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A first look inside the weed consumption lounge in Hawthorne near LAX and SoFi Stadium

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A first look inside the weed consumption lounge in Hawthorne near LAX and SoFi Stadium

Barely four hours after he had arrived in Los Angeles from Georgia to attend his nephew’s birthday bash, James Huling was seated at a bar rolling a joint and sipping a cannabis-infused agua fresca on a recent Thursday afternoon.

“I’m trying to find out about that Cali life,” said Huling, 71, with a grin as he sparked the freshly rolled joint of Maven Orange Sapphire. “I’m ready for this to be legal all over the United States,” he added as he exhaled a plume of smoke. “It’s not legal in Georgia yet, but it’s on the ballot. And I cast my vote right before I left.”

Meanwhile, 38-year-old James Milne lounged in a seat not far away, his back against a frosted glass window, observing the scene from behind Ray-Ban sunglasses. As he finished a joint of Pure Beauty Spritzer, a budtender delivered a roll of Starburst candy and a box of water to him on a silver tray.

The Artist Tree’s ninth location, which opened in late September, marks the first dispensary and first cannabis consumption lounge to open in the city of Hawthorne. A total of six dispensaries — three of which will be able to offer on-site consumption — will be allowed to open within city limits.

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The novelty wasn’t that Huling and Milne were getting high in a public place, but rather where they were getting legally lit — in the city of Hawthorne, just minutes from Los Angeles International Airport. That’s because, until recently, cannabis consumers in the greater Los Angeles area looking for a licensed cannabis consumption lounge could only find one in a two-mile stretch of West Hollywood, home to the county’s first five licensed consumption lounges.

The change came late last month with the opening of the Artist Tree Weed Dispensary & Lounge Hawthorne.

Located on Imperial Highway less than half a mile from where the 405 and 105 freeways meet, the roughly 4,500-square-foot space is the ninth pot-shop-meets-art-gallery concept under the Artist Tree nameplate and the second to include a consumption lounge. (The first lounge opened in April 2022 in West Hollywood.)

The new outpost is likely to attract travelers as well as South Bay cannabis consumers like Milne, who had driven from Torrance and made the trek to the new location in about 15 minutes. “I’ve been to the Woods and [the other] Artist Tree [lounge],” he said about two of the West Hollywood spots. “And my take? I’ll be back [here]. This place has a relaxed, open vibe to it, and the budtender was really helpful.”

To find that relaxed open vibe Milne speaks of, all patrons need to do is head for the double doors at the back of the 3,800-square-foot dispensary sales floor. Behind them is a 1,500-square-foot interior space dotted with a dozen tables and enough chairs to seat 40 flowerheads (the roomy space can accommodate up to 125 people total).

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While the new location has a similar vibe to other Artist Tree shops, with works for sale by local artists adorning the walls, gleaming display cases filled with flower, extracts and edibles, and a glass box in the middle of the room filled with live plants, there are a few ways in which it’s notably different.

The most obvious difference is its freeway-convenient location on the very edge of Hawthorne where it borders Inglewood and El Segundo. It also offers ample parking, which is all but nonexistent at the West Hollywood location. The new shop is easily accessible by public transit, including Metro’s C Line that runs from Redondo Beach to Norwalk. (Under no circumstances should you get behind the wheel of a car after consuming cannabis.)

A man smokes a joint sitting at a bar.

James Huling, visiting from Georgia, smokes a joint at the bar at the Artist Tree Cannabis Lounge Hawthorne.

“We were looking for an area that was under-served and not saturated, and this location fits that description,” Artist Tree co-founder and Chief Compliance Officer Lauren Fontein said about finding the five-year-old building that had been built but never occupied. “We were pretty excited because it’s adjacent to all the South Bay cities and about eight minutes from Manhattan Beach.”

The location is notable for another reason too: It makes the Artist Tree the first cannabis dispensary and first lounge to open under the city of Hawthorne’s budding cannabis program. According to Gregg McClain, director of the city’s planning department, city ordinances allow for up to six retail stores, with up to three of those having on-site consumption lounges. “We are hoping to see two more retail cannabis businesses open in early 2025,” he told The Times in an email, “and the remaining three in the second half of 2025.”

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The Artist Tree’s Vice President of Operations Philip Del Rio said being close to SoFi Stadium, which is about three miles away, has already resulted in some post-game lounge traffic, as has the proximity to Los Angeles International Airport, also about three miles away.

“The other day we had a couple gentlemen come in who were on their way to the airport,” Del Rio said. “And just an hour after that, we had some people stop in who were coming from the airport.”

The good news for those who might have just landed at LAX and want to make a serendipitous stop-in: no reservations are required to use the lounge. You just need to be 21 or older and show up with a valid government-issued photo identification and purchase what you plan to consume on the premises.

A close-up of two hands rolling a joint

James Huling rolls a joint of Maven Orange Sapphire.

If you drop in during the day, you’ll find a lounge area awash with natural light filtered through frosted-glass floor-to-ceiling windows on two sides — one fronting Imperial Highway and the other South Inglewood Avenue. As day turns to dusk and then nighttime, the suffused daylight outside gives way to the firefly-like flicker of passing headlights, while inside the room is bathed in light from a huge TV screen on one wall. Anchoring a back corner is a tile-fronted, mirror-backed bar with five bar stools in front and all manner of high-end, futuristic-looking smoking paraphernalia (for rent starting at $15) lined up on glass shelves.

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That bar serves as the lounge’s nerve center; products ordered for consumption (everything that’s available on the dispensary side can be ordered on the lounge side as well) are passed through a small service window at the end of the bar, while all kinds of fun and festive THC-infused (but alcohol-free) cocktails are made to order behind it.

Fontein pointed out that the creative cocktail menu was a lesson learned after opening the West Hollywood lounge and dealing with challenges encountered trying to legally serve food.

“We sort of pivoted away from [trying to make] it feel like a restaurant to focusing on the lounge experience,” she said. “And the craft cocktails are a big part of that. … Drinking is such an integral part of social culture.”

The result is a collection of locally inspired canna-cocktails (created in collaboration with cannabis cocktail maker Pamos) that are as good to look at as they are tasty.

One of the standouts is a riff on the piña colada called “To the Moon,” with a not-of-this-planet look that comes by way of a bright purple butterfly pea flower extract and a dusting of cocktail glitter. “We were originally going to call it the SpaceX cocktail,” the bartender quipped as he placed one in front of me, “until Elon Musk moved the company [out of Hawthorne].” (In July, Musk said he would move SpaceX’s headquarters to Texas.)

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Two colorful cocktails.

The themed THC-infused (but alcohol-free) cocktails on offer include a riff on the pina colada called “To the Moon,” left, and an agua fresca served in a chamoy- and Tajín-rimmed glass, right.

Another is a tart take on an agua fresca served in a chamoy- and Tajín-rimmed glass. All five of the cocktails on the menu right now (some may be switched seasonally) are offered with either 3 milligrams of THC ($12 to $16) or 10 milligrams ($15 to $19). All of them can be made as THC-free mocktails ($7 each). The drinks are all served uninfused with a small bottle of the THC-containing elixir for customer to add themselves.

For the moment, the food menu consists mostly of prepackaged munchie-type sweet and savory snacks and a handful of hefty sandwiches made by Bread Lounge in downtown L.A.

The biggest difference with this spot from the rest of the local places to legally light up is clear. From the beginning, the Hawthorne location was envisioned to have full-scale, on-site food preparation.

Last month, Gov. Newsom signed Assembly Bill 1775 into law, which will allow the new Artist Tree outpost and other cannabis consumption lounges to serve food prepared on site starting Jan. 1. A few of the lounges in West Hollywood had managed to get around current restrictions by operating two separate-but-adjoining businesses — one serving cannabis and the other food.

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“We started designing this space when the prior version of the [cannabis cafe bill] was up for consideration,” Fontein said. “So we have the space to do a full kitchen on-site and we’ve already built out the plumbing and the gas and all that. So we’re really well-positioned. We just haven’t decided what kind of cuisine we want to offer. Probably gastropub [fare].”

Three people shown in silhouette against dispensary shelves.

The interior of the 3,800-square-foot Artist Tree Dispensary includes for-sale artwork on the walls and a range of edibles and combustibles. The 1,500-square-foot consumption lounge is accessed through frosted-glass double doors at the rear of the sales floor.

One of the things that has carried over from the West Hollywood location is entertainment programming that includes Sunday-night sports-watching, stand-up comedy nights on the second Thursday of the month and herbally enhanced art classes. Next up is a Halloween-themed puff, puff paint event scheduled for Oct. 27.

The Artist Tree Cannabis Lounge Hawthorne

Open noon to 10 p.m. Monday through Friday and 10 a.m. to 10 p.m. Saturday and Sunday.
4756 W. Imperial Highway, Hawthorne
theartisttree.com

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‘Wait Wait’ for December 13, 2025: With Not My Job guest Lucy Dacus

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‘Wait Wait’ for December 13, 2025: With Not My Job guest Lucy Dacus

Lucy Dacus performs at Spotlight: Lucy Dacus at GRAMMY Museum L.A. Live on October 08, 2025 in Los Angeles, California. (Photo by Rebecca Sapp/Getty Images for The Recording Academy)

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This week’s show was recorded in Chicago with host Peter Sagal, guest judge and scorekeeper Alzo Slade, Not My Job guest Lucy Dacus and panelists Adam Burke, Helen Hong, and Tom Bodett. Click the audio link above to hear the whole show.

Who’s Alzo This Time

Mega Media Merger; Cars, They’re Just Like Us; The Swag Gap

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Panel Questions

An Hourly Marriage

Bluff The Listener

Our panelists tell three stories about a new TV show making headlines, only one of which is true.

Not My Job: Lucy Dacus answers our questions about boy geniuses

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Singer-songwriter Lucy Dacus, one third of the supergroup boygenius, plays our game called, “boygenius, meet Boy Geniuses” Three questions about child prodigies.

Panel Questions

Bedroom Rules; Japan Solves its Bear Problem

Limericks

Alzo Slade reads three news-related limericks: NHL Superlatives; Terrible Mouthwash; The Most Holy and Most Stylish

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Lightning Fill In The Blank

All the news we couldn’t fit anywhere else

Predictions

Our panelists predict what will be the next big merger in the news.

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L.A. Affairs: I had casually known her for 5 years. Was I finally ready to make a move?

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L.A. Affairs: I had casually known her for 5 years. Was I finally ready to make a move?

In Fairfax, nestled on Beverly Boulevard near Pan Pacific Park, I ran a modest yet beloved pan-Asian restaurant called Buddha’s Belly. More than a place to eat, it was a gathering spot where our team and loyal regulars created an atmosphere of warmth and community. Every day, we exchanged stories about our guests, the generous, the quirky and the kind souls whose smiles lit up our little corner of L.A.

For five years, one regular stood out. The Buddha’s Belly team referred to her as “Aloha.” She had a familiar and beautiful face and she adored our shao bing finger sandwiches and pad Thai. During those five years, all I ever said to her was: “How’s your pad Thai?,” “Nice to see you” and “Thanks for coming in!” Her friendly smile and presence were the highlights of our routine interactions.

Then one hectic afternoon changed everything. Rushing to a meeting and about to leap into my car, I caught a glimpse of Lynda sitting at Table 64, smiling at me through our bamboo-lined patio (a.k.a. “bamboo forest”). I went over to say a quick hi.

“How’s your pad Thai?” I asked, and then I was off.

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A couple blocks from the restaurant, I was struck by the feeling that our brief encounter was different this time. There was a spark — a look in her eye. So I did something out of character: I called the manager on duty and asked him to go to Table 64, Seat 3, and ask for her number.

The next day, I found a business card on my desk with Lynda’s cell number. It was on! That small gesture signaled the start of something extraordinary.

Eager to seize the moment, I called and invited her out for a date that same weekend. However, it was her birthday month, and that meant her calendar was booked solid for the next three to four weekends. Not wanting to let time slip away, I proposed an unconventional plan: to join me and an octogenarian friend at our annual opening night at the Hollywood Bowl. Little did I know this would turn out to be equal parts amazing and mortifying. My friend was so excited — she had no filter.

Shortly after picking up our dinner at Joan’s on Third, my friend started asking Lynda questions, first light questions like “Where are you from?” and “What do you do?” Then once seated at the Bowl, her questions continued. But now they were more pointed questions: “Have you ever been married?” and “Do you have kids?”

Amazingly, Lynda didn’t flinch, and her honesty, unfiltered yet graceful, was refreshing and alluring. She had been through life’s fires and knew that when it’s a fit, it should not be based on any false pretense. Although I did manage to get a few questions in that evening, I still chuckle at the memory of myself, sitting back, legs extended with a note pad in hand taking notes!

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After dropping her off, she didn’t know if she would hear from me, as she didn’t know anything about me. But I didn’t wait three days to contact Lynda. I called her the next day to make plans to see her again. With it still being her birthday month, I asked her to join me that night for a surf film at the Ford with my best buddy. She said yes, and there we were on another chaperoned date.

By our third date, we were finally alone. We ventured to an underground gem affectionately dubbed the “Blade Runner” restaurant. Hidden on Pico Boulevard behind no obvious sign and characterized by hood-free mesquite grills and stacked wine crates, the place exuded a secret charm. Sharing a bottle of wine with the owner, our conversation deepened, and the electricity between Lynda and me became undeniable.

Our story took another turn when I was opening a new bar named Copa d’Oro (or Cup of Gold) in Santa Monica that was similar to a bar down the street called Bar Copa. The owner of Bar Copa invited me to discuss whether the concept was going to be too like his own. While we waited in the packed room, I instinctively put my hand around the small of Lynda’s back to steady us from the ebb and flow of the crowd of people around us. The intensity of our closeness and the energy between us was palpable, and we soon found ourselves at a quieter bar called Schatzi on Main where we had our first kiss.

Our courtship continued, and it would be defined by ease and grace. There were no mind games or calculations. One of us would ask whether the other was free, and it was an easy yes. Our desire was to be together.

I fondly remember being at a Fatburger not far from where Lynda lived, and I phoned her to ask if she wanted to sit with me as I scarfed down a Double Kingburger with chili and egg (yum!), and she said yes. By the time she arrived, I was halfway through eating the sandwich. But I was practicing a new way of eating a sloppy burger that my brother taught me. Why bother to continuously wipe your mouth when you’re only going to mess it up with the next bite? To save time and energy, wipe your mouth once at the end.

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I was practicing this new technique with a smear of sauce on my face, and it didn’t faze her one bit. I could only imagine what her internal monologue was!

After six months of effortless companionship, I asked Lynda to move in, and a year later, while at Zephyr’s Bench, a serene and cherished hiking spot in the Santa Monica Mountains behind Bel-Air, I asked her to marry me.

Now, more than 17 years later, with two beautiful boys and our pandemic dog in tow, I can say I found my own aloha right here in the vibrant chaos of Los Angeles.

The author lives in Santa Monica with his wife and two children. They go to the Hollywood Bowl every chance they can. He’s also aspiring to make it into the Guinness World Records book.

L.A. Affairs chronicles the search for romantic love in all its glorious expressions in the L.A. area, and we want to hear your true story. We pay $400 for a published essay. Email LAAffairs@latimes.com. You can find submission guidelines here. You can find past columns here.

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‘The Mask’ and ‘Pulp Fiction’ actor Peter Greene dies at 60

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‘The Mask’ and ‘Pulp Fiction’ actor Peter Greene dies at 60

Actor Peter Greene at a press conference in New York City in 2010.

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Actor Peter Greene, known for playing villains in movies including Pulp Fiction and The Mask, has died. Greene was found dead in his apartment in New York City on Friday, his manager and friend, Gregg Edwards, told NPR. The cause of death was not immediately provided. He was 60 years old.

The tall, angular character actor’s most famous bad guy roles were in slapstick and gritty comedies. He brought a hammy quality to his turn as Dorian Tyrell, Jim Carrey’s nemesis in the 1994 superhero movie The Mask, and, that same year, played a ruthless security guard with evil elan in the gangster movie Pulp Fiction.

“Peter was one of the most brilliant character actors on the planet,” Edwards said.

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He went on to work steadily, earning dozens of credits in movies and on TV, such as the features Judgment Night, Blue Streak and Training Day, a 2001 episode of Law & Order, and, in 2023, an episode of The Continental, the John Wick prequel series.

At the time of his death, the actor was planning to co-narrate the in-progress documentary From the American People: The Withdrawal of USAID, alongside Jason Alexander and Kathleen Turner. “He was passionate about this project,” Edwards said.

Greene was also scheduled to begin shooting Mickey Rourke’s upcoming thriller Mascots next year.

Rourke posted a close-up portrait of Greene on his Instagram account Friday night accompanied by a prayer emoji, but no words. NPR has reached out to the actor’s representatives for further comment.

Peter Greene was born in New Jersey in 1965. He started pursuing acting in his 20s, and landed his first film role in Laws of Gravity alongside Edie Falco in 1992.

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The actor battled drug addiction through much of his adult life. But according to Edwards, Greene had been sober for at least a couple of years.

Edwards added that Greene had a tendency to fall for conspiracy theories. “He had interesting opinions and we differed a lot on many things,” said Edwards. “But he was loyal to a fault and was like a brother to me.”

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