There are a few hundred things about this premise that might be farfetched, including the odds of finding love anywhere near the porta johns of a music festival. But one of them is not that a young star like Hayes Campbell would fall for a single mom like Solène .

Solène is stylish, unimpressed by Hayes’ celebrity and has bangs so perfect they look genetically modified. And, most importantly, she’s Anne Hathaway. In the power dynamics of “The Idea of You,” Hayes may be a fictional pop star but Hathaway is a very real movie star. And you don’t forget it for a moment in Michael Showalter’s lightly appealing showcase of the actor at her resplendent best.

“The Idea of You,” which debuts Thursday on Prime Video, is full of all the kinds of contradictions that can make a rom-com work. The highly glamorous, megawatt-smiling Hathaway is playing a down-to-earth nobody. The showbiz veteran in the movie is played by Galitzine, a less well-known but up-and-coming British actor whose performance in the movie is quite authentic. And even though the whole scenario is undeniably a glossy high-concept Hollywood fairy tale, Showalter gives it enough texture that “The Idea of You” comes off more natural and sincere than you’d expect.

The only thing that really needs to make perfect sense in a movie like “The Idea of You” is the chemistry. The film, penned by Showalter and Jennifer Westfeldt from Robinne Lee’s bestseller, takes its time in the early scenes between Solène and Hayes — first at Coachella, then when he stops by her gallery — allowing their rapport to build convincingly, and giving each actor plenty of time to smolder.

Once the steamy hotel-room encounters come in “The Idea of You,” the movie has, if not swept you away, then at least ushered you along on a European trip of sex and room service. At the same time, it stays faithful to its central mission of celebrating middle-aged womanhood. The relationship will eventually cause a social media firestorm, but its main pressure point is whether Solène can stick with Hayes after her ex-husband cheated on her. This is a fairy tale she deserves.

While Showalter has long showed a great gift for juggling comedy and drama at once, “The Idea of You” leans more fully into wish-fulfillment romance. That can leave less to sustain the film, which has notably neutered some of the things that distinguished the book.

The May-December romance has been shrunk a little. In the book, the singer is 20. Given that Galitzine is 29 and the 41-year-old Hathaway is no one’s idea of old, this is more like a July-September relationship. In the book, the daughter is a huge admirer of the pop singer, adding to the awkwardness, but in the movie, August Moon is “so 7th grade” to her.

There are surely more interesting and funnier places “The Idea of You” could have gone. But Hathaway and Galitzine are a good enough match that, for a couple hours, it’s easy to forget.

But the most convincing thing about “The Idea of You”? August Moon. The movie nails the look and sound of boy bands so well because it went straight to the source. The original songs in the film are by Savan Kotecha and Carl Falk, the producer-songwriters of, among other pop hits, “What Makes You Beautiful,” One Direction’s debut single.

That connection will probably only further the sense that “The Idea of You” is very nearly “The Idea of Harry Styles.” The filmmakers have distanced the movie from any real-life resemblances. But one thing is for sure: With August Moon following 4Town of “Turning Red” , we are living in the golden age of the fictional boy band.

“The Idea of You,” an Amazon MGM Studios release, is rated R by the Motion Picture Association for some language and sexual content. Running time: 115 minutes. Two and a half stars out of four.

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Jay and Mavis Leno donned their date-night best Tuesday at the red-carpet premiere of Jerry Seinfeld’s forthcoming film “Unfrosted.”

The premiere marked the couple’s second public outing since the former talk show host in January filed for a since-granted conservatorship over his wife following her advanced dementia diagnosis. The 77-year-old philanthropist previously attended her husband’s April 3 stand-up show at the Hollywood Improv.

Gracing the red carpet, the couple — who have been married since 1980 — flashed smiles and peace signs at the assembled photographers.

“I feel great,” Mavis told “Entertainment Tonight,” with her husband saying, “We have a great time. Forty-four years [married], so we’re doing good.”

Jay Leno, 74, also added that the two were glad to “come to something fun for a change.”

“Everything is so controversial. Just to come to a funny, silly movie ― it’s great. I think people will have a great time,” he said.

Last month, a Los Angeles County Superior Court judge granted Jay Leno’s request for conservatorship after his wife’s court-appointed legal counsel, Ronald E. Ostrin, in March filed a report recommending the decision.

In Ostrin’s report, he said that during his investigation, he learned that Mavis Leno has “major neurocognitive disorders,” “cognitive impairment” and “sometimes does not know her husband, Jay, nor her date of birth,” The Times previously reported.

Ostrin also included in his report comments from Mavis Leno’s neurologist, Dr. Hart Cohen, who told Ostrin she “has a lot of disorientation” and “will ruminate about her parents who have both passed and her mother who died about 20 years ago.” Ostrin “reviewed substantial medical records which supported Dr. Cohen’s opinions,” the report said.

In his January filing, Jay Leno said that he sought a conservatorship in order to structure a living trust and other estate plans to make sure that his wife has “managed assets sufficient to provide for her care” in the event that he dies before she does, according to a copy of the petition previously obtained by The Times.

The petition said that Mavis Leno “has been progressively losing capacity and orientation to space and time for several years,” rendering her “incapable of executing the estate plan.” It also said she is under treatment for “dementia and mood disorder,” though it is still unclear when she was diagnosed with either.

At the April hearing, Ostrin said Mavis Leno was “in agreement” with the conservatorship and “receiving excellent care with her husband, Mr. Leno,” People reported.

The judge agreed, saying, “I think she’s in the least restrictive environment. I think she’s in very good care with Mr. Leno.”

2/5 stars

When I heard that Alex Garland was making a film about a new American civil war to be released in the middle of an extremely contentious election year, I was hyped. The idea seemed more daring and provocative than we have seen in quite some time. Sadly, Civil War lacks any real courage and Garland remains frustratingly “apolitical” with a story that should be inherently political. The result is a thrilling but shallow action movie with little to say with its fascinating premise beyond the tired old cliche that “war is hell.”

Set in a near future in which the United States has devolved into warring factions, we follow photojournalist Lee Smith (Kirsten Dunst) who is traveling with several other journalists to interview the nebulously tyrannical president (Nick Offerman) before the “Western Forces,” a combined alliance between Texas and California, attack Washington D.C.

The film remains steadfast in its refusal to explain any of the factors involved in this conflict. Who are the Western Forces and what do they want? What has the president done to bring about a full-on civil war? Garland doesn’t even bother to ask these questions, failing to give audiences a sense of urgency. There is also some striking imagery reminiscent of footage from Vietnam and Bosnia. Seeing these images played out on American soil feels like they should be ripe for analysis, but there is no message behind them. The film says nothing about modern warfare or even photojournalism and only leaves us with sheer spectacle. The timid approach to politics gives us a film that feels like it wants to be The Battle of Algiers but becomes White House Down.

Written and directed by Alex Garland // Starring Kirsten Dunst, Wagner Moura, Cailee Spaeny, Stephen McKinley Henderson, Jefferson White, Nelson Lee, Evan Lai, Vince Pisani, Justin James Boykin, Jess Matney, Greg Hill, Edmund Donovan, Sonoya Mizuno, Nick Offerman, and Jesse Plemons // 109 minutes // A24 // Rated R