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Toronto tall tales of Zach Edey: On the ice, the diamond … and 'What's a Purdue?'

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Toronto tall tales of Zach Edey: On the ice, the diamond … and 'What's a Purdue?'

TORONTO – Head north out of downtown on Bayview Avenue and past the shops and bars in Leaside, plus four Tim Hortons. Cross a bridge and climb a hill and there’s Crescent School, a private all-boys institution opened in 1913. It’s closed for winter break, but a courtyard plaque points to reception. A groundskeeping vehicle is parked in front and a delivery guy walks out. Somewhere inside lies another story about how the impossibility of Zach Edey came to be. Another tall tale.

So it’s worth a knock on the door.

After an introduction to Sal the maintenance guy and an explanation for the visit, it’s a stroll down some stairs and into the Lower School. Pencil sketches and old team pictures hang in the hallway. Straight ahead? A basketball gym. Where an anomaly came into view.

Edey is, of course, currently the 7-foot-4, 300-pound All-American anchor for second-ranked Purdue. But he’s also the kid who dreamed of being a hockey defenseman. The preteen who stumbled into a stellar youth baseball career. The high school sophomore who learned basketball shooting form by balancing a water bottle on a clipboard. The quiet Toronto boy who left home for an academy in Florida, who ranked 436th in his recruiting class and who now likely will repeat as national player of the year. The star who should not be.

Here, in a space with green bleachers and the words RESPECT, RESPONSIBILITY and HONESTY ringing the floor, is where the last part started.

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Edey’s local club team was practicing at Crescent School, right before a tryout for the high-profile Northern Kings AAU program. Vidal Massiah, the Kings’ director, had been tipped off by his sister about a giant roaming area courts, and Massiah came to see for himself. After Edey’s two ensuing workouts with the Kings, his mother asked for a verdict. Massiah was blunt.

He’s an NBA player. Get ready for this movie.

“His story is a Canadian story,” Massiah says, driving away from the school on a sunny but wind-whipped winter morning. “It only happens here.”

Chapter 1: On the ice

Chesswood Arena sits in an industrial park in North York, abutting train tracks and sharing a parking lot with a garage door company and luggage wholesalers, among others. It was built in the 1950s. Still looks like it, too, and gloriously so. Weather and time have stripped away most of the color on a tower sign next to the entrance. The building marquee itself features three rows of hand-set letters.

WELCO ME TOCHESSWOODARENA, the top row reads.

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This is the home of the top-level, triple-A Toronto Red Wings youth hockey program – “A tradition since 1955,” according to a banner – but it contains four NHL-sized rinks with ads for Dr. Flea’s Flea Market and Little Pearls pediatric dentistry. Golden Glide Hockey operates from a modest space tucked next to a synthetic ice surface on the second floor. Sometime in 2010, word arrived about a massive 8-year-old kid playing house league hockey in Leaside. He was raw, but no one could get around him. Al Rourke, a former NHL defenseman coaching the Toronto Penguins team via Golden Glide, said to bring the kid out for a look.

In walked Zach Edey, a shade under 6 feet at the time. “I said right away, ‘You’re on the team,’” Rourke says, sitting at a desk with a wall of Post-it notes to his left. “I also told his parents, ‘You should put a basketball in his hands.’”

Not a directive young Toronto boys follow easily. Coach, he loves hockey, is all Rourke heard from Julia and Glen Edey. He shrugged. The kid was polite. Always on time. And while he probably wasn’t quick enough for triple-A competition, Zach Edey was plenty good at double-A, if only because a very long arm held a very long stick and could stop a rush with one poke.

So he was a hockey player. Who scared everyone.


Zach Edey was taller than his coaches even as a preteen. (Courtesy of Julia Edey via Purdue)

By Edey’s third year, he was taller than his 30-something coach, and that was before lacing up skates. “They see him walk in, and other teams would be like, ‘What is happening? We gotta play against this guy?’” Rourke says. Size, though, became more of a source of humor or frustration than an asset. Early on, Glen Edey asked Rourke, who was listed as a 6-2, 215-pound blueliner during his playing days, if he had any old skates he could pass down, since Zach was already in men’s sizes. Rourke brought in a top-end pair, and the next day, Glen returned them.

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“Al, he can’t wear these,” Zach’s father told the coach.

“Glen, these are professional skates,” Rourke replied. “These are good f—— skates.”

That wasn’t it, Glen assured him. “They don’t fit.”

Likewise, Edey’s elbows weren’t where most people’s elbows were. So while Rourke coached Edey to keep his arms tight and ride an offensive player off the puck – checking wasn’t permitted yet when Edey started with the Penguins – the slightest flinch meant connecting with an opponent’s head and a trip to the penalty box. “Even if a kid runs into him, he’d get a penalty for elbowing or interference or something stupid when it’s not his fault,” Rourke says. “He’s just way bigger.”

But if you’re looking for reasons Edey has uncommon skill and so swiftly picked up the pace on the court, maybe start on the ice. “You got all this stuff going on and you have guys trying to knock your head off at the same time,” says Steve Taylor, one of Edey’s close friends’ father, who coached both boys in middle-school club hockey. “Comparatively speaking, hockey feels way more frenzied. … And, physically, the lower-body strength along with the coordination – I don’t think there’s anything you could do that’s better (training).”

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Baseball soon became the next dominant passion, and though Edey continued to play some hockey, he mostly outgrew it – though not before one memorable shift.

One night, the Penguins’ starting goalie was sick. So Rourke dispatched Zach Edey into the net against the best double-A team in the area. He gave up six or seven scores, as his coach recalls, though watching Edey drop into a butterfly, with pucks careening off him, still gives Rourke a chuckle.

He notes, in fact, that NHL rules permit goalies of a certain size to wear larger and bulkier gear. “Imagine him in a net right now?” Rourke says. “Wouldn’t be a bad play.”

Chapter 2: On the diamond

The Edeys arrived for a youth soccer event to find 80 or 90 baseball players scattered about Oriole Park, a small collection of tennis courts and playgrounds with one dirt diamond. This was a tryout for North Toronto travel baseball, looking to fill three new entry-level teams. To bide time, the family sat at a picnic table in deep right field. They were out of the way but not enough to go unnoticed. Soon, one of the baseball parent-coaches running the workout jogged over and inquired about the boy who looked a foot taller than everyone else.

Zach Edey was, in fact, 8.

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“Your kid is playing baseball,” Jeff Wolburg declared.

No, no, Julia Edey insisted. They were there for soccer.

Wolburg was unmoved. He coaxed Zach into joining his group, handed him a glove and ran Edey through drills for the next two or three hours. It was the first time Edey played the sport. Wolburg put him on the 8U roster anyway. The Edeys once again protested. After three or four days of phone calls, Wolburg’s buying the kid a jersey with his name on it and promising Glen Edey an assistant coaching spot, the family relented. North Toronto had a new first baseman. Who showed up at tryouts planning to play soccer. “And five years later, (Julia) always came back to that one story,” Wolburg recalls. “‘You brought me into this life!’”


Zach Edey showed up for a soccer tryout but found himself on a baseball team. (Courtesy of Julia Edey via Purdue)

A limited future on the ice made hockey fairly easy to leave behind. But Zach Edey was good at baseball. Really good. By the time he was competing for the Leaside Leafs as a 13- and 14-year-old, he was throwing 70 to 75 miles per hour and occasionally launching balls over the left field fence at Talbot Park and onto bustling Eglinton Avenue. Playing college baseball in the United States wasn’t a wild fantasy.

When Edey stopped at the 15U level, Wolburg thought it was a mistake. “He was a very shy, introverted kid, and baseball brought out a different side of him,” Wolburg says. “It was like a different life. Going to school, nobody would talk to him, he’d be reading in the corner somewhere. But playing sports? In baseball, he was on just a crazy upward scale of getting better and better. He loved that feeling of hitting. This giant kid, just smashing the s— out of the ball.”

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He also admits he hadn’t been paying attention to the other sport entering Edey’s life.

The boy, it turns out, had another foot to grow. And someone finally put a basketball in his hands.

Baseball, then, was a dress rehearsal for what came after on the court: Rudimentary instruction and a growth curve accelerated by Edey’s underrated athleticism and unrelenting curiosity.

He was planted at first base due to his preposterous wing span and an easy task: Catch everything. At the plate, his instructions were similarly plain: Crush the ball. There was plenty of swing-and-miss, particularly with a bat path that was more like taking an ax to a tree stump. But woe to those on the field when Edey connected.

“He probably injured, I’d say, 15 kids along the way,” Wolburg says. “Not on purpose, obviously. They just got in the way. If they didn’t catch the ball cleanly, it would hit them in the knee or the chest or sometimes the head. And it would hurt.”

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Refinement came with age and an inquisitive mind. “His baseball IQ was top of the charts,” Wolburg says. On the mound, that meant less reliance strictly on fastballs and exploring how to get more spin on pitches and how to throw a proper changeup. Edey took hitting lessons from a premier local instructor. He was devoted to a future on the diamond. His size, essentially, detoured him again. But not before everyone could see who Zach Edey might be. While he plays college basketball with a mercilessness– and while it serves him and Purdue well – there’s a gentility at his core, too.

During one 12U baseball game, Edey drilled a batter in the arm. The kid dropped to the dirt in agony. Coaches and parents rushed to his aid.

After 10 minutes or so, the umpire approached Wolburg.

“Coach,” he said, “you had better go look at the mound.”

Wolburg turned. Zach Edey was sitting in the dirt, crying his eyes out.

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“He was upset for days after that,” Wolburg says.

Chapter 3: On the court

Before ninth grade, Magnus Taylor decided he wanted to play basketball. Steve Taylor, who played some university-level hoops himself, was thrilled by his son’s news. Thus the North Toronto Huskies were breathed into life. There was one imperative, though: They had to get Magnus’ good friend Zach.

For about 30 or 40 minutes one afternoon, Steve Taylor sat with his son and the extremely large human they’d known since preschool and explained the plan. He asked Zach Edey if he’d like to join his team.

Edey said no.

The next fall, with another season approaching, and with Edey having dabbled in high school hoops, Taylor revisited the conversation. The pitch lasted about an hour. He invited Edey. Again.

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Edey said no. Again.

This time? Taylor had a backup idea. He suggested Edey join a Huskies practice, if only to get in shape for baseball. Edey agreed. Taylor told his wife to find the largest available jersey and order it. He picked up Edey and drove him to his first workout with the Huskies, on a Tuesday night at Crescent School. It happened to be a night the regular players were … not great. Taylor lost his patience. He ran his team. Hard. At one point, he looked over at the giant teenager galloping from end to end and gasping for air and it occurred to him: I blew it.

Halfway through the drive home, crammed into the passenger seat of an Audi, Edey delivered his review.

These basketball practices? Way more fun than baseball practices.

Two nights later, Edey stood on the Taylors’ porch, ready to go.

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“We had to almost trick him into it, but once he got the bug, man, he never looked back,” Taylor says. “It says a lot about him, too – we ran the kids into the ground that Tuesday night. And he never complained. … He saw he had work to do, and he started doing the work.”

Edey had to learn proper basketball, all the way down to balancing that water bottle on a clipboard for 10 minutes before practices, to get his elbow cocked correctly. But there’s growth, and there are beanstalks shooting through clouds. Edey fixed a right-to-left swipe on his follow-through in one workout. He played in a country-wide All-Star game by December.

Moving Edey from a club hoops startup into a youth basketball flume required only a couple more twists: Vidal Massiah’s sister showed up for her son Elijah’s high school game. She saw a monstrous Leaside High center at the free-throw line. She snapped a picture and sent it to her brother. After the game, Massiah’s other nephew, Ethan, collected Edey’s contact info. “My uncle is going to help you a lot,” Ethan told him.


Last year’s national player of the year began playing organized basketball in high school. (Photo courtesy of Julia Edey via Purdue)

Once the Edeys returned the calls, the assistant coaches headed out to scout. Their feedback was the same: They just weren’t sure.

“No one saw it,” Massiah says.

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Then the Northern Stars director walked into the Crescent School gym. He sat with Glen Edey in the bleachers and probed a man-child’s athletic history. He watched a neophyte change ends well for his size. He saw a patient approach at the free-throw line and surprising touch for a kid whose experience could be measured in months. He thought about the time he guarded Yao Ming.

He asked himself: What will this look like in a couple years?

“All the positives were more in the vein of, he’s an athlete, at the end of the day,” Massiah says. “He doesn’t have these particular skills because he hasn’t trained in this sport. That was it. It was easy to understand. The skills can be taught.”

Edey split time with the two club teams – Taylor knew the Kings would provide exposure he couldn’t – and it was another beginning. Edey had to relearn things in the context of highly competitive basketball with highly skilled teammates.

The Kings coaches started with passing, because they knew defenders would be flying at Edey and he had to be confident in his decisions. His offensive repertoire was limited to working from the left block and going to his right hand; if he was on the right block, he wasn’t getting the ball.

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To understand defensive timing, Edey analogized it to the angles he’d take as a hockey defenseman, and Massiah nodded along. “That’s what this is,” the coach replied, emphasizing how Edey had to beat opponents to spots to recover without fouling. By Edey’s second year, he understood the offense thoroughly enough that the Kings ran sets through him. “His ability to process information and implement coaching was through the roof,” Massiah says. “Every question was a good question.”

Days before Canada Basketball convened a 2018 tryout for its world championship teams, Michael Meeks received a text message. Massiah had a really tall kid the organization had to see, which was truer than he knew: Meeks, an assistant general manager for sports performance, had been looking for Zach Edey for a while. He’d walk into a gym and miss the kid by an hour, or pick the wrong day to see a game. But now here the myth was, in the flesh, at last.

“I’m like, ‘It’s the unicorn,’” Meeks says.

Edey was far too raw to make a roster. But the first impression was a thunderbolt. “One thing I immediately saw, that put him way ahead of even tall kids his age, was his hands,” Meeks says. “He had the softest touch around the basket. His form looked great. He didn’t mind contact. I knew then he was going to be special. Like, special.”

Zach Edey wouldn’t be that hard to find, ever again.

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He left the low ceiling of Leaside basketball behind and enrolled at IMG Academy in 2018. He went from the B team to consensus All-American and national college player of the year in five seasons. He might be a first-round NBA Draft pick after six, having backed up his breakout junior year by averaging 23.7 points and 11.8 rebounds and, as of Monday, leading the nation in Win Shares (7.2) on a Final Four contender. Given that Team Canada has qualified for the Summer Olympics,  Edey is a decent bet to be in Paris if whatever pro franchise drafts him is amenable. Everyone is running out of questions.

There’s just one more worth reliving, as he moves front and center for one more run at deliverance in March.

As Edey’s basketball future crystallized, his coaches discussed possible American college destinations. Massiah brought up a school in the Midwest with a long history of developing big men.

Purdue, Massiah suggested, could be an ideal fit.

As usual, Zach Edey wanted more info.

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“What’s a Purdue?” he asked.

(Illustration: Daniel Goldfarb / The Athletic; photos: Jeffrey Brown / Icon Sportswire; courtesy of Julia Edey via Purdue)

Culture

Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday

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Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday

On Dec. 16, 1775, a girl was born in Steventon, England — the seventh of eight children — to a clergyman and his wife. She was an avid reader, never married and died in 1817, at the age of 41. But in just those few decades, Jane Austen changed the world.

Her novels have had an outsize influence in the centuries since her death. Not only are the books themselves beloved — as sharply observed portraits of British society, revolutionary narrative projects and deliciously satisfying romances — but the stories she created have so permeated culture that people around the world care deeply about Elizabeth Bennet and Mr. Darcy, even if they’ve never actually read “Pride and Prejudice.”

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With her 250th birthday this year, the Austen Industrial Complex has kicked into high gear with festivals, parades, museum exhibits, concerts and all manner of merch, ranging from the classily apt to the flamboyantly absurd. The words “Jane mania” have been used; so has “exh-Aust-ion.”

How to capture this brief life, and the blazing impact that has spread across the globe in her wake? Without further ado: a mere sampling of the wealth, wonder and weirdness Austen has brought to our lives. After all, your semiquincentennial doesn’t come around every day.

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By ‘A Lady’

Jane Austen’s House, Chawton, England

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Austen published just four novels in her lifetime: “Sense and Sensibility” (1811), “Pride and Prejudice” (1813), “Mansfield Park” (1814) and “Emma” (1815). All of them were published anonymously, with the author credited simply as “A Lady.” (If you’re in New York, you can see this first edition for yourself at the Grolier Club through Feb. 14.)

Where the Magic Happened

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Janice Chung for The New York Times

Placed near a window for light, this diminutive walnut table was, according to family lore, where the author did much of her writing. It is now in the possession of the Jane Austen Society.

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An Iconic Accessory

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Jane Austen’s House, Chawton, England

Few of Austen’s personal artifacts remain, contributing to the author’s mystique. One of them is this turquoise ring, which passed to her sister-in-law and then her niece after her death. In 2012, the ring was put up for auction and bought by the “American Idol” champion Kelly Clarkson. This caused quite a stir in England; British officials were loath to let such an important cultural artifact leave the country’s borders. Jane Austen’s House, the museum now based in the writer’s Hampshire home, launched a crowdfunding campaign to Bring the Ring Home and bought the piece from Clarkson. The real ring now lives at the museum; the singer has a replica.

Austen Onscreen

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Since 1940, when Austen had a bit of a moment and Greer Garson and Laurence Olivier starred in MGM’s rather liberally reinterpreted “Pride and Prejudice,” there have been more than 20 international adaptations of Austen’s work made for film and TV (to say nothing of radio). From the sublime (Emma Thompson’s Oscar-winning “Sense and Sensibility”) to the ridiculous (the wholly gratuitous 2022 remake of “Persuasion”), the high waists, flickering firelight and double weddings continue to provide an endless stream of debate fodder — and work for a queen’s regiment of British stars.

Jane Goes X-Rated

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Tony Cenicola/The New York Times

The rumors are true: XXX Austen is a thing. “Jane Austen Kama Sutra,” “Pride and Promiscuity: The Lost Sex Scenes of Jane Austen” and enough slash fic and amateur porn to fill Bath’s Assembly Rooms are just the start. Purists may never recover.

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A Lady Unmasked

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Jane Austen’s House, Chawton, England

Austen’s final two completed novels, “Northanger Abbey” and “Persuasion,” were published after her death. Her brother Henry, who oversaw their publication, took the opportunity to give his sister the recognition he felt she deserved, revealing the true identity of the “Lady” behind “Pride and Prejudice,” “Emma,” etc. in a biographical note. “The following pages are the production of a pen which has already contributed in no small degree to the entertainment of the public,” he wrote, extolling his sister’s imagination, good humor and love of dancing. Still, “no accumulation of fame would have induced her, had she lived, to affix her name to any productions of her pen.”

Wearable Tributes

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Tony Cenicola/The New York Times

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It is a truth universally acknowledged that a Jane Austen fan wants to find other Jane Austen fans, and what better way to advertise your membership in that all-inclusive club than with a bit of merch — from the subtle and classy to the gloriously obscene.

The Austen Literary Universe

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Elizabeth Renstrom for The New York Times

On the page, there is no end to the adventures Austen and her characters have been on. There are Jane Austen mysteries, Jane Austen vampire series, Jane Austen fantasy adventures, Jane Austen Y.A. novels and, of course, Jane Austen romances, which transpose her plots to a remote Maine inn, a Greenwich Village penthouse and the Bay Area Indian American community, to name just a few. You can read about Austen-inspired zombie hunters, time-traveling hockey players, Long Island matchmakers and reality TV stars, or imagine further adventures for some of your favorite characters. (Even the obsequious Mr. Collins gets his day in the sun.)

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A Botanical Homage

Created in 2017 to mark the 200th anniversary of Austen’s death, the “Jane Austen” rose is characterized by its intense orange color and light, sweet perfume. It is bushy, healthy and easy to grow.

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Aunt Jane

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Jane Austen’s House, Chawton, England

Hoping to cement his beloved aunt’s legacy, Austen’s nephew James Edward Austen-Leigh published this biography — a rather rosy portrait based on interviews with family members — five decades after her death. The book is notable not only as the source (biased though it may be) of many of the scant facts we know about her life, but also for the watercolor portrait by James Andrews that serves as its frontispiece. Based on a sketch by Cassandra, this depiction of Jane is softer and far more winsome than the original: Whether that is due to a lack of skill on her sister’s part or overly enthusiastic artistic license on Andrews’s, this is the version of Austen most familiar to people today.

Cultural Currency

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Steve Parsons/Associated Press

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In 2017, the Bank of England released a new 10-pound note featuring Andrews’s portrait of Austen, as well as a line from “Pride and Prejudice”: “I declare after all there is no enjoyment like reading!” Austen is the third woman — other than the queen — to be featured on British currency, and the only one currently in circulation.

In the Trenches

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During World War I and World War II, British soldiers were given copies of Austen’s works. In his 1924 story “The Janeites,” Rudyard Kipling invoked the grotesque contrasts — and the strange comfort — to be found in escaping to Austen’s well-ordered world amid the horrors of trench warfare. As one character observes, “There’s no one to touch Jane when you’re in a tight place.”

Baby Janes

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Tony Cenicola/The New York Times

You’re never too young to learn to love Austen — or that one’s good opinion, once lost, may be lost forever.

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The Austen Industrial Complex

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Elizabeth Renstrom for The New York Times

Maybe you’ve not so much as seen a Jane Austen meme, let alone read one of her novels. No matter! Need a Jane Austen finger puppet? Lego? Magnetic poetry set? Lingerie? Nameplate necklace? Plush book pillow? License plate frame? Bath bomb? Socks? Dog sweater? Whiskey glass? Tarot deck? Of course you do! And you’re in luck: What a time to be alive.

Around the Globe

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Goucher College Special Collections & Archives, Alberta H. and Henry G. Burke Collection; via The Morgan Library & Museum

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Austen’s novels have been translated into more than 40 languages, including Polish, Finnish, Chinese and Farsi. There are active chapters of the Jane Austen Society, her 21st-century fan club, throughout the world.

Playable Persuasions

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In Austen’s era, no afternoon tea was complete without a rousing round of whist, a trick-taking card game played in two teams of two. But should you not be up on your Regency amusements, you can find plenty of contemporary puzzles and games with which to fill a few pleasant hours, whether you’re piecing together her most beloved characters or using your cunning and wiles to land your very own Mr. Darcy.

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#SoJaneAusten

The wild power of the internet means that many Austen moments have taken on lives of their own, from Colin Firth’s sopping wet shirt and Matthew Macfadyen’s flexing hand to Mr. Collins’s ode to superlative spuds and Mr. Knightley’s dramatic floor flop. The memes are fun, yes, but they also speak to the universality of Austen’s writing: More than two centuries after her books were published, the characters and stories she created are as relatable as ever.

Bonnets Fit for a Bennett

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Peter Flude for The New York Times

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For this summer’s Grand Regency Costumed Promenade in Bath, England — as well as the myriad picnics, balls, house parties, dinners, luncheons, teas and fetes that marked the anniversary — seamstresses, milliners, mantua makers and costume warehouses did a brisk business, attiring the faithful in authentic Regency finery. And that’s a commitment: A bespoke, historically accurate bonnet can easily run to hundreds of dollars.

Most Ardently, Jane

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The Morgan Library & Museum

Austen was prolific correspondent, believed to have written thousands of letters in her lifetime, many to her sister, Cassandra. But in an act that has frustrated biographers for centuries, upon Jane’s death, Cassandra protected her sister’s privacy — and reputation? — by burning almost all of them, leaving only about 160 intact, many heavily redacted. But what survives is filled with pithy one-liners. To wit: “I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.”

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Stage and Sensibility

Austen’s works have been adapted numerous times for the stage. Some plays (and musicals) hew closely to the original text, while others — such as Emily Breeze’s comedic riff on “Pride and Prejudice,” “Are the Bennet Girls OK?”, which is running at New York City’s West End Theater through Dec. 21 — use creative license to explore ideas of gender, romance and rage through a contemporary lens.

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Austen 101

Tony Cenicola/The New York Times

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Austen remains a reliable fount of academic scholarship; recent conference papers have focused on the author’s enduring global reach, the work’s relationship to modern intersectionality, digital humanities and “Jane Austen on the Cheap.” And as one professor told our colleague Sarah Lyall of the Austen amateur scholarship hive, “Woe betide the academic who doesn’t take them seriously.”

W.W.J.D.

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Tony Cenicola/The New York Times

When facing problems — of etiquette, romance, domestic or professional turmoil — sometimes the only thing to do is ask: What would Jane do?

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Culture

I Think This Poem Is Kind of Into You

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I Think This Poem Is Kind of Into You

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A famous poet once observed that it is difficult to get the news from poems. The weather is a different story. April showers, summer sunshine and — maybe especially — the chill of winter provide an endless supply of moods and metaphors. Poets like to practice a double meteorology, looking out at the water and up at the sky for evidence of interior conditions of feeling.

The inner and outer forecasts don’t always match up. This short poem by Louise Glück starts out cold and stays that way for most of its 11 lines.

And then it bursts into flame.

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“Early December in Croton-on-Hudson” comes from Glück’s debut collection, “Firstborn,” which was published in 1968. She wrote the poems in it between the ages of 18 and 23, but they bear many of the hallmarks of her mature style, including an approach to personal matters — sex, love, illness, family life — that is at once uncompromising and elusive. She doesn’t flinch. She also doesn’t explain.

Here, for example, Glück assembles fragments of experience that imply — but also obscure — a larger narrative. It’s almost as if a short story, or even a novel, had been smashed like a glass Christmas ornament, leaving the reader to infer the sphere from the shards.

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We know there was a couple with a flat tire, and that a year later at least one of them still has feelings for the other. It’s hard not to wonder if they’re still together, or where they were going with those Christmas presents.

To some extent, those questions can be addressed with the help of biographical clues. The version of “Early December in Croton-on-Hudson” that appeared in The Atlantic in 1967 was dedicated to Charles Hertz, a Columbia University graduate student who was Glück’s first husband. They divorced a few years later. Glück, who died in 2023, was never shy about putting her life into her work.

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Louise Glück in 1975.

Gerard Malanga

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But the poem we are reading now is not just the record of a passion that has long since cooled. More than 50 years after “Firstborn,” on the occasion of receiving the Nobel Prize for literature, Glück celebrated the “intimate, seductive, often furtive or clandestine” relations between poets and their readers. Recalling her childhood discovery of William Blake and Emily Dickinson, she declared her lifelong ardor for “poems to which the listener or reader makes an essential contribution, as recipient of a confidence or an outcry, sometimes as co-conspirator.”

That’s the kind of poem she wrote.

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“Confidence” can have two meanings, both of which apply to “Early December in Croton-on-Hudson.” Reading it, you are privy to a secret, something meant for your ears only. You are also in the presence of an assertive, self-possessed voice.

Where there is power, there’s also risk. To give voice to desire — to whisper or cry “I want you” — is to issue a challenge and admit vulnerability. It’s a declaration of conquest and a promise of surrender.

What happens next? That’s up to you.

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Culture

Can You Identify Where the Winter Scenes in These Novels Took Place?

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Can You Identify Where the Winter Scenes in These Novels Took Place?

Cold weather can serve as a plot point or emphasize the mood of a scene, and this week’s literary geography quiz highlights the locations of recent novels that work winter conditions right into the story. Even if you aren’t familiar with the book, the questions offer an additional hint about the setting. To play, just make your selection in the multiple-choice list and the correct answer will be revealed. At the end of the quiz, you’ll find links to the books if you’d like to do further reading.

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