Entertainment
At L.A. Times Book Prizes ceremony, winners advocate for hope in the face of uncertainty
It was a night of literary excellence at the 45th Los Angeles Times Book Prizes ceremony Friday night at USC’s Bovard Auditorium.
As winners in 12 competitive categories and three special prizes took the stage, many addressed the fraught political climate in the U.S. as well as L.A. rebuilding after January’s devastating firestorms.
Writers also addressed the dire need to use their voice to reflect the present moment — from poetry winner Remica Bingham-Risher contemplating the abuse her grandmothers endured (in another time and place, their narrative would have been hers, she said), to current interest winner Jesse Katz urging the audience to recognize the individuality of often-stigmatized MacArthur Park residents.
Pico Iyer — who has written 15 books translated into 23 languages — accepted the Robert Kirsch Award for lifetime achievement, which honors a writer with a substantial connection to the American West. The author’s latest novel, “Aflame: Learning From Silence,” recounts his mother’s home in Santa Monica burning during a wildfire in 1990. The book was published on Jan. 14, in the immediate aftermath of the Palisades and Eaton fires.
“I know that many people in this room have been through tremendous losses in the last few months,” he said sharing that he lost handwritten drafts for three books in progress in the 1990 fire. “What initially presented itself mostly as loss began to open doors … and make possible many things that might have never happened otherwise. I really hope that might be the case for some of you.”
“Writing still seems the deepest way of inhabiting another soul and the very best way, therefore, of rescuing us from black and white,” he added.
Investigative journalist Emily Witt accepted the Christopher Isherwood Prize for Autobiographical Prose for her memoir “Health and Safety: A Breakdown,” about her exploration of New York’s nightlife scene.
In her acceptance speech, Witt cited Isherwood’s writing about pre-WWII Berlin as a major influence. Like his milieu, she said the characters of her memoir, which takes place in Brooklyn from 2016 to 2020, lived in acute awareness of the “ideological bankruptcy” of their time.
Celebrated L.A.-born poet Amanda Gorman accepted the Innovator’s Award for bringing “books, publishing and storytelling into the future.”
Amanda Gorman received the Innovator’s Award at the L.A. Time Book Prizes.
(Varon Panganiban)
“Love is no silent harbor, no haven,” Gorman recited. “Still, it is the roaring thing that tugs away from the very shores we clutch. There is no better compass than this compassion.”
Iyer and Gorman will speak Saturday at the Festival of Books about their respective books.
The biography prize went to Laura Beers for “Orwell’s Ghosts: Wisdom and Warnings for the Twenty-First Century.” The book, written on the 75th anniversary of “1984,” explores George Orwell’s prescient and radical teachings. Beers, who was surprised by the win, said the world “seems to become slightly more Orwellian with each passing day.”
Journalist Rebecca Boyle won the science and technology award for “Our Moon: How Earth’s Celestial Companion Transformed the Planet, Guided Evolution, and Made Us Who We Are,” which traces the moon’s role in our biological and cultural evolution.
“The moon, my subject, does remind us that there are cycles,” she said while accepting the prize. “Inherent in the meaning of a cycle or a phase is a return. Things go away and they come back. Fascism went away and now is back. Authoritarianism went away, we thought, and now it is back. But there’s a flip side to that. Every phase that leaves brings something new. There’s also hope and renewal. And I think part of our job — the most important job we have as writers — is to remind us of the positive phases, the return of good, the return of new cycles and hope.”
In her closing remarks, she quoted Pope Francis, whose funeral is tomorrow: “Hope is a gift and a task.”
Kim Johnson, whose “The Color of a Lie” won the award for young-adult literature, said she set her book, about a white-passing Black teen, in 1955 Levittown, Penn., after her first novel was banned in Bucks County, where Levittown is located.
“Writers write in a lot of spaces where we’re doing resistance,” she said. “I’m thinking about reckoning, trying to untangle the roots of racism and systemic factors in this country that are so embedded and baked in our society.”
Achievement in audiobook production went to Dominic Hoffman (narrator) and Linda Korn (producer) for “James: A Novel.” Presented in collaboration with Audible, the award — the ceremony’s newest — honors performance, production and innovation in storytelling.
Jiaming Tang took home the Art Seidenbaum Award for First Fiction for “Cinema Love.” The decades-spanning epic follows gay Chinese immigrants. The novel also has won the Edmund White Award for Debut Fiction and the Ferro-Grumley Award for LGBTQ+ Fiction.
Jesse Katz’s “The Rent Collectors: Exploitation, Murder, and Redemption in Immigrant L.A.” won the award for current interest. The book explores the exploitation of undocumented Angelenos by both gang overlords and local law enforcement.
The fiction award went to Jennine Capó Crucet for “Say Hello to My Little Friend.” Brimming with dark humor, the novel follows a failed Pitbull impersonator’s encounter with a captive orca at the Miami Seaquarium.
Danielle Trussoni’s “The Puzzle Box” received the award for mystery/thriller. The second of Trussoni’s Mike Brink series, the book follows a puzzle master invited to Tokyo to try his hand opening the legendary Dragon Box, which contains a priceless Imperial secret.
The ceremony, which opened with remarks by Times Executive Editor Terry Tang and was emceed by Times columnist LZ Granderson (who also provided updates from the Lakers playoff game), serves as a kickoff to this weekend’s Festival of Books.
“In a world that is now feeling so confusing and distressed, this weekend gives all of us a chance to find a sense of unity, purpose and support,” Tang said.
The 30th annual celebration brings more than 550 storytellers to the USC campus across seven outdoor stages and 15 indoor venues. While some panels are ticketed, general admission to the festival is free.
Saturday’s events include conversations and panels with Amor Towles, Jay Ellis, Claire Hoffman, Stacey Abrams, Joanna “JoJo” Levesque, Griffin Dunne, E.A. Hanks, Rebecca Yarros, Amanda Knox, Rachel Kushner, Krysten Ritter, Max Greenfield and “Giggly Squad” podcast hosts Hannah Berner and Paige DeSorbo, as well as a cooking demo from Roy Choi, a reading by Alison C. Rollins and a performance by singer Aspen Jacobsen.
Sunday’s authors and entertainers include Percival Everett, Jenny Slate, Steve Wasserman, Maureen Dowd, Wilmer Valderrama, Jon M. Chu, Rachel Lindsay, Chelsea Handler, Jennifer Haigh, Gretchen Whitmer, Attica Locke, Janelle Brown, Kristen Ciccarelli and Mike Campbell. A special screening of PBS series “Miss Austen” and an appearance by children’s entertainer Blippi are also among the highlights.
Here’s the full list of finalists and winners for the Book Prizes.
Robert Kirsch Award
Pico Iyer, “Aflame: Learning From Silence”
The Christopher Isherwood Prize for Autobiographical Prose
Emily Witt, “Health and Safety: A Breakdown”
Innovator’s Award
Amanda Gorman
The Art Seidenbaum Award for First Fiction
Jiaming Tang, “Cinema Love: A Novel”
Pemi Aguda, “Ghostroots: Stories”
Joseph Earl Thomas, “God Bless You, Otis Spunkmeyer: A Novel”
Jessica Elisheva Emerson, “Olive Days: A Novel”
Julian Zabalbeascoa, “What We Tried to Bury Grows Here”
Achievement in Audiobook Production, presented by Audible
Matt Bomer (narrator), Kelly Gildea (director, co-producer), Lauren Klein (producer); “Giovanni’s Room: A Novel”
Narrators: Clare Brown, Ayanna Dookie, Korey Jackson, Andrea Jones-Sojola, Brittany Pressley, Emana Rachelle, Malika Samuel, Heather Alicia Simms, Diana Bustelo, Tyla Collier, Alejandra Reynoso, David Sadzin, André Santana, Shaun Taylor-Corbett; Producer: Allison Light; “New Nigeria County”
Narrators: Andrew Garfield, Cynthia Erivo, Andrew Scott, Tom Hardy, Chukwudi Iwuji, Romesh Ranganathan, Natasia Demetriou, Francesca Mills, Alex Lawther, Katie Leung; Producers: Chris Jones, Mariele Runacre-Temple, Robin Morgan-Bentley, Nathan Freeman; “George Orwell’s 1984: An Audible Original adaptation”
Dominic Hoffman (narrator), Linda Korn (producer); “James: A Novel”
Michele Norris With a Full Cast (narrator), Mike Noble (producer); “Our Hidden Conversations: What Americans Really Think About Race and Identity”
Biography
Laura Beers, “Orwell’s Ghosts: Wisdom and Warnings for the Twenty-First Century”
Cynthia Carr, “Candy Darling: Dreamer, Icon, Superstar”
Alexis Pauline Gumbs, “Survival Is a Promise: The Eternal Life of Audre Lorde”
Pamela D. Toler, “The Dragon From Chicago: The Untold Story of an American Reporter in Nazi Germany”
Jessica Goudeau, “We Were Illegal: Uncovering a Texas Family’s Mythmaking and Migration”
Current Interest
Jonathan Blitzer, “Everyone Who Is Gone Is Here: The United States, Central America, and the Making of a Crisis”
Ta-Nehisi Coates, “The Message”
Jesse Katz, “The Rent Collectors: Exploitation, Murder, and Redemption in Immigrant L.A.”
Robin Wall Kimmerer, “The Serviceberry: Abundance and Reciprocity in the Natural World”
Wright Thompson, “The Barn: The Secret History of a Murder in Mississippi”
Fiction
Rita Bullwinkel, “Headshot: A Novel”
Jennine Capó Crucet, “Say Hello to My Little Friend: A Novel”
Percival Everett, “James: A Novel”
Yuri Herrera translated by Lisa Dillman, “Season of the Swamp: A Novel”
Miranda July, “All Fours: A Novel”
Graphic Novel/Comics
Kris Bertin and Alexander Forbes, “Hobtown Mystery Stories Vol. 2: The Cursed Hermit”
Taiyo Matsumoto, “Tokyo These Days, Vol. 1”
Bhanu Pratap, “Cutting Season”
Miroslav Sekulic-Struja, translated by Jenna Allen, “Petar & Liza”
Ram V and Filipe Andrade, “Rare Flavours”
History
Andrea Freeman, “Ruin Their Crops on the Ground: The Politics of Food in the United States, From the Trail of Tears to School Lunch”
Andrew W. Kahrl, “The Black Tax: 150 Years of Theft, Exploitation, and Dispossession in America”
Aaron Robertson, “The Black Utopians: Searching for Paradise and the Promised Land in America”
Joseph M. Thompson, “Cold War Country: How Nashville’s Music Row and the Pentagon Created the Sound of American Patriotism”
Michael Waters, “The Other Olympians: Fascism, Queerness, and the Making of Modern Sports”
Mystery/Thriller
Christopher Bollen, “Havoc: A Novel”
Michael Connelly, “The Waiting: A Ballard and Bosch Novel”
Attica Locke, “Guide Me Home: A Highway 59 Novel”
Liz Moore, “The God of the Woods: A Novel”
Danielle Trussoni, “The Puzzle Box: A Novel”
Poetry
Remica Bingham-Risher, “Room Swept Home”
Andrea Cohen, “The Sorrow Apartments”
Cindy Juyoung Ok, “Ward Toward”
Pam Rehm, “Inner Verses”
Alison C. Rollins, “Black Bell”
Science Fiction, Fantasy & Speculative Fiction
Jedediah Berry, “The Naming Song”
Lev Grossman, “The Bright Sword: A Novel of King Arthur”
Kelly Link, “The Book of Love”
Jeff VanderMeer, “Absolution: A Southern Reach Novel”
Nghi Vo, “The City in Glass”
Science & Technology
Rebecca Boyle, “Our Moon: How Earth’s Celestial Companion Transformed the Planet, Guided Evolution, and Made Us Who We Are”
Ferris Jabr, “Becoming Earth: How Our Planet Came to Life”
Daniel Lewis, “Twelve Trees: The Deep Roots of Our Future”
Kyne Santos, “Math in Drag”
Zoë Schlanger, “The Light Eaters: How the Unseen World of Plant Intelligence Offers a New Understanding of Life on Earth”
Young-Adult Literature
Traci Chee, “Kindling”
K.A. Cobell, “Looking for Smoke”
Safia Elhillo, “Bright Red Fruit”
Carolina Ixta, “Shut Up, This Is Serious”
Kim Johnson, “The Color of a Lie”
Movie Reviews
Movie Review – Desert Warrior (2026)
Desert Warrior, 2026.
Directed by Rupert Wyatt.
Starring Anthony Mackie, Aiysha Hart, Ben Kingsley, Ghassan Massoud, Sharlto Copley, Sami Bouajila, Lamis Ammar, Géza Röhrig, Numan Acar, Nabil Elouahabi, Hakeem Jomah, Ramsey Faragallah, Saïd Boumazoughe, and Soheil Bostani.
SYNOPSIS:
An honorable and mysterious rogue, known as Hanzala, makes himself an enemy of the Emperor Kisra after he helps a fugitive king and princess in the desert.
With aspirations of being a historical epic harkening back to the sword and sandal blockbusters of yesteryear, Rupert Wyatt’s seventeenth-century Arabia tale is about as generic and epically dull as one would expect from a film plainly titled Desert Warrior. Yes, there appear to be real locations here, and there are some admittedly sweeping shots of various tribes storming into battle on horseback and camels, but it’s all in service of a mess that is both miscast and questionable as the work of a filmmaking team of mostly white creatives.
The story of Emperor Kisraa (Ben Kingsley, a distracting presence even with only one or two scenes) rounding up women from other tribes to be his concubines, which inevitably became the catalyst for a revolution led by Princess Hind (Aiysha Hart), uniting all the divided clans and strategizing battle plans for flanking and poisoning, is undeniably ripe for cinematic treatment. The problem is that what’s here from Rupert Wyatt (and screenwriters Erica Beeney, Gary Ross, and David Self) is less than nothing in the primary creative process; no one seems to have a connection to Arabic heritage or culture, but they have made a flat-out boring film that is often narratively incoherent.
Following the death of her father and escaping the clutches of oppression, the honorable Princess Hind joins forces with a troubled, nameless bandit played by Anthony Mackie (he totally belongs here…), who seems to be here solely to give the movie some star power boost without running the risk of white savior accusations. Whatever the case may be, it’s jarring, but not quite as disorienting as how little screen time he has despite being billed as the lead and how little characterization he has. It is, however, equally disorienting as some of the other names that show up along the way.
As for the other factions, Princess Hind talks to them one by one, giving the film an adventure feel that fails to capitalize on using beautiful scenery in striking or visually poignant ways at almost every turn; the leaders of these tribes also often have no character. There also isn’t much of an understanding of why these tribes are at odds with one another. This movie is filled with dialogue that consistently and shockingly amounts to vague nothingness. Nevertheless, each tribe doesn’t take much convincing to begin with, meaning that not only is the film repetitive, but it’s also lifeless when characters are in conversation.
That Desert Warrior does occasionally spring to life, and a bloated 2+ running time is a small miracle. This is typically accomplished through the occasional fight scene between factions that also serves to demonstrate Princess Hind coming into her own as a warrior. When the tribes are united in a massive-scale battle, and that plan is unfolding step by step, one certainly sees why someone would want to tell this story and pull it off with such spectacle. However, this film is as dry as the desert itself.
Flickering Myth Rating – Film: ★ ★ / Movie: ★ ★
Robert Kojder
https://www.youtube.com/watch?v=embed/playlist
Entertainment
Eddie Murphy’s son and Martin Lawrence’s daughter welcome first child: ‘That baby gonna be funny!’
Eddie Murphy is celebrating not just his lifetime achievement award, but also the arrival of his third granddaughter, perhaps the funniest baby alive.
Murphy’s son Eric and Martin Lawrence’s daughter Jasmin have welcomed their first child together, baby Ari Skye.
On Saturday, Murphy was honored with the 51st AFI Life Achievement Award at a gala in Hollywood and told reporters that he had recently celebrated back-to-back milestones.
“I just had my first grandson two months ago, and I had my third granddaughter two weeks ago. And I turned 65 a month ago,” he told “Entertainment Tonight” ahead of the gala. “It’s raining blessings on me.”
The ceremony celebrated his storied career across comedy and film, and featured tributes from fellow funnyman Dave Chappelle and “Shrek” co-star Mike Myers. The special will premiere May 31 on Netflix.
The “Dr. Dolittle” star also gushed about his new grandbaby to E! News, and told the outlet that being honored for his work was “a wonderful thing” but that his legacy wasn’t his work.
“My legacy to me is my children,” he said.
Asked whether he or Lawrence offered their kids any parenting advice as they prepared to welcome Ari Skye, Murphy said he’s more of a lead-by-example kind of dad.
“You don’t give advice like that,” he told the outlet. “Your kids don’t go by your advice. Your kids go by the example you set. They watch you. Stuff you be saying, they don’t even pay that no mind. They watch and see what you do.”
In March, Jasmin and Eric posted photos from their lavish baby shower on social media. The shindig included a three-tiered pink cake, pink cocktails garnished with meringue that looked like clouds and balloons galore. “The most beautiful and special celebration for our baby girl,” the couple captioned the post. “Thank you to our parents and everyone that made this day so magical! Ari Skye Murphy, you are SO loved already!!”
Excitement around Ari Skye’s arrival had been brewing in the media long before the couple even announced they were expecting. Murphy joked about a potential grandbaby when Jasmin and Eric were dating back in 2024, during an interview with Gayle King.
“They’re both beautiful,” he said. “They look amazing together. And it’s funny — everybody’s like, ‘That baby gonna be funny!’ Like our gene pool is just going to make this funny baby.”
Murphy agreed, saying: “If they ever get married and have a child, I’m expecting the child to be funny.”
Movie Reviews
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