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Paige DeSorbo, Carol Lim and Other Fashion Tastemakers Share Where They Love to Shop

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Paige DeSorbo, Carol Lim and Other Fashion Tastemakers Share Where They Love to Shop

Ina, Manhattan (Chelsea) A plethora of secondhand designer merchandise to choose from. All the items — dresses, suits, blouses, shirts, ties, clutches, shoes — are in top-notch condition. Plenty are unique or hard to find. Whether you are buying or simply browsing, the staff are most civilized. They keep their distance and remain friendly. An airy shop (and one of three in Manhattan), it is well lit — not too bright, not too dim, just smooth and easy on the eye.

Natty Adams, New Orleans Natty Adams’s custom and ready-to-wear clothes are as natty as his first name (no pun intended). A New Yorker, he has set up shop in the heart of New Orleans’s French Quarter, a stone’s throw from the former residence of the playwright Tennessee Williams. Graced with a courtyard and a flowering garden, his shop has the best qualities of Paul Smith, Paul Stuart and Ralph Lauren with a youthful vigor all his own.

Crowley Vintage, Brooklyn (Dumbo) Sean Crowley, who formerly designed for Ralph Lauren, caters to gentlemen invested in unimpeachable elegance — those who are always in search of the perfect fit, the perfect fabric, the perfect shirts, trousers, shoes, scarves, ties and Mackintosh coats. All items are vintage, with innumerable more decades of wear left in them.

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Dover Street Market, Los Angeles Everybody in the store, the clientele and the sales people, are all hipper than you. Mostly dressed in black, they look like glamorous characters in an Italian movie. It’s very aspirational: If you just spent enough money, you too could be an artistic interesting person with a bohemian life.

The Los Angeles store (one of a few worldwide) is huge! You could get lost in it for days. Fortunately, I have a capable salesperson, Nathaniel, who looks like a stylish vampire and glides elegantly through the maze of fashion, always emerging with something surprising and unexpected for me to try on.

Buoyed by the seductive promise of Dover Street, I have purchased the most unlikely items. A Balenciaga coat that drags on the ground, a tiny Stephen Jones hat with a bright daisy blooming behind black voile and a furry Simone Rocha purse the size of a large dog.

I have not worn any of these items. I hoard them greedily in my closet waiting for the day when my fantasy life begins and I emerge grandly, my tiny daisy hat balanced precariously on my head, clutching my giant dog purse and Balenciaga trailing behind me.

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James Veloria, Manhattan (Chinatown) Some of the most insane vintage — think archive Jean Paul Gaultier and Tom-Ford-era Gucci. A place to go to for something one of a kind. The New York store (there’s another in Los Angeles) is on the second floor of a very unassuming shopping mall under the Manhattan Bridge. People are sometimes confused by the location at first, but once you arrive, you understand why you made the journey.

ESSX NYC, Manhattan (Lower East Side) The curation of designers and selection is so sharp. It’s catered toward downtown types who love fashion and aren’t afraid to stand out. I don’t shop in person very often. This is one of the few stores that I genuinely enjoy.

Just One Eye, Los Angeles Worth a visit even if you don’t buy anything. Fashion from brands like The Row and Prada sits alongside Damien Hirst artworks and Franco Albini furniture. When I was growing up in Los Angeles, I couldn’t dream of affording anything, but I would still stop by and leave inspired.

Desert Vintage, Manhattan (Lower East Side) One of the most tastefully curated vintage stores. You can find special pieces that no one else will be wearing. Upon walking in, you will want to become a person who can effortlessly throw on a caftan to run to the bodega for a bacon egg and cheese.

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Ted Muehling, Manhattan (TriBeCA) Mesmerizing jewelry and objects. You can’t stop yourself from wanting to touch and hold everything. The “rice” and “berries” earrings are the perfect gift — for yourself or for anyone.

Staklena Kuća, Los Angeles Shopping here is like looking through a well-assorted closet: You might like half of everything in it, and half of it might not be for you (this time). The store strikes the hard balance between over-curated and overwhelming. Vintage tees, embroidered satin slippers — this place has those and more.

Drop Your Jeans, Covina, Calif. An excellent selection of vintage work wear, from Levi’s cutoffs to dead-stock Dickies to worn-in Carhartt jackets. A large poster selection is another reason to go.

Bliss’ Department Store, Shelter Island Heights, N.Y. A seriously vintage jolt of Americana. The store is aptly named. Its third-generation family owner purveys the blissful necessities of life. Recently bought there by me: water bootees, a hoodie, sewing supplies, a jaunty hat and super glue.

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Modern Appealing Clothing, San Francisco The merch edit is primo and eccentric, but also wearable. We’re talking Comme des Garçons, Sacai, Walter Van Beirendonck and many other avant-gardists, plus a plethora of strange footwear. The brother-and-sister owners have built a loyal following by treating every customer like an old pal. Clothes sold here will make you appear more interesting than you are, which should always be the primary goal of fashion.

J.C. Western Wear, West Palm Beach, Fla. A family-owned vestige of “Old Florida” with a staggering selection of nonchalant head-to-toe cowboy duds: jeans, boots, cowboy hats and belts and buckles for men, women and children. Another (larger) location in Jupiter is across the street from Dune Dog Café, an old-school alfresco Florida eatery.

Maxfield, Los Angeles A store that all others watch, it specializes in audacious new ideas and strange vintage artifacts. It has maintained its mystique for half a century, a gob-smacking accomplishment for any store, with an exquisite edit of every headline making designer — from Rick Owens to The Elder Statesman to Willy Chavarria — and exclusive sneaker and jewelry collaborations.

Stand Up Comedy, Portland, Ore. An under-the-radar women’s wear institution with a chic but unwaveringly funky vision. It’s stocked with independent designers whose work verges on art practice: Bless, Julia Heuer and Martine Rose, to name a few. Walking into the space — a former jewelry store that was barely altered, with plush blue carpeting and glowing vitrines — feels a little like being on the set of a David Lynch movie.

Rennes, Philadelphia Rennes often gets rare artisan lines from Europe and Japan before any other shop in North America. Spindly-legged tables inside the light filled space in Philadelphia’s Old City neighborhood hold stacks of Japan-made socks, and exquisite linen dresses hang from Shaker-style pegboards lining the walls. It could feel precious, but it’s not.

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Slash Denim, Berkeley, Calif. The most magical pant-buying experience. Go around the main storefront into the basement entrance in the back. There, among the musky piles of vintage Levi’s, you will be confronted by three denim witches — or veteran saleswomen — not unlike the witches in “Macbeth.” They will look you up and down, converse with each other in Levi’s-ese (514 or a 551?) and conjure a perfect pair of jeans for you.

Bungee Space, Manhattan (Lower East Side) The shop feels funky and haphazard, like rifling through your cool cousin’s dorm room. It’s a bookstore, a zine distributor, an events center and one of my favorite places to discover new and emerging designers. You’re just as likely to pick up an SC103 handbag or a Comme des Garçons shirt as you are to learn about a couturier who makes dresses from T-shirts or an artisanal women’s wear collective from Guatemala. You feel absolutely welcome to try on clothes, leaf through books, buy a cup of tea or maybe have a conversation.

Front General Store, Brooklyn (Dumbo) The curation is irresistible: vitrines of sterling silver jewelry, racks of vintage French chore coats and Issey Miyake Pleats Please, rows of colorful pens and milk glass mugs. A very very back room is where they keep cowboy shirts from the 1920s, Aloha shirts from the 1940s, all kinds of rare military surplus and souvenir jackets. If a garment looks like it has a story behind it, just ask one of the very kind shopkeepers. They’ll tell you.

Ven. Space, Brooklyn (Carroll Gardens) It carries some of the best men’s designers from around the world, some established (Dries Van Noten), some emerging (Auralee), some medium-size (Lemaire), some tiny (Unkruid). The store has not merely managed without e-commerce, but thrived. Pop in on a Thursday at 3 p.m. and the place will be full. Small touches speak to a broader philosophy at work: For instance, custom hanger covers that hide clothes’ tags, so that you focus on the garment before you know who made it.

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Evan Kinori, San Francisco As a designer, Evan Kinori works slowly and carefully, refining a small set of minimalist designs that tend not to change much from season to season. He uses very special fabrics, many of them developed custom with Japanese mills and dye-houses, and the result is clothes that look cool in photos but truly come alive in person. He sells them at an airy store on the southern edge of the Mission district, along with ceramics and hand-loomed textiles.

Funky Finds, Des Moines, Iowa It’s two floors. Browsing feels like stepping back in time: There’s an expansive collection of home goods and records, but the vintage clothes really stand out. Men’s, women’s, kids — everything on the racks is in exceptional condition and priced very affordably. I bought my senior prom dress here over a decade ago.

Old Gold, Burlington, V.T. Organized, affordable vintage denim. You won’t get the hands-on experience that some vintage retailers offer these days, but it’s not too overwhelming — light curation, approachable prices and a clean setting.

Westerlind, Millerton, N.Y. An insane curation of heritage brands, stunning design and, at this location (one of six), a darling pantry section in the back. Sales associates are kind and extremely knowledgeable about the area. I found a new real estate agent here while my husband was trying on pants.

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Ontario Mall Antiques, Farmington, N.Y. A great antique mall with an excellent jewelry collection, ranging from costume to fine.

Departamento, Los Angeles Great for discovery, with brands I have often never heard of alongside established names like The Row and Wales Bonner. It might have the best men’s buy in America. What I am most interested in when I go into a shop is organization and presentation. Are the products laid out in a thoughtful way? Departamento takes the cake in terms of design.

Scully & Scully, Manhattan (Upper East Side) It’s like Disneyland for refinement. The Park Avenue shop, founded in 1934, sells everything from silver money clips to horse head cuff links to diamond necklaces. It has a doorman and the shopkeepers are as refined as the merchandise. I shop for canes here — the most ornate canes, made with silver duck, fox and owl handles. When I’m walking with one in New York, as tough a city as it is, people become tender to me.

JJ Hat Center, Manhattan (Midtown) One of the city’s oldest hat shops, it’s a narrow store with chandeliers and hats stacked atop each other everywhere you look — fedoras, homburgs, Stetsons, trilbies. There are always people in front of mirrors trying hats on, this way and that, like Humphrey Bogart. Even if you don’t wear hats, you can be initiated into the hat world here. I’ve been buying hats here for 30 years.

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Fashion Full Circle, West Hollywood, Calif. A vintage and consignment shop with a large clothing section. But I go for the shoes. Hundreds of heels, bootees, sneakers — you can find fun and unique footwear here.

Aralda Vintage, Los Angeles A funky, tried-and-true vintage store started by a former model. A great selection, especially of dresses — some outfits from the TV show “Euphoria” were sourced here. The space’s bright orange walls and neon signs make shopping feel a bit like a game.

Allens Boots, Austin I never considered wearing cowboy boots until visiting this place (which has two locations). Thousands of styles line the walls and racks. I bought a black pair with white stars. They make me feel powerful.

Circa, New Bedford, Mass. Walking in for the first time felt like walking into a 1930s Coney Island fun house with mannequins in old costumes and the most beautiful old outfits everywhere. I wasn’t sure if you were supposed to buy the clothes or just admire them. The owner was incredibly friendly.

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The Quality Mending Co., Manhattan (East Village) It’s what you’d imagine a New York City vintage store to look and smell like — the CBGB of vintage stores. Old Levi’s, worn-in tees, tinted sunglasses, lots of attractive people shopping. The best selection of vintage punk t- shirts. Most are out of my price range, but they’re such beautiful relics of the past.

Just One Eye, Los Angeles Stepping inside the bright airy space is exciting and inspiring. I’ve found some of my favorite pieces here. It’s like walking into an art gallery or museum, except you’re allowed to touch. The clothing, jewelry and housewares are beautifully curated — unique items from local artisans, along with clothing and shoes from big-name brands.

The Webster, Manhattan (SoHo) It’s big enough that you feel like you are shopping around, but still small enough that it feels quaint (there are 13 locations). Right when you walk in, you get hit with the store’s signature scent. It is the best smelling scent.

Heart and Lou’s, Manhattan (Lower East Side) A woman-owned vintage shop — I love the shoes.

Lucia Boutique, Saratoga Springs, N.Y. The cutest little women’s clothing store outside Albany, my hometown.

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A’maree’s, Newport Beach, Calif. It’s in an impressive building on the water: You can pull up in a boat, dock and come inside for some shopping and a cocktail. The selection is upmarket — the Row, Alaïa, Gabriela Hearst — and is merchandised in a loose, fun way.

Lifestyle

Out of work and with 2 teens, this mom may lose food stamps under Trump’s changes

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Out of work and with 2 teens, this mom may lose food stamps under Trump’s changes

Mara is a single mother of two in Minnesota. She and her family have depended on SNAP benefits to make ends meet.

Caroline Yang for NPR


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Caroline Yang for NPR

Although Mara is unemployed, she is busier than ever.

When she is not taking care of her two children, Mara is at her desk applying for jobs. She is surveying her belongings to see what she can pawn off to buy toiletries. Or she is sifting through bills, calculating which ones can wait and which need to be paid right away.

Soon, Mara, a single mom in Minnesota, may have another task on her busy schedule: figuring out how to afford food for her and her family.

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That’s because of new work requirements for people receiving aid from the Supplemental Nutrition Assistance Program, also known as SNAP or food stamps.

“It would be so beyond hard” to lose SNAP benefits, Mara said. “Without SNAP, there’s no funds for food.” Mara asked for her last name to be withheld given the stigma tied to receiving government assistance. She is also worried that speaking publicly will affect her chances of getting a job.

Previously, SNAP recipients with children under 18 were exempt from work requirements mandating that recipients work, volunteer or participate in job training at least 80 hours a month. But now, under President Trump’s One Big Beautiful Bill Act, that exemption only applies to those with children under 14 — which is how old Mara’s youngest child turned in December.

Mara poses for a portrait at CareerForce, a resource for job seekers in Minnesota.

“It would be so beyond hard” to lose SNAP benefits, Mara said.

Caroline Yang for NPR


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The Trump administration has argued that the mission of the nation’s largest anti-hunger program has failed.

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“SNAP was intended to be temporary help for those who encounter tough times. Now, it’s become so bloated that it is leaving fewer resources for those who truly need help,” the White House said in a statement in June.

But policy experts say the SNAP changes do not fully take into account the unique challenges faced by single parents like Mara or the sluggish job market in many parts of the country. They argue that losing food assistance will only create more barriers for recipients struggling to find work.

The timeline for implementing the new SNAP policy varies based on state and county. In Mara’s home state of Minnesota, recipients who don’t qualify for an exemption or meet work requirements will be at risk of losing assistance as early as April 1. Others may have more months depending on when they next need to certify they are eligible for benefits.

Over 100 job applications

Mara imagined she would have a job by now.

It was August when she was let go from her part-time administrative assistant role due to her workplace restructuring. Since then, Mara estimates that she has applied for over 100 positions. She has also attended job fairs and taken free workshops on resume writing.

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She has been working since high school, she said, but “ I’ve never been out of work for more than one month, so it’s very difficult.”

Mara spends time working at the computer at CareerForce, a resource for job seekers in Minnesota, on March 4.

Mara spends time working at the computer at CareerForce, a resource for job seekers in Minnesota, on March 4.

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Caroline Yang for NPR

Although she misses her old job, Mara said it didn’t pay enough to support her and her kids, so she relied on SNAP benefits.

Many recipients are part of the low-wage labor market, where job security is often unpredictable and turnover tends to be high, according to Lauren Bauer, a researcher at the Brookings Institution who has studied SNAP extensively.

“SNAP is supposed to be there to help people smooth that and not let the bottom fall out when they experience job loss,” she said. “And this policy doesn’t account for that at all.”

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Mara’s lowest point came in November when the government shutdown led to disruptions in SNAP benefits. Not only was she searching for a new job, but she was constantly figuring out where to get her family’s next meal.

“I might be looking for food stuff during the day when I should have been looking for a job,” she said. “Then, I’m trying to make up that time in the evening after my kids go to bed.”

During the pause, Mara turned to food banks, which revealed other challenges. First, food pantries do not always provide enough for an adult and two growing teenagers, she said. Second, they often lack gluten-free foods, which is essential for her daughter who has celiac disease, an autoimmune disorder that causes digestive problems if gluten is consumed. Gluten-free products tend to be more expensive.

If Mara loses access to SNAP again because of the new work requirements, she fears another stretch of long days spent looking for the right food and enough to feed her family.

“I would be so reliant on looking for food shelves or food banks,” she said. “There would not be time to even live.”

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“We’re going to see increases in poverty. We’re going to see increases in food insecurity”

The Congressional Budget Office estimates that roughly 2.4 million people will lose food benefits in a typical month over the next decade as a result of the new SNAP requirements — including 300,000 parents like Mara with children 14 or older.

Gina Plata-Nino, the SNAP director at the nonprofit Food Research & Action Center, says many of the affected recipients will be single mothers who make up a majority of single parent households in the U.S. She added that the changes target a group that often lacks or struggles to afford a support system to help care for their children.

“How can they have a full-time job when they need to pick up their children [for] various activities?” she said. “And they are working — just not enough hours because they need to be there present for their children.”

Mara shops for groceries at a local discount grocery store.

Mara shops for groceries at a local discount grocery store.

Caroline Yang for NPR


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The new law also imposes work requirements on veterans, homeless people, young adults aging out of foster care, and able-bodied adults without dependents from ages 55 to 64.

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It also toughened the criteria for waiving work requirements for recipients in areas with high unemployment. Previously, there were multiple ways to determine a weak labor market and secure a waiver. Now, it only applies to places with an unemployment rate above 10%. (Alaska and Hawaii have a different measure.)

For those who fail to meet the work requirement, SNAP provides assistance for up to three months within a three-year span. But Bauer from the Brookings Institution argues that it is not enough and the impact of SNAP changes will be widespread.

“We’re going to see increases in poverty. We’re going to see increases in food insecurity. We’re going to see increasing strain on the charitable food sector,” she said.

Mara holds her favorite anchor ring, which carries the inscription, "God for me provide thee."

Mara holds her favorite anchor ring, which carries the inscription, “God for me provide thee.”

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As anxiety hangs over her head, Mara tries to put on a brave face for her children. She does not want them to worry, explaining that her recent struggles have reminded her how tough life can get as an adult.

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“I remind them it’s not their responsibility and they’re not accountable for me or for what’s happening,” she said. “I say, just know you get to be a kid.”

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‘TODAY’ Show Dylan Dreyer Says Savannah Guthrie Will Likely Return, Not Sure When

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‘TODAY’ Show Dylan Dreyer Says Savannah Guthrie Will Likely Return, Not Sure When

Dylan Dreyer
Savannah Will Likely Come Back … Just Not Sure When

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‘American Classic’ is a hidden gem that gets even better as it goes

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‘American Classic’ is a hidden gem that gets even better as it goes

Kevin Kline plays actor Richard Bean, and Laura Linney is his sister-in-law Kristen, in American Classic.

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American Classic is a hidden gem, in more ways than one. It’s hidden because it’s on MGM+, a stand-alone streaming service that, let’s face it, most people don’t have. But MGM+ is available without subscription for a seven-day free trial, on its website or through Prime Video and Roku. And you should find and watch American Classic, because it’s an absolutely charming and wonderful TV jewel.

Charming, in the way it brings small towns and ordinary people to life, as in Northern Exposure. Wonderful, in the way it reflects the joys of local theater productions, as in Slings & Arrows, and the American Playhouse production of Kurt Vonnegut’s Who Am I This Time?

The creators of American Classic are Michael Hoffman and Bob Martin. Martin co-wrote and co-created Slings & Arrows, so that comparison comes easily. And back in the early 1980s, Who Am I This Time? was about people who transformed onstage from ordinary citizens into extraordinary performers. It’s a conceit that works only if you have brilliant actors to bring it to life convincingly. That American Playhouse production had two young actors — Christopher Walken and Susan Sarandon — so yes, it worked. And American Classic, with its mix of veteran and young actors, does, too.

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American Classic begins with Kevin Kline, as Shakespearean actor Richard Bean, confronting a New York Times drama critic about his negative opening-night review of Richard’s King Lear. The next day, Richard’s agent, played by Tony Shalhoub, calls Richard in to tell him his tantrum was captured by cellphone and went viral, and that he has to lay low for a while.

Richard returns home to the small town of Millersburg, Pa., where his parents ran a local theater. Almost everyone we meet is a treasure. His father, who has bouts of dementia, is played by Len Cariou, who starred on Broadway in Sweeney Todd. Richard’s brother, Jon, is played by Jon Tenney of The Closer, and his wife, Kristen, is played by the great Laura Linney, from Ozark and John Adams.

Things get even more complicated because the old theater is now a dinner theater, filling its schedule with performances by touring regional companies. Its survival is at risk, so Richard decides to save the theater by mounting a new production of Thornton Wilder’s Our Town, casting the local small-town residents to play … local small-town residents.

Miranda, Richard’s college-bound niece, continues the family theatrical tradition — and Nell Verlaque, the young actress who plays her, has a breakout role here. She’s terrific — funny, touching, totally natural. And when she takes the stage as Emily in Our Town, she’s heart-wrenching. Playwright Wilder is served magnificently here — and so is William Shakespeare, whose works and words Kline tackles in more than one inspirational scene in this series.

I don’t want to reveal too much about the conflicts, and surprises, in American Classic, but please trust me: The more episodes you watch, the better it gets. The characters evolve, and go in unexpected directions and pairings. Kline’s Richard starts out thinking about only himself, but ends up just the opposite. And if, as Shakespeare wrote, the play’s the thing, the thing here is, the plays we see, and the soliloquies we hear, are spellbinding.

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And there’s plenty of fun to be had outside the classics in American Classic. The table reads are the most delightful since the ones in Only Murders in the Building. The dinner-table arguments are the most explosive since the ones in The Bear. Some scenes are take-your-breath-away dramatic. Others are infectiously silly, as when Richard works with a cast member forced upon him by the angel of this new Our Town production.

Take the effort to find, and watch, American Classic. It’ll remind you why, when it’s this good, it’s easy to love the theater. And television.

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