Sheraton Maui Resort & Spa aims to bring guests a greater understanding of Hawaiian culture.
Sheraton Maui Resort & Spa
Sheraton Maui Resort & Spa is on a mission to empower travelers to Hawaii to enjoy more meaningful experiences through discovering more about Hawaiian culture and participating in it. Tetsuji Yamazaki, the resort’s general manager, shared with me that a variety of cultural experiences are available for guests throughout their stay.
With Sheraton Maui Resort & Spa’s newly launched “Kuleana Series,” it connects guests to esteemed voices in the Hawaiian cultural and scientific communities through interactive plaques. The series is simple and easy to access. You simply use your phone to scan the QR code on the plaques, and they come to life.
The fun starts at check-in. Guests will be given a welcome portrait with the first interactive QR code of the series. That will give them a map to guide them to the plaques located throughout the property.
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The “Kuleana Series” can be enjoyed throughout the property.
Sheraton Maui Resort & Spa
I recently chatted with Julian Arp-Sandel, Director of Resort Experience at the Sheraton Maui Resort & Spa, to learn more about this series.
What inspired the atart of the “Kuleana Series”?
The “Kuleana Series” was originally conceptualized when we started exploring the idea of incorporating augmented reality into our guest experience. It began as a smaller and simpler idea as we considered the potential of using it to share what is unique and special about Hawaii.
As we began meeting with organizations that lead community efforts to discuss the content we wanted to put together, we were amazed to see how many people leaned in and recognized the high potential for this idea and wanted to be involved. We quickly recognized the opportunity to highlight them and their knowledge directly, and the “Kuleana Series” was born.
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Can you share more about what the “Kuleana Series” is all about and what it means for guests?
The experience of travel is enriched by discovering and experiencing what makes a destination unique. There is so much that is incredible and special here in the Hawaiian Islands, much of which cannot be found anywhere else in the world. Much of what is special about this place is incredibly delicate and requires active ongoing efforts to conserve, lead research, and educate future generations. We here in Hawaii are fortunate to have so many people working in these spaces to do just that.
The “Kuleana Series” creates a rare and special opportunity to connect our guests with Hawaiian cultural leaders and scientific experts. This allows guests to hear from them directly and consider the incredible knowledge they have to share and what they are accomplishing to shape a bright future for the Hawaiian Islands.
What do you hope guests take away from the experience?
On its surface level, I hope they have fun with it!
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For guests who take more time to engage with the content and experience the entire series, I hope that they understand how all the topics discussed are interrelated and interdependent. We intentionally incorporated elements into the various messages that help people draw these connections and realize how these pieces fit together.
Overall, the goal of the “Kuleana Series” is to offer viewers the opportunity to gain a stronger understanding of Hawaii’s culture, history, and natural wonders and, in turn, gain a deeper sense of place.
Should the series be experienced in a certain sequence?
There is no order to the “Kuleana Series” topics. Each living portrait was created to offer a standalone experience and serve as a component of the overall collection. They can be engaged with in any order.
What do you think is misunderstood about the series?
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Augmented reality is something that most people have never encountered before, so almost everyone starts with a lack of understanding of what it is and how it works. Additionally, because these living portraits are about Hawaii, many of these topics have little relevance to most people and their daily lives back home, so until they engage, they may not realize that they are so interesting and worthwhile.
While not necessarily a misunderstanding, one subtlety about the project is that augmented reality requires you to be physically present in front of each living portrait to experience it. Each of these living portraits has been intentionally located in areas of the resort that tie into the topic being discussed. This element of presence plays well into the project’s intention regarding a sense of place. The series cannot be properly experienced unless you are here.
What would you like everyone to understand about it?
Our “Kuleana Series” participant list is a collection of knowledgeable voices in Hawaiian culture, conservation, and scientific research. Thanks to the work of individuals like these, Hawaii remains such a unique and special place to visit and experience and continues to enthrall aspirational travelers from around the world.
What do you love the most about the Kuleana Series?
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I love the moment of discovery when you watch a person first experience the living portrait: seeing it move, speak, and come to life.
I also love the value created for all those involved. It makes a wonderful experience for our guests and simultaneously highlights the individuals and organizations doing such important work here in the Hawaiian Islands.
What would you recommend for guests who want to go continue learning about the topics in the Kuleana Series?
Most of the living portraits have click-through buttons at the end of their message that connect the viewer to web resources with more information if they would like to learn more. If the living portrait inspires curiosity, this provides an open door for viewers to engage further. This is a great way to support our collaborators as it supports their public outreach.
We are also excited to feature a rotation of guest programs hosted live by the experts featured in the series. Guests will be able to interface directly with “Kuleana Series” collaborators like Dr. Melissa Price, Wildlife Biologist and Associate Professor at University of Hawaii Manoa School of Life Sciences, who leads Hawaii Wildlife Ecology Lab, a student research group actively working to prevent the extinction of 650 unique species of endemic plants and animals throughout the Hawaiian Islands.
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Hi’ilani Shibata, a Native Hawaiian Educator and cultural consultant, who specializes in Hawaiian knowledge of the moon, will visit. She is co-founder of Ka Mahina Project and board member of ʻOhana Kilo Hōkū.
These programs will also create unique experiences for our guests, like viewing the sun through a solar telescope while connecting with solar astronomers from the National Solar Observatory.
Some other experts who can be seen in the “Kuleana Series” include Kekoa Alip, ’Ohana Kilo Hōkū board member, who recounts the moʻolelo(narrated stories of Native Hawaiians) of The Legend of Haleakalā, and Dr. Makana Silva, Native Hawaiian astrophysicist at Los Alamos Research Lab and mentorship director of ‘Ohana Kilo Hōkū who shares his kuleana (responsibility) to perpetuate the continuing legacy ofHawaiian astronomers. Also, Miki Tomita Okamoto, student and successor of Pono Shim’s Aloha Practice and founder of Malama Pono Foundation, shares the meaning of aloha.
Journey lead guitarist Neal Schon, an original member of the band that launched in 1973 in San Francisco.
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The popular rock band Journey will perform a second show at Neal S. Blaisdell Arena after tickets for its Sept. 8 concert were quickly snatched up when the Hawaii-only presale began Friday.
The newly added Sept. 6 show will give Hawaii fans one more opportunity to experience Journey’s Final Frontier Tour. Concert promoter Rick Bartalini said the Sept. 8 show “will remain Journey’s last-ever performance” in the islands.
“Journey’s relationship with Hawaiʻi is unlike anything we have seen with a mainland-based artist or group,” Bartalini said in a news release. “These songs have been part of people’s lives here for generations, and the response to this final Hawaiʻi return has been incredible. The added September 6 show gives local fans another chance to be part of this historic final chapter before Journey’s last-ever Hawaiʻi performance on September 8.”
Tickets for both concerts are available at Ticketmaster.com through an exclusive presale for Hawaii residents. The Hawaii presale, which is online only, with no code required, gives local residents the chance to purchase tickets through 9 a.m. Friday before mainland access and general ticket sales begins an hour later.
Bartalini “strongly urged” fans to purchase tickets only through Ticketmaster, the official ticketing provider, and “to avoid inflated or speculative listings on resale sites.”
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A dollar from every ticket sold will support the Hawaiian Council’s local flood recovery efforts for families and communities impacted by the recent Kona-low storms.
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Journey has sold more than 100 million albums worldwide. The band’s music spans more than five decades and includes chart-topping hits and rock anthems, including “Don’t Stop Believin’,” “Any Way You Want It,” “Faithfully,” “Wheel in the Sky,” “Lovin’, Touchin’, Squeezin’,” “Open Arms” and “Lights.”
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The band’s last Hawaii shows were Oct. 5 and 6, 2022, at Blaisdell Arena.
“Fans in Hawai‘i hold a special place in Journey’s heart,” Bartalini said, noting that after the band’s first public show at the Winterland Ballroom in San Francisco on New Year’s Eve 1973, the group flew to Hawaii the very next day, Jan. 1, 1974, to perform at the Sixth Annual Sunshine Festival, commonly referred to as the Diamond Head Crater Festival, for an audience of over 100,000.
From there, Journey became a recurring part of Hawaii’s concert history, performing live 34 times across the islands, including 30 confirmed appearances on Oahu and 26 shows at the Neal S. Blaisdell Arena, as well as performances at UH, the Maui Arts & Cultural Center, and the Queen’s Marketplace Amphitheatre in Waikoloa on the Big Island.
“Journey’s relationship with Hawai‘i is unlike anything we have seen with a mainland-based artist or group,” Bartalini said. “For more than 50 years, they have returned to these islands again and again, from Diamond Head Crater to this final stop at the Neal S. Blaisdell Arena, creating memories that span generations of local fans.
“Journey’s music has been woven into so many of our lives for generations. These are the songs people grew up with, fell in love to, drove around the island listening to, sang with their families, and carried through some of the most meaningful moments of their lives. That is what makes this Final Frontier Tour so powerful,” he added.
In 2025, professor Bruce Houghton retired from the University of Hawaii at Manoa after 25 years as the Gordon A. Macdonald chair of volcanology. He was only the second person to hold the position in the past half century. With his retirement, let’s reflect on a career that helped shape how scientists understand explosive eruptions, volcanic hazards, and how communities live with active volcanoes.
Born and educated in New Zealand, Houghton established himself as a leading volcanologist at the Institute of Geological and Nuclear Sciences New Zealand before joining the University of Hawaii in 2000. In Hawaii, he became not only a researcher and professor, but also the state volcanologist.
Much of Houghton’s scientific work focused on a deceptively simple question: what can volcanic deposits tell us about the processes that created them? His answer is that the details matter. The textures and densities of erupted volcanic particles, their organization in volcanic deposits, and how they travel in the atmosphere are not just measurements. They are clues to how magma rises, releases gas, interacts with the vent environment, and ultimately erupts.
Houghton also pioneered the application of high-speed, high-resolution imaging of active volcanoes to quantify eruption processes with unprecedented spatial and temporal resolution. The impact of this work is reflected in a research record that includes more than $8 million in research funding since 2000, 291 journal publications, and nearly 20,000 references to his work.
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His research challenged the common perception that basaltic volcanoes such as Kilauea and Mauna Loa are relatively simple compared with explosive volcanoes elsewhere in the world. Houghton showed that basaltic eruptions can display a remarkable range of explosive behavior, from exceptionally weak bubble bursts to powerful explosive activity. Basaltic eruptions can shift rapidly and reversibly through a spectrum of styles in a single event, from pulsating gas emission and episodic bursts to Hawaiian fountaining and more explosive eruptions. His work demonstrated that these changes often depend on shallow conduit processes and the vent environment, not just magma composition.
Houghton remained deeply connected to Hawaii’s volcanoes and communities. He worked closely with scientists at the U.S. Geological Survey Hawaiian Volcano Observatory and participated in the scientific response to both the 2008-2018 summit lava lake eruption and the 2018 lower East Rift Zone eruption of Kilauea.
His influence extended far beyond his own research through the generations of students he mentored — 17 doctoral students at the University of Hawaii, four in New Zealand, and two in Iceland — many of whom now work in universities, geological surveys, volcano observatories, and emergency management organizations around the world. During the 2018 eruption, many former and current University of Hawaii students who trained under Houghton played important roles in the response, demonstrating the lasting impact of his commitment to education, mentorship, and public service.
Houghton also refused to separate volcano science from the human world around it. He championed the idea that volcanic crises are not purely scientific events; decisions by residents, emergency managers, planners, and elected officials can strongly influence how communities experience volcanic hazards.
Throughout his career, he advocated for closer collaboration between volcanologists, social scientists, emergency managers, and educators. As science director of the National Disaster Preparedness Training Center at the University of Hawaii, he helped develop training programs connecting volcanic science with emergency preparedness and public safety.
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The scientific community recognized Houghton’s contributions through numerous honors. In 2017, he received the Thorarinsson Medal, the highest award in international volcanology. He was also elected a fellow of the American Geophysical Union, the Geological Society of America, and the Royal Society of New Zealand.
In 2025, he was named the world’s second-highest-ranked physical volcanologist based on publications, citations, awards, and impact. He was president of the Geological Society of New Zealand (at age 28!) and deputy secretary-general of the International Association of Volcanology.
Although Houghton has retired from his roles in Hawaii and returned to New Zealand, his connections to volcanology here remain strong. His continuing collaborations, including studies of Kilauea’s ongoing episodic lava-fountaining eruption, ensure that his influence extends well beyond his years at the University of Hawaii. As volcanic activity continues in Hawaii, many of the scientists, ideas, and approaches that guide our understanding of eruptions will continue to reflect the lasting influence of Bruce Houghton.
Volcano Activity Updates
Kilauea has been erupting episodically within the summit caldera since Dec. 23, 2024. Its USGS Volcano Alert level is ADVISORY.
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Episode 49 of summit lava fountaining happened for 7.5 hours on June 14. Summit region inflation since the end of episode 49 indicates that another fountaining episode is possible. Models currently indicate that episode 50 is most likely to occur between June 25-27. No unusual activity has been noted along Kilauea’s East Rift Zone or Southwest Rift Zone.
Mauna Loa is not erupting. Its USGS Volcano Alert Level is at NORMAL.
Eight earthquakes were reported felt in the Hawaiian Islands during the past week. Those above magnitude-3 are: a M3.6 earthquake 14 km (8 mi) S of Volcano at 7 km (4 mi) depth on June 24 at 8:29 a.m., a M3.2 earthquake 13 km (8 mi) SSE of Fern Forest at 6 km (3 mi) depth on June 23 at 9 a.m. HST, a M3.8 earthquake 21 km (13 mi) S of Honaunau-Napoopoo at 5 km (3 mi) depth on June 22 at 6:20 a.m., and a M3.1 earthquake 12 km (7 mi) SSE of Volcano at 6 km (3 mi) depth on June 20 at 7:55 p.m.
Please visit HVO’s website for past Volcano Watch articles, Kilauea and Mauna Loa updates, volcano photos, maps, recent earthquake information, and more. Email questions to askHVO@usgs.gov.
Hawaii’s Kaanapali Beach is a famed tourist destination with a problem: The beach itself is gradually disappearing. Now a major debate is underway in Maui about how, or whether, to save it, reports SFGate. Photos from the late 1980s show a much wider beach, one that has narrowed to a sliver in some places. In short, it “still looks spectacular, but there is less of it,” is how the Beat of Hawaii puts it. And it’s not always so spectacular: “Exposed rock and drainage pipes are sometimes seen jutting out from the sand, while orange plastic fencing blocks access to erosion-impacted areas,” per SFGATE. A long-planned state-backed effort to pump offshore sand back onto the beach cleared environmental review, but the state’s land board pulled its funding in 2023 after residents blasted the price tag and raised alarms over marine impacts.
Now hotel and condo owners are reviving the project themselves. Through a new nonprofit, they’re pitching a “nature-based” plan to rebuild the beach to roughly its 1988 width, restore dunes, and plant natives, with applications headed to the state in coming months. Supporters frame it as a way to keep Kaanapali usable and accessible. Opponents like community advocate Kai Nishiki say the real fix is “managed retreat”—moving buildings inland and letting the shoreline migrate naturally. In her view, the real issue is that hotels and condos were built decades ago on dunes too close to the shorefront, without much thought to the long-term ecological impact.
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“The problem is the structures, not the beach,” Nishiki tells SFGATE. “The beach is completely fine and healthy if we would just support the coastal ecosystem and support the landward migration of our beaches.” Beachfront owners disagree, and their renewed proposal will trigger another state review and public hearing. In the meantime, “Kaanapali remains a quintessentially beautiful and worthwhile destination, but visitors arriving this year should come with adjusted expectations,” per the Beat of Hawaii.