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Denzel Washington and Jake Gyllenhaal on their record-breaking

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Denzel Washington and Jake Gyllenhaal on their record-breaking


With stars like Denzel Washington and Jake Gyllenhaal, maybe it’s no wonder “Othello” just became the highest-grossing Broadway play ever, pulling in $2.8 million in a single week.

Washington said, “It’s the most excited I’ve been this century. Seriously. I haven’t been this excited about anything I’ve done as I am about this.”

That’s saying something coming from Washington. Known for roles in films like “Glory” and “Training Day” (both of which won him Oscars), he’s been called the greatest actor of the 21st century. But be careful before you call him a “Hollywood actor.”

“What’s the definition of a Hollywood actor?” he said. “Myself, I’m from Mt. Vernon, so I’m a ‘Mt. Vernon actor.’ I don’t know what ‘Hollywood’ means.”

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“Somebody who’s famous on film? A film actor, great success on film?”

“I’m a stage actor who does film; it’s not the other way around,” Washington said. “I did stage first. I learned how to act on stage, not on film. Movies are a filmmaker’s medium. You shoot it, and then you’re gone and they cut together and add music and do all of that. Theater is an actor’s medium. The curtain goes up, nobody can help you.”

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Jake Gyllenhaal and Denzel Washington in a production of “Othello,” now on Broadway.

CBS News


“Othello” is the Tony-winner’s sixth Broadway show. He plays the title character, Othello, the military commander stirred into a murderous rage after his ensign, Iago, convinces him his wife, Desdemona, has been unfaithful.

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Jake Gyllenhaal plays the deceitful Iago, who seeks revenge on his longtime comrade and commander because he was passed over for a promotion.

Shakespeare wrote “Othello” around 1604. But this production sets the play in “the near future,” adding modern themes like soldiers suffering from PTSD.

Washington said, “People, you know, they ordinarily think, ‘Oh yeah, it’s about jealousy. And he betrays him.’ No, it’s about two soldiers who trust each other with their lives.”

“Well, then…” Gyllenhaal laughed.

“Yeah, what are you so pissed off about? What did I do to you?” Washington laughed.

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“What you know, you know!” Gyllenhaal replied. “But I mean, that what is shared is theirs, you know? And what is shared beyond something that they would share with others. That’s what makes their bond so strong.”

At 44 years old, Gyllenhaal is widely celebrated for the emotional range and intensity he brings to roles, in films such as “Brokeback Mountain,” “Zodiac” and “Nightcrawler.” And like Washington, he is a theater veteran, with “Othello” marking his fourth appearance on Broadway. But this is his first time performing Shakespeare (almost). “You know what I realized? I did do ‘Much Ado About Nothing’ in high school,” he said. “And I realized that this morning.”

“You forgot?” an astonished Washington laughed.

“Probably the audience and I would probably like to forget!”

We visited Gyllenhaal before a performance this past week at the Barrymore Theatre. Standing on stage, the actor said, “It’s my favorite place to be.”

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He explained his character feeds off the audience: “[Iago] does have a lot of moments [where] he has interactions with the audience, they kind of become his partner in it, and every night it is different. And that’s what I love so much about it.”

Washington, now 70, is no stranger to Shakespeare. On stage he’s played Richard III and Julius Caesar, and he has starred in movie versions of “Much Ado About Nothing” and an adaptation of “Macbeth.”  He first played Othello as a student at Fordham University in New York City.

Asked how he relates to the play and its language differently from when he was 22, Washington replied, “I know a lot less now. I thought I knew everything then! I didn’t really like the part, ’cause I wasn’t wise enough to understand it. Now I understand it’s really about a bond, you know, that these characters have. He loves not wisely, but too well.”

“Othello” has been staged on Broadway more than 20 times. For most of those performances, Othello was played by a white actor in blackface. That changed in 1943, when Paul Robeson gave a legendary performance in the role. The last actor to play him on Broadway was James Earl Jones, in 1982.

“James Earl Jones was my northern star when I was in college,” said Washington. “He was who I wanted to be. I didn’t get to see his Othello, but I know it wasn’t as good as my 22-year-old interpretation! But you know, it’s my turn.”

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And what a turn it’s been. The show is already a box office hit. But record-breaking sales have driven prices sky-high; prime seats go for nearly $1,000, drawing some criticism.

But audiences are showing up, and by the sound of it are enjoying themselves – as are the stars.

Gyllenhaal said, “You get to a point where you’re like, ‘Oh, I’ve worked my whole career for this, for this moment.’”

“That’s what it feels like for me, too,” said Washington. “I worked my whole career for this moment. This is a 48-year journey for me. It’s fascinating to have been too young for the part, and some may say now too old. But 48 years of experience, so 48 years of pain and pleasure and life has informed my approach to playing the role.”

Gyllenhaal added, “I feel tremendous gratitude. And he makes me feel it when I walk in that rehearsal room every day.”

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WEB EXCLUSIVE: Watch an extended interview with Denzel Washington and Jake Gyllenhaal (Video)



Extended interview: Denzel Washington and Jake Gyllenhaal on “Othello”

14:13

       
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Story produced by Wonbo Woo and Sara Kugel. Editor: Remington Korper. 

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Week Ahead in Washington: March 1

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Week Ahead in Washington: March 1


WASHINGTON (Gray DC) – Operation “Epic Fury” — the weekend military operations carried out by the U.S. and Israel against targets in Iran — tops the agenda for Congress as lawmakers return to Washington.

Sunday, President Donald Trump said the new leadership in Iran wants to talk to the Trump Administration.

Democrats in both chambers called for Congress to return as soon as possible for classified briefings on Iran, followed by a move to vote on the War Powers Act. The Constitution gives Congress the power to declare war on another country.

Congress’ return to Washington was originally delayed due to the start of the 2026 midterm elections cycle.

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Tuesday, voters in Arkansas, North Carolina and Texas head to the polls for primary elections.

North Carolina and Texas are drawing significant attention, as both states are facing congressional redistricting and competitive primary races for Senate seats.

In Texas, incumbent Sen. John Cornyn (R) is facing primary challenges from state Attorney General Ken Paxton and Rep. Wesley Hunt. On the Democratic side, Rep. Jasmine Crockett is facing state Rep. James Talarico.

In North Carolina, candidates are vying to replacing retiring Sen. Thom Tillis (R) . They include former Governor Roy Cooper (D) and former Republican National Committee Chair Michael Whatley.

Also this week, the Rev. Jesse Jackson is laid to rest. He will be honored Wednesday in Washington before a final memorial service Saturday. Jackson died Feb. 17.

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Caps Fall in Montreal, 6-2 | Washington Capitals

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Caps Fall in Montreal, 6-2 | Washington Capitals


Cole Caufield scored in the first minute of the first period and added another goal later in the frame, sparking the Montreal Canadiens to a 6-2 win over the Capitals on Saturday night at Bell Centre.

Washington entered the game with a modest three-game winning streak and six wins in its last seven games. Although they were able to briefly draw even with the Habs after Caufield’s opening salvo, Caufield and the Canadiens responded quickly and the Caps found themselves chasing the game for the remainder of the night.

“I didn’t mind some of the things that we did tonight,” says Caps coach Spencer Carbery. “I thought we created enough offensively, we just made way too many catastrophic mistakes to be able to sustain that.”

In the first minute of the game, Caufield blocked a Jakob Chychrun point shot, tore off on the resulting breakaway and beat Charlie Lindgren for a 1-0 lead for the Canadiens, half a minute into the contest. Lindgren was making his first start since Jan. 29, following a short stint on injured reserve for a lower body injury he sustained in that game.

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After the two teams traded unsuccessful power plays, the Caps pulled even in the back half of the first. With traffic in front, Declan Chisholm let a shot fly from the left point. The puck hit Anthony Beauvillier and bounded right to Alex Ovechkin, who had an easy tap-in for career goal No. 920 at 13:16 of the first.

But Montreal came right back to regain the lead 63 seconds later, scoring a goal similar to the one Ovechkin just scored.

From the left point, Canadiens defenseman Jayden Struble put a shot toward the net. It came to Nick Suzuki on the goal line, and the Habs captain pushed it cross crease for Caufield to tap it home from the opposite post at 14:19.

Less than two minutes later, Lindgren made a dazzling glove save to thwart Caufield’s hat trick bid.

Midway through the middle period, Montreal went on the power play again. Although the Caps were able to kill the penalty, the Habs added to their lead seconds after the kill was completed; Mike Matheson skated down  a gaping lane in the middle of the ice and beat Lindgren from the slot to make it a 3-1 game at 12:22.

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Minutes later, Montreal netminder Jakub Dobes made a big stop on Aliaksei Protas from the right circle, and Suzuki grabbed the puck and took off in the opposite direction. From down low on the right side, he fed Kirby Dach in the slot, and Dach’s one-timer made it 4-1 for the Canadiens at 16:34 of the second.

In the waning seconds of the second, Dobes made one of his best stops of the night on Beauvillier, enabling the Canadiens to carry a three-goal lead into the third.

Those two quick goals in the back half of the second took some wind out of the Caps, who were playing their third game in four nights following the three-week Olympic break.

“We kill off a penalty, and then we end up going down 3-1right after the penalty,” says Caps center Nic Dowd. “Those are challenging to give up, right? You do a good job [on the kill], it’s a 2-1 game, and then all of a sudden, before you blink, it’s 4-1 and then the game gets away from you.

“And they defended well tonight; It’s tough to score goals in this League, and you go into the third period, and you’ve got to score three. You saw that [Friday] night when we played Vegas; they were able to score two, but it’s tough to get that third one. I think we have to manage situations a little bit better. It’s a 2-1 game on a back-to-back, we just kill a penalty off, or maybe we just have a power play – whatever it is – we have to manage that, especially in an arena like this, where the crowd gets into it on nothing plays. They can really sway momentum – and in a good way – for their home team.

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“We just have to understand that if we don’t have our legs in certain situations, because of travel, it’s back-to-back or whatever, we really have to key into the details of the game and not let things get away from us quickly.

With 7:28 left in the third, Ovechkin netted his second of the game – and the fifth goal he has scored in this building this season – on a nice feed from Dylan Strome to pull the Caps within two goals of the Habs, who have coughed up some late leads this season.

But Montreal salted the game away with a pair of late empty-net goals from Suzuki and Jake Evans, respectively.

In winning six of their previous seven games, the Caps had been playing with a lead most of the time. But playing from behind virtually all night against a good team in a tough building is a tall task under any circumstances. And it was exactly that for the Caps on this night.

“They score on the first shift,” says Strome. “Obviously, Saturday night in Montreal is as good and as loud as it gets. They just got a fortunate bounce; puck was off Caulfield’s leg, and a perfect bounce for a breakaway. It’s just one of those things where we got down early and now they kind of fed off the momentum of the crowd.

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“But I still think our game is in a good spot, and we’ve just got to keep stacking wins. Obviously, we’ve played more games than everyone so we’re going to need some help, but we’ve just got to keep stacking wins. It’s tough on the back-to-back in Montreal, but we’ll find a way to bounce back on Tuesday [vs. Utah at home] and then go from there.”



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The Fallout From the Epstein Files

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The Fallout From the Epstein Files


The Department of Justice is facing scrutiny this week after it was revealed that records involving President Trump were missing from the public release of the Epstein files. On Washington Week With The Atlantic, panelists joined to discuss the ensuing political fallout for the Trump administration, and more.

“The key thing to remember about the Epstein story is that it is a case that has been mishandled for decades. The reason that we’re hearing about this now and why it’s exploding into public view is because, for the first time, Republicans in Congress and Democrats in Congress were willing to openly defy their leadership and call for the release of these files,” Sarah Fitzpatrick, a staff writer at The Atlantic, said last night. “That has never been done before, and I think it really is changing the political landscape in ways that we’re still just starting to learn.”

“What’s been so striking is how many of those very same Republicans who were calling for the release of those files, who had promised to get to the bottom of them, are now saying things that are just the opposite,” Stephen Hayes, the editor of The Dispatch, argued.

Joining guest moderator Vivian Salama, a staff writer at The Atlantic, to discuss this and more: Andrew Desiderio, a senior congressional reporter at Punchbowl News; Fitzpatrick; Hayes; and Tarini Parti, a White House reporter at The Wall Street Journal.

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Watch the full episode here.



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