Lifestyle
Witches Are Having a Cultural Moment. Maryland Is Taking Up Their Cause.
It was February 1698, and disease was sweeping through Leonardtown, a small village in southern Maryland. Locals knew whom to blame: They set fire to the hut of Moll Dyer, a single woman living alone on the edge of town who had been deemed a witch.
She escaped the enraged citizens, only to die in the frozen wilderness. Her body was found clinging to a rock, on which her knees and hands supposedly left impressions.
Ms. Dyer, arguably, inspired one of the most famous fictional witches in American pop culture: the one at the center of the 1999 horror film “The Blair Witch Project.” Although the film never explicitly mentioned Ms. Dyer’s fate, it is widely believed to have been based on her story. Ingeniously marketed as found footage, the hit film also endowed Maryland with a haunted reputation.
Ms. Dyer is one of seven people who were tried and convicted of witchcraft in Maryland in the 17th and 18th centuries. Only one was executed: Rebecca Fowler, a widow who was hanged in 1685 after a servant accused her of witchcraft. But all had their reputations sullied for centuries.
Now, the Maryland delegate Heather A. Bagnall, who represents a patch of the state north of Annapolis, has introduced a resolution in the general assembly to exonerate them all. The proposed resolution, which had an initial committee hearing on March 10, has been criticized as out of step with Marylanders’ priorities, but Ms. Bagnall bristled at any suggestion that the measure was frivolous. In an interview, she said she was partly motivated by the demise of Roe v. Wade, which was struck down by the Supreme Court in 2022, and by the anti-abortion measures passed in states like Texas.
“I’ve got a real appetite for it, and the more I talk about it, the more people realize, ‘No, this is serious,’” Ms. Bagnall said. “This is not just like a flight of fancy. It’s relevant today.”
She compared the campaigns against witches to those against transgender rights and racial diversity initiatives, which have recently come under sustained assault.
At the initial hearing last week, Ms. Bagnall was joined by witch exoneration advocates, including an Episcopalian priest. Afterward, her staff was thrilled but unsure of just when the measure might come up for a full vote. It could be months, even years.
Daniel Myrick, who co-directed “The Blair Witch Project,” said he supported her effort. “We are a flawed nation, and were born out of doing some incredibly cruel things,” he said in an interview. Better “symbolic” reckoning, as he put it, than none at all — and better late than never.
“It’s a social justice issue,” said Elizabeth Pugliese-Shaw, a family law attorney in the Washington, D.C., suburbs. “These people should never have been accused.” She became interested in witch exoneration after learning that other states had done so: In 2022, Massachusetts cleared Elizabeth Johnson Jr., whose conviction was the last to remain standing from the notorious Salem Witch Trials. Connecticut followed with its own witch exonerations in 2023.
Perhaps most notably, Scotland apologized for its witchcraft trials that led to the torture and execution of thousands of women from the 16th to the 18th centuries. “Anyone who didn’t fit the mold of what people expected would be targeted,” said Marlisa Ross, who recently staged a play about the victims of the Scottish witch hunt in Glasgow. Much like Ms. Bagnall, Dr. Ross said she saw a parallel between the witchcraft panic and the rising social animosities today. “It was a way to make everybody have a common enemy,” she said.
In the Puritan colonies of New England, witchcraft was a catchall accusation leveled against women for a variety of reasons: lack of a husband, personality quirks, an interest in herbal medicine or childbirth.
“The accusations are usually against outsiders within the community,” said Daniel T. Howlett, who is completing his doctoral studies in religion and disability in the American colonies at George Mason University in Virginia. Mr. Howlett is related to Mary Bradbury, who was convicted of witchcraft in the Salem trials. “Being a witch meant that you’d signed a covenant with the devil in most European traditions,” he said.
Often, women were simply convenient scapegoats. Beth M. Caruso, who led the exoneration effort in Connecticut, has written three novels about the state’s witch trials. Her interest was piqued after she learned of the plight of Alse Young, believed to be the first woman hanged for witchcraft in the American colonies in 1647. Much like Ms. Dyer, Ms. Young was blamed for a disease outbreak. “Where she lived was right next door to a cluster of child deaths,” Ms. Caruso said. “So then it made total sense as to why she was accused.”
The current cultural moment may be particularly auspicious. Witches have been enjoying something of a revival, and not only because of “Wicked,” the hit musical film starring Ariana Grande and Cynthia Erivo. The “witchtok” hashtag on TikTok has millions of posts, as users flock to witchcraft’s moody aesthetic, as well as to its emphasis on alternative healing and nature-centered spirituality.
“Part of the draw for us to witchcraft is the acceptance and celebration of our personal identities, bodies, bodily autonomy, a love of our planet and, in many cases, healing from past religious traumas,” Devin Hunter, who runs the website Modern Witch, wrote in an email. “For example, many of us are women, members of the LGBTQIA+ community, and are members of other underserved communities. Like us, those convicted and tried for witchcraft were often vulnerable people living on the fringes of society.”
(In some countries and regions, women continue to be prosecuted for witchcraft.)
Today, the legend of Moll Dyer still permeates Leonardtown, a tidy waterside enclave where a horse-drawn carriage might pass a hip cocktail lounge. The rock, the one where Ms. Dyer supposedly met her end, is covered by glass — touching it is said to enrage Ms. Dyer’s spirit and bring bad luck. A cat cafe on the town’s main strip is called “Meow Dyer,” an apparent reference to the accused witch’s name. Since 2021, a weekend in late February has been devoted to celebrating Ms. Dyer’s memory. This year, the events included “paranormal investigations,” axe throwing and a cocktail contest.
Historical markers on the road to Leonardtown proclaim Maryland’s legacy as a haven of religious tolerance. Nevertheless, when England passed an anti-witchcraft act in 1604, the state adopted it. But Ms. Bagnall is not bothered by the fact that centuries have passed since the injustices were committed under that law. “It’s never the wrong time to do the right thing,” she said.
Lifestyle
The second life of a classic: ‘Amores Perros’ is remastered and back in theaters
First released in 2000, the acclaimed film Amores perros, which was produced and directed by Alejandro González Iñárritu and written by Guillermo Arriaga, has been remastered and is returning to theaters.
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Before Amores Perros became widely regarded as a modern classic, it belonged to Mexico. The film premiered at the 53rd Cannes Film Festival in 2000, where it won The Grand Prix, launching a run of international acclaim that has never quite ended. This month, Amores Perros is back in theaters in a fully remastered format from its original Kodak film stocks.
The film’s plot centers on three strangers whose lives intersect at the scene of a car crash. Each story wrestles with overlapping issues of social class disparities, crime and familial betrayal. The release in Mexico coincided with the end of the Institutional Revolutionary Party or PRI’s 71-year hold on power. Amores Perros was followed by a period of original, contemporary films in Latin America that would prove the region’s studios could compete with Hollywood in scope and complexity.
One of the film’s lead charachters, Octavio, is played by actor Gael García Bernal.
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The film marked the directorial debut of Alejandro González Iñárritu, who would go on to win four Academy Awards including back-to-back best director awards for Birdman (2014) and The Revenant (2015). In a recent interview with NPR, Gael García Bernal, a lead actor in Amores Perros, called the film’s launch “a new geography in cinema.”
González Iñárritu and García Bernal spoke with Morning Edition’s A Martinez about their early collaboration and the film’s continued resonance with new audiences.
Listen to the interview by clicking on the blue play button above.
The broadcast version of this story was produced by Margaux Bauerlein.
Lifestyle
What — and who — will be at the Great American State Fair? Here’s a primer
Preparations underway for the Great American State Fair, as seen on Washington, D.C.’s National Mall last week.
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A lot is changing these days in Washington, D.C., with even more on the horizon: 10 city blocks of the National Mall will soon transform into a multi-week state fair spectacle, complete with a Ferris wheel, in honor of the country’s 250th birthday.
The “Great American State Fair” will run from June 25 through July 10, promising to bring state-themed pavilions, movie screenings, musical performances, military flyovers, nostalgic snacks, a daily rodeo — and potentially scores of tourists — to the nation’s capital.
It will feature more than 150 exhibits, with full participation across the United States and several U.S. territories, as well as “businesses, innovators and civic organizations,” according to Freedom250, the White House-backed campaign that is organizing the fair in addition to other semiquincentennial events.
“A master-planned celebration will unfold along the National Mall from the Capitol to the Washington Monument, featuring vibrant pavilions representing every U.S. state and territory,” says the White House website, adding that the beaux-arts style tents will also highlight national themes like agriculture, the arts, faith and family.
Workers started setting up the fair, in view of the U.S. Capitol, in late May.
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However, not all states are sending official government delegations to the fair. Officials in more than half a dozen states — including Connecticut, Hawaii, Illinois, Maine, Massachusetts, North Carolina, Oregon, Rhode Island and Washington — confirmed to NPR that they are not participating directly. Most cited financial considerations and a desire to prioritize celebrations in their own communities, though others voiced political concerns.
Rachel Reisner, a spokesperson for Freedom250, emphasized in an email that there is “a vast majority participating” among the states. Additionally, others are being represented by local businesses and organizations — such as two companies from North Carolina and a museum from Illinois.
“Whether represented by a governor’s office, a tourism board, or a beloved state company or organization, every community will be celebrated, and every American will see themselves in this once-in-a-generation event,” Reisner said.
The state fair is one in a series of patriotic anniversary events planned for D.C. this summer, including the UFC fight night outside the White House last Sunday and a fireworks-heavy July Fourth celebration that President Trump rebranded as a political rally in a Truth Social post on Monday.
In another post that day, Trump encouraged people to attend the kickoff to the fair on Wednesday — and, by extension, the “summer long Celebration of 250 years of American Independence.”
“We are going to have fun, and celebrate America!” he wrote.

That opening event was originally billed as a concert, though many of the performers originally attached to it — including Martina McBride, Bret Michaels, the Commodores and Young MC — have withdrawn in recent weeks. Organizers now say the kickoff will feature remarks by Trump and performances by Lee Greenwood and Christopher Macchio, musicians who have sung at Trump events before.
What to know about the fair
The fair is an all-day, rain-or-shine event. It is free and open to the public, though preregistration is encouraged.
Freedom250 is promising attendees an interactive experience at the state pavilions, from Michigan’s mechanical milking cow to Florida’s re-creation of a Spanish fort honoring explorer Juan Ponce de León.
There will also be activations by a wide range of companies, organizations and government agencies, from NASA and John Deere to Meta and the Washington Commanders.
Each of the fair’s 16 days has its own theme, including two “MAHA Mondays” and a military and veterans’ appreciation day. July Fourth is branded as the Independence Day Celebration, and the fair’s final day is billed as “The Next 250: Innovation.”
The extravaganza will span a wide swath of the National Mall, much of it already blocked off with fences and construction cranes. The fair may also impact air travel in the area.
In a press release this week, the Metropolitan Washington Airports Authority warned travelers at D.C.’s Reagan National Airport that their flights might be adjusted or delayed due to some of the America 250 celebrations — including the opening and closing days of the state fair.
“Many events will include downtown flyovers or other aerial displays such as fireworks or parachute jumps, which will affect flights periodically at Reagan National,” it said, adding that the most significant disruptions are expected on July 3 and 4.
Why some state governments aren’t participating
Nearly 10 states say they will not be spending funds or sending personnel to the D.C. fair. While all but one are led by Democratic governors, many told NPR the decision not to attend was a financial decision, not an overt political statement.
“The states were expected to fund and to staff a multi-week exhibit in Washington, D.C., which would entail getting staffers down to D.C., housing them, feeding them, and with the booths and everything … the estimated budget was at least $100,000,” said Cathryn Vaulman, a spokesperson for Connecticut Gov. Ned Lamont.
Vaulman said that money would have come out of the state’s budget for its own 250th celebrations — so leaders made a “resource-based decision” to focus on those instead. But she noted that plenty of other blue states, like New York, are still planning to staff the state fair.
Some other states estimated their costs as $100,000, though others were much higher: Sarah Hansen, director of the Maine Semiquincentennial Commission, told NPR that its cost estimates were “half a million dollars or more,” which she said was not feasible for the state, “given the federal government’s refusal to provide any funding.”
Washington Lt. Gov. Denny Heck’s office told NPR over email that the state opted out in large part because of confusion over costs.
The fair will span 10 city blocks on the National Mall for over two weeks.
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“We had heard participating states (whether that was state agencies, tourism authorities, etc.) were generally planning for their costs to be anywhere between $100k to nearly $1m,” Dallas Roberts, Heck’s chief of staff, said in the email.
Each state and territory gets about 600 square feet to build its exhibit, with no set dollar amount required to participate, according to Freedom250. It acknowledges that cost was a concern for many states, which is why some partnered with tourism bureaus and companies.
“Our ask was not your government entity must do this and give money; it was an invitation to the state to represent their culture, heritage, and landscape however they would like,” Reisner, the Freedom250 spokesperson, wrote in an email, adding that the event is funded by “both private and public dollars.”
Officials in a handful of states have been more outspoken in their criticism of how the event is being run.

Speaking to GBH News’ Boston Public Radio earlier this month, Massachusetts Gov. Maura Healey, who also opted out, said Trump “invited all the states to participate and wants to charge us to go down and put something on his exhibit.”
“It’s just ridiculous,” she added. “This is taxpayer money.”
Luke Harkins, a spokesperson for Oregon Gov. Tina Kotek, told Oregon Public Broadcasting that the state is not participating “due to both the cost of participating in the Fair and growing concerns that the event in Washington, D.C. is shaping up to be a more partisan affair than originally presented.”
Officials from different states told NPR they had different understandings of how representation from their state would work.
Jayette Bolinski, a spokesperson for the Illinois Department of Natural Resources, said the Peoria Riverfront Museum volunteered to represent the state with an “Illinois-centric pavilion” featuring a hologram of stories from over 50 residents — none of which was paid for by state funds, she stressed. Vaulman, of Connecticut, said she believes its booth will have photos and posters of some sort, while Hansen of Maine said their inquiries to Freedom250 about this “have gone unanswered.”
What else is on the anniversary agenda — and who’s planning it
Planning for national 250th anniversary events mainly falls to two main groups, which have become increasingly politicized.
In 2015, looking ahead, Congress created a nonpartisan commission to orchestrate anniversary celebrations, which in turn created a nonprofit called America250. It’s composed mostly of private citizens, along with several members of Congress and representatives from federal agencies.
America250 appears to focus mainly on getting Americans involved in celebrations at the local level, such as attending synchronized nationwide block parties. It has gathered — and recently sealed — a time capsule with contributions from every state and is hosting a July Fourth concert in Los Angeles, with tickets selling for $17.76, featuring the Smashing Pumpkins, Chris Stapleton and Queen Latifah.
Freedom250, on the other hand, emerged from a Trump 2025 executive order establishing a task force for celebrating the milestone. Critics — including progressive consumer advocacy group Public Citizen — see this group as Trump’s attempt to bypass America250 after trying unsuccessfully to pack it with loyalists.
Freedom250 describes itself as “the national, non-partisan organization leading the celebration of our Nation’s 250th birthday.” Another sign of its standing in the administration: The official White House webpage for the 250th links out to Freedom250, not America250.
The group has organized many other high-profile anniversary events, including the White House UFC event, the July Fourth rally on the Mall, a July Fourth tall ship event on the East Coast and the Freedom 250 Grand Prix of Washington, D.C., an Indycar event scheduled for the National Mall in August.
Trump’s executive order says the 250th task force must disband at the end of the year, unless he extends it. And many of the beautification projects his administration is undertaking in D.C. — from restoring fountains to installing statues to repainting the Lincoln Memorial Reflecting Pool — are tied to the anniversary but could shape the city far beyond it.
Lifestyle
Greetings from Maputo, Mozambique’s capital, shaped by a modernist architecture
I took a ride on a tuk-tuk motorcycle taxi around Maputo, Mozambique, with my buddy and fellow All Things Considered producer, Vincent Acovino. We were in the country reporting on changes to U.S. funding for AIDS in Africa.
Vinny noticed it first: There was something magical about a number of the concrete apartment blocks and government offices here. With half a day off and a little googling, we gave ourselves an impromptu tour of the architecture of Amâncio “Pancho” Guedes. The late Portuguese-born architect designed some pretty cool buildings here in the 1950s and ’60s. They include the Prédio Abreu, Santos e Rocha pictured above, and other structures with evocative names like The Smiling Lion apartment block and the Lemon Squeezer church. Step into a small interior stairwell of The Dragon House, and you see a mural in sparkling black and white stone of a spiky dragon with a toothy grin. It transforms what would otherwise be a dim stairwell.
Guedes designed more than 500 buildings in the city, from churches to bakeries. I don’t have the language to capture it: the use of heavy materials, combined with the playful use of shapes and murals. “Eclectic Modernist,” I later learned, is how his work is described. One critic wrote that his work brilliantly mixes the “sculptural and figurative with practical requirements and traditional local identity.”
Maputo will change and I have to imagine not all of his work will survive. But stumbling into a town with a visual landscape that still shows Guedes’ thumbprint was a delight. For an afternoon, riding through the city streets in the open-air tuk-tuk, looking for what might have been his handiwork was a good time. Like an Easter egg hunt in concrete.
For more Far-Flung Postcards, click here.
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