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Restore Point (2022) – Movie Review

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Restore Point (2022) – Movie Review

Restore Point, 2022

Directed by Robert Hloz
Starring Andrea Mohylová, Matej Hádek, Milan Ondrík, Václav Neuzil, Karel Dobrý, and Jan Vlasák

SYNOPSIS: 

Set in central Europe in 2041, powerful technology allows people killed unnaturally to return to life via ‘restore points’ that back up brainwaves. This allows an ambitious young detective the chance to investigate the case of a murdered couple when the restoration team brings one of them back.

Robert Hloz’s impressive debut comes on like a tech-fuelled neo-noir thriller imbued with existential questions of the kind favoured by sci-fi writers of a certain ilk. Hailing from the Czech Republic, Restore Point intelligently explores heavy cerebral questions while not being afraid to offer up explosive action sequences and stunts.

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Bringing to mind the work of Philip K. Dick – who penned Do Androids Dream of Electric Sheep? the source novel for Blade Runner, as well as many other adapted works such as Minority Report. This classy outing into the further reaches also recalls the classic futurism and cityscapes of 1920s expressionist touchstone Metropolis. Is it cyber? Is it punk? Yep. Does it paint a compelling picture of ageless philosophical dilemmas in a dynamic laser-lined environment? Definitely.

The Central Europe of 2041 is not a terribly happy place. Rising economic difficulties have led to gross inequality within society and violent crime is commonplace. Thankfully technology has blessed humanity with lots of shiny new things, including the chance to back up brains at regular intervals to safeguard against unnatural death. This is the Restore Point, which works like saving progress in a video game.

There are plenty of folks opposed to such hubris.  These include a shadowy movement known as The River of Life that aims to attack technological developments to make life valued again or some such. They do this by employing methods for ‘absolute murder.’ This is when someone cannot be brought back because they have not backed up in the last 48 hours.

When David Kurlstat (Matej Hádek), the head researcher at the Restoration Institute, and his wife are found murdered without any recent backups, the movement looks to be the likely culprits. The two have no recent backups so the case becomes even more difficult.

However, Kurlstat has a 6-month-old backup which is booted up by the institute. Tough ambitious detective Em Trochinowska (Andrea Mohylová) is tasked with looking into the case of the murdered couple, alongside this version of Kurlstat. Along the way they have to deal with the unwanted attention of a hostile Interpol agent (Václav Neuzil) as well as the burdensome psychological manifestations of grief, jealousy and despair.

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Visually the film is a compelling trip into the near future. Marked out by bold washes of colour that don’t strictly follow the rain-soaked noir of Blade Runner, the film cleverly keeps things streamlined and neat. Knowing full well how quickly things can date and look jaded, Hloz keeps the setting attainable and lets the concepts do the heavy lifting. Soundtrack-wise there is a good amount of driving synthwave plus the recurring motif of Debussy’s melancholic piano piece ‘Clair de Lune.’

Overall the tightly wrought story is impressively handled with characters showing their human insecurities in the face of ever-accelerating tech. As a calling card for Hloz it is bound to attract attention, and deservedly so.

Flickering Myth Rating – Film: ★ ★ ★ ★ / Movie: ★ ★ ★ ★

Robert W Monk

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Movie Reviews

Movie Review: “The Odyssey”

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Movie Review: “The Odyssey”

Heat Advisory

from THU 12:00 PM EDT until THU 8:00 PM EDT, Eastern Montgomery County, Lower Bucks County, Philadelphia County, Delaware County, Eastern Chester County, Gloucester County, Northwestern Burlington County, Camden County, Mercer County, New Castle County

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Movie Reviews

Adam MacDonald’s ‘THIS IS NOT A TEST’ (2026) – Movie Review – PopHorror

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Adam MacDonald’s ‘THIS IS NOT A TEST’ (2026) – Movie Review – PopHorror

By and large, the zombie subgenre has bitten off more than it can chew in modern times. Between George Romero survival films and camp comedies, the well has become pretty infected. But once in a while, along comes a movie like This Is Not A Test.

Let’s sink our teeth into this new release and see how it stacks up against the classics.

This Is Not A Test was directed by Adam MacDonald (Pyewacket 2017, read our review here), and written by MacDonald and Courtney Summers (in their debut credit). It stars Olivia Holt (Heart Eyes 2025) as Sloane and Froy Gutierrez (The Strangers: Chapter 1 2024) as Rhys. This is a standard zombie outbreak faire that sees a girl on the verge of ending her life, suddenly join a group of kids that are striving to survive a zombie apocalypse.

The tone and tenor of this film represent the classic survival movies like Night Of The Living Dead. But the thing that grabs the audience about This Is Not A Test is the trauma of the characters. Holt shines as a withdrawn survivor of an abusive home, trying to cut through the wreckage to reunite with her sister. Each of the main characters have standout traits, and they bathe in strongly acted moments as the stress of the situation changes who they are.

The gore in This Is Not A Test is pretty strong. The attacks spring quickly and when they do, the special effects team does a good job showcasing the battle scars. The camera work is also frenetic in a good way, because the chaos of the chase scenes puts the viewers in a first-person perspective. This film lets you feel like a part of the survivors, so their journeys are interactive.

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Longtime fans may say that there’s nothing new in This Is Not A Test, and maybe they’re right. There’s no fresh take on the monsters here, no crazy origin, nothing that we haven’t seen in the past fifty-eight years. But the pacing nails a great balance between getting to know the characters and getting the zombie splatter fest. The mental meltdowns of the characters feel well earned, and the arc of Sloane and her sister brings a lot of heart and investment to the story. Even the most jaded zombie horror fans will find something to appreciate here, even as a background movie.

Adam MacDonald has made another intense hit here, and This Is Not A Test is currently available to stream on Shudder.

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Movie Reviews

Film Review: “The Odyssey” – MediaMikes

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Film Review: “The Odyssey” – MediaMikes

 

  • THE ODYSSEY
  • Starring:  Matt Damon, Tom Holland and Anne Hathaway
  • Directed by:  Christopher Nolan
  • Rated:  R
  • Running time:  2 hrs 45 mins
  • Universal

 

Our score:  4.5 out of 5

 

EPIC.  If I was asked to describe Christopher Nolan’s latest film, that is the word I would use.  He has mounted a film that rivals the greatest achievements of filmmakers like Cecil B. DeMille or David Lean.  And, like the films of those mentioned, it’s runs a tad too long.

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I was shocked, but pleased, to see that my 12-year-old granddaughter recently did a school paper on King Agamemnon.  Thank goodness they’re still teaching History in our schools.  Based on Homer’s “The Odyssey,” the film tells the story of King Odysseus (Damon) and his adventures which, if you’ve read “The Odyssey,” include the Trojan Horse, the Cyclops and assorted angry Greek gods.  The film covers each of these adventures in great detail, sparing nothing in the production design department.  While Odysseus is away – and he’s gone for a l-o-n-g time, his wife Penelope (Hathaway) has to endure a never ending string of “suitors,” men lining up in the hopes of replacing the King should he not return.  The men are nothing more then scavengers, taking advantage of the law of Zeus, which decrees no one should be turned away.  This angers the Queen’s son, Telemachus (Holland), who must control his temper when the men try to bait him into a fight, the idea being if Telemachus is killed, the new husband would become the King.  It’s all very interesting and complicated.  And long.

 

Director Nolan is one of the rare filmmakers who, in my opinion, has never made a bad film.  From “Memento” to the “Dark Knight” trilogy to the Oscar-winning “Oppenheimer,” he has proven himself a true master of cinema.  “The Odyssey” only adds to that distinguished resume’

 

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The cast is a tribute to Nolan himself who, like Woody Allen, can pretty much get anyone he wants for his films because, as an actor, why wouldn’t you want a credit in one of his films.  Besides the three stars named above, the cast includes Robert Pattinson, John Leguizamo, Zendaya, James Remar, Jon Bernthal, Oscar nominees Samantha Morton and Elliot Page as well as Oscar winners Charlize Theron and  Lupita Nyongo.  As MGM used to advertise, “more stars than there are in heaven.”

 

The script and story are pretty faithful to the source material, though for some reason it bothered me whenever Telemacus referred to Odysseus as “dad.”  Never father.  The weird things you notice.  Visual.y the film is stunning and the Trojan Horse and battle of Troy are worth the price of admission alone.  I will add that I did see the film in 70 mm and, if that format is playing in your town, I urge you to see it in that format.

 

On a scale of zero to five, “The Odyssey” receives ★★ ½

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