenient scapegoats. Beth M. Caruso, who led the exoneration effort in Connecticut, has written three novels about the state’s witch trials. Her interest was piqued after she learned of the plight of Alse Young, believed to be the first woman hanged for witchcraft in the American colonies in 1647. Much like Ms. Dyer, Ms. Young was blamed for a disease outbreak. “Where she lived was right next door to a cluster of child deaths,” Ms. Caruso said. “So then it made total sense as to why she was accused.”
The current cultural moment may be particularly auspicious. Witches have been enjoying something of a revival, and not only because of “Wicked,” the hit musical film starring Ariana Grande and Cynthia Erivo. The “witchtok” hashtag on TikTok has millions of posts, as users flock to witchcraft’s moody aesthetic, as well as to its emphasis on alternative healing and nature-centered spirituality.
“Part of the draw for us to witchcraft is the acceptance and celebration of our personal identities, bodies, bodily autonomy, a love of our planet and, in many cases, healing from past religious traumas,” Devin Hunter, who runs the website Modern Witch, wrote in an email. “For example, many of us are women, members of the LGBTQIA+ community, and are members of other underserved communities. Like us, those convicted and tried for witchcraft were often vulnerable people living on the fringes of society.”
(In some countries and regions, women continue to be prosecuted for witchcraft.)
Today, the legend of Moll Dyer still permeates Leonardtown, a tidy waterside enclave where a horse-drawn carriage might pass a hip cocktail lounge. The rock, the one where Ms. Dyer supposedly met her end, is covered by glass — touching it is said to enrage Ms. Dyer’s spirit and bring bad luck. A cat cafe on the town’s main strip is called “Meow Dyer,” an apparent reference to the accused witch’s name. Since 2021, a weekend in late February has been devoted to celebrating Ms. Dyer’s memory. This year, the events included “paranormal investigations,” axe throwing and a cocktail contest.
Historical markers on the road to Leonardtown proclaim Maryland’s legacy as a haven of religious tolerance. Nevertheless, when England passed an anti-witchcraft act in 1604, the state adopted it. But Ms. Bagnall is not bothered by the fact that centuries have passed since the injustices were committed under that law. “It’s never the wrong time to do the right thing,” she said.
Jessie Buckley has been nominated for an Academy Award for best actress for her portrayal of William Shakespeare’s wife in Hamnet.
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Kate Green/Getty Images
Actor Jessie Buckley says she’s always been drawn to the “shadowy bits” of her characters — aspects that are disobedient, or “too much.” Perhaps that’s what led her to play Agnes, the wife of William Shakespeare, in Hamnet.
Buckley says the film, which is based on Maggie O’Farrell’s 2020 novel, offered a chance to counter a common narrative about the playwright’s wife: that she “had kept him back from his genius,” Buckley says.
But, she adds, “What Maggie O’Farrell so brilliantly did, not just with Agnes and Shakespeare’s wife, but also with Hamnet, their son, was to bring these people … and give them status beside this great man. … [And] give the full landscape of what it is to be a woman.”
The film is nominated for eight Academy Awards, including best actress for Buckley. In it, she plays a woman deeply connected to nature, who faces conflicts in her marriage, as well as the death of their son Hamnet.
Buckley found out she was pregnant a week after the film wrapped. She’s since given birth to her first child, a daughter.
“The thing that this story offered me, that brought me into this next chapter of my life as a mother was tenderness,” she says. “A mother’s tenderness is ferocious. To love, to birth is no joke. To be born is no joke. And the minute something’s born into the world, you’re always in the precipice of life and death. That’s our path. … I wanted to be a mother so much that that overrode the thought of being afraid of it.”
Jessie Buckley stars as Agnes and Joe Alwyn plays her brother Bartholomew in Hamnet.
Courtesy of Focus Features/Courtesy of Focus Features
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Courtesy of Focus Features/Courtesy of Focus Features
Interview highlights
On filming the scene where she howls in grief when her son dies
I didn’t know that that was going to happen or come out, it wasn’t in the script. I think really [director] Chloé [Zhao] asked all of us to dare to be as present as possible. Of course, leading up to it, you’re aware this scene is coming, but that scene doesn’t stand on its own. By the time I’d met that scene, I had developed such a deep bond with Jacobi Jupe, who plays Hamnet, and [co-stars] Paul [Mescal] and Emily Watson, and all the children and we really were a family. And Jacobi Jupe who plays Hamnet is such an incredible little actor and an incredible soul, and we really were a team. …
The death of a child is unfathomable. I don’t know where it begins and ends. Out of utter respect, I tried to touch an imaginary truth of it in our story as best I could, but there’s no way to define that kind of grief. I’m sure it’s different for so many people. And in that moment, all I had was my imagination but also this relationship that was right in front of me with this little boy and that’s what came out of that.
On what inspired her to pursue singing growing up
I grew up around a lot of music. My mom is a harpist and a singer and my dad has always been passionate about music, so it was always something in our house and always something that was encouraged. … Early on, I have very strong memories of seeing and hearing my mom sing in church and this quite intense mercurial conversation that would happen between her, the story and the people that would listen to her. And at the end of it, something had been cracked between them and these strangers would come up with tears in their eyes. And I guess I saw the power of storytelling through my mom’s singing at a very young age, and that was definitely something that made me think I want to do that.
On her first big break performing as a teen on the BBC singing competition I’d Do Anything — and being criticized by judges about her physical appearance
I was raw. I hadn’t trained. I had a lot to learn and to grow in. I was only 17. I think there was part of their criticism which I think was destructive and unfair when it became about my awkwardness, or they would say I was masculine and send me to kind of a femininity school. … They sent me to [the musical production of] Chicago to put heels on and a leotard and learn how to walk in high heels, which was pretty humiliating, to be honest, and I’m sad about that because I think I was discovering myself as a young woman in the world and wasn’t fully formed. … I was different. I was wild, I had a lot of feeling inside me. I could hardly keep my hands beside myself and I think to kind of criticize a body of a young woman at that time and to make her feel conscious of that was lazy and, I think, boring.
On filming parts of the 2026 film The Bride! while pregnant
I really loved working when I was pregnant. I thought it was a pretty wild experience, especially because I was playing Mary Shelley and I was talking about [this] monstrosity, and here I was with two heartbeats inside me. Becoming a mom and being pregnant did something, I think, for me. My experience of it, it’s so real that it really focuses [me to be] allergic to fake or to disconnection.
Since my daughter has come and I know what that connection is and the real feeling of being in a relationship with somebody … as an actress, it’s very exciting to recognize that in yourself and really take ownership of yourself.
I’m excited to go back and work on this other side of becoming a mother in so many ways, because I’ve shed 10 layers of skin by loving more and experiencing life in such a new way with my daughter. I’m also scared to work again because it’s hard to be a mother and to work. That’s like a constant tug because I love what I do and I’m passionate and I want to continue to grow and learn and fill those spaces that are yet to be filled — and also be a mother. And I think every mother can recognize that tug.
On the possibility of bringing her daughter to travel with her as she works
I haven’t filmed for nearly a year and I cannot wait. I’m hungry to create again. And my daughter will come with me. She’s seven months, so at the moment she can travel with us and it’s a beautiful life. And she meets all these amazing people and I have a feeling that she loves life and that’s a great thing to see in a child. And I hope that’s something that I’ve imparted to her in the short time that she’s been on this earth is that life is beautiful and great and complex and alive and there’s no part of you that needs to be less in your life. You might have to work it out, but it’s worth it.
Lauren Krenzel and Susan Nyakundi produced and edited this interview for broadcast. Bridget Bentz, Molly Seavy-Nesper and Beth Novey adapted it for the web.
Bruce Campbell
I’m Battling Cancer
Published
Bruce Campbell has revealed he has cancer, but says it’s a type that’s treatable, though not curable.
“The Evil Dead” actor shared the news Monday in a message to fans, writing, “Hi folks, these days, when someone is having a health issue, it’s referred to as an ‘opportunity,’ so let’s go with that — I’m having one of those.” He continued, “It’s also called a type of cancer that’s ‘treatable’ not ‘curable.’ I apologize if that’s a shock — it was to me too.”
Campbell said he wouldn’t go into further detail about his diagnosis, but explained his work schedule will be changing. “Appearances and cons and work in general need to take back seat to treatment,” he wrote, adding he plans to focus on getting “as well as I possibly can over the summer.”
As a result, Campbell says he has to cancel several convention appearances this summer, noting, “Treatment needs and professional obligations don’t always go hand-in-hand.”
He says his plan is to tour this fall in support of his new film, “Ernie & Emma,” which he stars in and directs.
Ending on a determined note, Campbell told fans, “I am a tough old son-of-a-bitch … and I expect to be around a while.”
Neve Campbell in Scream 7.
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Paramount Pictures
The OG Scream Queen Neve Campbell returns. Scream 7 re-centers the franchise back on Sidney Prescott. She has a new life, a family, and lots of baggage. You know the drill: Someone dressing up as the masked slasher Ghostface comes for her, her family and friends. There’s lots of stabbing and murder and so many red herrings it’s practically a smorgasbord.
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