Vermont
Ondis Serves Seasonal Fare With a Side of Community in Montpelier
In July 2016, I spent one last day scrubbing down the tiger-lily-orange kitchen walls of my recently closed Montpelier business, Salt Café, and locked the door behind me. Since 2010, when I left my full-time job at Seven Days to open a restaurant, I’d spent nearly every day there, making flourless chocolate cake, rolling out sheets of herbed pasta or washing the dishes when a dishwasher called in sick. When times were tight, which was sometimes for months, I even spent my nights on a bedroll stretched out beneath the dining room tables, dreaming to the burble of chicken stock simmering on the stove.
Salt was located at 207 Barre Street, just steps from Hunger Mountain Co-op, and until three weeks ago, I hadn’t set foot in the building since that summer day eight years ago. What lured me back? One peek at the menu of Ondis, a new restaurant that opened in December after long-lived Kismet — which began in that space, moved downtown for a few years and then returned — closed its doors.
Ondis is co-owned by bartender couple Emma Sanford and Christopher Leighton. (He also owns Après cocktail lounge in Stowe, in partnership with Mirror Mirror owner Lindsay Chisholm.) They hired culinary school grad and longtime area chef Max Vogel to run the kitchen. Together, the trio serves up a playful, creative seasonal menu with exceptionally crafted drinks that put fresh twists on the classics. The restaurant vibe is cool and urban, with neutral tones on the walls and concrete and metal accents in the décor. There are just 20 indoor seats, but the opening of a seasonal patio will double the capacity.
“Something I really enjoy about our space being so small,” Leighton said, “is that it feels like something you’d find in a city, in some way … It’s a space where people can translocate.”
On a Thursday evening in late March, entering Ondis from the quiet, chilly residential street and emerging into a sleek, metropolitan restaurant, filled with customers shooting oysters and clinking glasses of wine, did feel something like walking into a wardrobe and landing in Narnia. After taking a seat near a collection of cookbooks and some potted plants, a friend and I pored over the winter menu, which has since changed for spring.
At the next table, Sofia and Michael Philbrick — coincidentally, customers of mine at Salt and now fervid Ondis regulars — insisted that we order the truffle fries ($16). We obeyed, ordering those along with much of the rest of the menu. The fries were labor-intensive and stunning, made by stacking layer after translucent layer of potato, cutting out rectangular slices, and frying them until golden and crisp. They were served with a sunny hemisphere of truffle aioli and topped with a blizzard of shredded cheese and chives.
The Philbricks come to Ondis for the “intimate atmosphere” and excellent service, Sofia said. “I really appreciate the time [Leighton] takes to explain the wine and the dishes,” she noted. She added that she never feels like she’s being rushed, even when all the tables are full.
Other pros for the Philbricks include the interesting selection of sauces that accompany the raw oysters, the price-to-quality ratio and the fact that the menu is well designed for people who want to share dishes with their companions.
Given the parade of plates at our table, I was grateful indeed to be splitting with a friend. In addition to the fries, my favorites included Moroccan spiced carrots, blistered but still bright, sprinkled with powdered pistachio and mounded with a tangle of microgreens ($12); plump shrimp perched on a cake of grits, accompanied by seared corn kernels ($17); and pillowy steamed buns stuffed with Korean-style pickles and battered-and-fried oyster mushrooms ($15).
On the new menu, there is still a steamed bun ($20), but now it’s filled with lobster salad and microgreens, drizzled with yuzu-flavored Japanese mayo. A mezze appetizer, featuring a selection of dips and dippables, has been transmuted into an entrée with the addition of lamb kebabs and homemade flatbread ($40).
There are completely fresh items, too: pork belly with ramp cream and apple-fennel slaw ($12); chicken congee with crispy chicken skin and chile oil ($20); and sea scallops with pancetta, beech mushrooms, bok choy and cognac-miso beurre blanc ($18).
At the moment, the food list is happily heavy on seafood thanks to deliveries from Wood Mountain Fish, and the owners are continuing to build relationships with Montpelier-area farmers and artisans. “We want to work with smaller producers who are doing stuff off the beaten path,” Leighton explained. In the past, he’s purchased seaberries and tiny northern kiwis from East Hill Tree Farm in Plainfield to use in cocktails.
On the current drink list — which bridges the liminal space between blizzards, mud and the first tender moments of spring — there are still what Sanford refers to as “spirit-forward” drinks that feel warming in chilly weather and hint at sunnier times to come. Think vodka with celery shrub and fresh pineapple ($13) and tequila milk punch flavored with tulsi, rose and lime ($14).
The one truly classic drink on the menu is a gin and tonic ($10) in honor of Sanford’s late mother, for whom the restaurant is named. Sanford, who grew up in nearby Marshfield, learned to love food and drink, and sharing them with community, from her family.
“My parents always cooked, and their friends were always over having dinner parties,” she recalled. “Dining was this special thing of getting everyone together. It held importance to me, and when we were naming [the restaurant], that spoke to us.”
Leighton and Sanford live in Plainfield, and both previously tended bar in Montpelier at Barr Hill. When they learned that Kismet was closing, they began dreaming of opening a business there, close to home.
“We went back and forth on what we wanted the space to be,” Sanford recalled. “Chris and I are both bar people, but there’s a commercial kitchen, so it seemed kind of silly not to do food.”
But the couple couldn’t find a chef who seemed like a good fit and were resigned to serving only drinks and snacks. Then, just before the opening, Vogel — a New England Culinary Institute grad who was running the kitchen at the Reservoir in Waterbury — showed up for an interview.
“Max has been entirely in charge of the food program, and we’re really appreciative to have him,” Leighton said. “We give him the space to be creative, and the business runs with him, because of him. He’s super talented.”
With three visionaries packed into a sardine can of a kitchen, how does the menu-planning process work? First, Vogel “will lay out his brainchild,” Leighton said. “We’ll collectively look at it and make decisions about what we think will work and what might not work.”
If a dish excites the trio but would be hard to source for an entire season, it might become a special. “We do a seasonal menu that will be the skeleton for three months,” Leighton noted, “but something will change nearly every day.”
Although the drinks are intended to complement the food, Sanford explained, they are not necessarily created with specific pairings in mind. “It’s more based on seasonality,” she said. The use of fresh, local ingredients in both the food and the cocktails — including herbs and specialty items grown by the owners in their garden — creates a harmony that makes the complex beverages and intricate dishes taste great together.
With all the buzz around their business, managing a small number of seats could be a tricky task. So Sanford and Leighton eschew reservations and instead use a wait list for in-person and online table requests. Locals can drop onto the list digitally, from the comfort of their living rooms. After receiving a text that a table is available, they have 15 minutes to scoot over to Ondis and claim it.
I caught Knayte Lander, co-owner of Buch Spieler Records, on the way to band practice prior to dinner at Ondis. Lander is impressed by the restaurant’s execution. “Their cocktail is, like, ‘vodka cocktail,’ and then it comes out, and it’s simple in its presentation yet completely unmakeable by [me],” he said. “They’re not showboating … They’re just really well trained at what they’re doing.”
Leighton summed up the philosophy that he and Sanford share: “We take the extra time and do the simple things really well. It makes all the difference.”
Diners seem to appreciate the effort. “The town is struggling to recover from a flood,” Lander said, referring to last July’s catastrophic rainfall. “Montpelier is having a rough day, but for a whole year. My aunt used to say that in times of distress, frivolity is important. Ondis isn’t frivolous, but it’s helping people feel OK right now.”
Lander echoed Leighton’s observation about Ondis having a different feel from its immediate environs, and from Montpelier in general. “Ondis is giving this otherworldly vibe,” he mused. “It seems equal parts European and incredibly urban, with attention to detail plus a very nice, comfortable atmosphere. It’s not your home. You’re transported.”
For a moment in time, the Ondis space actually was my home, and I’d worried that it would be painful to be back. Because the space was lovely and the food was exciting and the company was friendly, it wasn’t.
Vermont
The Magnificent 7: Must See, Must Do, May 1-7
Vermont
Vermont H.S. scores for Monday, April 29: See how your favorite team fared
The 2024 Vermont high school spring season has begun. See below for scores, schedules and game details (statistical leaders, game notes) from baseball, softball, lacrosse, track and field, tennis and Ultimate.
To report scores: Coaches or team representatives are asked to report results ASAP after games by emailing sports@burlingtonfreepress.com. Please submit with a name/contact number.
►Contact Alex Abrami at aabrami@freepressmedia.com. Follow him on Twitter @aabrami5
PREVIOUS COVERAGE
Watch list: The top returning Vermont high school boys lacrosse players for the 2024 season
Watch list: The top returning Vermont high school girls lacrosse players for the 2024 season
Watch list: The top returning Vermont high school softball players for the 2024 season
Watch list: The top returning Vermont high school baseball players for the 2024 season
Watch list: The top returning Vermont high school Ultimate athletes for the 2024 season
MONDAY’S H.S. GAMES
Girls lacrosse
Games at 4:30 p.m. unless noted
Green Mountain Valley at Mount Abraham/Vergennes
South Burlington at Essex
Colchester at Stowe
St. Johnsbury at Milton
Rice at Middlebury
Rutland at Spaulding
Boys lacrosse
Games at 4:30 p.m. unless noted
South Burlington at Essex
Middlebury at BFA-St. Albans
Colchester at Mount Mansfield
Otter Valley at Mount Abraham/Vergennes
Softball
Games at 4:30 p.m. unless noted
Mount Mansfield at Burlington/Winooski
Oxbow at Lyndon
Woodsville at Blue Mountain
Baseball
Games at 4:30 p.m. unless noted
Champlain Valley at Middlebury
Richford at BFA-Fairfax
Woodsville at Blue Mountain
Hazen at Montpelier
U-32 at Hartford
Girls tennis
Matches at 3:30 p.m. unless noted
BFA-St. Albans at U-32
St. Johnsbury at Essex
Middlebury at North Country
Harwood at Rice
Champlain Valley at Mount Mansfield
Boys tennis
Matches at 3:30 p.m. unless noted
Essex at St. Johnsbury
South Burlington at Middlebury
Mount Mansfield at Champlain Valley
Boys Ultimate
Games at 4 p.m. unless noted
Rice at Burlington
Montpelier at Champlain Valley
TUESDAY’S H.S. GAMES
Girls lacrosse
Games at 4:30 p.m. unless noted
Lamoille at Mount Abraham/Vergennes
Burlington at Harwood
St. Johnsbury at Colchester
Lyndon at Milton
Woodstock at U-32
Boys lacrosse
Games at 4:30 p.m. unless noted
Montpelier at Green Mountain Valley
Colchester at St. Johnsbury
Spaulding at Stowe
Lyndon at Milton
Harwood at Burlington
Hartford at BFA-Fairfax
Softball
Games at 4:30 p.m. unless noted
Twinfield/Danville/Cabot at Craftsbury
Richford at BFA-Fairfax
Lake Region at Enosburg
Lamoille at Milton
Missisquoi at BFA-St. Albans
Harwood at Randolph
Spaulding at Mount Abraham
Burlington at Rice
Essex at Colchester
Lyndon at North Country
Thetford at Oxbow
U-32 at Hartford
Baseball
Games at 4:30 p.m. unless noted
Hazen at Peoples/Stowe
Mount Mansfield at North Country
Burlington at Missisquoi
Lamoille at Milton
Rice at BFA-St. Albans
Spaulding at Mount Abraham
Lake Region at Enosburg
Essex at Colchester
Randolph at Harwood
Thetford at Oxbow
Girls tennis
Stowe at Burlington, 3:30 p.m.
Boys tennis
Matches at 3:30 p.m. unless noted
Burlington at Stowe
U-32 at Colchester
Girls Ultimate
Games at 4 p.m. unless noted
South Burlington at St. Johnsbury
Burr and Burton at Montpelier
Mount Mansfield at Champlain Valley
Track and field
Mount Abraham-hosted meet
(Subject to change)
Vermont
Internationally renowned composer Nico Muhly comes home to Vermont with piece for VSO
Nico Muhly is a world traveler. The composer was home in New York when he spoke with the Burlington Free Press in early April, but on the days before and after that conversation his itinerary included trips to Paris, Los Angeles and London.
When he’s home, though – not home in New York, but home home, the place where he feels he really belongs – it’s in central Vermont.
“If I say I’m going home,” Muhly said, “it’s to Randolph.”
One of the world’s most highly regarded contemporary composers, Muhly was born 42 years ago at Gifford Medical Center in Randolph. His parents lived primarily in Providence, Rhode Island, but their home and artistic studio in Tunbridge, outside Randolph, is where he feels most rooted, having spent every summer and most weekends there.
Considering his Vermont connections, it’s a little surprising that Muhly has never written a commissioned piece for the state’s most prominent classical organization, the Vermont Symphony Orchestra. That changes May 4 when the VSO and another Vermont-born musician making waves internationally, pianist Adam Tendler, premiere a piece Muhly created specifically for Tendler and the VSO.
Working at Carnegie Hall, with Sufjan Stevens
The composer has certainly written high-profile commissioned pieces before, for the Metropolitan Opera, Carnegie Hall, the Los Angeles Philharmonic and more. Muhly has collaborated with choreographers including Benjamin Millepied at the Paris Opera Ballet and Kyle Abraham at the New York City Ballet. He has dipped into the world of popular music to work with indie stars such as Bryce Dessner of The National and Sufjan Stevens.
Muhly’s mother, Bunny Harvey, an artist and teacher, attended the Rhode Island School of Design in Providence. Muhly’s father, documentary filmmaker Frank Muhly, also went to school in the city, attending Brown University. Harvey taught at Wellesley College, 35 miles away in Massachusetts, so the family lived mostly in Providence, where Muhly attended school.
Muhly said his mother’s parents had homes in Woodstock and Randolph Center before his parents bought an old Cape Cod-style home in Tunbridge in the 1970s that they’ve added onto bit by bit. Those additions include a studio where Muhly sometimes creates his compositions.
“It’s gradually expanded into this kind of magical place,” said Muhly, who called the Tunbridge home “a gathering point” for friends and family. When he describes it to first-time visitors he says, “Yes, the highway (Interstate 89) is there, kind of, but it’s a click farther away than other places.”
Muhly attends festivals and collaborates with musicians worldwide, but that doesn’t keep him from Vermont. Sometimes, he said, he’ll wake up in a place like Helsinki, fly to Boston, board a tiny plane bound for Lebanon, New Hampshire, and arrive in Tunbridge to find himself “grilling a chicken at 6 p.m.”
Compositions by Justin Morgan
The story of how Muhly came to work on the VSO piece, a co-commission with the New Jersey Symphony, is not complicated.
“The phone rang and I said ‘Sure,’” he said. “It was pretty simple.”
The composition itself, a piano concerto titled “Sounding,” was not as easy. Muhly based the 15-minute piece on hymns by Justin Morgan, the renowned 18th-century horse breeder who lived in Randolph.
“He was kind of a polymath,” Muhly said of Morgan. “He was a composer/horse breeder. I think he was also a publisher. He was one of the originators of shape-note music.”
Tapping into music a couple of centuries old is not uncommon for Muhly. “I would say a lot of my music is in some sort of dialogue with the past, either explicitly or not,” he said. But Morgan’s style didn’t mesh easily with Muhly’s approach.
“That music is actually quite at variance with the music from the past that I really relate to, which is Anglican choral music,” Muhly said. He had to translate Morgan’s style into his own language.
“That was randomly more challenging than I thought,” Muhly said. “It kind of doesn’t matter how big the piece is. You still have to have a really good idea.”
Adam Tendler plays Muhly’s music
Muhly often writes compositions with friends in mind to play them. He wrote “Sounding” to be played by Tendler, who grew up outside Barre, just up Vermont 14 from Tunbridge. Muhly said Tendler can provide the “technical fireworks” the piece requires.
Muhly said he likes to ask when writing for a musician such as Tendler “how does this fit in your hands?” Then, he said, “I am able to tailor the suit.”
Tendler performed April 11 at The Phoenix in Waterbury in conjunction with the Waterbury-based contemporary chamber group TURNmusic. The program featured eight piano pieces written by Muhly between 2005 and 2022.
The works displayed Muhly’s range, from the delicate, deliberate tone of “Lilt” to the more energetic and flamboyant “Move.” Tendler concluded with “Eiris, Sones,” a Muhly composition that will appear on Tendler’s upcoming album.
Tendler said he didn’t know Muhly while growing up in Vermont; they became friends while living in New York. “I really started as a fan of his,” Tendler told the audience at The Phoenix.
He described Muhly’s music as “precise,” but also surprising. Muhly likes to include what Tendler called “glitches” in his compositions, where one note can change the shape of an entire piece.
“I call it sometimes the ‘anti-ending,’” Tendler said, adding that Muhly might not care for that description. “I think it’s interesting to hear something that upends what has been established.”
Muhly will be back in Vermont for the May 4 performance of “Sounding.” He said he’s “really happy with the piece,” despite having wrestled with creating it.
“I’m glad I did it,” Muhly said, “so I don’t have to do it anymore.”
If you go
WHAT: “Mozart, Mazzoli, and Muhly,” a concert presented by the Vermont Symphony Orchestra
WHEN: 7:30 p.m. Saturday, May 4
WHERE: The Flynn, Burlington
INFORMATION: $8.35-$59. www.vso.org
Contact Brent Hallenbeck at bhallenbeck@freepressmedia.com.
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