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MOVIE REVIEWS: “Now You See Me: Now You Don’t,” “The Running Man,” “Trap House” and “Keeper” – Valdosta Daily Times

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MOVIE REVIEWS: “Now You See Me: Now You Don’t,” “The Running Man,” “Trap House” and “Keeper” – Valdosta Daily Times

“Now You See Me: Now You Don’t”

(Crime/Thriller: 1 hour, 53 minutes)

Starring: Jesse Eisenberg, Woody Harrelson, Dave Franco

Director: Ruben Fleischer

Rated: PG-13 (Strong language, violence and suggestive references. )

Movie Review:

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This heist movie is the sequel to 2016’s “Now You See Me,” also directed Ruben Fleischer. It is entertaining just like his predecessor. However, more implausibility exists with “Now You See Me: Now You Don’t” than its prequel.

This outing, The Horsemen illusionists and three new young magicians, Bosco (Dominic Sessa), Charlie (Justice Smith) and June (Ariana Greenblatt), set out to take down the Vanderbilt corporation led by Veronika Vanderberg (Rosamund Pike). Their task will not be easy, but the magician’s use of sleight of hand and tricks help with their mission.

Much like the “Fast and the Furious” movies, the antics here are not always tangible, though they are enjoyable. The entertaining action scenes, mixed with the comical banter, even when juvenile, make the film worth it.

Think of this movie as a reunion for the magicians and the initiation of three freshmen. The new magicians take the lead in this film and in some ways overshadow their older counterparts. Think of this as a passing of the torch to a new generation.

The problem is that the old cast members are still dynamic and not just generational cookie-cutter characters. Jesse Eisenberg and Woody Harrelson’s comedic repartee is still a highlight of this movie. While the younger cast is talented, the older cast members are the reason moviegoers return, and that is the razzle dazzle that makes “Now You See Me: Now You Don’t” inviting.

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Grade: B- (It is not as magical as it once was, but it still charms.)

“The Running Man”

(Action/Science-Fiction: 2 hours, 13 minutes)

Starring: Glen Powell, Colman Domingo and Josh Brolin

Director: Edgar Wright

Rated: R (strong violence, some gore, and strong language)

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Movie Review:

“The Running Man” is a remake of the 1987 film with Arnold Schwarzenegger and directed by Paul Michael Glaser. Both screenplays feature a future dystopian America based on the novel by Stephen King. The 1987 movie was much more plausible than the current one, yet this version is still very entertaining thanks to the performance of Glen Powell, the newest action hero.

Glen Powell plays Ben Richards, a husband and father to a very sick young daughter. Richards decides the easiest way for his daughter and wife to remain healthy and have a secure future is to become a competitor on The Running Man reality show. Sponsored by the state-controlled Network, the show features a person trying to survive while violently hunted by several so-called patriots. Richards realizes he may have just made one of the biggest mistakes of his life, but after signing a contract, he cannot back out so he becomes a running man.

Again, the 1983 movie maintained a realistic appeal this new version misses. The original also had better lines such as a Schwarzenegger and Richard Dawson sequence. Schwarzenegger’s Ben Richards says, “Killian, I’ll be back,” and Damon Killian, played by former Family Feud host Richard Dawson, responds, “Only in a rerun.”

This new adaptation involves contestants like Richards out in the public where bystanders are killed — sounds like lawsuits waiting to happen all over the place. But the Network is more a part of the US government in this movie, so the Network has a modus operandi where people at home watching seem to enjoy the violence.

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Not all citizens appreciate the running man show in this movie, and that at least is something tangible to hold on to. If America ever gets to this point in real life, we have hit a major low point of no point of return.

That aside, the other thing that makes this movie interesting is Glen Powell . He is believable as a leading man, and he works here. And, Powell is definitely athletic because he does plenty of running here.

Grade: B- (If you are in shape, run with him.)

“Trap House”

(Crime: 1 hour, 42 minutes)

Starring: Dave Bautista, Jack Champion and Bobby Cannavale

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Director: Michael Dowse

Rated: R (Strong violence and bloody imagery)

Movie Review:

“Trap House” is an interesting movie mainly because it tries something different. That difference is not realistic in several scenes, but one must compliment the writers for trying. Part of the reason this movie seems unlikely is the missed opportunities for dramatic moments, which could help viewers get to know the characters better.

Dave Bautista plays Ray Seale a single father and DEA agent supervisor. He and his team have been tracking cartel crimes in El Paso, Texas. After his son Cody (Champion) sees some of the cartel information at his father’s office, the young man gathers three of his friends to rob cartel trap houses to raise money for the son of a murdered DEA agent who was killed in the line of duty. Soon, Ray must contemplate whether he should put duty above family when he finds out about his son‘s extracurricular activities.

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“Trap House” finds a way to make it itself interesting, yet it remains a trap too. Characters keep doing the same thing even when it seems unusual for their very nature. Just when it looks like some of the characters are about to do the correct action, they do not, and this script misses key moments for the dramatic development of characters. This crime photoplay does rebound with a very engaging apex.

Grade: B- (It’s a trap, but it is an entertaining one).

“Keeper”

(Horror: 1 hour, 39 minutes)

Starring: Tatiana Maslany, Rossif Sutherland and Birkett Turton

Director: Osgood Perkins

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Rated: R (Violent content/gore, strong language, and sexual references)

Movie Review:

“Keeper” is a horror movie by director Osgood Perkins (“Longlegs,” 2024), the son of famed actor Anthony Perkins. For a moment, it manages to create a neat psychological thriller. It has only a few frights, but they are effective. Then, writer Nick Lepard’s script becomes something similar to a women’s empowerment movie and loses the edge it had.

Liz, a painter, travels to a countryside estate with her boyfriend Malcom, a doctor, for a romantic getaway. He tells her he thinks she is the one. Malcom‘s brother Darren (Turton) agrees and tells him that Liz is a keeper. Supernatural occurrences happen to Liz, especially after her husband goes to see one of his clients and leaves her in the big house for a lengthy period of time.

“Keeper” is a movie you have to watch very closely, or it will seem like a character or two may go missing from scene to scene. Even more, audiences must understand what is happening, which is common in psychological thrillers. Still nothing seems to happen for long periods of runtime. Then, characters explain what is happening, and it becomes a less potent fairytale with visual monsters.

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Grade: C+ (do not keep it.)

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Movie Reviews

MOVIE REVIEW: Pixar’s Hoppers is laugh-out-loud funny

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MOVIE REVIEW: Pixar’s  Hoppers  is laugh-out-loud funny

The Snapshot: Pixar comes out swinging with an energetic and cuddly comedy that pairs big laughs with an earnest message about living alongside nature.

Hoppers

9 out of 10

G, 1hr 44mins. Animated Sci-Fi Family Comedy.

Directed by Daniel Chong.

Starring Piper Curda, Bobby Moynihan, Kathy Najimy, Jon Hamm, Dave Franco and Meryl Streep.

Now Playing at Galaxy Cinemas Sault Ste. Marie.

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True all ages fun is increasingly hard to find, and hoping for great, original works out of Hollywood is only getting rarer from the major studios. Thankfully, Disney and Pixar’s Hoppers is making the search a little easier.

Director Daniel Chong (best known for the TV series We Bare Bears) has masterfully directed a frantic masterpiece that is worthy to stand among iconic greats in Pixar’s esteemed catalogue. Filled with bustling action, a brave moral standing, and an endless parade of cuddly animal heroes, Hoppers is a dam great time.

A beaver dam great time, that is.

The story is a bit unusual, set in the northwestern town of Beaverton, Oregon, where a local University student and nature activist named Mabel (Piper Curda) is in a constant fight with the town’s development-driven mayor (Jon Hamm) over a highway expansion over a local glade and nature preserve.

Things gets wild, however, when Mabel’s consciousness gets sucked into a beaver robot through a process called “hoppers” – and suddenly becomes a literal friend of the forest, setting off a chain of events I dare not spoil.

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One of the strongest elements in Hoppers is Jesse Andrews’ terrific screenplay, built on a story structure that has made Pixar’s work stand out among family entertainment for the last 40 years. (Part of this film’s release, co-incidentally, marks the studio’s 40th anniversary this year.)

Not only has Andrews filled the plot with multiple organic surprises that repeatedly heighten the stakes of Mabel’s quest to save the glade, but the script also balances the peacefulness of nature to – anchor the story – with the frazzled panic of modern human life to develop the humour.

Getting these juxtaposing elements to work is done swiftly by Chong, Andrews and the talented voice ensemble bringing it altogether. The actors above are all commendable, but the scene stealer is Bobby Moynihan (of SNL fame) as beaver leader King George.

Moynihan’s George is smart, sincere, and socially aware that teaches Mabel some core lessons without making it overly obvious to the audience. Still, the film as a whole effectively gets its messages across about what a realistic plan for living in harmony across species actually looks like – and how to go about trying to do the right thing.

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Pixar’s original works have struggled for several years, mainly upended by the COVID pandemic ruining the box office prospects of multiple great movies, including Soul, Turning Red and Onward.

Get ready now for Hoppers to take the spotlight both commercially and among repeat viewings for kids – the film is laugh out loud funny and filled with heart. This is the best original film from Pixar since Coco almost a decade ago.

Read more here: You can’t miss Pixar’s Coco (2017 review)

The only small critiques, in fact, is that the main conflict doesn’t fully emerge or develop until halfway through the film, and the pacing is a bit slow until we get to the actual animal “hopping” that comes at the end of the first act. What’s also missing is the ethereal discovery of poignancy that made Pixar’s earliest filmography seem truly special.

Still, don’t let these small quips deter you. Hoppers is the first great film of 2026 and an absolute blast watching at the cinema.

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Children, parents, grandparents, neighbours, your mailman – everyone should see it this weekend. And seeing it sooner is a great way to encourage the development of more original, thoughtful and fun movies like this to be made.

Hop to it, beavers!

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‘Jab Khuli Kitaab’ movie review: A heartfelt exploration of love’s endurance

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‘Jab Khuli Kitaab’ movie review: A heartfelt exploration of love’s endurance

Pankaj Kapur in ‘Jab Khuli Kitaab’
| Photo Credit: ZEE5

Cracks in conjugality constitute a common conflict device in Hindi cinema. Usually, the male commits the bhool and expects forgiveness. Most fissures appear early, but what if a grandmother reveals a long-buried truth? Can the man accept it as easily as he expects forgiveness? Seasoned actor and theatre practitioner Saurabh Shukla gives new meaning to a prescribed book, making us both chuckle and reflect.

Being a cinematic adaptation of his play, the constraints of the medium are not completely erased, but it shines as a heartfelt exploration of love’s endurance.

The film’s core premise revolves around a decades-old secret — Anusuya’s (Dimple Kapadia) confession of an indiscretion early in their marriage — that surfaces after she awakens from a coma. This revelation forces Gopal (Pankaj Kapur) to re-examine 50 years of trust through the lens of this buried truth as a forgotten ad hoc presence in his life threatens to become a permanent peeve. Enter Negi (Aparshakti Khurana), a young client-chasing lawyer who becomes an unlikely facilitator of tough conversations, legal proceedings, and emotional confrontations.

A still from the film

A still from the film
| Photo Credit:
ZEE5

Jab Khuli Kitaab (Hindi)

Director: Saurabh Shukla

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Duration: 115 minutes

Cast: Pankaj Kapur, Dimple Kapadia, Aparshakti Khurana, Sameer Soni, Nauheed Cyrusi, Manasi Parekh

Synopsis: Gopal and Anusuya’s decades-long marriage is shaken by a revelation.

Though the transgression is a distant memory, its emergence shatters Gopal’s sense of shared space with Anusuya. He questions whether the life he built was an illusion. The woman he cared for seems suddenly unfamiliar. The film asks questions that may seem flimsy but persist in memory. For instance, Anusuya’s love for poetry that Gopal never really discovers, or the concept of marzi (inclination) in relationships.

Meanwhile, the revelation shakes the family unit. The parents initially try to shield the children from the truth, but the tension inevitably seeps in. Initially, it seems the son and son-in-law are bitten by the Baghban bug, but as the film progresses, the writing provides space for a dialogue on how companionship extends beyond the couple.

The film quietly reflects on the role of memory in a marriage, treating it as a central force that both sustains and disrupts long-term bonds. Gopal’s growing dementia suddenly seems like a cure for his marital problem. Without underlining, Shukla also explores the impact of the revelation on Gopal’s social psyche. Suddenly, a seemingly progressive man starts behaving like a parochial uncle, as we find dozens of them around us these days. Is it always the personal that shapes the political socialisation? Another uncle reminds us that laughing too much leads to days of sorrow, as if the Almighty has assigned us a quota of happiness.

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A still from the film

A still from the film
| Photo Credit:
ZEE5

Kapur’s masterful control shines through in Gopal’s progression from bewilderment and stubborn pride to vulnerability and, eventually, the rediscovery of love. Over the years, Kapur has shone in the estuary of comedy that holds a tragedy in its fold. He lives the script’s shifting tones. From the tender caregiving scenes in the beginning to the profound internal shift in demeanour and body language toward the film’s resolution— the transformation feels earned and believable.

It is hard to believe Dimple as a wilting wife, but soon we realise it’s the gravitas in her voice and personality that makes Anusuya a believable picture of regret and resilience.

We know the coma is more like a metaphor, but the medical aspect is treated with a heavy hand. The plot unfolds in a somewhat linear and foreseeable way, with the revelation and its consequences following expected beats. The contrivances, the dot-to-dot mechanics of storytelling, surface in the second half as if the director is keen on arriving at the crux without peeling the layers properly. But it is the chemistry between Shukla and Kapur that prevents this bittersweet dramedy from becoming schmaltzy. 

Jab Khuli Kitaab is streaming currently on ZEE5

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Movie Reviews

‘Hoppers’ movie review: Big ideas and smart emotional beats fuel a great adventure

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‘Hoppers’ movie review: Big ideas and smart emotional beats fuel a great adventure

In cinema logic, sharks, especially great whites, make excellent characters in animation. From Bruce in Finding Nemo to Mr Shark, the master of disguise in The Bad Guys, these apex predators turn their great gummy mouths with many pointy teeth into jolly good fellows.

In Hoppers, the 30th animation film from Pixar, there is a great white called Diane (Vanessa Bayer), who, despite being a scary assassin, has such sweet, shining eyes and a warm smile that one cannot help but grinning back.

Hoppers (English)

Director: Daniel Chong

Voice cast: Piper Curda, Bobby Moynihan, Jon Hamm, Kathy Najimy, Dave Franco

Storyline: A fierce animal lover uses a new technology to converse with animals and save their habitat from greedy, self-serving humans

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Runtime: 104 minutes

We first meet Mabel (Piper Curda) as a little girl trying to set all the animals in school free and being sent home for her pains (and also because she bites one of the teachers trying to stop her). Her busy mother drops Mabel with her grandmother (Karen Huie) who shows her the peace and quiet that can be hers if she only stops to listen.

The glade where grandmother Tanaka teaches her this valuable life lesson becomes a special place for Mabel. Years later, after her grandmother has passed, 19-year-old Mabel is a college student and still fighting for animal rights.

Matters come to a head when the mayor of Beaverton, Jerry Generazzo (Jon Hamm) plans to blow up the glade to build a freeway. Mabel tries to get signatures from the citizenry to stop the freeway plans, but that comes to naught as people quickly turn away from the zealous Mabel.

Frustrated, with no recourse in sight, Mabel chances upon a beaver making its way to her university’s biology lab. First worried that her biology professor Sam (Kathy Najimy) is doing some unspeakable animal experiments, Mabel is nonplussed to find that Sam, with her colleague Nisha (Aparna Nancherla) and graduate student Conner (Sam Richardson), have developed a revolutionary technology to transfer human consciousness to robot animal.

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Mabel uploads her consciousness into a robot beaver and sets off to thwart the mayor. Seeing the world from the animals’ perspective gives Mabel a unique point of view. Hoppers has jokes, chases, largeness of heart and solid science — not consciousness-switching with robot animals or flying shark assassins but the fact that beavers are the environmental engineers of the natural world.

The voice cast is wonderful, from Bobby Moynihan as the beaver king, George to Dave Franco as Titus, the prickly butterfly who becomes the insect king after Mabel accidentally kills his mum — the Insect Queen, played with terrifying grandeur by Meryl Streep.

The animals are delightfully delineated, from the spaced-out beaver, Loaf (Eduardo Franco) to Ellen (Melissa Villaseñor) the grumpy bear. The animation is lovely, with each of the animal and human characteristics clearly outlined. From the mayor’s grasping to Sam’s brilliance, Mabel’s fervour to Loaf’s stillness, and the different animal monarchs’ regality, it is all given marvellous life.

ALSO READ: ‘The Bride!’ movie review: Maggie Gyllenhaal’s glam-goth Frankenstein can’t hold its stitches

The “pond rules” ensure that the animals are not completely anthropomorphised — a sticky point in animation films where carnivores and herbivores hang together without even a sneaky licking of lips!

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Smart, funny, exciting, honest, and touching, Hoppers is the kind of film you can watch with the bachcha party and elders alike, with a happy grin. And then there is Diane of the red, red lips and sparkly white rotating teeth — yes, Hoppers boasts that level of detailing.

Hoppers is currently running in theatres

Published – March 06, 2026 07:08 pm IST

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