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Movie review: ‘One Fine Morning’ a subtle study of loss, life

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Movie review: ‘One Fine Morning’ a subtle study of loss, life

DULUTH — Though “One High quality Morning” is about its lead character Sandra’s private life relatively than her skilled endeavors, it repeatedly follows her to work. Sandra is a translator primarily based in Paris, sitting in on the whole lot from veterans’ memorials to coverage discussions and translating from French to English or vice versa.

Author/director Mia Hansen-Love (“All Is Forgiven,” “Father of My Kids,” “Issues to Come”) might have included a lot of the character’s dry work life to spotlight the numerous respects wherein Sandra is a go-between. A translator satisfies audio system’ should be heard with out inserting any of her personal ideas, and Sandra can also be busy assembly different individuals’s wants when she’s off the clock.

Lea Seydoux and Camille Leban Martins play mom and daughter in “One High quality Morning.”

Contributed / Sony Photos Classics

Sandra has so little thought for her personal needs that she hasn’t dated anybody in 5 years. Lea Seydoux is without doubt one of the most voluptuous actors of her era, but when she’s been overly sexualized in earlier roles (keep in mind

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the “Blue is the Warmest Coloration” controversy?),

right here she’s battened down. Seydoux barrels by way of the Metropolis of Lights in a thick coat, a shapeless quick haircut and a sensible backpack.

“How might this physique keep asleep for therefore lengthy?” asks Sandra’s good friend Clement (Melvil Poupaud) after ending her sexual drought, as Seydoux lies nude earlier than the digicam. It is one of many film’s few unintentionally awkward moments, seeming to counsel that Sandra’s state of affairs is all of the extra poignant as a result of she occurs to be a bombshell.

Whereas Sandra’s affair with the married Clement offers the movie’s plot pressure, Hansen-Love appears to comprehend that is a narrative that is been advised many instances. Since you’ve got made it 5 paragraphs into this evaluation of a French romantic drama, you may need additionally learn Sally Rooney’s novel “Conversations with Buddies” and watched its exquisitely excruciating 2022 TV adaptation — which equally follows a younger girl falling deeply in love with a person who will not go away his spouse.

As a substitute of centering the affair, “One High quality Morning” explores how Sandra’s emotional life rests on two poles: her relationship together with her precocious daughter (Camille Leban Martins) and together with her father (Pascal Greggory), who’s slowly dying of a neurodegenerative illness. The rationale Sandra’s physique — and, presumably, different facets of her individual — have been “asleep” for therefore lengthy is that she splits her days amongst work, youngster care and elder care.

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The movie’s most transferring high quality is Hansen-Love’s refusal to painting Sandra as a sufferer of destiny. At the same time as her father is shuffled from one care facility to a different, all the employees who present that care are depicted sympathetically. Nobody stops to level fingers and lay blame, not even Sandra’s mom (Sarah Le Picard), who’s lengthy been divorced from the daddy and takes a brusquer method to the household’s challenges.

Light-skinned young woman and elderly man stand in dark coats in an outdoor setting. Woman clasps man and leans near him.
In “One High quality Morning,” Pascal Greggory portrays the ailing father of a personality performed by Lea Seydoux.

Contributed / Sony Photos Classics

Neither is there any contrived drama involving Sandra’s youngster. The lady’s response to discovering that her mother has a bedmate is a crisp and refreshing second that is laborious to think about coming throughout with such genuineness right here on our aspect of the Atlantic, the place intercourse has at all times been a extra freighted topic. Martins’ endearingly underplayed response is dealt with with heat and beauty.

Whereas the film has a comparatively gentle tone given its grave material, the shoot should have been an emotionally exhausting expertise for Seydoux. Her eyes are often brimming with tears, although she hardly ever has the posh of time and house to sob. The efficiency is a portrait of grief which will reduce very shut for viewers who’ve additionally skilled family members fading away by way of the sluggish, relentless progress of dementia.

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Sandra’s father was a professor of philosophy, and although he can now not type complicated ideas his questing orientation factors towards the elemental questions of life. What are we to do with our finite lives? Is a relationship that makes us intensely joyful price it, even when it won’t final without end?

The laborious fact, “One High quality Morning” suggests, is that none of {our relationships} will final without end. When Clement tells Sandra the 2 ought to “benefit from the few days we’ve” on this earth, it might be his loins speaking, however they do have some extent.

“One High quality Morning” opens Friday, March 3, on the Zeitgeist Zinema in Duluth. For tickets and data, see

zeitgeistarts.com.

Jay Gabler

Arts and leisure reporter Jay Gabler joined the Duluth Information Tribune in 2022. His earlier expertise contains eight years as a digital producer at The Present (Minnesota Public Radio), 4 years as theater critic at Minneapolis alt-weekly Metropolis Pages, and 6 years as arts editor on the Twin Cities Each day Planet. He is a co-founder of popular culture and inventive writing weblog The Tangential; he is additionally a member of the Nationwide E-book Critics Circle and the Minnesota Movie Critics Alliance. You’ll be able to attain him at jgabler@duluthnews.com or 218-279-5536.

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Movie Reviews

Movie Review – Tarot

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Movie Review – Tarot

Read Time:1 Minute, 16 Second

Tarot, the name of this movie, can be credited as the best thing about it. While the movie had a healthy pace and an interesting storyline, the acting was forced at best, and it was exceptionally predictable. I’m all over these types of movies, and I couldn’t leave fast enough.

If you are looking for an edge of your seat, nail biting horror movie you are going to be sorely disappointed. If you’re cleaning your house and need some background noise, then you’ve found your match. Unless you have to pay for it, then I would skip it.

——Content continues below——


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I hate dogging movies like this, however it’s warranted here. Tarot is simply not worth your time, there’s other options out there.

Grade: D+

About The Peetimes: I recommend the 2nd Peetime. It’s pretty long and most of the Peetime was shown in the trailers. The 1st one works just as well but it is a little bit shorter.

There are no extra scenes during, or after, the end credits of Tarot.

Rated: (PG-13) Horror Violence | Drug Content | Bloody Images | Some Strong Language | Terror
Genres: Horror
Starring: Avantika, Olwen Fouéré, Jacob Batalon
Director: Spenser Cohen, Anna Halberg
Writer(s): Nicholas Adams, Spenser Cohen, Anna Halberg
Language: English
Country: United States

Plot
When a group of friends recklessly violates the sacred rule of Tarot readings, they unknowingly unleash an unspeakable evil trapped within the cursed cards. One by one, they come face to face with fate and end up in a race against…

 

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Don’t miss your favorite movie moments because you have to pee or need a snack. Use the RunPee app (Androidor iPhone) when you go to the movies. We have Peetimes for all wide release films every week, including Fall Guy, The Ministry of Ungentlemanly Warfare, Civil War and coming soon Kingdom of the Planet of the Apes, IF, Furiosa: A Mad Max Saga and many others. We have literally thousands of Peetimes—from classic movies through today’s blockbusters. You can also keep up with movie news and reviews on our blog, or by following us on Twitter @RunPee.
If there’s a new film out there, we’ve got your bladder covered.

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Movie Reviews

Prasanna Vadanam Movie Review – Gulte

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Prasanna Vadanam Movie Review – Gulte

2.75/5


2 Hr 26 Mins   |   Thriller   |   03-05-2024


Cast – Suhas, Payal Radhakrishna, Rashi Singh, Viva Harsha, Nitin Prasanna and others

Director – Arjun Y K

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Producer – Manikanta J S, Prasad Reddy T R

Banner – Arha Media, Little Thoughts Cinemas

Music – Vijai Bulganin

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Suhas has become one of the bankable actors in Tollywood. He is now out with his latest film, Prasanna Vadanam, based on a man with face blindness. Directed by Arjun YK, let’s review the film here.

Plot

Surya(Suhas), a Radio RJ meets with a terrible accident and ends up with a rare disease named Prosopagnosia. Due to this, he gets face blindness and cannot identify the faces of people around him. One fine day, he witnesses the brutal murder of a young girl. He informs the cops but instead gets embroiled in the case. Left with no choice; he approaches top cop Vaidehi(Rashi Singh) for assistance. But things turn on its head and multiple cases are now filed on Surya. The rest of the story is about how Surya proves his innocence with the help of his girlfriend Adhya(Payal Radhakrishna).

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Performances

Suhas is known for his versatile characters gets a tailor-made role in Prasanna Vadanam. As he has a unique disease, the scope for him to perform uniquely is high in the film, and Suhas lives up to all the expectations. His performance in the second half is highly impressive and arrests you till the end. Nithin Prasanna, who was last seen in Ambajipeta Marriage Band, delivers yet another bankable performance. The various shades he showcased in his performance were impressive. Rashi Singh, who played the top cop, was decent, but she should have worked more on the expressions in the latter part of the film. Viva Harsha was okay, and so was Payal Radhakrishna.

Technicalities

Vijay Bulganin composed the music for the film, and his songs are quite ordinary. None of the songs register with the audience, but the background score is quite impressive. The sound design neatly elevates the proceedings and is composed in a stylish manner. The camera work is so-so and one cannot complain keeping the budget in mind. The production values are also okay, and there is nothing much to rave about. The editing is perfect as the narrative is crisp and to the point.

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Suhas
Interval twist

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Lag in the second half
Songs
Flashback

Analysis

Making thrillers is one of the biggest tasks for any writer-director. But newcomer Arjun YK has chosen a story with face blindness which is something new for Telugu cinema. So, this itself makes things interesting for Prasanna Vadanam. Prasanna Vadanam starts on a very interesting note, and the best part is that director Arjun does not waste any time entering the conflict point in the film.

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Once the heroine is introduced, the love track gets a bit boring, but that too passes, and things become interesting for the audience. Once the crime is committed, the concentration shifts towards the cops and how they will deal with the case. But the way director Arjun brings in the half-time twist is superb and unexpected. As the director reveals the man behind the murder, things become a bit difficult for the director to handle the proceedings.

This is when the proceedings become slow and a bit dull. Also, the reason behind the motive of the murderer is not showcased convincingly. Also, the way Suhas behaves in the second half looks a bit odd. As he has face blindness, the director could have added more drama and played with the effects, but that does not happen, and things move slowly until the pre-climax.

Director Arjun has potential and narrates the film well for the most part. However, way too many cinematic liberties and a lack of hold on emotions are some of the drawbacks. Prasanna Vadanam has decent moments that hold your attention. However, one needs to prepare for the pace and lack of depth in the proceedings as well.

Bottom Line – Passable Thriller

Rating: 2.75/5

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Movie Reviews

Sabari Movie Review: Varalaxmi Proves She Can Do Female Centric Roles

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Sabari Movie Review: Varalaxmi Proves She Can Do Female Centric Roles

Sabari, starring Varalaxmi Sarathkumar and directed by Anil Katz. The film hit theatres today.

What is it about?

The film follows Sanjana (Varalaxmi Sarathkumar), a single mother whose world is turned upside down when a horrifying truth comes to light: the child she raised is not her biological daughter.

Plot:

The story begins with a twisted past, revealing a villain, Mime Gopi, who escaped a mental asylum with an obsession—finding the daughter he believes was swapped. This sets him on a violent collision course with Sanjana, who will stop at nothing to protect the child she has loved and raised as her own.

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Sabari showcases the unwavering bond between a mother and child. As a single parent navigating the challenges of a broken marriage, Sanjana embodies strength and determination.

The movie appears like a psychological horror- thriller at first. While watching the first half, the film comes across a female led emotional thriller where the single parent appears to be going through hardships. Everything goes for a toss in the second half. It is in the second half that the film becomes an irreparable mess. The plot turns are created or arranged in a way that seems unrealistic and artificial.

Verdict: The screenplay of Sabari is far-fetched and the climax is so old that you will not believe this is a film made in 2024. However, Varalaxmi Sarathkumar has delivered a terrific performance.

Rating: 2.75/5

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