Movie Reviews
‘Singham Again’ Review: Bigger Doesn’t Mean Better in Rohit Shetty’s Overstuffed Indian Action Sequel
Scale is everything in Singham Again. The Hindi-language action film has eight stars, six screenwriters and three additional scribes who worked on dialogue, including director Rohit Shetty. The hardware on display is similarly expansive — there are battleships, helicopters, dozens of cars that get blown up and smashed. And weapons both large and small — missiles, guns, machetes.
At one point, Tiger Shroff brandishes the Urumi, an Indian sword with a whip-like blade which originated in modern-day Kerala. There is so much to fit in every frame that wide shots are the default mode, with Ravi Basrur’s score filling and underlining every beat. The ambition seems to be sensory overload.
Singham Again
The Bottom Line Forgets to deliver a cinematic high.
Release date: Friday, Nov. 1
Cast: Ajay Devgn, Akshay Kumar, Ranveer Singh, Tiger Shroff, Kareena Kapoor Khan, Deepika Padukone, Arjun Kapoor, Jackie Shroff, Ravi Kishan, Shweta Tewari, Dayanand Shetty
Director: Rohit Shetty
Screenwriters: Yunus Sajawal, Kshitij Patwardhan, Sandeep Saket, Anusha Nandakumar, Abhijeet Khuman, Rohit Shetty
2 hours 24 minutes
Then there’s the story. Shetty’s Cop Universe, of which Singham Again is the fifth installment, is built on the idea of the police officer as superhero. His men — Singham (Ajay Devgn), Simmba (Ranveer Singh) and Sooryavanshi (Akshay Kumar) — are upright sons of the soil. (An additional female officer, Deepika Padukone’s Shakti Shetty, makes her entry in this film.) All of these characters are unblemished; while Simmba started as corrupt, he is now an honest officer and sworn ally of Singham.
These are steely, courageous law enforcement authorities who operate as their own judiciary. Encounter killings in these movies are not just routine, but celebrated.
In Singham Again, the cops are bestowed celestial status — the seeds for which were sown in 2011 with the first Singham, when Singham emerged from the temple tank as a deity. The latest film takes it further. The plot is inspired by the Ramayana, with a theatrical production of the Hindu epic being used as a framing device. What plays out on stage is echoed in real life.
Singham is a personification of Lord Ram, and his wife Avni (Kareena Kapoor Khan) of Sita. Simmba represents Lord Hanuman, ACP Satya (Shroff) is Lakshman, Sooryavanshi embodies Garuda, and so on. While Jackie Shroff is back as Omar Hafeez, the terrorist chief, the main agent of mischief this time is Arjun Kapoor’s Danger Lanka — who, naturally, describes himself as a modern-day Raavan.
These parallels are underlined again and again, as the characters journey to locations where the events of the Ramayana are said to have taken place. Subtlety has never been Shetty’s forte.
Nor is he a proponent of nuance, depth or progressive politics. When you go into Singham Again, you’re signing up for shrill patriotism and lectures on tradition and culture as well as exploding vehicles and a cheerful lack of logic. In one scene, one character says to another, you’ve been shot. The other replies not to worry, nothing will happen to me — which is exactly right, because gods might bleed in this story but it means little.
I’d be willing to make peace with all of it, but what rankles is the lack of entertainment. This film spends so much effort juggling star appearances, action sequences and Ramayana parallels that it forgets to deliver a cinematic high — a requisite for a larger-than-life, designed-for-whistles feature like this. Singh is the most playful and inventive of this gargantuan star cast, and just as he did in 2021’s Sooryavanshi, he brings in some buoyancy as Simmba. But Padukone gets a smashing entry and little else, as does Tiger Shroff. Avni is a damsel in distress — a pretty prop, like Katrina Kaif in Sooryavanshi. It’s a far cry from Kareena Kapoor Khan’s recent searing turn as a cop in The Buckingham Murders.
Devgn, however, is back in his element as the man of granite. In my review of 2014’s Singham Returns, I described the character as Amitabh Bachchan’s Angry Young Man crossed with Clint Eastwood’s Dirty Harry, and Devgn works Singham’s supersized masculinity well. What Singham Again lacks, though, is a villain who can rival that. Arjun Kapoor works hard to summon menace, and he shows some spark, especially when he puts on a malevolent smile. But he is unable to evoke the same dread as Suriya’s Rolex in Vikram or Vijay Sethupathi’s Bhavani in Master.
While there are a few ambitious action set pieces, designed by Rohit and Mayyank Taandon, balancing the many actors proves too much a challenge, especially in the climax.
It’s telling that the best movies in the Cop Universe are remakes. Shetty’s first Singham was a reworking of the 2010 Tamil actioner Singam, starring Suriya. The second, Singham Returns, was loosely inspired by the 1993 Malayalam film Ekalavyan. Simmba was a reworking of the Telugu-language N. T. Rama Rao Jr.-starrer Temper. The two original entries — Sooryavanshi and Singham Again — are also the weakest.
It might be time for Shetty to seek inspiration in South Indian cinema again.
Movie Reviews
Sisu: Road to Revenge
The lethal and tenacious Aatami Korpi returns in this sequel to 2022’s Sisu. Like its predecessor, Sisu: Road to Revenge offers up nonstop, gory hyper-violence as the old soldier shoots and stabs his way through the Soviet Union’s Red Army to avenge his family’s murder. Paired with all the bloodshed is a handful of f-words and some drinking, as well.
Movie Reviews
Movie Review: “Sisu: Road to Revenge” takes a Wrong Turn or Three

I am an audience of one at a late afternoon “preview” matinee of “Sisu 2,” aka “Sisu: Road to Revenge,” the sequel to the savage sleeper hit by Finnish carnage Jalmari Helander.
Do the locals know something I don’t? Or are the good folks in “The Last Capital of the Confederacy” showing their red ball cap displeasure at a movie about mowing down Russians by staying home?
I’m guessing it’s the fact that Screen Gems’ marketing didn’t spend enough to move the needle even a centimeter that dampened enthusiasm, as nobody knows about it.
That’s no big deal, because this sequel is inferior in pretty much every way to the original “Sisu,” which came out of nowhere back in 2023 and which takes its title from a Finnish word that more of less means unfettered rage. It’s not on a par with Helander’s “Rare Exports” Santa-horror splatter film either. He’s due for a misstep. Here it is.
“Road to Revenge” brings back our non-speaking, unstoppable and unkillable Finnish commando Korpi (Jorma Tommila), this time out to haul the pieces to his house across the Russian border after the end of World War II.
When your anti-hero is “unstoppable” and “unkillable,” that lowers the stakes. A lot.
Throw in feeble pacing and thus no urgency to its story of driving, shooting, stabbing and missle-launching his way through legions of belligerant Russians, fresh from their triumph in “The Great Patriotic War,” and you’ve got a thriller whose only creative bits are random moments of Russian-mutilating and murdering.
Remember, the vodka/borscht-folk and their dictator sided with the Nazis at the beginning of WWII, only to F-around and find out you can never trust a Nazi. And the Russians further earned their history’s bad-guys status by invading Finland at the start of the war, and paying dearly for their miscalculation, at least for a time.
The Soviet Russians annexed Finnish territory at war’s end, and that’s where Korpi lived. So he’s got his passport and his battered, oversized military truck and he’s aiming to move the logs of his old homestead, where his family was slaughtered, to a new location across the new border.
Ivan doesn’t want him to get away with it.
The stages of his quest are broken into superfluous “chapters” like “Old Enemies,” “Motor Mayhem:” and “Incoming.” The dialogue, almost all of it by a Russian tormentor (Stephen Lang) who commanded the troops who failed to finish off the Finn in the first film, is every bit as pointless.
“Unleash Hell,” like they haven’t already. “Keep your eyes open,” the most worthless command cliche of them all. And “Look at me,” served up as if he isn’t looking at you.
Duels against armored commandos on motorcycles (!?), airborne fighter bombers and the like ensue. Our hero takes another licking and keeps on ticking. The Russians? Let the body count commence, Comrades!
I laughed at a few of the more audacious butcherings, but that was early on. The narrative settles into a slog in the middle acts and no pull-out-the-stops train ride finale could drag it out of the mud.
Rating: R, graphic violence, pretty much start to finish, profanity
Cast: Jorma Tommila, Richard Brake and Stephen Lang.
Credits: Scripted and directed by Jalmari Helander. A Screen Gems release.
Running time: 1:29
Movie Reviews
Wicked: For Good Movie Review: Ariana Grande Shines In A Solid But Weaker-Than-The-Original Finale!
Star Cast: Ariana Grande, Cynthia Erivo, Jeff Goldblum, Jonathan Bailey, and Michelle Yeoh.
Director: Jon M. Chu
What’s Good: Wicked: For Good is definitely a showpiece when it comes to production values, and so, every single frame is beautiful to look at and the ultimate Wizard of Oz experience when it comes to visuals.
What’s Bad: The film is slower than the first, and it feels, especially when the new songs don’t hit like the ones in the previous instalment ,and dialogue feels like a lot of filler.
Loo Break: Anywhere in the first act, as the film moves so slowly that you can probably go and come back and not miss anything.
Watch or Not?: If you loved the first one, then yes, you need to see this and close the cycle.
Language: English (with subtitles).
Available On: Theaters
Runtime: 137 Minutes
User Rating:
Opening:
Wicked: For Good Movie Review: Script Analysis
Wicked: For Good is a solid film, there is no doubt about that, you just have to look at the powerful visuals, and the entire production value, but the script might be the weakest aspect of the film, especially when it comes to structure and dialogue, which affects the pacing, making the first two acts of this musical epic feel like it could do with a couple more drafts to make the story tighter, and the flow a lot more natural.
As it is, the first two acts move a snail’s pace, and the songs simply don’t match the quality and catchiness of the songs in the first two acts of the first film, here, the songs feel like they are there just to make the film longer, and it is hard to remember one that is simply memorable enough to sing along. Fans of the original musical will probably have a lot more fun with this aspect of the film, but as a newcomer, I did feel a drop in quality on the musical side.
The dialogue also does a lot of damage to the film, as it feels like everything is delivered in two or three lines that are too long, when it could have been conveyed in a simpler and more efficient way. It just doesn’t work, and while the actors do their best, the material doesn’t hold up. Nevertheless, some jokes here and there truly land, and the film does tell a compelling, complete story, which is a lot more than many other films do today.
The third act also feels quite rushed, and the connections to the original Wizard of Oz film, and the characters from that story deserved a lot more, because they are so legendary and iconic, that for some reason this movie feels like it should just move away from them as fast as it can, hurting the overall impact of the story, and the character growth.
Wicked: For Good Movie Review: Star Performance
Cynthia Erivo is quite solid in here, and she is plotwise, the main character, but let’s be real, this is the Ariana Grande show, who basically steals the show in every single scenes she is in, not only with her powerful voice but also with her solid acting abilities, she just has it, when it comes to presence, delivery and charisma.
The rest of the cast is quite good. Bailey does some terrifying things in the film and effectively creates all the darkness it needs, while Goldblum’s Oz is just right – nothing to talk about, but definitely his performance, along with the rest from all the other actors, doesn’t hurt the film; it elevates it.
Wicked: For Good Movie Review: Direction, Music
Jon M. Chu started as a relatively standard director. Still, he has definitely graduated to the big leagues with these two films, as the scale of everything just goes out of the window when it comes to the visuals and the camera’s placement, which is always in the perfect spot to show it. Really, the world-building that Chu and his team have created here is outstanding.
The music, as we said before isn’t as good or memorable as the first film which really hurts the experience because this is a musical and I thought the best was being safe for last in the song department, of course, it will be a matter of taste, as it is everything but this is definitely one of the biggest negative points for the film. Nevertheless, the performers are truly going out of their way to create something extraordinary, so there is really nothing to criticize regarding the actors, dancers and singers themselves.
Wicked: For Good Movie Review: The Last Word
Wicked: For Good closes this adventure in a solid manner, although the overall package feels weaker than the first film, which is disappointing. However, Jon. M. Chu, his team, and his cast demonstrate that they truly care about the project, and it shows on the screen as the film finally delivers on being entertaining, grandiose, and visually stunning. It could have been better, but what is there is truly remarkable.
Wicked: For Good Trailer
Wicked: For Good releases on 21 November, 2025.
Share with us your experience of watching Wicked: For Good.
Must Read: Now You See Me: Now You Don’t Movie Review: The Strange Case Of A Sequel That Nobody Wanted & Many Had Already Forgotten!
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