Lifestyle
This energetic dance party hides in a tiny L.A. bar — no cover, no line, no RSVPs
Under red lights, a man in a cowboy hat swings his partner around a crowded dance floor. House and disco music play from a makeshift DJ booth. A tattooed woman with long, red fingernails grips a Buddha-shaped beer bottle. A fashionable couple takes selfies in matching red trucker hats emblazoned with the words “Thai Angel.” They’re two of the many patrons proud to show their loyalty to the bar-restaurant hosting this lively scene. It’s late on a Saturday night in February and just a few hours earlier, there was no DJ and no dancing. Just regulars eating drunken noodles and fried rice at this unassuming spot in Koreatown.
But when Thai Angel’s tiny kitchen closes, the party starts. Through a community of devout regulars and an owner that embraces them, it’s quietly become a drama-free, all-are-welcome place to dance from 9 p.m. until last call just before 2 a.m. No RSVP, no cover, no line outside.
Bartenders Maddox and Isabella serving drinks behind the bar.
A woman indulges in a slice of pizza.
In the back of the L-shaped room, the bathroom line buzzes with strangers bonding over how they found Thai Angel and flexing how many times they’ve visited. It’s the type of conversation you’d expect somewhere like Spotlight, a dress-to-impress nightclub that recently opened in Hollywood, or at an underground warehouse party in East L.A. or downtown. But some young L.A. partygoers are tired of corporate-feeling clubs and exclusive or ticketed events. They’ve gone back to basics — favoring casual bar environments. Gen Z’s recent discovery of 100-year-old Barney’s Beanery has made the late-night roadhouse as hard to get into as the spots the new crowd was seemingly trying to avoid. Thai Angel has no glamorous Hollywood backstory or viral TikTok posts, yet its dance floor is packed.
Jamie Eich, 58, opened the first iteration of Thai Angel, named after her daughter, in 1995 as a karaoke bar in Hollywood. Eight years ago, on her daughter Salanya “Angel” Inm’s 21st birthday, Jamie asked what she wanted. “A bar,” she answered. The current Thai Angel location on Western Avenue was her birthday gift. Thai Angel is co-owned by Jamie, Angel and her brother Boss Inm, 36. After college, Angel, now 29, began working as a waitress and bartender. Boss and Jamie are behind the bar at Thai Angel every day. Angel, who also works as a reiki practitioner and model, is preparing to open an alcohol-free tea lounge upstairs.
The family never set out to make Thai Angel a nightlife hot spot. Sure, it poured strong drinks and stayed open late, but the first DJs to throw parties in the space were just regulars slurping down pad see ew at the bar.
Angel, left, Jamie and Boss, the family team steering Thai Angel.
A pulsating crowd vibes to the beats of the DJ.
Most people inside tonight found the space through a party called SOUP. In 2020, eight friends in the music industry, including Swedish pop star Tove Lo, were looking for a place to throw an informal DJ night. They looked for a venue across L.A. but couldn’t find the right fit, eventually giving up and grabbing a late-night dinner. They ended up at Thai Angel.
The first SOUP was days before the city issued pandemic stay-at-home orders in March 2020. The friends have since put on 13 events at the restaurant. Throwing dance parties at Thai Angel requires promoters to bring in their own DJ and speaker setup, but the environment is worth it.
“People have really responded to the unique feel of Thai Angel and the fun concept of SOUP’s quick DJ rotation,” says SOUP member Samuel Luria. “The setting has a lot to do with it. L.A. nightlife is filled with things worth avoiding … there are plenty of douchey clubs, trendy bars and overpriced and pretentious mixology. There are also fun spots where the owners have applied care and vision in order to create a fun and unique environment. Thai Angel is one of those spots.”
On party nights, the eight friends arrive early to enjoy an off-menu vegan tom kha soup prepared by Jamie, with plenty of leftovers for the rest of the week.
Tonight, the crowd at Thai Angel is courtesy of DJ collective Friends of Friends of Friends. Previously, they threw house parties and DJed the occasional wedding, but the trio was inspired by SOUP and began throwing events at Thai Angel last September. “Jamie immediately welcomed us as her family,” said co-founder Collin Sommers. “For a city known for its glitz and glam, there’s a lot of authenticity in the spaces below the surface. Thai Angel is just one story, amongst many in L.A., of a women-owned, family-owned business that truly foster community.”
Jamie, who is a single mother, enjoys her role as welcoming committee and secondary mom to Thai Angel patrons. Some regulars don’t know her first name and refer to her only as “Mom.” She encourages it. A handwritten note tacked to the bar displays her username for digital payments as “Thai-Mom.” The nickname was popularized by DJ and actor Ian Alexander Jr., who died by suicide at 26. Jamie credits him for throwing weekly DJ nights starting in 2018 that laid the foundation for Thai Angel to become an if-you-know-you-know nightlife spot. “He loved doing it. He’d greet me with ‘Hi, Mom, how are you?’ He made this place pop. I think that he’s still here with us,” she said.
A vibrant crowd energizes the dance floor.
Angel believes the family dynamic is responsible for the warm and welcoming environment. “It’s a very small, narrow space. It’s cozy. In my mind it really does feel like a living room, a house party. People come here and they feel at home,” she says.
In addition to this spot, Jamie owns two bars in Bangkok, also named Thai Angel. “We set goals here. Like Nike said, just do it,” Jamie says.
At midnight, a man bobs and weaves through the crowd holding a stack of giant pizza boxes. Jamie immediately waves him over to the last booth, where he begins giving out slices for free. Scotty Chappell, co-owner of Swizzle Pizza, an East Hollywood pop-up, has been coming to Thai Angel for seven years. He initially stumbled in while working at a restaurant down the street. Before opening Swizzle, Chappell and his business partners experimented with serving Thai pizzas out of the Thai Angel oven.
“Thai Angel has always been there for us. It’s a chosen family in a city where that feels so hard to find. We’re there for them too, whether it’s helping them close up on busy nights, taking out the trash, washing dishes or bringing in a ton of pizza to feed a party so they can actually have a break from cooking their delicious Thai food,” Chappell says.
At 1 a.m., the dance floor shows no signs of slowing down. Jamie has changed into a “I <3 Thai Angel” T-shirt. Angel is passing out homemade lemon bars, courtesy of a regular who calls the bar their “Cheers.” Across Los Angeles, the Saturday night crowd is waiting in line for a hot bar or racking up an Uber bill as they search for the next better party. If only they knew what was hiding in plain sight.
Follow Thai Angel on Instagram @thaiangelbar for information about upcoming events.
Lifestyle
It was called the Kennedy Center, but 3 different presidents shaped it
President John F. Kennedy, left, looks at a model of what was later named the Kennedy Center in Washington, DC., in 1963.
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National Archives/Getty Images
On Thursday, the Kennedy Center’s name was changed to The Donald J. Trump and the John F. Kennedy Memorial Center for the Performing Arts.

By Friday morning, workers were already changing signs on the building itself, although some lawmakers said Thursday that the name can’t be changed legally without Congressional approval.
Though the arts venue is now closely associated with President Kennedy, it was three American presidents, including Kennedy, who envisioned a national cultural center – and what it would mean to the United States.
New signage, The Donald J. Trump and The John F. Kennedy Memorial Center for the Performing Arts, is unveiled on Friday in Washington, D.C.
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Jacquelyn Martin/AP
The Eisenhower Administration
In 1955, President Dwight D. Eisenhower first pursued building what he called an “artistic mecca” in Washington, D.C., and created a commission to create what was then known as the National Cultural Center.
Three years later, Congress passed an act to build the new venue with the stated purpose of presenting classical and contemporary music, opera, drama, dance, and poetry from the United States and across the world. Congress also mandated the center to offer public programs, including educational offerings and programs specifically for children and older adults.
The Kennedy Administration
A November 1962 fundraiser for the center during the Kennedy administration featured stars including conductor Leonard Bernstein, comedian Danny Kaye, poet Robert Frost, singers Marian Anderson and Harry Belafonte, ballerina Maria Tallchief, pianist Van Cliburn – and a 7-year-old cellist named Yo-Yo Ma and his sister, 11-year-old pianist Yeou-Cheng Ma.

In his introduction to their performance, Bernstein specifically celebrated the siblings as new immigrants to the United States, whom he hailed as the latest in a long stream of “foreign artists and scientists and thinkers who have come not only to visit us, but often to join us as Americans, to become citizens of what to some has historically been the land of opportunity and to others, the land of freedom.”
At that event, Kennedy said this:
“As a great democratic society, we have a special responsibility to the arts — for art is the great democrat, calling forth creative genius from every sector of society, disregarding race or religion or wealth or color. The mere accumulation of wealth and power is available to the dictator and the democrat alike; what freedom alone can bring is the liberation of the human mind and spirit which finds its greatest flowering in the free society.”
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Kennedy and his wife Jacqueline were known for championing the arts at the White House. The president understood the free expression of creativity as an essential soft power, especially during the Cold War, as part of a larger race to excellence that encompassed science, technology, and education – particularly in opposition to what was then the Soviet Union.
The arts mecca envisioned by Eisenhower opened in 1971 and was named as a “living memorial” to Kennedy by Congress after his assassination.
The Johnson Administration
Philip Kennicott, the Pulitzer Prize-winning art and architecture critic for The Washington Post, said the ideas behind the Kennedy Center found their fullest expression under Kennedy’s successor, President Lyndon B. Johnson.

“Johnson in the Great Society basically compares the arts to other fundamental needs,” Kennicott said. “He says something like, ‘It shouldn’t be the case that Americans live so far from the hospital. They can’t get the health care they need. And it should be the same way for the arts.’ Kennedy creates the intellectual fervor and idea of the arts as essential to American culture. Johnson then makes it much more about a kind of popular access and participation at all levels.”
Ever since, Kennicott said, the space has existed in a certain tension between being a palace of the arts and a publicly accessible, popular venue. It is a grand structure on the banks of the Potomac River, located at a distance from the city’s center, and decked out in red and gold inside.
At the same time, Kennicott observed: “It’s also open. You can go there without a ticket. You can wander in and hear a free concert. And they have always worked very hard at the Kennedy Center to be sure that there’s a reason for people to think of it as belonging to them collectively, even if they’re not an operagoer or a symphony ticket subscriber.”
The Kennedy Center on the Potomac River in Washington, D.C.
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Kennicott estimated it will only take a few years for the controversies around a new name to fade away, if the Trump Kennedy moniker remains.
He likens it to the controversy that once surrounded another public space in Washington, D.C.: the renaming of Washington National Airport to Ronald Reagan Washington National Airport in 1998.

“A lot of people said, ‘I will never call it the Reagan National Airport.’ And there are still people who will only call it National Airport. But pretty much now, decades later, it is Reagan Airport,” Kennicott said.
“People don’t remember the argument. They don’t remember the controversy. They don’t remember the things they didn’t like about Reagan, necessarily. . . . All it takes is about a half a generation for a name to become part of our unthinking, unconscious vocabulary of place.
“And then,” he said, “the work is done.”
This story was edited for broadcast and digital by Jennifer Vanasco. The audio was mixed by Marc Rivers.
Lifestyle
Fashion’s Climate Reckoning Is Just Getting Started
Lifestyle
The 2025 Vibe Scooch
In the 1998 World War II film “Saving Private Ryan,” Tom Hanks played Captain John H. Miller, a citizen-soldier willing to die for his country. In real life, Mr. Hanks spent years championing veterans and raising money for their families. So it was no surprise when West Point announced it would honor him with the Sylvanus Thayer Award, which goes each year to someone embodying the school’s credo, “Duty, Honor, Country.”
Months after the announcement, the award ceremony was canceled. Mr. Hanks, a Democrat who had backed Kamala Harris, has remained silent on the matter. On Truth Social, President Trump did not hold back: “We don’t need destructive, WOKE recipients getting our cherished American awards!!!”
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