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Paralyzed in a crash, Robert Wickens kept on racing, and now he’s adding a new chapter

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Paralyzed in a crash, Robert Wickens kept on racing, and now he’s adding a new chapter

The crash was horrifying.

During a 2018 IndyCar race, the wheels of Robert Wickens’ car clipped those of Ryan Hunter-Reay’s car, launching Wickens airborne and into the fencing surrounding Pocono Raceway. Among the injuries Wickens suffered were a thoracic spinal fracture, a neck fracture, tibia and fibula fractures to both legs, fractures in both hands, four fractured ribs and a pulmonary contusion. He also had a spinal cord injury that left him paralyzed from the waist down.

At the time, Wickens was on the cusp of stardom in one of motorsports’ premier series. That year, he had seven top-five finishes in 14 races, finished ninth in the Indianapolis 500 and won IndyCar’s Rookie of the Year honor. Those injuries cut short a promising IndyCar career and could’ve meant Wickens’ days as a professional race car driver were over. But that thought never crossed the now 36-year-old’s mind.

“I thought I was going to make the first (IndyCar) race in March the following year,” Wickens said. “We were always talking about what (racing) would look like if I used hand controls. It was never a question; it was a question of ‘How? Where?’ I knew it was something that was possible.”

Wickens, who regained some use of his legs but lacks the full capability to use them while driving, returned to competitive racing a little over three years after the accident, using a hand-controlled throttle and braking system to control the cars. He competed in the IMSA Michelin Pilot Challenge, and in 2023, he captured the drivers’ championship.

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And he isn’t done. A new chapter begins this weekend when he moves into an even higher level of racing by competing in the IMSA SportsCar Championship in a race through the streets of Long Beach, Calif. He’ll co-drive a Chevrolet Corvette fielded by DXDT Racing in the highly competitive GTD class, going against Mercedes, Ferrari, Porsche and other top-flight exotic sports cars.

Wickens will be on the grid at Long Beach due in part to an electric hand-controlled throttle and braking system, developed by Bosch and Pratt Miller, that he’s been able to utilize since returning to racing.

Without it, Wickens’ driving career would’ve likely ended in August 2018. However, the system has proven to be an equalizer, allowing him to compete on a mostly level field. And continued technological refinements by Bosch over the past few years have narrowed the performance gap between a car operated by hand controls and one operated by traditional pedals.


Robert Wickens’ custom steering wheel gives him the ability to control his Corvette race car — throttle, brakes and all — entirely by hand. (Courtesy of Chevrolet Racing)

The hand control operates like similar systems that can be installed in road cars, except this one has been more fine-tuned to allow Wickens to drive almost as if he were using the throttle and brake by foot. He can lightly tap the brake while turning and thereby carry greater speed through the corners.

“The best thing about my new system with Bosch is that the tuning can happen in the background because this is an electronic braking system,” Wickens said. “So if I want more brake sensation or less braking sensation, I can either have a button on the steering wheel that I tune out of brake pressure that I get to apply to the brakes.

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“The old system that I was using when I first started, the system was a very mechanical system where there’s a bunch of linkages and levers that just pushed the able-bodied brake pedal down, but I would squeeze something with my hand up by the steering wheel. … The downfall of that is there was a lot of latency in that system and a lot of inconsistency.”

Because Wickens and fellow driver Tommy Milner must trade off driving the Corvette, Bosch had to develop a straightforward way to switch between Milner using pedals and Wickens the hand controls.

“It’s quite impressive,” Milner said. “There’s just one button that either of us has to push to put it in the mode that we want and that switches all the systems over within a second.”

Once Wickens was committed to racing again, the challenge of navigating the expense and lack of accessibility only further complicated the endeavor. Finding sufficient sponsorship is often problematic enough in racing; Wickens also had to convince a team owner to install a hand-control system in their car.

Robert Wickens

“There are people racing all over the world with disabilities,” Robert Wickens said. “I’m just fortunate that I had a platform to show my progress.” (David Rosenblum / Icon Sportswire via Getty Images)

Having gone through the process himself, Wickens would like to see such features more readily available in commercially produced vehicles. Just as manufacturers use auto racing to develop technology that can be applied to passenger vehicles, Wickens wants to see the same principle applied to hand-controlled systems to make it both convenient and cost-effective.

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“I kind of have naive dreams of thinking that there could be a Robert Wickens steering wheel that can just fit into every road car in the world,” he said. “I’m imagining it’s like, ‘Oh, yeah, just plug it in like a USB or something and you’re on your way.’ But I know that that’s just not how it works. …

“The reality is, right now, when I’m driving on the road and I want to make a lane change, for example, I have to consciously over-speed because when I take my hand off the throttle to put on my turn signal, I slow down, and my hand isn’t on the throttle. Then, I have to signal and put my hand back on the throttle, make the lane change, and then take my hand off the throttle to stop your signal. It’s just a lot of extra steps.”

Long Beach is the first of five events in 2025 in which Wickens will drive the DXDT Racing Corvette entry. Plans beyond this season are still being determined. He is open to securing a full-time ride in the IMSA SportsCar Championship if the opportunity arises. He’d also like to race again in the Indianapolis 500.

Wickens downplays the idea that he is an inspiration, but those who know him marvel at how he’s refused to let go of his dream of being a professional driver when he had every reason to quit. He also wants to help others facing a similar situation.

“I personally don’t feel like I’m an inspiration to anybody, but I’m always kind of humbled when people tell me that I am,” Wickens said. “After I was paralyzed and out of my medical-induced coma, I was trying to understand what life I had. I was just working hard to try getting myself and my wife the best quality of life possible.

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“There are people racing all over the world with disabilities. I’m just fortunate that I had a platform to show my progress where others might not.”

(Top photo of Robert Wickens: Courtesy of Chevrolet Racing)

Culture

Video: The A.I. threat to audiobooks

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Video: The A.I. threat to audiobooks

new video loaded: The A.I. threat to audiobooks

Artificial intelligence has made pirated audiobooks faster to make and harder to detect. Our reporter Alexandra Alter tells us about the latest threat to the publishing industry.

By Alexandra Alter, Léo Hamelin and Laura Salaberry

May 20, 2026

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Kennedy Ryan on ‘Score,’ Her TV Deal, and Finding Purpose

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Kennedy Ryan on ‘Score,’ Her TV Deal, and Finding Purpose

At 53, and after more than a decade in the industry, things are happening for the romance writer Kennedy Ryan that were not on her bingo card.

The most recent: a first look deal with Universal Studio Group that will allow her to develop various projects, including a Peacock adaptation of her breakout 2022 novel “Before I Let Go,” the first book in her Skyland trilogy, which considers love and friendship among three Black women in a community inspired by contemporary Atlanta.

With a TV series in development, Ryan — who published her debut novel in 2014 and subsequently self-published — joins Tia Williams and Alanna Bennett at a table with few other Black romance writers.

“What I am most excited about is the opportunity to identify other authors’ work, especially marginalized authors, and to shepherd those projects from book to screen,” said Ryan, a former journalist. (Kennedy Ryan is a pen name.) “We are seeing an explosion in romance adaptations right now, and I want to see more Black, brown and queer authors.”

Her latest novel, “Score,” is set to publish on Tuesday. It’s the second volume in her Hollywood Renaissance series, after “Reel,” about an actress with a chronic illness who falls for her director on the set of a biopic set during the Harlem Renaissance. The new book follows a screenwriter and a musician, once romantically involved, working on the same movie.

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In a recent interview (edited and condensed for clarity), Ryan shared the highs and lows of commercial success; her commitment to happy endings; and her north star. Spoiler: It isn’t what readers think of her books on TikTok.

Your work has been categorized as Black romance, but how do you see yourself as a writer?

I see myself as a romance writer. I think the season that I’m in right now, I’m most interested in Black romance, and that’s what I’ve been writing for the last few years. It doesn’t mean that I won’t write anything else, because I don’t close those doors. But the timeline we’re in is one where I really want to promote Black love, Black art and Black history.

What intrigued you about the period of history you capture in the Hollywood Renaissance series?

I’ve always been fascinated by the Harlem Renaissance and the years immediately following. It felt like a natural era to explore when I was examining overlooked accomplishments by Black creatives. I loved the art as agitation and resistance seen in the lives of people like James Baldwin or Zora Neale Hurston, but also figures like Josephine Baker, Lena Horne and Dorothy Dandridge, who people may not think of as “revolutionary.” The fact that they were even in those spaces was its own act of rebellion.

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What about that period feels resonant now?

The series celebrates Black art and Black history and love at a time when I see all three under attack. Our art is being diminished and our history is being erased before our very eyes. I don’t hold back on the relationship between what I see going on in the world and the books I write.

How does this moment in your career feel?

I didn’t get my first book deal until I was in my 40s, so I think this is the best job I’ve ever had. I’m wanting to make the most of it, not just for myself, but for other people, and I think the temptation is to believe that it will all go away because that’s my default.

Why would it all go away?

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Part of it is because we — my family, my husband and I — have had some really hard times, especially early in our marriage when my son was diagnosed with autism, my husband lost his job, and we experienced hard times financially. I’ll never forget that.

When I say it could all go away, I mean things change, the industry changes, what people respond to changes, what people buy and want to consume changes. So I don’t assume that what I am doing is always going to be something that people want.

Why are you so firmly committed to defending the “happy ending” in romance novels?

It is integral to the definition of the genre that it ends happily. Some people will say it’s just predictable every one ends happily. I am fine with that, living in a world that is constantly bombarding us with difficulty, with hurt, with challenge.

I write books that are deeply curious about the human condition. In “Score,” the heroine has bipolar disorder, she’s bisexual, there’s all of this intersectionality. For me, there is no safer genre landscape to unpack these issues and these conditions because I know there is guaranteed joy at the end.

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You have a pretty active TikTok account. How do you engage with reviews and commentary on the platform about you or the genre?

First of all, I believe that reader spaces are sacred. Sometimes I see authors get embroiled with readers who have criticized them. I never ever comment on critical reviews. I definitely do see the negative. It’s impossible for me not to, but I just kind of ignore it. I let it roll off.

How does this apply to being a very visible Black author in romance?

I am very cognizant of this space that I’m in right now, which is a blessing, and I don’t take it for granted. I see a lot of discourse online where people are like, “Kennedy’s not the only one,” “Why Kennedy?,” “There should be more Black authors.” And I’m like, Oh my God, I know that. I am constantly looking for ways to amplify other Black authors. I want to hold the door open and pull them along.

How do you define success for yourself at this point?

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I have a little bit of a mission statement: I want to write stories that will crater in people’s hearts and create transformational moments. Whether it’s television or publishing, am I sticking true to what I feel like is one of the things I was put on this earth to do? I’m a P.K., or preacher’s kid. We’re always thinking about purpose. And for me, how do I fit into this genre? What is my lane? What is my legacy? Which sounds so obnoxious, you know, but legacy is very important to me.

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Culture

How Many of These Books and Their Screen Versions Do You Know?

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How Many of These Books and Their Screen Versions Do You Know?

Welcome to Great Adaptations, the Book Review’s regular multiple-choice quiz about printed works that have gone on to find new life as movies, television shows, theatrical productions and more. This week’s challenge highlights the screen adaptations of popular books for middle-grade and young adult readers. Just tap or click your answers to the five questions below. Scroll down after you finish the last question for links to the books and their screen versions.

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