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At the good old (emphasis on ‘old’) hockey game: How 13 octogenarian skaters lived their NHL dream

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At the good old (emphasis on ‘old’) hockey game: How 13 octogenarian skaters lived their NHL dream

OTTAWA — When asked to give his name, Larry Doshen instead grabbed his trading card. The photo was fairly recent, capturing him in black hockey pants as he cradled a hockey stick. He was helmetless, with a head of gray hair to match his “Silver Foxes” jersey.

Holding the card aloft, Doshen’s hand shook. He chalked it up to old age, but he was also filled with boyish nerves. And for good reason: The 84-year-old had just stepped off the ice after finally living his childhood fantasy of playing on an NHL rink.

“Once you get to skating, it’s fine,” Doshen said, pausing to reach into his mouth and remove his upper dentures. “I’ll take this thing out so you can hear me.”

An average NHL intermission typically features children from local minor hockey associations,  often as young as the under-7 “Timbits” level in Canada, either scrimmaging or competing in a shootout. Following the second period of the Ottawa Senators’ 4-0 win over the Columbus Blue Jackets at Canadian Tire Centre on Sunday, the youth made way for some much older gentlemen.

Or, as one attendee less delicately dubbed them, the “Stalebits.”

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Thirteen players representing multiple 80-and-over non-contact hockey teams in the Ottawa area — the eldest of whom were 88 years old — participated in the unusual exhibition on Sunday afternoon. The action lasted a brief three minutes, with Doshen battling through his brief anxiety at the front of the net to score the only goal. But the group of octogenarians drew cheers from the tens of thousands in attendance throughout, starting from the moment they each stepped onto the ice.

“This is a dream come true for me,” Aime Beaulne, one of the 88-year-olds, told The Athletic.

The game also brought awareness to the 80+ Hockey Hall of Fame, a nonprofit that recognizes active hockey players above the age of 80 across Canada. The initiative was founded in 2011 with an inaugural class of six, each of whom were inducted according to what the organization describes as its “knighting protocols using a vintage 1930 one-piece wooden hockey stick.” Applicants can be nominated online. In addition to the age requirement of its eligibility criteria, the 80+ Hockey Hall of Fame’s website lists “sound character and good sportsmanship.”

“Because now we’re getting guys right across the country,” said Herb Brennen, the 80+ Hall of Fame’s president. “We need to know that.”

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The number of inductees has since grown to nearly 400 players and almost 40 builders since its launch. An induction game is played every year and each new member receives their hockey card, as Doshen did. The Hall plans on inducting its first female player later this year.

“We try to make sure that this is really family-oriented,” Brennen said. “Because most of our children and certainly our grandchildren have never seen us play hockey, so it’s rather an amazing experience for them to actually see the old guy on the ice.”


Members of the 80+ Hockey Hall of Fame get ready for their game at the Canadian Tire Centre in Ottawa.

The 80+ Hockey Hall of Fame got the opportunity to skate at the Senators game through a mutual connection. Back in January, Hall of Fame vice president Loris Bondio met with a friend, Liam Maguire, over drinks at the latter’s titular restaurant just east of Ottawa’s downtown. It wasn’t planned, but they wound up discussing the 80+ Hall. A self-proclaimed hockey historian, Maguire was blown away by the concept and wondered how he could get the Senators involved. Bondio replied that his organization had tried, but failed, to meet with the Sens.

“I’ll get you your meeting,” Maguire told Bondio.

Maguire tapped his connection to team president Cyril Leeder, who alongside fellow Senators co-founder Randy Sexton once sold Maguire a season ticket pledge in the hopes of eventually luring an NHL franchise to the Canadian capital city. When Ottawa ultimately succeeded in its bid in 1990, Maguire celebrated with Leeder and Sexton. Thirty-five years later, it was Maguire pitching Leeder on the 80+ Hockey Hall of Fame as an intermission showcase.

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“I think it’s a beautiful, beautiful way of encapsulating why the Hall exists,” Bondio said. “Those kids have got to keep skating. Doesn’t matter if you don’t make the NHL. Doesn’t matter if you don’t make the team, keep skating. There’s always a place to play.”

Before their game at the CTC, the 80+ Hall of Famers sat in makeshift dressing rooms covered by curtains just near the Zamboni entrance, surrounded by stacks of wooden pallets, a pair of lowered basketball hoops, and a portable emergency eye wash station. After putting on their gear — including jerseys bearing the 80+ Hall’s logo — they lined up single-file and hit the ice.

“It’s uplifting to think one day like this could be me too,” said Matt Franczyk, the Senators’ specialist in hockey outreach. “Like, if I stay healthy, stay active, I could be on the ice playing with these guys as well.”

Most of the men who participated Sunday play hockey twice a week, for teams like the “Elder Skatesmen” and the “Octokids.” Others, like Barclay Frost, might play more often.

The 83-year-old Frost is considered the oldest goalie in Ottawa and is a member of Athletics Ontario’s Hall of Fame for his various athletic contributions as an athlete, coach and official — he filled the last role at the 1976 Summer Games in Montreal. Frost even represented Team Canada at an 80+ USA-Canada hockey event last fall. That is, until the American starting goaltender became unavailable and Frost was forced to change allegiances.

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“I know what it’s like to be a traitor,” Frost said. “People wouldn’t talk to me. My wife was sitting up in the stands with all the Team Canada wives and all our Team Canada staff. And I’m on the other team.”


Herb Brennen’s hockey card was given to him after being inducted into the 80+ Hockey Hall of Fame in 2023.

The fact that these over-80-and-above hockey teams exist is already impressive, but they also stand to combat a worrisome trend for elders. A Canadian government report estimated that 30 percent of seniors in the country — a group expected to grow from nearly 15 percent today to up to 25 percent of the population by 2036 — are at risk of being socially isolated. The International Federation on Ageing has added that “keeping older people socially connected and active” is the “number one emerging issue facing seniors” in Canada.

“I would really, really miss it if I didn’t have the dressing room to go to, to talk to the guys, and the banter back and forth,” Doshen said. “Talk about what we do on the ice, talk about what we do off the ice. A couple of the guys I know are having health problems, so you listen to them. Some others are having family health problems as well. It gives them a chance to talk.”

Indeed, playing means everything for these seniors, whether it’s because they want to stay fit — or, as Brennen recalled himself recently doing with fellow skaters, to chirp one another.

“I said, ‘I don’t know why the hell you even bring a hockey stick to the game,’” Brennen said. “(The pucks) go in off your ass. They go in off your elbow. What do you need a hockey stick for? You’ve probably got the same stick you ever started with.”

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And then there are men like 88-year-old Wil Côté, who just appreciates the support that comes with playing with a band of brothers.

“It keeps me going for sure,” Côté said. “I like playing, but I like the camaraderie. When I come home, I’m happy.”

(Photos: Julian McKenzie / The Athletic)

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Do You Know the English Novels That Inspired These Movies and TV Shows?

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Do You Know the English Novels That Inspired These Movies and TV Shows?

Welcome to Great Adaptations, the Book Review’s regular multiple-choice quiz about books that have gone on to find new life as movies, television shows, theatrical productions, video games and more. This week’s challenge is focused on popular books set in 18th- and 19th-century England that have been adapted for the screen. Just tap or click your answers to the five questions below. And scroll down after you finish the last question for links to the books and their filmed versions.

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Book Review: ‘Hunger Like a Thirst,’ by Besha Rodell

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Book Review: ‘Hunger Like a Thirst,’ by Besha Rodell

HUNGER LIKE A THIRST: From Food Stamps to Fine Dining, a Restaurant Critic Finds Her Place at the Table, by Besha Rodell


Consider the food critic’s memoir. An author inevitably faces the threat of proportional imbalance: a glut of one (the tantalizing range of delicacies eaten) and want of the other (the nonprofessional life lived). And in this age of publicly documenting one’s every bite, it’s easier than ever to forget that to simply have dined, no matter how extravagantly, is not enough to make one interesting, or a story worth telling.

Fortunately, the life of Beshaleba River Puffin Rodell has been as unusual as her name. In fact, as she relays in the author’s note that opens “Hunger Like a Thirst,” a high school boyfriend believed she’d “made up her entire life story,” starting with her elaborate moniker.

Born in Australia on a farm called Narnia, she is the daughter of hippies. Her father, “a man of many lives and vocations,” was in his religious scholar phase, whence Beshaleba, an amalgamation of two Bible names, cometh.

Rodell’s mother returned to her native United States, with her children and new husband, when Besha was 14. Within the first 20-plus years of her life, she had bounced back and forth repeatedly between the two continents and, within the U.S., between multiple states. “‘I’m not from here’ is at the core of who I am,” she writes.

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It’s also at the core of her work as a restaurant critic, and what, she convincingly argues, distinguishes her writing from that of many contemporaries. She has the distanced perspective of a foreigner, but also lacks the privilege of her counterparts, who are often male and frequently moneyed. “For better or for worse, this is the life that I have,” she writes. “The one in which a lady who can’t pay her utility bills can nonetheless go eat a big steak and drink martinis.” This, she believes, is her advantage: “Dining out was never something I took for granted.”

It started back in Narnia on the ninth birthday of her childhood best friend, who invited Rodell to tag along at a celebratory dinner at the town’s fanciest restaurant. Rodell was struck, not by the food, but by “the mesmerizing, intense luxury of it all.” From then on, despite or perhaps because of the financial stress that remains a constant in her life, she became committed to chasing that particular brand of enchantment, “the specific opulence of a very good restaurant. I never connected this longing to the goal of attaining wealth; in fact, it was the pantomiming that appealed.”

To become a writer who gets poorly compensated to dine at those very good restaurants required working multiple jobs, including, in her early days, at restaurants, while simultaneously taking on unpaid labor as an intern and attending classes.

Things didn’t get much easier once Rodell became a full-time critic and she achieved the milestones associated with industry success. She took over for Atlanta’s most-read restaurant reviewer, then for the Pulitzer-winning Jonathan Gold at L.A. Weekly. She was nominated for multiple James Beard Awards and won one for an article on the legacy of the 40-ounce bottle of malt liquor.

After moving back to Australia with her husband and son, she was hired to review restaurants for The New York Times’s Australia bureau, before becoming the global dining critic for both Food & Wine and Travel & Leisure. Juxtaposed against the jet-setting and meals taken at the world’s most rarefied restaurants is her “real” life, the one where she can barely make rent or afford groceries.

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It turns out her outsider status has also left her well positioned to excavate the history of restaurant criticism and the role of those who have practiced it. She relays this with remarkable clarity and explains how it’s shaped her own work. (To illustrate how she’s put her own philosophy into practice, she includes examples of her writing.) It’s this analysis that renders Rodell’s book an essential read for anyone who’s interested in cultural criticism.

Packing all of the above into one book is a tall order, and if Rodell’s has a flaw, it’s in its structure. The moving parts can seem disjointed and, although the intention behind the structure is a meaningful one, the execution feels forced.

As she explains in her epilogue, she used the table of contents from Anthony Bourdain’s “Kitchen Confidential” as inspiration for her own. Titled “Tony,” the section is dedicated to him. But, however genuine the sentiment, to end on a man whose shadow looms so large detracts from her own story. (If anything, Rodell’s approach feels more aligned with the work of the Gen X feminist Liz Phair, whose lyric the book’s title borrows.)

It certainly shouldn’t deter anyone from reading it. Rodell’s memoir is a singular accomplishment. And if this publication were to hire her as a dining critic in New York, there would be no complaints from this reader.

HUNGER LIKE A THIRST: From Food Stamps to Fine Dining, a Restaurant Critic Finds Her Place at the Table | By Besha Rodell | Celadon | 272 pp. | $28.99

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Book Review: ‘Original Sin,’ by Jake Tapper and Alex Thompson

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Book Review: ‘Original Sin,’ by Jake Tapper and Alex Thompson

ORIGINAL SIN: President Biden’s Decline, Its Cover-Up, and His Disastrous Choice to Run Again, by Jake Tapper and Alex Thompson


In Christian theology, original sin begins with Adam and Eve eating the forbidden fruit from the tree of knowledge. But Jake Tapper and Alex Thompson’s “Original Sin” chronicles a different fall from grace. The cover image is a black-and-white portrait of Joe Biden with a pair of hands clamped over his eyes. The biblical story is about the danger of innocent curiosity; the story in this new book is about the danger of willful ignorance.

“The original sin of Election 2024 was Biden’s decision to run for re-election — followed by aggressive efforts to hide his cognitive diminishment,” Tapper and Thompson write. On the evening of June 27, 2024, Democratic voters watched the first presidential debate in amazement and horror: A red-faced Donald Trump let loose a barrage of audacious whoppers while Biden, slack-jawed and pale, struggled to string together intelligible rebuttals.

Trump’s debate performance was of a piece with his rallies, a jumble of nonsensical digressions and wild claims. But for many Americans, the extent of Biden’s frailty came as a shock. Most of the president’s appearances had, by then, become tightly controlled affairs. For at least a year and a half, Biden’s aides had been scrambling to accommodate an octogenarian president who was becoming increasingly exhausted and confused. According to “Original Sin,” which makes pointed use of the word “cover-up” in the subtitle, alarmed donors and pols who sought the lowdown on Biden’s cognitive state were kept in the dark. Others had daily evidence of Biden’s decline but didn’t want to believe it.

Tapper is an anchor for CNN (and also served as a moderator for the presidential debate); Thompson is a national political correspondent for Axios. In an authors’ note, they explain that they interviewed approximately 200 people, including high-level insiders, “some of whom may never acknowledge speaking to us but all of whom know the truth within these pages.”

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The result is a damning, step-by-step account of how the people closest to a stubborn, aging president enabled his quixotic resolve to run for a second term. The authors trace the deluge of trouble that flowed from Biden’s original sin: the sidelining of Vice President Kamala Harris; the attacks on journalists (like Thompson) who deigned to report on worries about Biden’s apparent fatigue and mental state; an American public lacking clear communication from the president and left to twist in the wind. “It was an abomination,” one source told the authors. “He stole an election from the Democratic Party; he stole it from the American people.”

This blistering charge is attributed to “a prominent Democratic strategist” who also “publicly defended Biden.” In “Original Sin,” the reasons given for saying nice things in public about the president are legion. Some Democrats, especially those who didn’t see the president that often, relied on his surrogates for reassurance about his condition (“He’s fine, he’s fine, he’s fine”); others were wary of giving ammunition to the Trump campaign, warning that he was an existential threat to the country. Tapper and Thompson are scornful of such rationales: “For those who tried to justify the behavior described here because of the threat of a second Trump term, those fears should have shocked them into reality, not away from it.”

Biden announced that he would be running for re-election in April 2023; he had turned 80 the previous November and was already the oldest president in history. Over his long life, he had been through a lot: the death of his wife and daughter in a car accident in 1972; two aneurysm surgeries in 1988; the death of his son Beau in 2015; the seemingly endless trouble kicked up by his son Hunter, a recovering addict whose legal troubles included being under investigation by the Justice Department.

Yet Biden always bounced back. The fact that he defied the naysayers and beat the odds to win the 2020 election was, for him and his close circle of family and advisers, a sign that he was special — and persistently underestimated. They maintained “a near-religious faith in Biden’s ability to rise again,” the authors write. “And as with any theology, skepticism was forbidden.”

In 2019, when Biden announced a presidential run, he was 76. It was still a time when “Good Biden was far more present than Old Biden.” By 2023, the authors suggest, that ratio had reversed. Some of his decline was hard to distinguish from what they call “the Bidenness,” which included his longtime reputation for gaffes, meandering stories and a habit of forgetting staffers’ names.

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But people who didn’t see Biden on a daily basis were increasingly taken aback when they finally laid eyes on him. They would remark on how his once booming voice had become a whisper, how his confident stride had become a shuffle. An aghast congressman recalls being reminded of his father, who had Alzheimer’s; another thought of his father, too, who died of Parkinson’s.

The people closest to Biden landed on some techniques to handle (or disguise) what was happening: restricting urgent business to the hours between 10 a.m. and 4 p.m.; instructing his writers to keep his speeches brief so that he didn’t have to spend too much time on his feet; having him use the short stairs to Air Force One. When making videos, his aides sometimes filmed “in slow motion to blur the reality of how slowly he actually walked.” By late 2023, his staff was pushing as much of his schedule as they could to midday.

When White House aides weren’t practicing fastidious stage management, they seemed to be sticking their heads in the sand. According to a forthcoming book by Josh Dawsey, Tyler Pager and Isaac Arnsdorf, Biden’s aides decided against his taking a cognitive test in early 2024. Tapper and Thompson quote a physician who served as a consultant to the White House Medical Unit for the last four administrations and expressed his dismay at the idea of withholding such information: “If there’s no diagnosis, there’s nothing to disclose.”

Just how much of this rigmarole was desperate rationalization versus deliberate scheming is never entirely clear. Tapper and Thompson identify two main groups that closed ranks around Biden: his family and a group of close aides known internally as “the Politburo” that included his longtime strategist Mike Donilon and his counselor Steve Ricchetti. The family encouraged Biden’s view of himself as a historic figure. The Politburo was too politically hard-nosed for that. Instead, its members pointed to Biden’s record in office and the competent people around him. The napping, the whispering, the shuffling — all that stuff had merely to do with the “performative” parts of the job.

Tapper and Thompson vehemently disagree. They offer a gracious portrait of Robert Hur, the special counsel who investigated Biden’s handling of classified materials and in his February 2024 report famously described the president as a “sympathetic, well-meaning, elderly man with a poor memory.” Biden and his team were incensed and tried “to slime Hur as an unprofessional right-wing hack,” but the authors defend his notorious line. They emphasize that it is incumbent upon a special counsel to spell out how the subject of an investigation would probably appear to a jury — and that what Hur wrote about Biden was true.

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Of course, in an election like 2024, when the differences between the candidates are so stark and the stakes are so high, nearly every scrap of information gets viewed through the lens of “Will it help my team win?” Even competently administered policy could not compensate for a woeful inability to communicate with the American people. In a democracy, this is a tragedy — especially if you believe, as Biden did, that a second Trump term would put the very existence of that democracy in peril.

Earlier this month, in what looks like an attempt to get ahead of the book’s publication, Biden went on “The View” to say that he accepts some responsibility for Trump’s victory: “I was in charge.” But he was dismissive about reports of any cognitive decline. In “Original Sin,” Tapper and Thompson describe him waking up the morning after the 2024 election thinking that if only he had stayed in the race, he would have won. “That’s what the polls suggested, he would say again and again,” the authors write. There was just one problem with his reasoning: “His pollsters told us that no such polls existed.”


ORIGINAL SIN: President Biden’s Decline, Its Cover-Up, and His Disastrous Choice to Run Again | By Jake Tapper and Alex Thompson | Penguin Press | 332 pp. | $32

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