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New, Old Movie Review: ‘12 Angry Men’ (1957)

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New, Old Movie Review: ‘12 Angry Men’ (1957)

This classic is an important movie for parents to watch with their children for many reasons.

Many centuries ago, Aristotle explained that truth is the mind’s conformity with reality. Defining it is simple; it’s practicing truth that can prove difficult. On a social scale, truth can prove uncomfortable, especially in a world that sometimes demands nonconformity with the most basic of realities. On a personal scale, truth can be obstructed by the lies we tell ourselves about ourselves and about others. 

Nature seeks truth, but nurture is another matter. Nurture — or the failure to properly nurture — can create prejudices and false biases. And these can not only blind us to truth, but wreak havoc on those around us. This is a vital lesson, and I’ve rarely seen it illustrated better than in 1957’s 12 Angry Men.

Though the film broadly fits into the courtroom trial genre, it begins with a twist: we don’t see the trial at all. The story begins at the point where a somnambulant judge is giving instructions to the jury. The bored judge explains that this is a murder trial and that a guilty verdict carries a mandatory death sentence with no chance for clemency. After that, the jury of 12 men walk into a private room to begin the proceedings. Although the jurors don’t realize it at first, each of these 12 men is about to find himself on trial.

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Within just a few minutes, they take an early ballot. Eleven men vote “Guilty.” One man, portrayed by Henry Fonda, votes “Not guilty.”

One juror is particularly annoyed at Fonda’s vote, and doesn’t mind telling him: “Boy, oh boy! There’s always one!”

The jury foreman is polite but condescending: “Perhaps if the gentleman down there who is disagreeing with us … perhaps you could tell us why. You know, let us know what you’re thinking and we might be able to show you where you’re mixed up.”

As each man takes his turn explaining why he voted guilty, it becomes clear that some are afflicted by a blinding bias or outright racism. Outraged that Fonda’s character has had the temerity to suggest that the accused teenager might be innocent, one juror launches into a tirade: “You’re not gonna tell me we’re supposed to believe this kid, knowing what he is. Listen, I’ve lived among them all my life. You can’t believe a word they say. You know that. I mean, they’re born liars.”

The operative word in this sentence is “THEM.” But THEM does not just refer to race for all of the jurors. For some jurors, THEM is poor people; for others, THEM is foreigners, or old people or teenagers or tough kids. We progressively discover that, for one juror, THEM is his own son.

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Somewhere in his past, Fonda’s character might have had a THEM, but not by the time we are introduced to him in the jury room. He’s grown sick of the tragic hatred of rash judgment toward others. Fonda fires back to a fellow juror: “I’d like to ask you something. You don’t believe the boy’s story. How come you believe the woman’s? She’s one of THEM too, isn’t she?”

As the story progresses, Fonda implores the jurors that what is considered rock-solid evidence might be only built on sand. The question is whether some of the jurors’ biases will allow them to question what they desperately want to believe.

One of the great geniuses of the movie is that some jurors are not motivated by hatred or even dislike; rather, they are simply attempting to find the truth. They discover that truth can be hard to find, even if you are making a sincere effort to find it. There is a moment in which E. G. Marshall’s stockbroker character sees the truth, and rises above his pride to embrace that truth. Every time I watch that scene, I get a lump in my throat.

The movie also contains a powerful message of forgiveness to one’s enemies. You and I need to hear that message. Years ago, I confessed to my spiritual advisor that I like arguing. He assured me that arguing, per se, is not sinful. Arguing is not necessarily unjust or uncharitable (although those vices can often arise). But he also gave me a piece of advice that I’ve always tried to remember and employ: After the argument, make sure you part as friends. This movie reminds me of my spiritual advisor’s counsel. It’s one I have taught my own children, having watched the movie with all of them. When they’re arguing, I often say, in reference to the film: “Help the old man put his jacket back on.” You will understand what I mean after watching the movie.

I first watched this movie with my dad on a lazy summer afternoon when I was a young teenager. After I saw the first few minutes, I was convinced it would be boring. By the time the ending credits rolled, I was fascinated by the legal system. Since then, I’ve seen the movie at least 30 times. In fact, I try to watch the movie every year to remind myself of the importance of seeking truth — especially difficult truths I’d rather not see.

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This is an important movie for parents to watch with their children for many reasons, but perhaps most of all to illustrate the devastating nature of racism.

There is a narrative that everyone in America is racist; there is a competing narrative that no one is racist. We should object to both narratives because both are wrong. The first view is despairing, as though there is no escape from hatred. But the truth is that God grants us both the free will and the grace to rise above racism — which makes it all the more troubling when one refuses to accept that grace.

But it is absurd — dangerously absurd — to claim that no one is racist. Over the years, I’ve heard my share of racism against various ethnicities. I didn’t hear much racism against Mexicans growing up, but such racism has certainly come into vogue, largely through the broken window of politics. In recent years, I’ve heard friends and associates make demeaning comments to me about Mexicans, which only seem to subside when I inform them that my wife is ancestrally Mexican — and thus, so are my children. Thus, I appreciate this movie on a very personal level.

We parents do not have the luxury of raising our children in an honest world. But you and I can be — we must be — personal examples of both truth and charity. And being that example must entail this: a moral outrage when dishonesty and racism and THEM-ism are championed. Viewing 12 Angry Men with our families can be part of that process.

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Movie reviews reveal 2026’s best Certified Fresh films are arriving in March – Art Threat

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Movie Reviews reveal 2026’s best Certified Fresh films are arriving this month with stellar critical acclaim. March 2026 brings an extraordinary lineup of top-rated releases. Critics and audiences are celebrating these exceptional films together.

🔥 Quick Facts

  • Project Hail Mary: 95% Tomatometer, 96% audience score, released March 20, 2026
  • Certified Fresh Status: 75% critic rating or higher with 5+ Top Critics reviews required
  • March Releases: Hoppers (94%), GOAT (84%), Send Help (93%) all certified fresh
  • Streaming Options: Multiple platforms including Netflix, Peacock with exclusive March releases

Project Hail Mary Dominates with 95% Critical Acclaim

Project Hail Mary opened March 20, 2026, becoming the standout theatrical certif fresh hit of the month. Ryan Gosling stars as science teacher Ryland Grace, waking up light-years from home with no memory. The sci-fi epic, directed by Phil Lord and Chris Miller, earned 95% from critics and 96% audience approval. Cinephiles praise its visual splendor and emotional depth.

According to reviews, the film balances spectacular space sequences with genuine human moments that resonate deeply. Amazon MGM Studios released this 156-minute masterpiece based on Andy Weir’s beloved novel. Early box office numbers exceed expectations significantly.

Streaming Certified Fresh Titles Light Up March

March 24, 2026 delivered major streaming victories. GOAT (Greatest of All Time) hit platforms with 84% critic score and 93% audience approval. This animated sports comedy features Caleb McLaughlin as an anthropomorphic goat chasing championship glory. Send Help arrived simultaneously, earning 93% critical praise with 87% viewer satisfaction. Both titles capture hearts through humor and heart.

Streaming platforms flooded March with 69 new movies and shows total. Critics celebrated the diverse quality spanning cult classics, acclaimed dramas, and blockbuster franchises all at once.

Beyond the Blockbusters: Other Standout Certified Fresh March Releases

Title Tomatometer Score Release Date Status
Hoppers 94% March 6, 2026 Theaters
Ready or Not 2 73% March 20, 2026 Theaters
Late Shift 96% March 20, 2026 Theaters
Two Prosecutors 97% March 20, 2026 Theaters

“Visually, it is strong and immersive, but the real strength of Project Hail Mary is not spectacle alone. It is the sense of wonder and humanity running through the entire experience. The film knows when to be exciting, when to be funny, and when to slow down and let the emotional moments land.”

IMDb Critics, Film Review Community

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What Makes a Film Certified Fresh on Rotten Tomatoes

Certified Fresh status represents the industry’s gold standard for quality filmmaking. A movie earning this distinction must achieve at least 75% rating from professional critics. Additionally, films require 5 or more Top Critics reviews for certification. Recent updates tightened these standards to ensure only genuinely excellent films qualify.

This rigorous process explains why March’s nine certified fresh titles matter significantly. Critics spent hours analyzing each film thoroughly before adding their names. The combined critical weight behind these movies suggests spring viewing will be exceptional.

Plan Your March Movie Marathon Now – Which Film Will You Watch First?

Theater-goers should prioritize Project Hail Mary before it leaves cinemas. The 156-minute runtime demands a big screen experience. Meanwhile, streaming subscribers face delightful choices between GOAT’s comedy charm and Send Help’s heartfelt drama. Ready or Not 2 and Late Shift round out theatrical options perfectly.

New releases continue flowing through March 27, 2026, keeping entertainment options fresh. Kiki’s Delivery Service rereleased March 13, while Stand by Me returned March 27 with new appreciation. Which certified fresh film matches your mood this weekend?

Sources

  • Rotten Tomatoes – Official certification database and critical scoring system
  • Variety – Best movies streaming in March 2026 coverage
  • The Wrap – Most anticipated films arriving in March analysis

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MOVIE REVIEW: “THE KINDERHOOK CREATURE” is a fantastic deep dive into one of cryptozoology’s lesser-known mysteries – Rue Morgue

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MOVIE REVIEW: “THE KINDERHOOK CREATURE” is a fantastic deep dive into one of cryptozoology’s lesser-known mysteries – Rue Morgue

By BREANNA WHIPPLE

Starring Bruce G. Hallenbeck, Martha Hallenbeck and Paul Bartholomew
Directed by Seth Breedlove
Small Town Monsters

Whether you are a skeptic or a believer, it cannot be denied that certain pockets of our planet are hotspots for unusual activity. You’d be hard-pressed to find a person unfamiliar with the mysterious disappearances in the Bermuda Triangle, for example. Furthermore, places like Skinwalker Ranch in Utah have been documented extensively after multitudes of reports of various phenomena – UFOs, ghosts, cryptids, ancient shapeshifting elemental spirits that consume human flesh… it has it all. The Pacific Northwest is another location of intrigue with phenomena ranging from UFOs and cryptids to ghosts and sea monsters. 

More often than not, all that is supernatural seems to flow collectively. It’s not at all uncommon for grey aliens to come with a side of poltergeists and shapeshifters. Evidently, where there is smoke, there is fire. And Kinderhook, New York, is one such place ablaze with the high strangeness.

Nestled in the Hudson Valley, Kinderhook is an old town with even older legends. Despite being over 100km from the village of Sleepy Hollow, Kinderhook was the inspiration for Washington Irving’s The Legend of Sleepy Hollow. (Ichabod Crane was modelled after a Kinderhook schoolmaster; plaques honour this fact in the small community.) At a glance, one can sense an otherworldly ether in this place where the veil is seemingly especially thin.

THE KINDERHOOK CREATURE is a companion piece to The Kinderhook Creature & Beyond: A Personal Reminiscence by Bruce G. Hallenbeck. Naturally, Hallenbeck guides the unfolding events chronicled in the doc. Growing up under the care of his beloved late grandmother, Martha Hallenbeck, in a home surrounded by dense woods, he has memories that read like a choose-your-own-adventure novel. An unseen, incomprehensible, supernatural threat to shock and astound lurks around every corner. Martha was once quoted as saying, “I’d love to live in a haunted house!” Bruce’s apt response was, “Grandma, I think you do.” 

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“Haunted” feels like an inappropriate description.  What happens in Kinderhook is so fantastical that it is difficult to fit under a single umbrella. White, bloblike apparitions are only the tip of the iceberg. A sargantuan beast with red eyes, the doc’s eponymous creature, has been seen stalking nearby. Strange noises emanate from the woods, UFOs have been spotted, objects have levitated and strange dreams have been had… Something is very different in Kinderhook. 

To call THE KINDERHOOK CREATURE a wild-ride would be a gross understatement – the film is so full of so many unexpected twists, turns and encounters that it is a curious wonder why the area hasn’t been more widely acknowledged in cryptozoological circles until now. Again, director Seth Breedlove and the Small Monsters team have shone their spotlight on a tiny, strange corner of the world. On top of fantastic interview content, the documentary is chock-full of archival footage. Masterfully edited, THE KINDERHOOK CREATURE is made with love and attentive care, which is much deserved for a field of interest that isn’t always taken very seriously.

Of course, mystery is the source of the allure. As a species, we simply cannot know everything. Not every mystery can be solved, regardless of how advanced we become. Apelike humanoid sightings have been reported for as long as Indigenous people have been recording history with hide and stone. Theorists pore over speculations of time-travelling advanced beings, primitive species, protectors of the forest… It all sounds outrageous to those who have yet to open their mind to the possibility that there are forces at work that we simply cannot comprehend. One can easily write off the Patterson-Gimlin film as a hoax, but how can one explain the similarities in sightings from around the globe, again, for decades, if not centuries? One of the tales told in THE KINDERHOOK CREATURE mentions a sighting of a family of the Bigfoot-like cryptid. A similar occurrence is documented in the 1956 book The Long Walk by Sławomir Rawicz – a dramatic, first-hand account of a group of Gulag escapees in the 1940s that encountered a family of Yeti-like creatures in the Himalayas after fleeing Siberia on foot.

Even in the specific cases presented in THE KINDERHOOK CREATURE, there are curious synchronicities spanning a century. A woman speaks of an instance in 1981 when she and a friend skipped school to pick apples. While biking down a dirt road flanked by corn fields on both sides, they encountered a massive creature that towered above the stalks. Its gait was so wide that it was able to jump across the road with ease, its apelike arms swinging. What the girls likely did not know was that 100 years earlier, in 1881, livestock regularly went missing in the area. Locals eventually found a cave with piles of bones lying outside the entrance. Upon this discovery, they encountered a similar beast. They shot at it, nearly missing it. However, it left a mysterious lock of brown hair behind.

Breedlove has proved time and time again that Small Town Monsters is the reigning champion of quality cryptozoological documentaries. Aside from the obvious fun that naturally comes with investigating strange phenomena, much of the film focuses on Hallenbeck’s relationship with his grandmother. The bond they shared was beyond unique. They seemed to share an abundance of love, joy, fun and an appreciation for the mysterious. 

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We can learn a lot from these stories, exploring history, fear and curiosity. With THE KINDERHOOK CREATURE, Small Town Monsters again proves that cryptids and the legends that surround them will never get boring.

THE KINDERHOOK CREATURE: IN THE SHADOW OF SASQUATCH is available now on digital platforms. 

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Ron Brown’s movie reviews: ‘Project Hail Mary’ and more

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Ron Brown’s movie reviews: ‘Project Hail Mary’ and more

Lisa Dent

Weekdays 2-6pm

A native of Rockford, Lisa Dent, heard 2 pm to 6 pm weekdays, began her radio career in Fort Atkinson, Wisconsin in 1981. She has worked at stations in Minneapolis, San Diego, Seattle, and Houston. Dent returned to Chicago in 2002. (Click for more.)

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