Technology

6 TikTok creators on where they’ll go if the app is banned

Published

11 months ago

January 17, 2025

6 TikTok creators on where they’ll go if the app is banned

It’s been more than four years since Donald Trump first moved to expel TikTok from the US — and now, just days before a second Trump presidency begins, it just might happen.

President Joe Biden signed legislation last April that officially began the countdown that would force TikTok’s parent company, ByteDance, to divest from the US business. But even afterward, the atmosphere on the video powerhouse was mostly nonchalant, with a handful of stray jokes about “this app disappearing” slotted between the usual fare.

In the last week, though, the vibe has shifted — my favorite creators are posting links to their other social accounts, audiences are making highlight reels of the most viral moments on the app, and they’re saying goodbye to their “Chinese spy” and threatening to hand over their data to the Chinese government. A Chinese-owned app Xiaohongshu, known as RedNote, topped the App Store this week, driven by a wave of “TikTok refugees” trying to recreate the experience of the platform. It’s feeling a bit like a fever dream last day of school.

For many creatives online, this wouldn’t be the first time they’ve had to migrate to new spaces: reach, engagement, and visibility are constantly shifting even on the largest and most stable platforms. But the possibility that a social media site of this size would disappear — or slowly break down until it’s nonfunctional — is a new threat. For small creators especially, TikTok is like playing the lottery: you don’t need thousands of followers for your video to get big, and this unpredictability incentivized the average person to upload content.

It’s still unclear what will happen to TikTok after January 19th. I asked content creators what their game plan is. (Responses have been edited and condensed for clarity.)

Noelle Johansen, @astraeagoods (89K followers)

“At the peak, I was making approximately 70 percent of my sales through TikTok from December 2020 to January 2022. Now, it drives at most, 10 percent of my sales,” says Noelle Johansen, who sells slogan sweatshirts, accessories, stickers, and other products.

“At my peak with TikTok, I was able to reach so many customers with ease. Instagram and Twitter have always been a shot in the dark as to whether the content will be seen, but TikTok was very consistent in showing my followers and potential new customers my videos,” Johansen told The Verge in an email. “I’ve also made great friends from the artist community on TikTok, and it’s difficult to translate that community to other social media. Most apps function a lot differently than TikTok, and many people don’t have the bandwidth to keep up with all of the new socials and building platforms there.”

Going forward, Johansen says they’ll focus on X and Instagram for sales while working to grow an audience on Bluesky and Threads.

Kay Poyer, @ladymisskay_ (704K followers)

“I think the ease of use on TikTok opened an avenue for a lot of would-be creators,” Kay Poyer, a popular creator making humor and commentary content, says. “Right now we’re seeing a cleaving point, where many will choose to stop or be forced to adapt back to older platforms (which tend to be more difficult to build followings on and monetize).”

As for her own plans, Poyer says she’ll stay where the engagement is if TikTok becomes unavailable — smaller platforms like Bluesky or Neptune aren’t yet impactful enough.

“I’m seeing a big spike in subscribers to my Substack, The Quiet Part, as well as followers flooding to my Instagram and Twitter,” Poyer told The Verge. “Personally I have chosen to make my podcast, Meat Bus, the flagship of my content. We’re launching our video episodes sometime next month on YouTube.”

Bethany Brookshire, @beebrookshire (18K followers)

Bethany Brookshire, a science journalist and author, has been sharing videos about human anatomy on TikTok, Bluesky, Instagram, and YouTube. Across platforms, Brookshire has observed differences in audiences — YouTube, for example, “is not a place [to] build an audience,” she says, citing negative comments on her work.

“Sometimes I feel like the only ethical way to produce any content is to write it out in artisanal chalk on an organically sourced vegan stone”

“I find people on TikTok comment and engage a lot more, and most importantly, their comments are often touching or funny,” she says. “When I was doing pelvic anatomy, a lot of people with uteruses wrote in to tell me they felt seen, that they had a specific condition, and they even bonded with each other in the comments.”

Brookshire told The Verge in an email that sharing content anywhere can at times feel fraught. Between Nazi content on Substack, right-wing ass-kissing at Meta, and the national security concerns of TikTok, it doesn’t feel like any platform is perfectly ideal.

“Sometimes I feel like the only ethical way to produce any content is to write it out in artisanal chalk on an organically sourced vegan stone, which I then try to show to a single person with their consent before gently tossing it into the ocean to complete its circle of life,” Brookshire says. “But if I want to inform, and I want to educate, I need to be in the places people go.”

Woodstock Farm Sanctuary, @woodstocksanctuary (117K followers)

The Woodstock Farm Sanctuary in upstate New York uses TikTok to share information with new audiences — the group’s Instagram following is mostly people who are already animal rights activists, vegans, or sanctuary supporters.

“TikTok has allowed us to reach people who don’t even know what animal sanctuaries are,” social media coordinator Riki Higgins told The Verge in an email. “While we still primarily fundraise via Meta platforms, we seem to make the biggest education and advocacy impact when we post on TikTok.”

With a small social media and marketing team of two, Woodstock Farm Sanctuary (like other small businesses and organizations) must be strategic in how it uses its efforts. YouTube content can be more labor-intensive, Higgins says, and Instagram Reels is missing key features like 2x video speed and the ability to pause videos.

“TikTok users really, really don’t like Reels. They view it as the platform where jokes, trends, etc., go to die, where outdated content gets recycled, and especially younger users see it as an app only older audiences use,” Higgins says.

The sanctuary says it will meet audiences wherever they migrate in the case that TikTok becomes inaccessible.

Anna Rangos, @honeywhippedfeta (15K followers)

Anna Rangos, who works in social media and makes tech and cultural commentary videos, is no stranger to having to pick up and leave a social media platform for somewhere else. As a retired sex worker, she saw firsthand how fragile a social media following could be.

“You could wake up one day to find your accounts deactivated, and restoring them? Forget it. Good luck getting any kind of service from Meta,” Rangos said in an email. Having an account deleted means lost income and hours of trying to rebuild a following. “Over my time in the industry, I went through three or four Instagram accounts, constantly trying to recapture my following.”

Sex workers and sex education creators regularly deal with their content being removed, censored, or entire accounts deleted. Rangos says that though the community on TikTok is more welcoming, she’s working to stake out her own space through a website and a newsletter. She also plans to stay active on YouTube, Pinterest, and Bluesky.

“I don’t plan on using Meta products much, given [Mark] Zuckerberg’s recent announcements regarding fact-checking,” she wrote in an email.

Amanda Chavira, @lost.birds.beads (10K followers)

“I have found so much joy and community on TikTok mostly through Native TikTok,” says Amanda Chavira, an Indigenous beader who built an audience through tutorials and cultural content. “It’s sad to see TikTok go.”

Chavira says she plans to reupload some of her content to YouTube Shorts to see how her videos perform there but otherwise will be waiting to see if another viable video platform comes along. Chavira won’t be pivoting to Meta: she says she plans to delete her accounts on Threads, Instagram, and Facebook.

“I’d been considering leaving my Meta accounts for a long time,” she said in an email. “Facebook felt like a terrible place through election cycles, and then the pandemic, [and] then every other post I was seeing was a suggested ad or clickbait article. For Instagram, I’ve really been struggling to reach my target audience and didn’t have the time available to post all the time to try to increase engagement.” Her final straw was Meta’s decision to end the fact-checking program and Zuckerberg’s “pandering to the Trump administration,” she says.

Technology

How Last Samurai Standing adds kinetic action to the Battle Royale formula

Published

11 hours ago

December 23, 2025

Press Room

How Last Samurai Standing adds kinetic action to the Battle Royale formula

Last Samurai Standing begins with a familiar premise. Desperate samurai dispossessed by the restoration of the emperor enter into a deadly game for a life-changing cash prize — all for the entertainment of anonymous elites. Unlike its inspirations Battle Royale and Squid Game, however, Last Samurai Standing’s violence is chaotic, fast-paced, and kinetic, though it hides a careful choreography that makes the series a more electric proposition than its predecessors.

Viewers have Junichi Okada to thank for that. As well as starring in and producing Last Samurai Standing, he serves as the series’ action planner. Many will be familiar with the results of an action planner’s work — sometimes called an action director, elsewhere a “coordinator,” and even “choreographer” — though perhaps not what the role entails. In the case of Last Samurai Standing, it’s a role that touches on nearly every aspect of the production, from the story to the action itself.

“I was involved from the script stage, thinking about what kind of action we wanted and how we would present it in the context of this story,” Okada tells The Verge. “If the director [Michihito Fujii] said, ‘I want to shoot this kind of battle scene,’ I would then think through the content and concept, design the scene, and ultimately translate that into script pages.”

The close relationship between the writer and director extends to other departments, too. Though an action planner’s role starts with managing fight scenes and stunt performers, they also liaise with camera, wardrobe, makeup, and even editorial departments to ensure fight scenes cohere with the rest of the production.

Image: Netflix

It’s a role which might appear a natural progression for Okada, who is certified to teach Kali and Jeet Kune Do — a martial art conceived by Bruce Lee — and holds multiple black belts in jiujitsu. Though the roots of his progression into action planning can be traced back further, to 1995 when he became the youngest member of J-pop group V6.

“Dance experience connects directly to creating action,” he says. “[In both] rhythm and control of the body are extremely important.” Joining V6 at the age of 15, that experience has made Okada conscious of how he moves in relation to a camera during choreography, how he is seen within the structure of a shot, and, critical to action planning, how to navigate all of that safely from a young age.

That J-pop stardom also offered avenues into acting, initially in roles you might expect for a young pop star: comic heartthrobs and sitcom sons. But he was steadily able to broaden his output. A starring turn in Hirokazu Kore-eda’s Hana followed, as did voice acting in Studio Ghibli’s Tales From Earthsea and From Up on Poppy Hill. A more telling departure was a starring role in 2007’s SP, in which he played a rookie in a police bodyguard unit, for which he trained for several years under shootfighting instructor Yorinaga Nakamura.

“What I care about is whether audiences feel that ‘this man really lives here as a samurai.’”

In the years since, Okada has cemented himself as one of Japan’s most recognizable actors, hopping between action starring roles in The Fable to sweeping period epics like Sekigahara. Those two genres converge in his Last Samurai Standing role of Shujiro, a former Shogunate samurai now reduced to poverty, working through his PTSD and reckoning with his bloodthirsty past in the game. These days, it’s less of a concern that the character butts up against his past idol image, he suggests. “What I care about is whether audiences feel that ‘this man really lives here as a samurai.’”

For Okada’s work on Last Samurai Standing, as both producer and action planner, that involved lacing high-octane but believable action with the respect for history and character studies of the period dramas he loves. “Rather than being 100 percent faithful to historical accuracy,” he adds, “my goal was to focus on entertainment and story, while letting the ‘DNA’ and beauty of Japanese period drama gently float up in the background.”

A focus on what he defines as “‘dō’ — movement,” pure entertainment that “never lets the audience get bored” punctuated — with “‘ma,’” the active emptiness that connects those frenetic moments. Both can be conversations, even if one uses words and another communicates dialogue through sword blows. This is most apparent when Shujiro faces his former comrade Sakura (Yasushi Fuchikami) inside a claustrophobic bank vault that serves as a charnel house for the game’s less fortunate contestants.

“The whole battle is divided into three sequences,” Okada says. The first starts with a moment of almost perfect stillness, a deep breath, before the two launch into battle. “A fight where pride and mutual respect collide,” he says, “and where the speed of the techniques reaches a level that really surprises the audience.” It’s all captured in one, zooming take with fast, tightly choreographed action reminiscent of Donnie Yen and Wu Jing in Kill Zone.

So intense is their duel that both shatter multiple swords. The next phase sees them lash out in a more desperate and brutal manner with whatever weapons they find. Finally, having fought to a weary stalemate, the fight becomes, Okada concludes, “a kind of duel where their stubbornness and will are fully exposed” as they hack at each other with shattered blades and spear fragments.

A still image from the Netflix series Last Samurai Standing.

Image: Netflix

It’s a rhythm that many fights in Last Samurai Standing follow, driven by a string of physical and emotional considerations that form the basis of an action planner’s tool kit: how and why someone fights based on who they are and their environment. Here it is two former samurai in an elegant and terrifyingly fast-paced duel. Elsewhere we see skill matched against brutality, or inexperience against expertise.

“I define a clear concept for each sequence,” Okada says, before he opens those concepts up to the broader team. From there, he might add notes, but in Last Samurai Standing, action is a collaborative affair. “We keep refining,” he says. “It’s a back-and-forth process of shaping the sequence using both the ideas the team brings and the choreography I create myself.”

There is a third factor which Okada believes is the series’ most defining. “If we get to continue the story,” he says, “I’d love to explore how much more we can lean into ‘sei’ — stillness, and bring in even more of a classical period drama feel.”

As much of a triumph of action as Last Samurai Standing is, its quietest moments are the ones that stay with you. The charged looks between Shujiro and Iroha (Kaya Kiyohara) or their shuddering fright when confronted with specters of their past. Most of all, Shujiro watching his young ward, Futaba Katsuki (Yumia Fujisaki), dance before a waterlogged torii as mist hovers. These pauses are what elevate and invigorate the breathless action above spectacle.

The pauses are also emblematic of the balance that Last Samurai Standing strikes between its period setting and pushing the boundaries of action, all to inject new excitement into the genre. “Japan is a country that values tradition and everything it has built up over time. That’s why moments where you try to update things are always difficult,” Okada says. “But right now, we’re in the middle of that transformation.”

That is an evolution that Okada hopes to support through his work, both in front of and behind the camera. If he can create avenues for new generations of talent to carry Japanese media to a broader audience and his team to achieve greater success on a global stage, “that would make me very happy,” he says. “I want to keep doing whatever I can to help make that possible.”

_{The first season of Last Samurai Standing is streaming on Netflix now, and a second season was just confirmed.}

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Geoffrey Bunting

Technology

Free up iPhone storage by deleting large attachments

Published

11 hours ago

December 23, 2025

Press Room

Free up iPhone storage by deleting large attachments

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If your iPhone keeps warning you about low storage, your Messages app may be part of the problem. Photos, videos and documents saved inside your text threads can stack up fast. The good news is that you can clear those big files without erasing entire conversations.

Below, you will find simple steps that work on the latest iOS 26.1. These steps help you clean up storage while keeping your messages right where you want them.

If you haven’t updated to iOS 26.1, go to Settings > General > Software Update to install the latest version.

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‘CLOUD STORAGE FULL’ SCAM STEALS YOUR PHOTOS AND MONEY

An iPhone displays a low-storage alert as large photos, videos and documents saved in Messages fill device space, prompting users to remove files without deleting entire conversations. (Cyberguy.com)

Why clearing attachments helps your iPhone run better

Removing large attachments gives you quick breathing room on your iPhone. It can free up gigabytes in seconds, especially if you text lots of photos or videos. Clearing old files also keeps your message threads tidy and helps your device run more smoothly by reducing the amount of storage your system needs to manage. The best part is that you can clean up everything without losing a single conversation.

How to delete attachments but keep your conversations on iPhone

These quick steps help you clear large files from Messages while keeping every conversation intact.

Launch the Messages app on your iPhone
Open the conversation thread that holds the attachments you want to delete.
Tap on the name of the contact(s) in the text thread.

To the right of Info, click on Photos or Documents; you may need to swipe over other tabs to see these. Photos will also contain videos and GIFs, while documents will contain Word documents, PDFs and other types of files.

Hold your finger and long-press on a photo, video or document until a menu appears.
Tap Delete to remove that single file.

Then confirm Delete when asked.

How to delete multiple files on your iPhone at once

To clear out several attachments at once, follow these quick steps on your iPhone.

Deleting attachments in Messages quickly frees space without losing your conversations. (Sean Gallup/Getty Images)

Go back to the Photos or Documents tab.
Tap Edit.
Click Select documents or Select Photos
Tap on the photos or documents that you want to remove. You will see a blue checkmark appear in the bottom-right corner.
Tap the trash icon in the bottom right corner.

Confirm you want to delete the selected attachments by clicking Delete Photos.

These steps work almost the same way on an iPad. After you finish, you will often see an instant boost in available storage.

How to review large attachments in settings and delete them

If you want to clear the biggest files on your device, you can check them from your iPhone’s storage screen and delete them:

Open Settings
Tap General
Choose iPhone Storage
Tap Messages
Click Review Large Attachments to see photos, videos and attachments taking up storage in Messages.
Click Edit.
Select items to delete by clicking the circle next to the attachment you want to delete. A blue checkmark will appear.

Then, tap the trash can icon in the upper right to delete it.

APPLE RELEASES IOS 26.1 WITH MAJOR SECURITY IMPROVEMENTS AND NEW FEATURES FOR IPHONE USERS

This method gives you a quick overview of what takes up the most space and lets you delete it quickly.

IPhone users can clear large photos, videos and files from Messages using built-in storage tools, helping free space, keep conversations intact and improve device performance. (Cyberguy.com)

Take my quiz: How safe is your online security?

Think your devices and data are truly protected? Take this quick quiz to see where your digital habits stand. From passwords to Wi-Fi settings, you’ll get a personalized breakdown of what you’re doing right and what needs improvement. Take my Quiz here: Cyberguy.com.

Kurt’s key takeaways

Freeing up storage doesn’t have to be confusing. A few quick taps can remove bulky files and keep your conversations intact. With these simple steps, your iPhone stays organized, runs smoothly and is ready for more photos, videos and apps.

What is the one type of attachment that takes up the most space on your iPhone? Let us know by writing to us at Cyberguy.com

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Kurt “CyberGuy” Knutsson is an award-winning tech journalist who has a deep love of technology, gear and gadgets that make life better with his contributions for Fox News & FOX Business beginning mornings on “FOX & Friends.” Got a tech question? Get Kurt’s free CyberGuy Newsletter, share your voice, a story idea or comment at CyberGuy.com.

Technology

The FCC’s foreign drone ban is here

Published

23 hours ago

December 22, 2025

Press Room

The Federal Communications Commission has banned new drones made in foreign countries from being imported into the US unless the Department of Defense or the Department of Homeland Security recommends them. Monday’s action added drones to the FCC’s Covered List, qualifying foreign-made drones and drone parts, like those from DJI, as communications equipment representing “unacceptable risks to the national security of the United States and to the safety and security of U.S. persons.”

DJI is “disappointed” by today’s action, Adam Welsh, DJI’s head of global policy, says in a statement. “While DJI was not singled out, no information has been released regarding what information was used by the Executive Branch in reaching its determination.” Welsh adds that DJI “remains committed to the U.S. market” and noted that existing products can continue operation as usual. Other items on the FCC’s list include Kaspersky anti-virus software (added in 2024) and telecommunications equipment from Huawei and ZTE (added in 2021).

The FCC says it received a National Security Determination on December 21st from an interagency body saying that “uncrewed aircraft systems” (UAS) and critical UAS components produced in a foreign country could “enable persistent surveillance, data exfiltration, and destructive operations over U.S. territory” and that “U.S. cybersecurity and critical‑infrastructure guidance has repeatedly highlighted how foreign‑manufactured UAS can be used to harvest sensitive data, used to enable remote unauthorized access, or disabled at will via software updates.”

If you already own a drone made outside the US, you will still be able to use it, according to the FCC’s fact sheet. Drones or drone components can be removed from the Covered List if the DoD or DHS “makes a specific determination to the FCC” that it does not pose unacceptable risks.

“Unmanned aircraft systems (UAS), also known as drones, offer the potential to enhance public safety as well as cement America’s leadership in global innovation,” FCC chairman Brendan Carr says.