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Shalom & Aloha: Volcanoes, beaches, sunsets – and Jews – in Hawaii

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Shalom & Aloha: Volcanoes, beaches, sunsets – and Jews – in Hawaii


“Are you Jewish?” the Budget rent-a car agent asked as I was about to exit the Daniel K. Inouye International Airport in Honolulu, Hawaii, and begin my eight days of exploring two of Hawaii’s seven main islands (there are 137 in the 2,400 km. long Pacific archipelago). 

I thought I was being careful by keeping a low Jewish profile, which I employ these days while traveling. My baseball cap was on my head and my yarmulke safely stashed in my pocket, but the Hebrew letters on my old Jewish summer camp T-shirt was apparently showing and blew my cover. 

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“I’m Jewish, too,” Nachelle the rental agent said proudly, putting me at ease. This 30-something woman of color shared that she was in the process of converting to Judaism. She eagerly proceeded to provide an overview of Jewish life on Oahu – the island which is home to the state capital of Honolulu, as well as to its Jewish governor, Josh Green, and its longtime Jewish US senator, Brian Schatz. The majority of the state’s residents live on this island, as do the majority of the estimated 7,000 to 10,000 Hawaiian Jews.

Nachelle provided useful information about prayer services, Shabbat meals, a seasonal kosher restaurant at the Chabad of Oahu, and a small kosher section at the Safeway supermarket that supplements the already abundant supply of kosher-certified crackers, cookies, peanut butter, cereal, hummus, lox, beans, and tortillas found in the store. There was surely enough kosher food available to keep this tourist satisfied on hikes, at the beach, and over Shabbat.

While this was my first trip to Hawaii, Jews have reportedly been arriving to the Aloha State since the end of the 18th century. According to an article on the website of Honolulu’s 60-year-old Reform Temple Emanu-El, “The first mention of Jews in connection with Hawaii was in 1798, when a sailor on the whaling ship Neptune recorded in the ship’s log that the Hawaiian king had come aboard and brought a ‘Jew cook’ with him!”

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The Reform congregation in the Nu’uanu Valley area of Honolulu, founded by 35 families in 1938, offers a religious school, as well as bar and bat mitzvah training and services, and considers itself “a venue for Jewish and Israeli culture.” There are reportedly 17 Jewish congregations, associations, and organizations and four Chabad Houses in the Hawaiian Islands. Locals say that there is also a handful of other informal Jewish prayer groups and organizations, as well as Jewish and Israel-related activities.

WAIMANALO SHORELINE, where it is possible to see humpback whales. (credit: HOWARD BLAS)

Oct. 7 remembered in paradise

Denise Kaufman, a member of the Ace of Cups female rock band founded in 1967, which opened for such legendary performers as Jimmy Hendrix, The Band, and Janis Joplin, is a longtime resident of the island of Kauai. She proudly shared a video of the October 7th Kauai Memorial, marking “the first year anniversary of the worst massacre of Jews since the Holocaust.” 

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The two and a half hour program, at the Kauai War Memorial Convention Hall, featured speeches, musical performances, and prayers by notables such as Kauai Mayor Derek Kawakami; IDF Lt.-Col. (res.) Jordan Herzberg; Supernova festival survivor Jenny Sividya; Marc Levine of the ADL; Yehuda Solomon of the Moshav Band; and the gathering’s driving force, Rabbi Michoel Goldman of Chabad. Kaufman attended the program and helped organize a trip for islanders to the Nova Music Festival Exhibition during its recent two-month run in Los Angeles.

Such an illustrious group arriving from far away to attend the commemoration was no small feat. The breathtaking 50th state, with its beautiful weather and daily picture-perfect sunrises and sunsets, is located more than 2,000 miles southwest of the US mainland.

One of only two noncontiguous states in the US, Hawaii has a population of about 1.4 million, around the 10th smallest, similar to New Hampshire and Maine. A nonstop flight from New York to Honolulu is just over 11 hours; flying nonstop from San Diego takes six and a half hours.

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Kaufman, who arrived in Hawaii from Los Angeles in 1983 to attend music school, was a bit of a pioneer. But Jewish merchants began arriving in Hawaii more than 130 years earlier. Some, who arrived between 1850 and 1900, owned coffee plantations and provided supplies to the island’s sugar plantations. In 1901, forty Honolulu residents founded the Hebrew Congregation of Hawaii. They also established Hawaii’s first Jewish cemetery.

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VIEW ON the 1.6-mile round trip hile from the base to the summit of Diamond Head – especially beautiful at sunrise. (credit: HOWARD BLAS)

Jewish presence increases after the world wars

After World War I, the Jewish Welfare Board sent Alexander and Jennie Linczer to establish a JWB center in their home. Two families soon joined them on Oahu to serve as leaders of the Jewish community. In 1939, the Jewish Community Center was founded. The leased location served as a prayer space and central place for the Jewish community. Jewish chaplains stationed in Hawaii used it for religious services. In 1942, the Hebrew Burial Society was established, which dedicated a section of the Oahu Cemetery for the burial of Jewish community members.

Many Jews arrived in Hawaii after World War II, some of whom had been stationed there during the war. In 1947, Rabbi Emanuel Kumin went there to serve as director of the Jewish Welfare Board. Soon afterward, he served as a part-time rabbi for the Honolulu Jewish community, helping Jewish life to continue expanding there in the 1950s. In 1960, they constructed the state’s first synagogue.

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Few US mainlanders have family connections to the island state. However, as a child, I remembered hearing of an uncle who “served in the military and was stationed in Hawaii.” Prior to my trip, I tracked down my distant cousin Harvey and his wife, Diane, who are in their 80s. They happily invited me to visit them in their home in Kailua, 30 minutes from Waikiki Beach, where I was staying. 

I discovered that the family lore about these cousins was not entirely true. While Harvey and his brother, Alan, did indeed serve in the US Army, they were not stationed in Hawaii (though many people in service were). It was his post-army career in the US Army Corps of Engineers that brought him to Hawaii after a stint with the corps in Guam. He arrived with his wife in 1977, fell in love with Hawaii, and never left.

Harvey and Diane raised their three children on Oahu and marked b’nai mitzvah for them at what they describe as their vibrant 300-member Reform temple. They report an extraordinarily high intermarriage rate in the Jewish community, as well as difficulties retaining rabbis; and children, like their own, grow up and leave the islands for the mainland. The Jewish governor and the senator are married to non-Jewish women.

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MAKAPU’U POINT Lighthouse Trail on Kaiwi State Scenic Shoreline in Waimanalo, Oahu. (credit: HOWARD BLAS)

Pearl Harbor – another surprise attack

For those who go to Hawaii, whether to visit, attend a conference, or live there, the place is paradise. The state has only two seasons: sunny summer, with an average daytime temperature of 85°F (29°C); and rainy winter, with average temperature not much lower than 78°F (26°C). 

While a week is certainly enough time to sample Hawaii’s beauty, history, food, and culture, it is not enough time to get more than a small taste of one or two islands. Most flights from the mainland arrive in Oahu, as well as some to Kona and Maui. Other islands are easily accessible by affordable 30- to 60-minute flights between the main islands.

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Spending a day at the Pearl Harbor National Memorial on Oahu helps visitors get a good sense of history and geography. Most Americans are familiar with the basic story of Pearl Harbor, which was bombed by the Japanese on December 7, 1941, bringing America into World War II. 

I had never truly appreciated the extent of the casualties suffered by the US – 2,403 Americans were killed, and 1,178 others were wounded. In addition, 21 ships were sunk or damaged, while 188 planes were destroyed and 159 damaged. Viewing the various films of the days leading up to Japan’s surprise attack, I couldn’t help drawing parallels to Israel’s being caught off guard in a similar fashion on October 7.

One part of the museum is the boat ride to the sunken USS Arizona battleship, which is to see a museum with views of where the ship wreckage is. It was very dramatic. Passengers are told to put their phones on vibrate, as they are going to a cemetery. Many of the battleship’s crew are still underwater, so it really has the feel of a place worthy of respect and honor for the memory of those who died there. 

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I spent seven hours at the Pearl Harbor museum’s many sections, including touring the USS Missouri, which hosted the surrender ceremony of Japan on September 2, 1945; and the USS Bowfin submarine. It was totally worth it.

Maps on Pearl Harbor make it clear that Hawaii is located in the middle of the Pacific Ocean – about 2,600 miles from Los Angeles, and 3,800 miles from Japan. This helps account for the many Japanese families and tour groups traveling throughout the Hawaiian island, and the many Japanese residents dating back generations (43% at their height in 1920; 23% pure and mixed in 2020).

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While a visit to Pearl Harbor is interesting and important, visitors should also rent a car and travel around Oahu, where there is no shortage of places to hike, snorkel, see waterfalls, and view humpback whales. Diamond Head State Monument, known as Le’ahi in Hawaiian (Hawaii is the only US state with two official languages), is a volcanic tuft cone formed about half a million years ago. It is worth making a reservation online to hike to the top of Diamond Head and view sunrise and nearby Waikiki Beach.

WELCOME TO Chabad of Hawaii. (credit: HOWARD BLAS)

Pineapples, waterfalls, and hikes

Other highlights of Oahu that are close to Honolulu include Honamu Bay (sign up in advance and rent on-site snorkeling equipment to view amazing coral and fish), and the Kaiwi State Scenic Shoreline – Makapu’u Light House. I was lucky and saw several whales, though the binoculars I schlepped came in handy. 

A visit to the Dole Plantation isn’t a must, but it is fun seeing how and where the world-famous pineapples grow, as well as coffee, cacao, and macadamia nuts. Nowadays, most of their pineapples are grown in other countries, such as Thailand, Ecuador, and Costa Rica. There is a fun Pineapple Express Train ride and the Pineapple Garden Maze to keep families engaged, and there is no shortage of pineapples to sample and purchase, as well as pineapple-themed souvenirs.

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ON LANIKAI Pillbox Trail (credit: HOWARD BLAS)

On several early mornings, I set out in the dark (with my headlamp) to see incredible sunrises. Less than an hour northeast of Honolulu is the Ka’iwa Ridge (Lanikai Pillbox) Trail, a 1.6-mile out-and-back trail near Kailua. Given the early start to the day, I had time for additional hiking on the Manoa Falls trail, another 1.8-mile moderately challenging one, which ended at the breathtaking waterfall.

One of the most difficult decisions while on vacation in Hawaii is just how ambitious to be. While Oahu is replete with fun attractions, one can spend a week in Waikiki Beach, where hotels range from the simple and affordable to the grand and luxurious. The white sand beaches are gorgeous, and swimming and surfing are possible many hours a day. The night offers abundant restaurants and bars. A noodle shop across from my hotel caught my attention for its long lines day and night.

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Chabad is there, too

The Waikiki hotels are located close to the beach and are a 20- to 30-minute walk to the Chabad of Hawaii, which has Shabbat services and offers Shabbat dinners for $85 per adult and lunches for $75. Somewhat steep, I thought, but I guess that’s part of how it supports its operation. It also operates Aloha Lani, a sit-down restaurant during the summer (July through September) and over winter break. In addition, the local Chabad offers meal delivery all year round through Oahu Kosher.

At the Chabad of Hawaii Shabbat morning service, 35 men, 20 women, and a number of children were in attendance. I offered the empty seat next to me to Harold, a man in his 70s – one of eight men clad in Hawaiian Aloha shirts. He and his family have been vacationing yearly in Waikiki Beach for over 30 years and recently purchased a condo. 

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When I asked for an estimate of the breakdown of shul attendees by locals to tourists, he said that he wasn’t sure but playfully added, “We have an expression here: ‘If you don’t like the person sitting next to you, don’t worry – he won’t be here next week!’”

Harold isn’t the only one from the mainland who have discovered Hawaii and may be considered “snowbirds” – people who spend the cold months of Canada and the northern US in reliably warmer climates. Due to Chabad’s proximity to the Honolulu Convention Center, there is a steady flow of conference-goers. On the Shabbat of my visit, several doctors who were in town for a medical conference came to Chabad for prayers and meals. Some of the few Israelis in town hawk their wares at the many indoor and outdoor markets; some have also found their way to Chabad.

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Chabad Houses also provide useful support and resources to both locals and tourists on some of the other islands. One on Maui, another on Kauai, and two on the Big Island (one in Kona, one in Hilo) offer Shabbat food to visitors and locals (free, though donations are encouraged). Some Chabad websites note that it is possible to spend Passover in Hawaii.

THE REBBE greets diners and surfers at Chabad. (credit: HOWARD BLAS)

Over to the Big Island

After a Saturday late evening walk to see my final sunset along the beach in Waikiki (and passing a young kippah-wearing Israeli and his wife doing the same), I made havdalah in my hotel room, and the torches lighting up the bar below served as a useful aish (fire) for this Shabbat-ending ritual.

I packed, got a few hours of sleep, then caught a cab to the airport for a 6 a.m. flight to briefly explore one more island. Though any of the seven habitable islands of Hawaii’s 137 would have been good choices, I opted for the Big Island – confusingly also called Hawaii – home to Hawaii Volcanoes National Park. I flew in to Hilo Airport and made the hour’s drive to this spectacular park.

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My 30 hours on the island allowed just enough time to explore this national park (the Lava Tube and Kilauea Iki Crater Rim give a real experience of volcanoes and of walking on the moon!) and to see a beautiful waterfall at nearby Akaka Falls State Park. I stayed overnight at the funky Hamakua Guesthouse and was up long before the sun to drive to Mauna Kea, a dormant shield volcano. 

I managed to get close to the Visitors’ Center at 9,000 feet to watch the awesome sunrise. Tour groups and people with four-wheeled vehicles are welcome to reach the summit at 13,803 feet – the highest point in the state. I opted for a quick tour of the Mauna Loa Macadamia Nut factory to stock up on snacks and gifts to bring home before boarding the short flight to Oahu, then the long overnight flight back to New York.

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Tough decisions await. Should I return to Hawaii to explore the other islands or continue elsewhere to see more of our beautiful world?  

Natan Rothstein contributed to the main article, and wrote the following family history.

THE ROTHSTEIN family at Kahalu Beach, Kona, in 1982 after the writer (L) returned from a year in Israel. Sister Ann and parents Judy and Jerry. (credit: NATAN ROTHSTEIN)

SHALOHA, HAWAII!

‘We’re going on a trip – to Hawaii!” our parents told me and my little sister Ann in the summer of 1970. It sounded cool to this 10-year-old boy from Far Rockaway, New York; little did we two know that we wouldn’t be coming back from the big “rock” far away. Shalom and aloha – both “hello” and “goodbye” in Hebrew and Hawaiian – farewell Atlantic coast, hello Pacific island!

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We were going to visit my dad’s childhood best friend, Bob Reichman – they had been two nice, regular Jewish kids from Long Island who never dreamed they would end up – for good – on the Big Island. Starting out as short-haired, straight city kids, they ended up being long-haired, pot-smoking, Hawaiian beach bums.

Surfer Bob eventually became the live-in caretaker of secluded Makalawena Beach on the Kona Coast of Hawaii Island, and my dad eventually had a rather pash lifestyle: PASH, that is – Public Access Shoreline Hawaii, an organization he founded in the 1980s.

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DAD IN his cluttered office, always working on some writing project. Like father, like son. (credit: Rothstein Family)
JUDY ROTHSTEIN at the library where she worked. (credit: Rothstein Family)

He became an environmental activist who achieved gaining access for people, native Hawaiians especially, to shoreline that had been privatized by individual landowners and hotels. He was even awarded a resolution from the Office of Hawaiian Affairs for his “life of dedication to upholding Hawaiian rights.” My mom was a librarian in a little Kona library. Not bad for a New York couple hailing from Far Rockaway and neighboring Lawrence, one of the famous Five Towns, who ended up far away on the Big Rock.

“Many people come to Hawaii to get away from things on the mainland – bad relationships, bad weather, etc.,” says Barry “Bone Doc” Blum, a contemporary of my parents who, together with them and others, founded Kona Beth Shalom (KBS), the Kona House of Peace congregation, in 1980. “Jews who come to Hawaii generally don’t come here to be Jewish – But they always end up going back to their Judaism – somehow,” he remarks.

THE BAR mitzvah boy holding the Torah Scroll given to King David Kalakaua by a Jewish adviser in the 1880s. (credit: Rothstein Family)
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The “Our History” page on the KBS website starts like this: “The first recorded (or recalled) Jewish community event on the Big Island was the bar mitzvah of Gary Natan Rothstein, the son of Jerry and Judy Rothstein, in Hilo in 1973.” My earliest claim to fame.

GARY NATAN at his bar mitzvah in Hilo with his proud Grandpa Ben from Far Rockaway. (credit: Rothstein Family)
RABBI JULIUS NODEL of Temple Emanuel in Honolulu gives a blessing. (credit: Rothstein Family)
MOM IN a Hawaiian muumuu flowered dress is flanked by Ann looking at her be-lei-d bar mitzvah bro. (credit: Rothstein Family)

My paternal grandfather, Ben, and maternal grandmother, “Nanny” Rose, came all the way from Far Rockaway and Ft. Lauderdale, Florida, for the auspicious and establishing occasion. As is customary for honorees, I was bedecked in a royal maile leaf lei (fresh flower necklace).

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I learned my Torah portion with Rabbi Julius Nodel of Temple Emanuel in Honolulu (see main story), who brought a Torah scroll over for the celebration.  This was no regular Sefer Torah, though – it was the one given to King David Kalakaua in the 1880s by a Jewish advisor. The only one to have ever been owned by a king, it was passed hand-to-hand until it eventually ended up at Temple Emmanuel.

My bar mitzvah was a rather royal occasion for this unconventional, long-haired new little man, almost 5,000 miles away from where the event would have been held in Far Rockaway if life had not taken a turn for the Very Far West.

We lived in Hilo at the time, the “big city” on the eastern side of the Big Island, a close drive to Bob’s lava rock homestead. We moved over to the “Kona side” five years later in 1978.

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LAVA FOUNTAINS rise hundreds of feet from the Halemaumau Crater of Hawaii Island’s Kilauea volcano on December 23, 2024, half a mile in the distance. Among the most active volcanoes on Earth, the most recent episode of this current eruption occurred last Friday. (credit: Arlene Buklarewicz)

A LITTLE bit about the Big Island. Although Hawaii is small as US states go, being the eighth smallest – slightly larger than Massachusetts – the land area of the Big Island is almost twice that of the other six main islands combined, at 4,028 square miles (10,432 sq. km.) – about the combined size of the smallest two states of Rhode Island and Delaware, and 40% of the entire 137-island archipelago.

Hawaii Island is also one of the most ecologically diverse places in the world, where you can find eight to 10 of the world’s 13 climate sub-zones, such as tropical monsoon, polar tundra, and desert, within an hour’s drive, according to lovebigisland.com – even more impressive because of its small relative size. My father, in a poem he wrote titled “Hawaiiisland,” calls it the “microcosm of our planet.”

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Among the island’s other distinctions is that it has America’s southernmost point (naturally, called South Point), the southernmost city of more than 25,000 people (Hilo), and the southernmost state capital (Honolulu) in the United States. It also has the world’s largest volcano (Mauna Loa, which is mostly underwater, like all the islands), and Kilauea, one of the world’s most active volcanoes, which just erupted again last Friday. Hawaii Island also has one of only four green sand beaches in the world.

In 2009, Time magazine listed the “Top 10 Things You Didn’t Know About Hawaii” in a feature article celebrating the 50th state’s 50th anniversary. It says that the first description of surfing was made by a crew member aboard one of British explorer Captain James Cook’s ships around 1779 (Dad’s friend Bob, one of many modern surfers, used to leave his surfboard at our house in Kona). 

Hawaii is called the most isolated population center in the world – some 2,390 miles from the US and nearly 4,000 miles from Japan. It is also the only state that has interstate highways that don’t connect to another state (that would be some feat of engineering, considering its remoteness), and is the only state where coffee is grown (2009). Kona coffee is one of the world’s 10 most expensive, at $40-$60 per pound! 

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Another thing you may have noticed, reading all the Hawaiian words and names, is that the Hawaiian language doesn’t have many letters – only 13, in fact, about the fewest in the world. 

There are the five vowels, of course – A, E, I, O, U – and the consonants H, K, L, M, N, P, and W, plus the okina glottal stop. (The name Hawaii is actually spelled and pronounced Hawai’i.) Interestingly, except for J, the Hawaiian alphabet has all the letters from H to P, plus A, E, U and W.

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There are some Hawaiian words that have interesting apparent connections to Hebrew. Aloha is the singular form of “God’; Hawaii is hava ee – “give me an island”; and a kahuna is a Hawaiian priest, like the Jewish kohen. 

The name of the volcano goddess is Pele, which means a “marvel,” “miracle”, or “wonder” in Hebrew – like pelephone. And, of course, the most famous Hawaiian word is wiki, which means “quick” – as in Wikipedia, WikiLinks, etc. Wiki wiki means “very quickly.” 

Hawaiians like to repeat things for emphasis. My parents had a pizza Italian restaurant in our Hilo days called Kau Kau Place (“the food place”). My mother and sister wore muumuus – brightly printed dresses. And the local reef triggerfish is called humuhumunukunukuāpua’a (try saying that while eating a pita filled with poi!). 

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BARRY BLUM (center) reading from a prayer book with Jerry (R) and Noah Salzman holding the Sefer Torah. (credit: Rothstein Family)

BACK TO Jews in Hawaii. Like my parents, Bob and Sylvia Reichman were also among the Jewish community’s initiators. KBS says that in August 1974, Roz Silver and her husband, Bill, moved to Kona from southern California. Disappointed not to find High Holy Days services there, they celebrated quietly at home. Gil Martin, food and beverage manager at the Kona Golf Club, noticed a mezuzah nailed to the Silvers’ door jamb and a menorah. 

Agreeing that it would sure be nice to have a Jewish congregation, they started to make contacts. Gil knew a couple from Hilo – he was Jewish and she was Japanese. They knew the Reichmans in Pahoa, parts of which were destroyed in 2014 and 2018 lava flows. One contact led to another.

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The 1975 High Holidays services took place at the Hilo Community Clubhouse. The Jewish Federation in Honolulu provided prayer books and arranged for Kirk Cashmere, who became a prominent ACLU lawyer, to perform the service. “The group, dubbed Aloha Beth Shalom, became the forerunner of KBS. Kirk brought over a tiny printed Torah and the prayer books. A total of 85 people showed up for these first Jewish services on the Big Island!” the KBS website states.

JERRY ROTHSTEIN speaking at a KBS event. (credit: Rothstein Family)

Our grandparents sent my sister and me to Israel on an AZYF trip in 1981, similar to today’s Birthright. I stayed, became religious, and went back to finish college at the University of Hawaii at Manoa in Honolulu. 

I was living with the Dratt family there, who brought two Chabad shluchim (emissaries) for High Holy Days one year to the small, aspiring congregation they had set up in their house: Shaarei Gan Eden (“Gates of Paradise”). One of them was Rabbi Krazjansky (mentioned in the main story).

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I made aliyah in 1986. My parents and sister came for my wedding in 1995 and several times after. My parents’ story didn’t end well, unfortunately. 

Driving home from a Tu Bishvat Seder in 2005, they were in a head-on collision, and both died. I went to help my sister, who still lives on the Big Island, arrange the funeral, which was attended by over a thousand people. From this, a Jewish section was set up in a local cemetery. Two of my daughters went to visit in 2023. They felt a real connection to where their father grew up, and where they saw how important and beloved their grandparents had been there.

PARENTS PICTURE published in the local newspaper obituary in 1995. (credit: Rothstein Family)
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“Since we are on the opposite side of the world,” Barry Blum says, “when we want to face Jerusalem, we can face in any direction – including down!” 

I merited to live at literally opposite, beautiful, and important ends of the world – connected, as often happens, by being Jewish. By the way, it is rumored and attested to that my father coined the portmanteau “Shaloha” because of his great love for Hawaii, Judaism, and Israel.





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Hawaii

A Deep Dive into Hawai‘i’s Shell Jewelry Industry – Hawaii Business Magazine

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A Deep Dive into Hawai‘i’s Shell Jewelry Industry – Hawaii Business Magazine


They adorn casual beachgoers, become treasured accessories for bridal parties and decorate the resplendent elite as they glide among guests at private dinners.

Hawaiʻi is a rich resource for this nascent business sector as demand builds across the Islands and across the globe. Exactly how big a business it has become is something of a mystery, though. State figures actually show the number of licensed sellers has declined in recent years, though officials admit that’s probably due to lack of awareness and noncompliance rather than reflecting reality.

“Shell jewelry has really only exploded in the last seven or eight years,” says Brooke Holt, founder and designer of 21 Degrees North Designs on Oʻahu. “Don’t get me wrong,” she adds, “I love shells. I love shell jewelry. That’s why I first wanted to make it, [but] I’m kind of over it at this point because it’s so oversaturated.”

When Holt started making shell jewelry in the mid-1990s, there weren’t many others creating newer styles of jewelry with Hawaiian shells outside of the revered tradition of Niʻihau shell lei. Now, jewelers selling shell designs are abundant, judging by the availability of choices online and in stores. Accessories such as sunrise shell necklaces, Hebrew cone earrings, and miter and Tahitian pearl bangles have become iconic staples of island style.

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While the shell jewelry industry appears to be expanding in tandem with the popularity of this merchandise, it remains a largely under-documented domain, lacking the data necessary to quantify its true size and impact. Strict requirements of state regulations may actually be driving sellers to evade the mandates.

Technically, anyone taking marine life from Hawaiian waters for commercial purposes must hold a Commercial Marine License (CML), according to the state Department of Land and Natural Resources’ Division of Aquatic Resources (DAR). The license, which costs $100 for residents and $250 for non-residents annually, mandates strict monthly harvest reporting.

“It is important to note that because marine life is defined in the rule as including even parts of living organisms, this licensing requirement applies to the commercial collection of live specimens, empty shells, and even shell pieces,” says DAR Aquatic Biologist Bryan Ishida.

Regulation extends down the supply chain. Businesses that purchase marine life — including empty or fragmented shells — directly from CML licensees for commercial resale must obtain a Commercial Marine Dealer License (CMDL), which costs $100 per year and requires weekly reporting.

Ishida says these licensing fees “are vital to maintaining DAR’s objective of protecting aquatic resources for future generations.” By law, these proceeds are directed into the Commercial Fisheries Special Fund to bankroll research, monitoring and the staff that work in commercial fisheries management.

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These reports also serve as an economic barometer. “CMDL reports, in particular, provide the ability to track even small changes to market demand, pricing and other trends,” Ishida explains.

However, the department admits licensing and reporting compliance in the shell sector is “likely quite low” compared to the seafood sector. According to their records, commercial participation peaked in 1977 with 44 shell collectors submitting reports; over the last decade, the number of CML holders reporting shell harvests has dwindled to ten or fewer annually.

This decline is primarily attributed to a lack of awareness. “DAR recognizes this and understands that increased outreach and non-enforcement measures are needed to raise compliance,” Ishida says, but the agency must prioritize using “their limited resources on the harvest of live aquatic life,” and most shells harvested for jewelry are thought to be empty shells.

Figaroa’s grandmother Loka Kenemaka Kaohelaulii (center) mentored him in the art of making Niʻihau shell lei, which she and her two companions are pictured wearing. Photo courtesy of Kealoha Figaroa

Honoring a Tradition

Shell jewelry has been an integral part of Hawaiian culture for centuries, with ample evidence indicating Niʻihau shell lei predate the arrival of Captain Cook in 1778. They are made of rare, tiny shells found off the rugged coast of the Forbidden Isle.

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According to Kealoha Figaroa, founder of Niʻihau shell jewelry company Pūpū Creations, many of the shell species used to construct Niʻihau shell lei are found on other islands, but ones found on Niʻihau are prized because they “hold their luster” better. He guesses that this is because there’s comparatively less freshwater runoff into the ocean. “My family tells me on Niʻihau, the water is so pristine that you can see about 300 feet down into the bottom of the ocean,” he says. For his family, and many others from the island, the tradition of creating shell leis has been passed on for many generations.

Figaroa recalls memories from childhood spent at a table where elders would dump hundreds of shells for the children to organize. “All our grandparents… they would take all the kids, and they would tell us, ‘Okay, you need to sit here and sort these shells by color, by size, by all that.’ And of course, we hated it. But for the older people, it was very important for us to learn these things, so that when we do see these leis, we have much more appreciation for the leis.”

Once they had mastered the sorting process, the children would learn the delicate art of piercing the shells. Only after proving their proficiency in that skill were they allowed to begin stringing them together, starting with smaller pieces like earrings before eventually advancing to leis.

Still, Figaroa says that gathering shells from the beach is by far the most tedious part of the process. Figaroa explains that collecting a sufficient number of matching shells to create a high-quality, symmetrical lei requires immense patience. “It’s anywhere from two weeks all the way up to three years to make one lei,” he explains. The considerable time and craftsmanship required to create these intricate pieces are reflected in their price tag, which can reach upwards of tens of thousands of dollars.

Figaroa, who lives on Oʻahu, says his cousins frequently send him shells from Niʻihau to create the lei sold by his business, Pūpū Creations. “I allow space for my family members to also have some other items on sale so they can profit from it as well, and not just myself.” He says one reason he loves collaborating with his relatives is that “there’s different family members that have specific styles.”

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One of his cousins, for example, specializes in delicate color gradients. And Figaroa, mentored by his grandmother, took after her in specializing in working with momi shells to create three-strand leis and the straight Kui Pololei style.

Jewelry and fashion designer Brooke Holt at work in her Mākaha studio. Photo by Aaron Yoshino

The Evolution of Shell Jewelry

Newer styles of Hawaiian shell jewelry have emerged in recent decades. They often feature cone shells, cowries, drupes and miters not typically found in the Niʻihau shell lei tradition.

One of the contemporary style shell jewelry makers on the scene is Anoʻipua Kaaloa, who started out as a shell collecting hobbyist. Kaaloa says the kinds of shells she finds differ based on whether or not she’s looking on the Windward Side or Leeward Side: On the east side, “I’ll find a lot of abbreviated cones, tumbled pink cones, the endemic Hawaiian golden yellow cones, strombs, Adam’s miters, lettered miters. Then on the other side of the island, I find so many cowries” and rarer shells to come by, “like marble cones, leopard cones.”

She says she saw other people making jewelry with their beach finds and thought, “That looks cool. I think I can do that with my shells.” Her business, ʻAnoʻipūpū Jewelry, sells everything from shell necklaces, earrings, bangles, belly button rings and keychains. She says her favorite pieces to make are resin earrings that contain a bunch of different micro shells because they are one of her more “unique” designs.

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When she started selling her pieces in late 2024, Kaaloa says she was motivated to not only create “nice jewelry, but more affordable” merchandise, because a lot of the market is “really expensive.” When figuring out her price points, she says she considered “if I was to buy my own jewelry, what prices would I want to set?”

Like many other shell jewelry businesses, Kaaloa operates without a traditional brick-and-mortar storefront. Instead, she has built a loyal following through markets, appearing as a regular vendor at the Kakaʻako Farmers Market every Saturday and the Kailua Farmers Market on Sundays.

Despite having neither a physical shop nor an e-commerce website, Kaaloa found enough success at the markets that she was able to quit her former job in the food service industry and focus on running her business full-time a little over a year into opening ʻAnoʻipūpū Jewelry. “I’m grateful, that’s for sure,” she says.

Holt, founder and designer at 21 Degrees North Designs, makes jewelry from an array of materials, including coral, pearls, sandalwood beads, neon thread, lauhala, silver, gold and, of course, shells.

Having partially grown up in Mākaha, she’s been frequenting Oʻahu’s west side beaches in search of shells since the 1980s.

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“I had different beaches for different shells,” Holt explains. “Some shells you can find up and down the coast, but others you can only find in very specific spots. I started then researching what types of shells grow in what types of reef situations.”

The daughter of a fashion designer mother and a glass blower father, Holt naturally felt inclined to do something creative with the shells she found, which led her to taking up jewelry making.

Holt finds that inspiration can strike from anywhere: “sometimes it’s a color, sometimes it’s a concept, sometimes it’s a place.” For instance, the design for one of her first pair of statement earrings began with a moment of observation while surfing.

Captivated by how “the water and the sun playing on the ripples gives it all those little dancing rings, I wanted to make earrings that represent that, so I made these concentric circle earrings. I like organic shapes and asymmetrical things.”

In an era of viral trends and mimicry, Holt says it’s important that her pieces stand out. That’s “the greatest compliment I can get, and I do hear it a lot at my markets. I want to be different. I don’t want to look like anyone else.”

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One concern Holt has is the impact an increase in shelling has on the environment: “You want to encourage entrepreneurship, but again, we’re still perpetuating this culture of, take, take, take…. So, yeah, do we need to start having limits?”

Hawaiʻi’s most venomous cone shells (left to right): the banded marble cone (Conus bandanus), the textile cone (Conus textile), and the Hawaiian striated cone (Conus striatus). Photo: MarinelifePhotography.com

The Ethics of Shelling

It isn’t illegal to take live shells, but Ishida says “DAR requests that commercial collectors do so sparingly and only as demand requires as many species are quite rare” or little is known about their abundance. The agency strongly recommends collecting empty shells rather than live specimens.

“However, DAR asks commercial collectors to remember that shells, even when empty, contribute to the ecosystem, whether providing a home for a hermit crab or over years wearing down into sand and other seafloor substrate,” says Ishida.

For artisans like Figaroa, Kaaloa and Holt, the first rule of the reef is absolute: only take empty shells. They look for signs of life — like a visible body or a sealed operculum — whereas sand and rocks in the aperture indicate the shell is dead. “The only way shells can reproduce plentifully is if the reef system is healthy. If the reef is not healthy, you won’t get your shells,” Figaroa says.

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Marine educator Keoki Stender, founder of MarinelifePhotography.com, warns that damage often happens through simple negligence, such as walking on reefs made of mussels and oysters at low tide: “If you trample it, you crush the shells. You kill hundreds at one time. You have to be mindful of what you’re stepping on.”

He also implores beachgoers to return things back to where they originally were when exploring the ocean and tide pools. For example, “If you leave the rock overturned, the sun’s going to fry everything [on the bottom], the fish are going to eat everything that is here and exposed, and then the life that was on the top of the rock is going to die [underneath], and the part of the reef where you turn the rock and put it onto the reef is going to kill everything on that part of the reef too,” he says.

Ishida reminds commercial collectors that as a natural resource, “empty shells are for everyone’s enjoyment. People who want to collect shells for their own personal collection, jewelry making for themselves, or just enjoying seeing them while diving should be able to do so. Accordingly, commercial collectors should think about their impact on not only the environment but others who may want to collect shells for non-commercial purposes.”

Keoki Stender pictured at his studio lab. Photo by Aaron Yoshino

Where Shells Come From and What to Look Out For

The shells used in jewelry come from animals in the mollusk phylum. To protect their vulnerable, soft bodies, many mollusks have evolved to build exoskeletons, a.k.a. shells, by secreting minerals through a specialized organ called the mantle.

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Keoki Stender, a marine educator, photographer and founder of MarinelifePhotography.com, says that you can glean a great deal about a mollusk’s lifestyle by examining its shell. Cowries, for instance, are the heavy-duty tanks of the reef. Their domed, “bottom-heavy” shell is engineered for stability. “The ones that are most domic — a humpback, very domed, flat bottom — they would be more likely to be in a high surf environment,” Stender explains. Combined with a foot that provides powerful suction, the humpback cowries’ low center of gravity allows it to “handle the full force of breaking waves” without being swept away.

In contrast, he says, the streamlined, “tapered shape” of miters and augers allows them to easily crawl through sand in search of prey. And the elaborate, spiny architecture of murexes serves as a defense “designed so no one can bite them.”

The diversity of patterns, from the distinctive black markings on Hebrew cones to the vibrant ombré of sunrise shells, is produced by pigment-secreting cells in the mantle. These cells act much like an inkjet printer, depositing color at the growing edge of the shell.

Some specimens in Stender’s extensive shell collection.

Cone snails are predators that hunt using a venomous harpoon-like tooth that shoots out the base of their shell. Their toxicity generally depends on that species’ diet. “The worm eaters are like a bee sting [to humans]. But if you’re allergic to bee sting, that can be really bad,” Stender warns. “The fish eaters are especially bad because if your prey is fast moving, you got to have a potent sting.”

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Because specific cone snail species are among the most venomous animals on earth, being familiar with their patterns to discern which are dangerous is extremely important when handling. “The ones that have the worst sting are the tented pattern cones,” says Stender. In Hawaiʻi, textile, banded marble and striated cones possess a sting that is potentially fatal to humans.

Stender explains that lifespan varies significantly across species, noting a direct correlation between shell size and growth rate. “The bigger the shell, generally, the slower it grows,” he says, because the animal must extract a higher volume of minerals from both the water and its food to build its home. While Stender estimates that many micro-shell species live for only six months to a year, some larger mollusks — such as the leopard cone and tiger cowry — can live for a decade or longer.





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Kanakaʻole, Zane ʻohana transform Hawaiian cultural practices into captivating visual arts | Maui Now

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Kanakaʻole, Zane ʻohana transform Hawaiian cultural practices into captivating visual arts | Maui Now


Ea Mai ʻEiwa: Patterns of Practice. PC: Bishop Museum

This powerful new exhibition will feature the work of Nālani Kanakaʻole, Sig Zane, and Kūhaʻoʻīmaikalani Zane—a Hilo-based family of artists whose creative practices are deeply rooted in hula ʻaihaʻa.

Hālau O Kekuhi performs at Hoʻike during the 63rd annual Merrie Monarch Festival. (Kelsery Walling/Big Island Now)

Hula ʻaihaʻa is the low-postured, vigorous, bombastic style of hula that Kanakaʻole was known for as kumu hula of Hālau o Kekuhi. The hula springs from the eruptive volcano personas of Pele and her sister Hiʻiaka, characteristic of Hawaiʻi Island’s creative forces.

The Bishop Museum, the State of Hawaiʻi Museum of Natural and Cultural History, on Oʻahu is presenting “Ea Mai ʻEiwa: Patterns of Practice” in the J. M. Long Gallery beginning on Saturday, April 18, 2026.

The exhibition title references “Kūhaʻimoana,” a chant describing the migration of shark gods from Kahiki (ancestral homeland) to Hawaiʻi. “Ea Mai ʻEiwa” reflects the strength, resilience, and environmental knowledge embodied in these ancestral stories.

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Bringing together new and existing works alongside botanical specimens and cultural treasures from Bishop Museum’s collections, the exhibition weaves themes of migration, community resilience, and environmental stewardship—offering insight and inspiration for today.

“This exhibition demonstrates that the gap between historic collections and contemporary art is actually a lot smaller than people think,” said Sarah Kuaiwa, Ph.D., Bishop Museum curator for Hawaiʻi and Pacific Cultural Resources. “Audiences will see how the artists use the same materials as pieces in Bishop Museum collections but in different forms. The resonance between the artist’s work with mea kupuna (ancestors) is what makes ‘Ea Mai ʻEiwa’ a uniquely Bishop Museum exhibition.”

Kuaiwa curated the group exhibitions along with co-curator, kumu hula Kauʻi Kanakaʻole, and Bishop Museum exhibit designer, DeAnne Kennedy.

Ea Mai ʻEiwa: Patterns of Practice. PC: Bishop Museum

The artists’ work across visual and performing arts is continually charged and sustained by hula. From Nālani Kanakaʻole’s art direction and choreography to Sig Zane’s photography and textile design, and Kūhaʻoʻīmaikalani Zane’s graphic design and immersive installations, each artist channels ʻike (knowledge, wisdom) carried through generations.

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“Through repetition, deep study, and consistent practice, mastery is achieved. As practitioners of hula, the artists have continued to deepen their understanding of the natural and spiritual world, which has in turn inspired their art practices,” Kuaiwa said. “They aim to produce art in various visual media not only to educate, but to also be aesthetically celebrated and enjoyed.”

“Patterns of Practice” was suggested by Sig Zane as a way of representing how the artists hone their skills.

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“‘Kūhaʻimoana,’ for me, has many layers to it,” Kūhaʻoʻīmaikalani Zane said. “On a first take, it’s a migratory chant that compares migrations to waves of ocean-navigating sharks. That metaphor sets out the tone of connectivity between our natural environment and the beings that inhabit it.”

“‘Kūhaʻimoana’ is an example illustrating metaphorical depth within Hawaiian poetry,” said Sig Zane. “The importance of navigation surfaces in day-to-day cultural practices. This archaic chant reveals nuanced content, giving us a peek into hierarchy, dualities, and familial belief systems.”

From left, Sig Zane, Nālani Kanakaʻole and Kūhaʻoʻīmaikalani Zane (Photo courtesy of ʻOhana Zane)
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Kanakaʻole passed away in January this year, so Kauʻi Kanakaʻole hopes that “Ea Mai ʻEiwa: Patterns of Practice” reflects Kanakaʻole’s philosophy of practice and piques curiosity within people about others’ stories, history, and culture.

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“She intentionally taught hula with depth of language, craft, and art form to encompass a full-on lifestyle commitment,” Kanakaʻole said. “This was her everyday; the way she learned, grew, and inspired.” “I would love for guests to leave (the exhibition) with a mixture of awe, appreciation, and curiosity.”

Ea Mai ʻEiwa: Patterns of Practice. PC: Bishop Museum

Highlights of the “Ea Mai ʻEiwa: Patterns of Practice” exhibition include:

  • Nālani Kanakaʻole’s kite installation, “Kūhaʻimoana,” her last large-scale installation before her passing
  • Botanical specimens from various locations across Hawaiʻi Island, chosen to represent their hula ʻahu (altar) and sources of inspiration the artists frequently draw from
  • Uniquely colored kūpeʻe (sea snails) shells made into adornments, as well as adornments made to look like kūpeʻe shells
  • Kapa (barkcloth) made from the 19th century with dynamic designs
  • ʻAwa (kava, Piper methysticum) cups and kānoa (kava bowl) associated with the aliʻi
  • New and archival sketches and rubylith artworks by Sig Zane from 1990 to present
  • A collection of family photos from the Kanakaʻole ʻOhana
  • Memorabilia and ephemera from the theatrical performance, “Holo Mai Pele” (1995-2000)

“Ea Mai ʻEiwa: Patterns of Practice” will be presented in both ʻŌlelo Hawaiʻi and English, and will be on view until Sept. 20, 2026.

For more information, visit bishopmuseum.org.

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Large section of Aloha Stadium demolished as project proceeds – West Hawaii Today

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Large section of Aloha Stadium demolished as project proceeds – West Hawaii Today


The demolition of Aloha Stadium on Oahu took a big step forward Thursday with the first section of seating pulled down from the steel structure.

Half of the elevated deck-level seating on the stadium’s makai side was severed and toppled backward as part of demolition work that began in February.

The other half of the upper makai-side seating is slated to come down Tuesday, followed by similar sections on the mauka side and both end zones, though the concrete foundations for lower-level end-zone seating are being preserved for a new, smaller stadium to rise on the same site.

A private partnership, Aloha Ha­lawa District Partners, led by local developer Stanford Carr, is replacing the 50,000-seat Aloha Stadium, which opened in 1975 and was shuttered in 2020, with a new stadium featuring up to 31,000 seats.

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AHDP is using $350 million of state funding toward the cost of the new stadium, which could be $475 million or more, and will operate and maintain the facility on state land for 30 years with a land lease.

The development team also is to redevelop much of the 98-acre stadium property dominated by parking lots with a new mixed-use community that includes at least 4,100 residences, two hotels, an office tower, retail, entertainment attractions and open spaces expected to be delivered in phases over 25 years and costing close to or more than $5 billion or $6 billion.

Earlier parts of stadium demolition work led by Hawaiian Dredging Construction Co. included removing four covered multistory spiral walkways leading to the upper level from the ground, and concourse bridges.

Demolishing the stadium is projected to be done by August, according to Carr.

Building the new facility is expected to be finished in 2029.

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