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Discover Louisiana’s places and faces through its musical trail of songs

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Discover Louisiana’s places and faces through its musical trail of songs


They’re called earworms, the songs that get stuck in your head and linger for days on end.

Luckily, Louisiana-related earworms are the kinds of songs you’ll want stuck in your head, so much that you’ll want to learn the backstory of each and even travel to the places that inspired them.

Of course, that would require a road trip or two. The state offers much to see and learn, even through its music.

Louisiana’s Department of Culture and Tourism’s travel website, explorelouisiana.com, includes a sampling of Louisiana-based songs to create a trail for music-minded visitors.

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The trail can be found in its category of “Great Songs From (and About) Louisiana.”

It’s a Louisiana playlist that highlights the music and places to visit to learn more about the songs and the musicians who made or wrote them. 






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Gov. Jimmie Davis wrote and recorded ‘You Are My Sunshine.’




You Are My Sunshine

by Jimmie Davis

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It’s only appropriate to start the trail with Louisiana’s state song, which also is the second most known song in the world.

Yes, the world. The first? Well, that would be “Happy Birthday.”

Which means you can go almost anywhere in the world and hear the song penned and first recorded by Louisiana’s 47th governor, who served from 1944 to 1948 and again from 1960 to 1964 — all while maintaining a career in both country music and Hollywood. 

Davis wrote the song in 1940, but he also is legendary for riding his horse, Sunshine, up the steps leading to the entrance of Louisiana’s Louisiana State Capitol in Baton Rouge, which would be a good place to start your music trail.

Once you’ve reached the top step, why not walk and take the elevator to the top of the tallest state capitol building in the country? After that, drive northward to Chatham in Jackson Parish for an overnight camping adventure at Jimmie Davis State Park, 1209 State Park Road.

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Buddy Guy plays on the Festival Stage at the New Orleans Jazz & Heritage Festival.



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Feels Like Rain

by John Hiatt

The best-known recording of John Hiatt’s song was released in 1993 by Lettsworth native Buddy Guy.

The song also references the 24-mile parallel spans of the Lake Pontchartrain Causeway Bridge, the world’s longest continuous bridge over water.

For this song trail, either drive across the Causeway or simply visit the 630-square-mile Lake Pontchartrain, where there are plenty of opportunities for recreational fishing and boat tours.



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Movies, music, books and accessories: The Red Holiday Gift Guide 2015 _lowres

This box set cover image released by Smithsonian Folkways shows “Lead Belly: The Smithsonian Folkways Collection.” This five-disc set is packaged in a handsome, album-sized picture book that chronicles the life of Lead Belly that took him from penitentiaries to performance halls.




Goodnight Irene

by Huddie “Lead Belly” Ledbetter

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Legend has it that after hearing Huddie “Lead Belly” Ledbetter sing his 1933 song, “Goodnight Irene,” Gov. O.K. Allen immediately pardoned the Mooringsport blues singer.

The real story isn’t far from the legend. Ledbetter was serving a prison term at the Louisiana State Penitentiary at Angola when ethnomusicologist Alan Lomax discovered and recorded Ledbetter then later petitioned for the bluesman’s release by playing the recording for the governor.

The recording included both “Midnight Special” and “Goodnight Irene.”   

The lyrics of “Goodnight Irene,” make for the irony of this story. It’s about a homicide — a husband who murders his wife. 

The song trail for “Goodnight Irene” leads to the Lead Belly statue in downtown Shreveport, which is also just a few blocks away from the Shreveport Municipal Auditorium, 705 Grand Ave.

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While there, make a point to stop by the auditorium, itself, which is the home to the original Louisiana Hayride, which introduced a 20-year-old Elvis Presley to a national audience (and the original place where “Elvis has left the building” was uttered.) Take a selfie with the Elvis statue outside the building.

While in Shreveport, be sure to eat at the Fat Calf Brasserie at 3030 Cresswell Ave. If you’re looking for a bar restaurant, try The Noble Savage, 417 Texas St., or The Blind Tiger at 120 Texas St.

Further afield and for a different perspective, visit Angola’s Louisiana Prison Museum and Cultural Center, 17544 Tunica Trace, Angola, which offers plenty of information and artifacts about Lead Belly, as well as other noted musicians who passed through the prison.







Leo Nocentelli

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The Meters guitarist Leo Nocentelli, seen here performing with the Meters during the 2015 New Orleans Jazz Fest, is a big fan of the museum.




Fire on the Bayou

by The Meters: Ziggy Modeliste, Leo Nocentelli, George Porter Jr., Cyril Neville and Art Neville

“Fire on the Bayou” is the title song for New Orleans funk group The Meters’ 1975 album. A second album with the title track was released in 1981 by The Neville Brothers, Aaron, Art, Cyril and Charles, and called the best album of 1981 by Rolling Stones rocker Keith Richards.

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Meanwhile, before achieving her own fame, Whitney Houston sang background vocals with her mother, Cissy Houston, on the title track, which Cissy Houston vocally arranged.

For this song trail, you’ll have to wait for holiday season, when the Louisiana tradition of bonfires along the levee are built along the Mississippi River to welcome Papa Noel on Christmas Eve. True, the river isn’t exactly a bayou, but it’s close enough.







Britney Spears

Kentwood native Britney Spears topped the pop charts with ‘Oops, I Did it Again.’ 

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Oops, I Did it Again

by Britney Spears

You didn’t really think you would walk away from this without a Britney Spears song, did you? Her pop stardom is as much a part of the Louisiana music scene as any jazz or blues musician.

The Kentwood singer debuted her hit song in 2000, breaking the record for highest first-week sales by a solo artist at the time. She sold some 24 million copies, making “Oops” one of the best-selling songs of all time.

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But she didn’t stop there. In 1999, Spears would break her “Oops” sales record with “Baby One More Time.”

So, the song trail for Spears’ pop universe naturally leads to her hometown of Kentwood, where the welcome sign proclaims itself the birthplace of the megastar. Once there, drive to the Kentwood Historical & Cultural Museum, 204 Avenue E, to see an exhibit of the white wings costume worn on her Femme Fatale tour, a Mickey Mouse Club poster with Justin Timberlake, her intact bedroom from a 1999 Rolling Stone photoshoot, along with a few other artifacts.







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John Fogerty performs on the Gentilly Stage during the 50th annual Jazz Fest at the fairgrounds in New Orleans on Sunday, May 5, 2019.

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Born on the Bayou

by John Fogerty

First, let’s get this out of the way: John Fogerty is a Californian.

Still, the Creedence Clearwater Revival frontman has spent his fair share of time performing in Louisiana, including the New Orleans Jazz and Heritage Festival.

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Fogerty was obsessed with Louisiana’s music scene while growing up and developed the unique New Orleans accent heard on many of his classic rock songs through the years. Yet he had never visited Louisiana when writing “Born on the Bayou,” basing the song on encyclopedia research.

This song trail leads to what he envisioned: the state’s countless bayous and swamps to explore.







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Lake Charles native Lucinda Williams penned the song, ‘Lake Charles.’ 

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Lake Charles

by Lucinda Williams

Lake Charles native Lucinda Williams is known for her songwriting and her 1998 commercial breakthrough album, “Car Wheels on a Gravel Road.”

The album included her Grammy Award-nominated hit, “Can’t Let Go,” along with “Lake Charles,” about a late boyfriend, who always considered Louisiana his true home though he was born just across the border in Texas.

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The song is heartbreaking, but your trip along this song trail won’t be when you take in everything Lake Charles has to offer, including historic homes, outdoor adventures, lively casinos, Cajun-inspired food and year-round festivals.

Be sure to stop by one of LUNA Bar and Grill’s two locations at 719 Ryan St. downtown or 5656 Nelson Road for lunch or dinner while there.  







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Tim McGraw performs during Bayou Country Superfest in Tiger Stadium at LSU.

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Louisiana

by Tim McGraw and Jim McCormick

Country superstar and Start native Tim McGraw co-wrote and “Louisiana” in 2016 with Jim McCormick. In that same year, he recorded the song, which not only references the story’s geographical location but a significant time, place and emotions tied to the place McGraw calls home.

Though you can travel anywhere in the state to get the flavor of McGraw’s song, you may also want to make a special trip to northeast Louisiana, where you can drive through his small hometown of Start, which welcomes visitors with a sign declaring itself McGraw’s hometown. After that, spend some time a few miles down the road in Monroe, home to the museums, the Louisiana Purchase Gardens & Zoo and McGraw’s alma mater of the University of Louisiana at Monroe.

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mel mcdaniel

Mel McDaniel was the first to record ‘Louisiana Saturday Night.’



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Louisiana Saturday Night

by Bob McDill

Your feet automatically start moving when you hear Mel McDaniel sing the first words to this one: “Well, you get down the fiddle and you get down the bow, Kick off your shoes and you throw ’em on the floor … “

McDaniel released the song in 1981, and it became a country sensation, especially among the country line sect. One of the best places to hear the song these days is LSU’s Tiger Stadium in Baton Rouge, where it’s played preceding the pregame festivities.

Which makes Tiger Stadium a perfect starting point for this song trail. From there, make your way to one of Louisiana’s many Cajun dance halls.



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BAND OF HEATHENS

The Austin, Texas-based Band of Heathens recorded ‘Hurricane.’




Hurricane

by Stewart Harris, Thom Schuyler and Keith Stegall

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Levon Helm recorded “Hurricane” in 1980, telling the story about an old man in New Orleans’ French Quarter who is unfazed by a warning that a hurricane is coming his way. After Hurricane Katrina, Austin, Texas-based Band of Heathens resurfaced the song

This song trail leads visitors to the “Living With Hurricanes: Katrina & Beyond” exhibit at The Presbytere, 751 Chartres St., New Orleans. Here, you’ll hear eyewitness accounts, see immersive environments and witness in-depth explorations of some of Louisiana’s most devastating moments in history and how the state rose through adversity.

Sure, there are lots of songs that didn’t make the list, Randy Newman’s “Louisiana 1927,” the Eddie DeLange-Louis Alter tune “Do You Know What it Means to Miss New Orleans” and Roy Orbison’s “Blue Bayou” among them. Even Jimmy Driftwood’s 1959 Johnny Horton hit, “The Battle of New Orleans” didn’t make the list.

If you know a song you’d like to add to Louisiana’s Song Trail, let us know by emailing features@theadvocate.com. In the meantime, keep singing.  



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Louisiana State Police arrest 18-year-old in Vidalia crash t…

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Louisiana State Police arrest 18-year-old in Vidalia crash t…


VIDALIA, La. — Louisiana State Police arrested 18-year-old Gregory Steele early Sunday morning on two counts of vehicular homicide, one count of underage operating a motor vehicle while intoxicated, one count vehicular negligent injuring and one count careless operation, according to Concordia Parish Jail records.

Steele, 18, a white male, was arrested in connection with an accident that occurred at approximately 1:54 a.m. on Sunday morning on Minorca Road in Vidalia. Two passengers in the vehicle were killed. Steele and another passenger were able to escape the vehicle.



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On this Mother’s Day, three Louisiana mothers grieve the deaths of eight of their children, seven killed by their own father | CNN

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On this Mother’s Day, three Louisiana mothers grieve the deaths of eight of their children, seven killed by their own father | CNN


Christina Snow bends down and whispers something in her daughter’s ear as the 11-year-old lies in a white casket, eyes closed as if she were simply asleep.

On the morning before Mother’s Day, Sariahh Snow’s small, lifeless body is one of eight – all children – lined in open white caskets along the front of a church hall in Shreveport, Louisiana.

Except for the low murmur of church organ music drifting through the sanctuary, Snow’s muffled sobs momentarily silence an audience of hundreds who have gathered to grieve alongside the three mothers whose children were all fatally shot by the same man: the father of seven of the eight killed and an uncle to the eighth.

The shocking act of violence, which also left two of the mothers seriously wounded, marked the nation’s deadliest mass shooting in more than two years, a catastrophe so staggering it forced an already grief-stricken country to once again confront the deadly collision of a mental health crisis and America’s unrelenting access to guns.

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“This is not a Shreveport mourning,” Congressman Cleo Fields said in his tribute. “This is a nation mourning.”

Now remembered as the “Eternal 8,” Jayla Elkins, 3; Shayla Elkins, 5; Kayla Pugh, 6; Layla Pugh, 7; Mar’Kaydon Pugh, 10; Sariahh Snow, 11; Khedarrion Snow, 6; and Braylon Snow, 5, were killed in the April 19 shooting.

As grieving attendees lined up to pay respects to the children, one woman shut her eyes after peering at one of the children, Kayla, who wore a white dress, her fingernails carefully painted pink. Just behind her body stood a photograph from when she was still alive, her sweet, wide eyes impossible to reconcile with the stillness of the tiny body in the casket.

Inside the funeral pamphlet, Kayla is described by her family as “K-Mae,” a sweetheart with a big smile who never asked for much, but when she did, melted hearts. She loved “going to school, playing with her sisters, brothers, and cousins, and being outside running, jumping and even wrestling with those she loved.”

The seven other entries read as sweetly. Sarriah was described as “sunshine,” a creative, smart, and loving girl. Khedarrion loved helping his family and adored his principal. Braylon was sweet and gentle. Mar’Kaydon, or “K-Bug,” was a cheerful child who loved telling his grandmother what he learned at school every day. Jayla, also known as her family’s “little J-Bae,” taught her family “more about unconditional love, strength and resilience than words could ever express.” Shayla was warm and quiet. Layla adored her siblings and cousins so much she “would stand up for them no matter how big the other person was.”

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It’s a tragedy that sends chills racing down your spine and leaves a lump in your throat. Throughout the hall, people clung tightly to one another, wiping away each other’s tears. Children filled the pews — sweet, innocent and suddenly feeling even more precious to everyone there.

The Saturday funeral service was carried by the reverberating melody of gospel music that rattled through the hall like waves, sending prayer hands into the air and tears spilling from the eyes of loved ones and strangers alike.

But there were smiles too; and white, pink, blue, and purple bloomed in the crowd of black funereal clothes, woven among bright dresses, pressed shirts, ribbons and flowers.

“Lord, we ask right now a special prayer for Summer Grove School. Lord God, we pray for Lynnwood Public Charter School,” Pastor Al George said during his tribute, praying for the two schools the children had attended.

“We pray for all of those teachers, those principals; Lord, they need you right now. Those students need you right now. They’re going to school and see empty desks; Lord God, they need you right now.”

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Some of the funeral attendees were family, friends and teachers, and many were complete strangers – people who drove more than 12 hours just to stand witness to the unimaginable loss of children they had never met.

“I had to get here,” Kelvin Gadson told CNN. He had arrived a day earlier, having driven from South Carolina, and attended an open viewing of the caskets at a funeral home – the first time the mothers were able to see their children’s bodies.

But Gadson wasn’t just there to honor the children lost. He came for the children still here, the ones now carrying images no child should ever have to carry. With him were two costumes: Minnie and Mickey Mouse. The kids could pose with them as a distraction from what they’d just witnessed.

“They come out scared. But I’m really here because this violence has to stop. It’s killing our children, our precious babies,” Gadson, the founder of Giving a Child a Dream Foundation, told CNN. “My mission is about preventing gun violence.”

Little ones who came out of the casket viewing with their parents wore expressions of confusion and shock after witnessing eight bodies that didn’t look so different from their own.

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One of the children was Micheal Thomas.

“I’m kind of scared of funerals. I’m scared of the dead bodies, and they were pretty kids,” the 10-year-old said, sounding wiser than his years. “They were little. I wish I knew them, we would’ve been playing basketball, football, it would’ve been so fun.”

His friends at school don’t talk about the children as much as he does, he said. Then he points to his little brother, who hides behind his legs and clings tightly to him. “I care because imagine that was your kid. If it was my brother, I would be dying; I would be down bad.”

One day, he said, he will meet them in heaven and tell them, “Hey! How you doing? I’m doing good. You broke my heart, but I was talking about you.”

He hasn’t cried about seeing their bodies but he knows he will. The tears “don’t want to come,” but when they do, he promised he won’t push them back.

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Plastic trucks and ribbon-wrapped dolls

Days after the shooting stunned Shreveport, a whirlwind of police lights, camera crews and grieving relatives swarmed the neighborhood where the killings unfolded, the streets vibrating with sirens, the air shrouded in questions and disbelief.

But today, the home sits almost unbearably silent.

The main road leading to the Cedar Grove house where the children were killed is under construction. Jagged pieces of cement push through the dirt as orange and white caution cones warn drivers of danger. While less than half a mile away, innocent children received no warning at all before encountering the worst danger imaginable.

Eight balloons sway weakly in the wind above a makeshift memorial – eight crosses staked into the damp ground, covered in handwritten messages. Toys cover the lawn: stuffed animals, plastic trucks, dolls still wrapped in ribbons, left behind for children who will never come outside to claim them.

Besides the permanent stain the massacre has left on the neighborhood, it remains, in many ways, still beautiful — homes resting in the midst of lush green grass, children playing on porches, and neighbors blasting Michael Jackson as a family gathers around a table outside.

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A young girl sits slouched in a chair, chin in her hands, bored. It is a neighborhood that, in quieter moments, feels almost like childhood nostalgia made real — fragile, ordinary, and proof of how quickly innocence can be shattered.

In front of the memorial, a small gray cat sits in the rain before wandering to the front door of the gray and white home, curling near the entrance where blood had been spattered just weeks earlier. The gunman was identified as 31-year-old Shamar Elkins. Shreveport Police Cpl. Chris Bordelon told CNN affiliate KSLA the shootings were “domestic in nature.”

As the shooting unfolded, some of the children tried to escape out the back, a state representative said at an earlier news conference. Bullet holes could be seen in the back door of one of the homes.

Every now and then, a car slows to a crawl before pulling over beside the memorial, the people inside sitting silently behind fogged windows, perhaps reminiscing, perhaps praying, perhaps simply trying to make sense of a loss too enormous to truly understand.

Not far from the now empty home, stripped of the laughter and the innocent chaos of excited children that once filled every room and hallway with life, the three mothers, dressed in all white, sit side by side before the eight caskets.

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Keosha Pugh — sister of Shaneiqua Pugh, the gunman’s wife — walked into the funeral leaning on a cane, a painful reminder of the injuries she suffered after jumping from a roof with her daughter, Mar’Kianna, while fleeing the gunfire. The fall shattered her pelvis and hip. Shaneiqua Pugh escaped physically unharmed, but Snow was shot in the face during the attack.

All three mothers carried the visible weight of trauma throughout the service. Their legs trembled beneath them, their hands and heads shook with anxiety, and at times Snow, in tears, curled into the arms of friends and loved ones.

Prayers were recited over the bodies of their babies after horse-drawn carriages carried the children slowly into the cemetery as mourners followed behind, some arms carrying flowers and others carrying young children.

Roses were gently laid across the caskets before eight white doves were released into the sky, their wings unfurling into the clouds — a cruel irony beside the eight young lives below, cut short before their stories ever had the chance to unfurl at all.

Among the mourners was Dollie Sims, who had met the children when their father brought them to her community programs. She recalls being struck by how deeply loved they were. When she learned of their killing, she said she was stunned and retraumatized.

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“This was reliving the gun violence of my son, who was shot 15 times walking down the street. This is surreal, and as a parent, I think all of us out here are just devastated because what makes this situation so traumatic is that it was by their father, who struggled with mental illness,” Sims said, donning a white fur coat and dress as she waited for the family to arrive at the cemetery.

Her son, who survived, was 19 years old at the time of the shooting.

“This should open the eyes to Shreveport, Louisiana, and Louisiana period, about gun violence and its seriousness, and what we need to do to help this situation to make it safer … We need to advocate and support other families and show up and try to find a way to make it better to keep the next family safe.”

Sims believes the full impact of the tragedy has not fully hit the mothers who have not yet been given time to grieve, she said.

“Mother’s Day is just going to be the beginning of them realizing that those babies aren’t there anymore.”

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A few blocks away from the cemetery, Sharon Pouncy had up a folding table beside the road to sell Mother’s Day gift baskets. She lost her own child years ago, she said, after he became sick.

“I want these mamas to know that every mother is holding them in their hearts today,” Pouncy said from the driver’s seat of her truck. She’s wearing a Minnie Mouse shirt – unbeknownst to her, the character is a favorite of the children she had come to honor.

“We know your pain. Once you feel that loss, it never really goes away, you just …” She pauses, and a sad smile flickers across her face. “Well, you just find a way to live with it forever.”

At the same time three mothers lay their babies into the earth; another mother, years into her own journey of grief, finds herself thinking of her baby too.

A man pulls over and points to a basket he’s interested in buying. A card pokes out from a pile of teddy bears: “I love you, Mom.”

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Officials say Louisiana’s black bear bounty could boost hunting this year

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Officials say Louisiana’s black bear bounty could boost hunting this year


BATON ROUGE, La. (Louisiana Illuminator) – Louisiana is set to once again nearly double the number of black bears hunters can legally bag starting later this year.

The number of bear tags issued to hunters will increase from 26 in 2025 to 42 this year, according to the Louisiana Wildlife and Fisheries Commission announced Thursday. Hunters are still limited to one bear each, so the increased count clears the way for more people to pursue the animals.

Black bear hunting season, which resumed in Louisiana two years ago, is scheduled for Dec. 6-20 this year.

The number of black bear tags could change based on continuously updated population counts, said John Hanks, large carnivore program manager for the Louisiana Department of Wildlife and Fisheries, during the meeting. This, in part, is because the commission also ratified an expansion to where black bears can be hunted. Once restricted to only about a third of the state, hunting tags are being made available across more of Louisiana.

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Most tags will be available in Bear Management Area 4 in the northeast corner of the state, where 20 will be awarded through a hunter lottery. The area encompasses all of Madison, Franklin, Tensas, West Carroll and East Carroll parishes and smaller portions Catahoula and Richland parishes.

Other parts of the state will have fewer tags, ranging from two to eight per bear management area.

A map of the Bear Management Areas in Louisiana.(Louisiana Department of Wildlife and Fisheries)

The state brought back black bear hunting in 2024 after banning the practice in 1987, citing successful conservation efforts. The Louisiana black bear was listed as a federally threatened species in 1992 and taken off the list in 2016 as its population grew.

The first season saw 11 bear tags issued, and hunters took 10 bears, eight males and two females. The state increased its tag count to 26 last year, when hunters took 10 males and six females.

Wildlife and Fisheries estimates there are roughly 1,500 black bears in the state.

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There are three types of black bear hunting permits in Louisiana: general permits, for people hunting on private lands with the owner’s permission; wildlife management area permits, for those hunting in public areas the state manages; and private landowner permits, for those who own at least 40 acres in areas where bear hunting is allowed.

Out-of-state landowners could also soon be able to join in on the black bear hunting season in Louisiana.

A bill by state Rep. Neil Riser, R-Columbia, is moving through the Louisiana Legislature that would allow non-residents who own land to apply for bear tags to hunt on their own property. It has gained House and Senate approval and awaits the governor’s signature.

Applications for this year’s Louisiana bear hunting lottery will be accepted July 28 through Aug. 28. Applicants must pay for a non-refundable $25 bear hunting license and a $50 permit fee, which goes toward the state’s bear conservation programs. Hunters can apply for multiple types of permits but can only win one.

Louisiana Illuminator is part of States Newsroom, a nonprofit news network supported by grants and a coalition of donors as a 501c(3) public charity. Louisiana Illuminator maintains editorial independence. Contact Editor Greg LaRose for questions: info@lailluminator.com.

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Copyright 2026 Louisiana Illuminator. All rights reserved.



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