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How one pop band is trying to turn concertgoers into climate activists

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How one pop band is trying to turn concertgoers into climate activists

AJR fans at Denver’s Ball Arena perform the wave on June 20, 2024.

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At Ball Arena in Denver, thousands of fans of the multi-platinum-selling indie pop group AJR do the wave. The vast, coordinated ripple as the concertgoers throw their arms up instantly unites the room.

It’s this type of mass, coordinated energy that AJR bassist and climate activist Adam Met wants to harness.

“Can we actually capture that power in the concert space and make use of it to get people to do something more?” said Met, who also runs the climate change research and advocacy non-profit Planet Reimagined.

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Ryan Met, left, Jack Met, center, and Adam Met, right, of AJR at the 2019 Lollapalooza Festival in Chicago

Ryan Met, left, Jack Met, center, and Adam Met, right, of AJR at the 2019 Lollapalooza Festival in Chicago.

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AJR has been filling arenas across the country this summer on its Maybe Man tour with quirky-existential hits like “Bang!” “Burn the House Down” and “World’s Smallest Violin.”

Along the way, the band has also been collaborating with local nonprofits in each city to inspire concertgoers to take local, policy-based action to help reduce the impacts of human-caused climate change — right there in the arena.

Getting fans to do something more

According to data shared by Planet Reimagined and verified by its local nonprofit partners, concertgoers at AJR’s two Salt Lake City shows sent 625 letters and 77 handwritten postcards to Utah legislators calling on them to decrease the amount of water being diverted from the Great Salt Lake.

“In Phoenix, they sent more than 1,000 letters to the city council calling on them to recognize extreme heat as a climate emergency,” Met said. “In Chicago, 200 fans sent letters to Illinois legislators urging them to pass the Illinois clean jobs platform, which supports investments in building transportation and the grid.”

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Those seem like tiny numbers. But they make an impact.

“So if 30, 40 or 50 people are in a live setting and they’re being encouraged to support a particular nonprofit’s agenda, and they all send emails at the same time, that is definitely going to get the attention of lawmakers because that’s unusual,” said Bradford Fitch, president and CEO of the non-partisan Congressional Management Foundation, which has done research on outreach to lawmakers. “That doesn’t happen very frequently.” 

Artists for climate activism

A growing number of artists are working to educate ticket-buyers at concerts about human-driven climate change as part of a broader environmental movement in the music industry.

“We’re seeing more and more artists and venues and festival teams increasing their ambitions around sustainability overall,” said Lucy August-Perna, global head of sustainability for music events promoter and venue operator Live Nation.

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Artists like Billie Eilish have discussed the issue on stage.

“Most of this show is being powered by solar right now,” Eilish said at last year’s Lollapalooza Festival in Chicago. “We really, really need to do a better job of protecting this [expletive] planet.”

Many other performers, like Dave Matthews Band, The 1975 and My Morning Jacket, are also inviting activist groups to share information at concert venues.

“We have tables where fans can learn about local climate organizations and basically just connect about climate and sustainability,” said Maggie Baird, who oversees Eilish’s climate and sustainability efforts. (She’s also the rock star’s mom.) “I think it’s really important that artists use their platforms. They have a unique gift, and they also have a unique responsibility.”

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“Most of our partner tours have fan actions and things that they can do on site,” said Lara Seaver, director of touring and projects at Reverb, which works with touring artists such as Eilish and AJR on implementing their environmental efforts.

Seaver said what sets AJR’s engagement work apart to a degree is its consistency and depth. “In every single market, we have something very local and meaningful and impactful happening,” she said.

Assessing the impact

According to Planet Reimagined, around 12,000 audience members participated in climate-related civic actions during AJR’s tour, such as signing petitions, sending letters, leaving voicemails, registering to vote, making donations and volunteering. An additional 10,500 scanned QR codes and signed up for emails to learn more about an issue.

AJR’s Met said he felt confident they would be responsive: Ticket buyers for concerts and festivals featuring artists like Taylor Swift, Beyonce, Dave Matthews Band and many more were polled in the recent Planet Reimagined Amplify: How To Build A Fan Based Climate Movement study, undertaken in collaboration with Live Nation. The majority of respondents said they’d be open to not just learning about climate change, but also would be open to take climate-related actions at these events.

Met said the findings also highlight what artists should do to be effective at each stop on a tour, such as being relevant to the local community. “If it’s affecting them and their community personally, they’re so much more likely to take action,” Met said.

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Met said the research also shows artists need to model those actions themselves. “Fans have this deep connection to artists,” Met said. “So there is so much more impact on fans if the artist says, ‘Will you join me in doing this?’ As opposed to, ‘Will you do this?’”

Putting research into practice

Chelsea Alexander and Bobbie Mooney of 350 Colorado were on site at an AJR concert in Denver to engage fans in supporting their phase-out fracking campaign

Chelsea Alexander and Bobbie Mooney of 350 Colorado were on site at an AJR concert in Denver to engage fans in supporting their phase-out fracking campaign

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In Denver, fans were able to use their phones to scan a QR code displayed on screen to support a local campaign aimed at getting an initiative on the 2026 Colorado state ballot to phase out new permits for fracking by 2030. A contentious issue in Colorado, the process is used to extract oil and gas. It generates wastewater and emits toxic pollutants and methane, which is a major source of planet-warming pollution. But it’s big business.

Meanwhile, out on the concourse, representatives from 350 Colorado, the local climate change nonprofit that’s running the campaign, chatted up fans.

350 Colorado’s Chelsea Alexander told AJR fan Robin Roston that the QR code, “takes you to a form that takes about 20 seconds to complete.”

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AJR concertgoers Robin Roston and Ben Roston

AJR concertgoers Robin Roston and Ben Roston

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“I think it’s a good way to get boots on the ground, chatting with real people who are here to enjoy music, and connecting that with helping the environment,” Roston said.

Small steps, big potential

According to 350 Colorado, 179 people took action over the course of AJR’s two performances in support of the phase-out fracking campaign. At least 125,000 physical signatures will be needed to get the initiative on the ballot in 2026.

But 350 Colorado representative Bobbie Mooney said every bit helps.

“We often think in terms of a ladder of engagement, where we can invite someone to take a small action and give them a sense of empowerment that they’re a part of the solution,” Mooney said. “And then we can invite them to take another, maybe greater action. They can join a committee, they can become a part of advocating for a particular bill in our legislature.”

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Because of the collective energy they create, big, live gatherings such as concerts and sporting events provide a particularly powerful setting to get people on that ladder.

“The fact that everyone around us is doing something makes us dramatically more likely to do it ourselves,” said Cindy McPherson Frantz, a professor of psychology and environmental studies at Oberlin College.

But Frantz said it’s not easy for fans to sustain enthusiasm for such things after coming down off that big event high.

“You could get all excited about calling your senator or voting at the rock concert,” she said. “And then you go home, a week goes by or a month goes by, and you forgot all about it and you’re busy and whatever. And then it just completely evaporates.”

Frantz said simply getting fans to talk about climate change at a concert is a win, though. “The power of bringing people together and giving them the sense of, ‘I am not alone, I’m not the only person scared about this, I’m not the only person working on this problem,’ is a huge antidote to the hopelessness and the helplessness that comes from being isolated.”

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‘Hamnet’ star Jessie Buckley looks for the ‘shadowy bits’ of her characters

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‘Hamnet’ star Jessie Buckley looks for the ‘shadowy bits’ of her characters

Jessie Buckley has been nominated for an Academy Award for best actress for her portrayal of William Shakespeare’s wife in Hamnet.

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Actor Jessie Buckley says she’s always been drawn to the “shadowy bits” of her characters — aspects that are disobedient, or “too much.” Perhaps that’s what led her to play Agnes, the wife of William Shakespeare, in Hamnet.

Buckley says the film, which is based on Maggie O’Farrell’s 2020 novel, offered a chance to counter a common narrative about the playwright’s wife: that she “had kept him back from his genius,” Buckley says.

But, she adds, “What Maggie O’Farrell so brilliantly did, not just with Agnes and Shakespeare’s wife, but also with Hamnet, their son, was to bring these people … and give them status beside this great man. … [And] give the full landscape of what it is to be a woman.”

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The film is nominated for eight Academy Awards, including best actress for Buckley. In it, she plays a woman deeply connected to nature, who faces conflicts in her marriage, as well as the death of their son Hamnet.

Buckley found out she was pregnant a week after the film wrapped. She’s since given birth to her first child, a daughter.

“The thing that this story offered me, that brought me into this next chapter of my life as a mother was tenderness,” she says. “A mother’s tenderness is ferocious. To love, to birth is no joke. To be born is no joke. And the minute something’s born into the world, you’re always in the precipice of life and death. That’s our path. … I wanted to be a mother so much that that overrode the thought of being afraid of it.”

Jessie Buckley stars as Agnes and Joe Alwyn plays her brother Bartholomew in Hamnet.

Jessie Buckley stars as Agnes and Joe Alwyn plays her brother Bartholomew in Hamnet.

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Interview highlights

On filming the scene where she howls in grief when her son dies

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I didn’t know that that was going to happen or come out, it wasn’t in the script. I think really [director] Chloé [Zhao] asked all of us to dare to be as present as possible. Of course, leading up to it, you’re aware this scene is coming, but that scene doesn’t stand on its own. By the time I’d met that scene, I had developed such a deep bond with Jacobi Jupe, who plays Hamnet, and [co-stars] Paul [Mescal] and Emily Watson, and all the children and we really were a family. And Jacobi Jupe who plays Hamnet is such an incredible little actor and an incredible soul, and we really were a team. …

The death of a child is unfathomable. I don’t know where it begins and ends. Out of utter respect, I tried to touch an imaginary truth of it in our story as best I could, but there’s no way to define that kind of grief. I’m sure it’s different for so many people. And in that moment, all I had was my imagination but also this relationship that was right in front of me with this little boy and that’s what came out of that.

On what inspired her to pursue singing growing up

I grew up around a lot of music. My mom is a harpist and a singer and my dad has always been passionate about music, so it was always something in our house and always something that was encouraged. … Early on, I have very strong memories of seeing and hearing my mom sing in church and this quite intense mercurial conversation that would happen between her, the story and the people that would listen to her. And at the end of it, something had been cracked between them and these strangers would come up with tears in their eyes. And I guess I saw the power of storytelling through my mom’s singing at a very young age, and that was definitely something that made me think I want to do that.

On her first big break performing as a teen on the BBC singing competition I’d Do Anything — and being criticized by judges about her physical appearance

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I was raw. I hadn’t trained. I had a lot to learn and to grow in. I was only 17. I think there was part of their criticism which I think was destructive and unfair when it became about my awkwardness, or they would say I was masculine and send me to kind of a femininity school. … They sent me to [the musical production of] Chicago to put heels on and a leotard and learn how to walk in high heels, which was pretty humiliating, to be honest, and I’m sad about that because I think I was discovering myself as a young woman in the world and wasn’t fully formed. … I was different. I was wild, I had a lot of feeling inside me. I could hardly keep my hands beside myself and I think to kind of criticize a body of a young woman at that time and to make her feel conscious of that was lazy and, I think, boring.

On filming parts of the 2026 film The Bride! while pregnant

I really loved working when I was pregnant. I thought it was a pretty wild experience, especially because I was playing Mary Shelley and I was talking about [this] monstrosity, and here I was with two heartbeats inside me. Becoming a mom and being pregnant did something, I think, for me. My experience of it, it’s so real that it really focuses [me to be] allergic to fake or to disconnection.

Since my daughter has come and I know what that connection is and the real feeling of being in a relationship with somebody … as an actress, it’s very exciting to recognize that in yourself and really take ownership of yourself.

I’m excited to go back and work on this other side of becoming a mother in so many ways, because I’ve shed 10 layers of skin by loving more and experiencing life in such a new way with my daughter. I’m also scared to work again because it’s hard to be a mother and to work. That’s like a constant tug because I love what I do and I’m passionate and I want to continue to grow and learn and fill those spaces that are yet to be filled — and also be a mother. And I think every mother can recognize that tug.

On the possibility of bringing her daughter to travel with her as she works

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I haven’t filmed for nearly a year and I cannot wait. I’m hungry to create again. And my daughter will come with me. She’s seven months, so at the moment she can travel with us and it’s a beautiful life. And she meets all these amazing people and I have a feeling that she loves life and that’s a great thing to see in a child. And I hope that’s something that I’ve imparted to her in the short time that she’s been on this earth is that life is beautiful and great and complex and alive and there’s no part of you that needs to be less in your life. You might have to work it out, but it’s worth it.

Lauren Krenzel and Susan Nyakundi produced and edited this interview for broadcast. Bridget Bentz, Molly Seavy-Nesper and Beth Novey adapted it for the web.

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‘Scream 7’ takes a weak stab at continuing the franchise : Pop Culture Happy Hour

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‘Scream 7’ takes a weak stab at continuing the franchise : Pop Culture Happy Hour

Neve Campbell in Scream 7.

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The OG Scream Queen Neve Campbell returns. Scream 7 re-centers the franchise back on Sidney Prescott. She has a new life, a family, and lots of baggage. You know the drill: Someone dressing up as the masked slasher Ghostface comes for her, her family and friends. There’s lots of stabbing and murder and so many red herrings it’s practically a smorgasbord.

Follow Pop Culture Happy Hour on Letterboxd at letterboxd.com/nprpopculture

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