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Paige DeSorbo, Carol Lim and Other Fashion Tastemakers Share Where They Love to Shop

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Paige DeSorbo, Carol Lim and Other Fashion Tastemakers Share Where They Love to Shop

Ina, Manhattan (Chelsea) A plethora of secondhand designer merchandise to choose from. All the items — dresses, suits, blouses, shirts, ties, clutches, shoes — are in top-notch condition. Plenty are unique or hard to find. Whether you are buying or simply browsing, the staff are most civilized. They keep their distance and remain friendly. An airy shop (and one of three in Manhattan), it is well lit — not too bright, not too dim, just smooth and easy on the eye.

Natty Adams, New Orleans Natty Adams’s custom and ready-to-wear clothes are as natty as his first name (no pun intended). A New Yorker, he has set up shop in the heart of New Orleans’s French Quarter, a stone’s throw from the former residence of the playwright Tennessee Williams. Graced with a courtyard and a flowering garden, his shop has the best qualities of Paul Smith, Paul Stuart and Ralph Lauren with a youthful vigor all his own.

Crowley Vintage, Brooklyn (Dumbo) Sean Crowley, who formerly designed for Ralph Lauren, caters to gentlemen invested in unimpeachable elegance — those who are always in search of the perfect fit, the perfect fabric, the perfect shirts, trousers, shoes, scarves, ties and Mackintosh coats. All items are vintage, with innumerable more decades of wear left in them.

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Dover Street Market, Los Angeles Everybody in the store, the clientele and the sales people, are all hipper than you. Mostly dressed in black, they look like glamorous characters in an Italian movie. It’s very aspirational: If you just spent enough money, you too could be an artistic interesting person with a bohemian life.

The Los Angeles store (one of a few worldwide) is huge! You could get lost in it for days. Fortunately, I have a capable salesperson, Nathaniel, who looks like a stylish vampire and glides elegantly through the maze of fashion, always emerging with something surprising and unexpected for me to try on.

Buoyed by the seductive promise of Dover Street, I have purchased the most unlikely items. A Balenciaga coat that drags on the ground, a tiny Stephen Jones hat with a bright daisy blooming behind black voile and a furry Simone Rocha purse the size of a large dog.

I have not worn any of these items. I hoard them greedily in my closet waiting for the day when my fantasy life begins and I emerge grandly, my tiny daisy hat balanced precariously on my head, clutching my giant dog purse and Balenciaga trailing behind me.

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James Veloria, Manhattan (Chinatown) Some of the most insane vintage — think archive Jean Paul Gaultier and Tom-Ford-era Gucci. A place to go to for something one of a kind. The New York store (there’s another in Los Angeles) is on the second floor of a very unassuming shopping mall under the Manhattan Bridge. People are sometimes confused by the location at first, but once you arrive, you understand why you made the journey.

ESSX NYC, Manhattan (Lower East Side) The curation of designers and selection is so sharp. It’s catered toward downtown types who love fashion and aren’t afraid to stand out. I don’t shop in person very often. This is one of the few stores that I genuinely enjoy.

Just One Eye, Los Angeles Worth a visit even if you don’t buy anything. Fashion from brands like The Row and Prada sits alongside Damien Hirst artworks and Franco Albini furniture. When I was growing up in Los Angeles, I couldn’t dream of affording anything, but I would still stop by and leave inspired.

Desert Vintage, Manhattan (Lower East Side) One of the most tastefully curated vintage stores. You can find special pieces that no one else will be wearing. Upon walking in, you will want to become a person who can effortlessly throw on a caftan to run to the bodega for a bacon egg and cheese.

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Ted Muehling, Manhattan (TriBeCA) Mesmerizing jewelry and objects. You can’t stop yourself from wanting to touch and hold everything. The “rice” and “berries” earrings are the perfect gift — for yourself or for anyone.

Staklena Kuća, Los Angeles Shopping here is like looking through a well-assorted closet: You might like half of everything in it, and half of it might not be for you (this time). The store strikes the hard balance between over-curated and overwhelming. Vintage tees, embroidered satin slippers — this place has those and more.

Drop Your Jeans, Covina, Calif. An excellent selection of vintage work wear, from Levi’s cutoffs to dead-stock Dickies to worn-in Carhartt jackets. A large poster selection is another reason to go.

Bliss’ Department Store, Shelter Island Heights, N.Y. A seriously vintage jolt of Americana. The store is aptly named. Its third-generation family owner purveys the blissful necessities of life. Recently bought there by me: water bootees, a hoodie, sewing supplies, a jaunty hat and super glue.

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Modern Appealing Clothing, San Francisco The merch edit is primo and eccentric, but also wearable. We’re talking Comme des Garçons, Sacai, Walter Van Beirendonck and many other avant-gardists, plus a plethora of strange footwear. The brother-and-sister owners have built a loyal following by treating every customer like an old pal. Clothes sold here will make you appear more interesting than you are, which should always be the primary goal of fashion.

J.C. Western Wear, West Palm Beach, Fla. A family-owned vestige of “Old Florida” with a staggering selection of nonchalant head-to-toe cowboy duds: jeans, boots, cowboy hats and belts and buckles for men, women and children. Another (larger) location in Jupiter is across the street from Dune Dog Café, an old-school alfresco Florida eatery.

Maxfield, Los Angeles A store that all others watch, it specializes in audacious new ideas and strange vintage artifacts. It has maintained its mystique for half a century, a gob-smacking accomplishment for any store, with an exquisite edit of every headline making designer — from Rick Owens to The Elder Statesman to Willy Chavarria — and exclusive sneaker and jewelry collaborations.

Stand Up Comedy, Portland, Ore. An under-the-radar women’s wear institution with a chic but unwaveringly funky vision. It’s stocked with independent designers whose work verges on art practice: Bless, Julia Heuer and Martine Rose, to name a few. Walking into the space — a former jewelry store that was barely altered, with plush blue carpeting and glowing vitrines — feels a little like being on the set of a David Lynch movie.

Rennes, Philadelphia Rennes often gets rare artisan lines from Europe and Japan before any other shop in North America. Spindly-legged tables inside the light filled space in Philadelphia’s Old City neighborhood hold stacks of Japan-made socks, and exquisite linen dresses hang from Shaker-style pegboards lining the walls. It could feel precious, but it’s not.

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Slash Denim, Berkeley, Calif. The most magical pant-buying experience. Go around the main storefront into the basement entrance in the back. There, among the musky piles of vintage Levi’s, you will be confronted by three denim witches — or veteran saleswomen — not unlike the witches in “Macbeth.” They will look you up and down, converse with each other in Levi’s-ese (514 or a 551?) and conjure a perfect pair of jeans for you.

Bungee Space, Manhattan (Lower East Side) The shop feels funky and haphazard, like rifling through your cool cousin’s dorm room. It’s a bookstore, a zine distributor, an events center and one of my favorite places to discover new and emerging designers. You’re just as likely to pick up an SC103 handbag or a Comme des Garçons shirt as you are to learn about a couturier who makes dresses from T-shirts or an artisanal women’s wear collective from Guatemala. You feel absolutely welcome to try on clothes, leaf through books, buy a cup of tea or maybe have a conversation.

Front General Store, Brooklyn (Dumbo) The curation is irresistible: vitrines of sterling silver jewelry, racks of vintage French chore coats and Issey Miyake Pleats Please, rows of colorful pens and milk glass mugs. A very very back room is where they keep cowboy shirts from the 1920s, Aloha shirts from the 1940s, all kinds of rare military surplus and souvenir jackets. If a garment looks like it has a story behind it, just ask one of the very kind shopkeepers. They’ll tell you.

Ven. Space, Brooklyn (Carroll Gardens) It carries some of the best men’s designers from around the world, some established (Dries Van Noten), some emerging (Auralee), some medium-size (Lemaire), some tiny (Unkruid). The store has not merely managed without e-commerce, but thrived. Pop in on a Thursday at 3 p.m. and the place will be full. Small touches speak to a broader philosophy at work: For instance, custom hanger covers that hide clothes’ tags, so that you focus on the garment before you know who made it.

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Evan Kinori, San Francisco As a designer, Evan Kinori works slowly and carefully, refining a small set of minimalist designs that tend not to change much from season to season. He uses very special fabrics, many of them developed custom with Japanese mills and dye-houses, and the result is clothes that look cool in photos but truly come alive in person. He sells them at an airy store on the southern edge of the Mission district, along with ceramics and hand-loomed textiles.

Funky Finds, Des Moines, Iowa It’s two floors. Browsing feels like stepping back in time: There’s an expansive collection of home goods and records, but the vintage clothes really stand out. Men’s, women’s, kids — everything on the racks is in exceptional condition and priced very affordably. I bought my senior prom dress here over a decade ago.

Old Gold, Burlington, V.T. Organized, affordable vintage denim. You won’t get the hands-on experience that some vintage retailers offer these days, but it’s not too overwhelming — light curation, approachable prices and a clean setting.

Westerlind, Millerton, N.Y. An insane curation of heritage brands, stunning design and, at this location (one of six), a darling pantry section in the back. Sales associates are kind and extremely knowledgeable about the area. I found a new real estate agent here while my husband was trying on pants.

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Ontario Mall Antiques, Farmington, N.Y. A great antique mall with an excellent jewelry collection, ranging from costume to fine.

Departamento, Los Angeles Great for discovery, with brands I have often never heard of alongside established names like The Row and Wales Bonner. It might have the best men’s buy in America. What I am most interested in when I go into a shop is organization and presentation. Are the products laid out in a thoughtful way? Departamento takes the cake in terms of design.

Scully & Scully, Manhattan (Upper East Side) It’s like Disneyland for refinement. The Park Avenue shop, founded in 1934, sells everything from silver money clips to horse head cuff links to diamond necklaces. It has a doorman and the shopkeepers are as refined as the merchandise. I shop for canes here — the most ornate canes, made with silver duck, fox and owl handles. When I’m walking with one in New York, as tough a city as it is, people become tender to me.

JJ Hat Center, Manhattan (Midtown) One of the city’s oldest hat shops, it’s a narrow store with chandeliers and hats stacked atop each other everywhere you look — fedoras, homburgs, Stetsons, trilbies. There are always people in front of mirrors trying hats on, this way and that, like Humphrey Bogart. Even if you don’t wear hats, you can be initiated into the hat world here. I’ve been buying hats here for 30 years.

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Fashion Full Circle, West Hollywood, Calif. A vintage and consignment shop with a large clothing section. But I go for the shoes. Hundreds of heels, bootees, sneakers — you can find fun and unique footwear here.

Aralda Vintage, Los Angeles A funky, tried-and-true vintage store started by a former model. A great selection, especially of dresses — some outfits from the TV show “Euphoria” were sourced here. The space’s bright orange walls and neon signs make shopping feel a bit like a game.

Allens Boots, Austin I never considered wearing cowboy boots until visiting this place (which has two locations). Thousands of styles line the walls and racks. I bought a black pair with white stars. They make me feel powerful.

Circa, New Bedford, Mass. Walking in for the first time felt like walking into a 1930s Coney Island fun house with mannequins in old costumes and the most beautiful old outfits everywhere. I wasn’t sure if you were supposed to buy the clothes or just admire them. The owner was incredibly friendly.

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The Quality Mending Co., Manhattan (East Village) It’s what you’d imagine a New York City vintage store to look and smell like — the CBGB of vintage stores. Old Levi’s, worn-in tees, tinted sunglasses, lots of attractive people shopping. The best selection of vintage punk t- shirts. Most are out of my price range, but they’re such beautiful relics of the past.

Just One Eye, Los Angeles Stepping inside the bright airy space is exciting and inspiring. I’ve found some of my favorite pieces here. It’s like walking into an art gallery or museum, except you’re allowed to touch. The clothing, jewelry and housewares are beautifully curated — unique items from local artisans, along with clothing and shoes from big-name brands.

The Webster, Manhattan (SoHo) It’s big enough that you feel like you are shopping around, but still small enough that it feels quaint (there are 13 locations). Right when you walk in, you get hit with the store’s signature scent. It is the best smelling scent.

Heart and Lou’s, Manhattan (Lower East Side) A woman-owned vintage shop — I love the shoes.

Lucia Boutique, Saratoga Springs, N.Y. The cutest little women’s clothing store outside Albany, my hometown.

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A’maree’s, Newport Beach, Calif. It’s in an impressive building on the water: You can pull up in a boat, dock and come inside for some shopping and a cocktail. The selection is upmarket — the Row, Alaïa, Gabriela Hearst — and is merchandised in a loose, fun way.

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Jewelry Among the Exhibits at a Daniel Brush Retrospective

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Jewelry Among the Exhibits at a Daniel Brush Retrospective

Nearly four years after his death, a retrospective of the multidisciplinary work by the self-taught American artist Daniel Brush — encompassing sculpture, paintings and jewelry in materials as diverse as steel, Bakelite and gold — is scheduled to open June 8 at the Paris location of L’Ecole, School of Jewelry Arts.

“Daniel Brush: The Art of Line and Light” will be the fifth time that L’Ecole has exhibited the artist’s work. But its president, Lise Macdonald, said she believed Mr. Brush’s legacy warranted repeated consideration: “He is a very niche artist, but he is excellent — really one of the greatest artists of the 20th and 21st century.”

The diversity of his creations has been part of his appeal, she said. “We don’t really consider him as purely a jeweler but more a protean artist where jewelry was part of his approach.”

L’Ecole Paris, which operates in an 18th-century mansion in the Ninth Arrondissement and is supported by Van Cleef & Arpels, has prepared programming to complement the show, from conversations with experts on Mr. Brush’s work (to be held on site and streamed online) to jewelry-making workshops for children. Details of the free exhibition and the events are on the school’s website; the show is scheduled to end Oct. 4.

The exhibition is to include more than 75 pieces, which span much of Mr. Brush’s five-decade career. They have been selected by Olivia Brush, his wife and collaborator, and by Vivienne Becker, a jewelry historian and author who said she first met the couple more than 30 years ago. Some exhibits, they said, have never been seen by the public before.

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Ms. Becker, who wrote the 2019 monograph “Daniel Brush: Jewels Sculpture,” said the artist had possessed vast knowledge of the history of jewelry and shared her belief that jewels “answer a very important, very basic human impulse to adorn — that it’s essential to customs, beliefs, and ceremonies around the world.” She also has written a book documenting the L’Ecole exhibition — and with the same title — that examines the artist’s preoccupation with the themes of light and line.

“He loved the idea of making a real, intransigent, opaque metal into something that was almost translucent, or transparent,” said Ms. Becker, citing as an example a trio of bangles made in 2009 to 2010 that are called the “Rings of Infinity.” The lines that he engraved on the aluminum pieces functioned, she explained, to “elevate the jewel from a trinket to a great, great work of art.”

A series of engraved steel panels titled “Thinking About Monet” used the interplay of line and light to achieve a different effect, she said. Mr. Brush made individual strokes in tight formation on the panels, producing gently rippling surfaces whose color changes with shifting light conditions.

The effect “is really hard to understand. I couldn’t,” Ms. Becker said. “So many people ask, ‘Are they tinted? Are they colored?’ It’s absolutely nothing. It’s just the breaking of the light.”

Though Mr. Brush was a widely acknowledged master of skills such as granulation, the application of tiny gold balls to a metal surface, both Ms. Brush and Ms. Becker said the exhibition’s goal was not to highlight his virtuosity — nor, Ms. Becker said, was that ever a concern of Mr. Brush’s. “He didn’t want to talk about the technique at all,” she said. “Technique has to just be a means to an end. He just wanted people to be amazed, to have a sense of wonder again.”

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The works selected for the L’Ecole exhibition reflect his range, which veered from diamond-set Bakelite brooches inspired by animal crackers to a steel and gold orb meant to be an object of contemplation. “He didn’t want to have boundaries,” Ms. Brush said. “He wanted to do what he wanted to do when he wanted to do it.”

The couple met as students at what is now called Carnegie Mellon University in Pittsburgh, and her 1967 wedding ring was the first jewel that Mr. Brush made.

All of Mr. Brush’s works were one-of-a-kind creations, completed from start to finish by him in the New York City loft that served as a workshop as well as a family home. Photographs of the space, which contained a library with titles on the eclectic subjects that preoccupied him — Chinese history, Byzantine art, Impressionist painting — and the antique machinery that inspired him and that he used to make his tools, are featured in the exhibition and reproduced in Ms. Becker’s book.

Ms. Brush is a fiber artist in her own right, but Mr. Brush also frequently credited her as an equal participant on pieces bearing his name. “I did not physically make the work,” she explained, “but the work would not have evolved or happened the way it did if it were not for the way we lived our lives,” she said.

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Thanks to ‘Mormon Wives,’ Dirty Soda Is a National Obsession

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Thanks to ‘Mormon Wives,’ Dirty Soda Is a National Obsession

The first time Pop’s Social, a catering company in South Orange, N.J., that specializes in dirty soda, served an alcoholic drink at an event, something strange happened.

At the event in December, its nonalcoholic offering, a spiced pear-cider seltzer with vanilla and peach syrups, cream, lemon and cold foam, was a hit. The Prosecco-spiked version? Not so much.

“People were more interested in the mocktail than the cocktail,” Ali Greenberg, an owner of the business, said in an interview.

Dirty soda — a customizable blend of soda, flavored syrup, creamer and sometimes fruit, served over pebble ice — has been crossing into the mainstream for years, especially after the cast of “The Secret Lives of Mormon Wives,” the hit reality show that premiered in 2024, frequented Swig, the Utah chain that started it all.

But its reach has gone far beyond the Mormon corridor, and its rise in popularity has dovetailed with an overall decline in U.S. alcohol consumption. “There’s not a lot of Mormon people in our neighborhood,” said Greenberg. “But there are a lot of people who are sober-curious or not drinking.”

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The reality show, which follows a group of Mormon influencers in Utah, helped popularize dirty soda beyond the Mountain States and inspired a wave of TikTok videos on the subject. Swig rapidly expanded — growing from 33 locations in Utah and Arizona in 2021 to now more than 150 locations in 16 states — along with other Utah chains, and spawned copycats nationwide.

Dirty soda has joined other Mormon cultural exports, like tradwife influencers, a “Real Housewives” franchise in Salt Lake City and Taylor Frankie Paul, the Bachelorette who wasn’t, that have captivated America.

With the recent rollouts of dirty soda at McDonald’s, Chick-fil-A and Dunkin’ — behold the Dunkin’ Dirty Soda: Pepsi, coffee milk and cold foam — and the appearance on grocery shelves of Dirty Mountain Dew and a coconut-lime Coffee Mate creamer for homemade dirty sodas, we may have reached peak dirty.

The idea for dirty soda came out of a desire for members of the Church of Jesus Christ of Latter-day Saints, which has millions of followers in Utah and surrounding states, to have more options for social drinking, as the church prohibits the consumption of alcohol, hot coffee and hot caffeinated tea.

When Swig introduced dirty soda in 2010, it filled a need, providing a pick-me-up for car-pooling moms and an after-school treat for their kids. It was quickly adopted by many in the community.

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“In other cultures, parents go, they pick up their coffee in the morning, and for me and for a lot of my other friends’ parents, it was, ‘Let’s go pick up our dirty soda,’” Whitney Leavitt, a breakout star of “Mormon Wives,” said in an interview.

Leavitt was surprised when her dirty soda order became a recurring question from reporters in recent years. “They were so excited to hear all of the different syrups and creamers that we add to our drinks to make whatever your go-to dirty soda is,” Leavitt said. (Hers is sparkling water with sugar-free pineapple, sugar-free peach and sugar-free vanilla syrups, raspberry purée, a squeeze of lime, and fresh mint if she’s “feeling really fancy.”)

In April, Leavitt became the chief creative and brand officer at Cool Sips, a beverage chain based in New York that sells dirty sodas.

“Mormon Wives” inspired Kaitlyn Sturm, a 26-year-old mother of three from Jackson, Miss., to post recipes for dirty sodas on her TikTok. The one she makes the most contains Coke or Dr Pepper, homemade cherry syrup, a glug of coconut creamer and a packet of True Lime crystallized lime powder, which she combines in a pasta-sauce jar filled with pebble ice. “It kind of has become like a ritual, where I make one for my husband as well, and we have it most evenings,” Sturm said in an interview.

The trend has also hit fast-food menus. The new “crafted soda” menu at McDonald’s is riddled with dirty soda DNA. The Dirty Dr Pepper, with vanilla flavoring and a cold-foam topper, is the chain’s version of what has shaped up to be the universal dirty soda flavor. Since 2024, Sonic, beloved for its porous, soda-absorbing pebble ice, has offered “dirty” drinks — your choice of soda plus coconut syrup, sweet cream and lime.

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These drinks might feel new, but there are antecedents in the Italian sodas of the ’90s (fizzy water and a pump of Torani syrup); the Shirley Temple (ginger ale or lemon-lime soda with grenadine and maraschino cherries); and the egg cream, a tonic of seltzer, chocolate syrup and milk. And what is a dirty Dr Pepper with cold foam if not a descendant of the root beer float? “It’s just a soda fountain from 125 years ago,” Kara Nielsen, a food and beverage trend forecaster, said in an interview.

Though Leavitt moved to New York City with her family in December, her dirty soda ritual has remained consistent, with one key difference. “In Utah, we don’t get to walk to dirty soda shops,” Leavitt said. “We have to drive there.”

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Chaos Gardening: A Laid-Back Way to Garden

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Chaos Gardening: A Laid-Back Way to Garden

Annuals include flowers like marigolds and nasturtiums. They grow fast but won’t come back the next spring (though they will drop seeds and possibly propagate). Perennials like lavender and sage will return year after year, but they may take longer to grow. Wildflower and pollinator packets often contain both annual and perennial seeds but are frowned upon by some serious gardeners, because the selection can be haphazard and ill-suited to the area.

It’s a good idea to exercise a little situational awareness. How much rain can you expect? How much sunlight? Dig the earth and feel it between your fingers — is it sandy? Loamy? These are things to keep in mind as you prepare for your journey into horticultural chaos.

“You want to prepare your soil, your site, at least a little bit,” said Deryn Davidson, a sustainable landscape expert at Colorado State University Extension in Longmont, Colo. “Try to get rid of weeds. Make sure the soil is ready to receive seeds.”

Davidson, who has written about chaos gardening, strongly advised covering the seeds with a layer of soil, lest they become bird food. As for watering, that depends on where you live, she added. On the whole, though, the formula is straightforward: “Soil, sun and water is what these seeds need,” Davidson said.

Not everyone is a fan of the trend, or at least the way it has been portrayed on social media. “Nature is not chaos — nature is pattern,” said Robin Wall Kimmerer, a botanist and the author of “Braiding Sweetgrass,” which recommends imbuing modern life with Indigenous wisdom.

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“It seems unrealistic,” Kimmerer said of the chaos gardening videos she has watched. The feeling of effortlessness they convey — a common social media effect, almost always the result of deft editing — seems to elide the work that goes into a garden, whether chaotic or not, she suggested.

“I want my garden to be natural and biodiverse,” she said. “That’s a good impulse. I don’t think this technique is going to get you there, but that’s an important impulse.”

Boitnott, the maker of the viral video, offered a simple reason for why chaos gardening has become popular: “It just makes you happy.”

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