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Inside John Calipari's move to Arkansas, in his own words

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Inside John Calipari's move to Arkansas, in his own words

John Calipari sat in his hotel room in Phoenix on Friday when a close friend, John H. Tyson, reached out to discuss an important decision. People with knowledge of the conversation say Tyson, the billionaire chairman of Tyson Foods and a longtime major donor at the University of Arkansas, wanted to pick the Kentucky basketball coach’s brain on the direction of Arkansas’ coaching search after Eric Musselman left for the USC job. Tyson told the Hall of Fame coach that Arkansas athletic director Hunter Yurachek was in Phoenix, too, and soon the two men met in Calipari’s room.

On the eve of the Final Four, Yurachek and Calipari spoke for nearly an hour about potential candidates to replace Musselman. Arkansas wanted to make a splashy hire and was prepared to spend big on salary, NIL and other support for its basketball program. As the two men departed the room, Yurachek came to a conclusion: maybe the perfect candidate was right in front of him.

“Why not you? Why wouldn’t you be interested?” Yurachek asked Calipari, according to Arkansas sources.

“Well, I haven’t spent much time on it, but we can talk some,” Calipari said.

Calipari left the meeting and conversations continued with Tyson.

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“Last time, we didn’t get this done,” Tyson told Calipari, referring to when the Razorbacks pursued Calipari when he was at Memphis about 17 years ago. “Do you want this thing? Let’s get this done.”

Soon enough, Calipari’s attorney, Tom Mars (who went to law school at Arkansas), reached out to Calipari about the job. The full-court press was on. By Saturday morning, a formal term sheet declaring interest had been sent to Calipari. As negotiations were underway, Calipari grappled with the end of his 15-year run at Kentucky that included an NCAA championship and three more Final Four berths. Calipari is one of only a few coaches to lead a program to four Final Fours in a five-year span (2011-2015).

“He’s got one fault: He’s an extremely loyal person,” Tennessee coach Rick Barnes said in a phone interview Tuesday. “Kentucky’s not an on- and off-switch job. What the Kentucky coach and what Kentucky basketball means there … John filled those shoes in a way that I promise you this: One day, Kentucky is going to look back and say that we need a John Calipari banner up there.”

As the weekend concluded, Calipari and Arkansas neared an agreement on the terms for his arrival, which would represent a colossal shakeup in college basketball. Calipari owned the era of the one-and-done with a revolving door of NBA stars in Lexington, but now another program had piqued his interest at the right place and right time. Sources close to Calipari say he still regrets turning down the UCLA job in 2019. That was the time to bolt, he now admits privately. But Kentucky ponied up a 10-year, $86 million contract to keep him in Lexington, and the Bruins couldn’t match.

Now? Arkansas prepared a tremendous package, and Calipari was ready.

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Industry sources briefed on the terms told The Athletic that Calipari signed a five-year, $38.5 million contract with Arkansas, with triggers based on NCAA Tournament appearances that could push the deal up to seven years and almost $60 million. The deal includes a $1 million signing bonus and other annual bonuses, those sources said. The new partnership will include an NIL fund worth “at least” $5-7 million, one industry source said, with Arkansas officials expressing no limit to the depths of their pocketbooks for Calipari’s NIL needs.

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Tucker: John Calipari had Kentucky by the basketballs. Then came Arkansas

Sources on both sides said there was very limited contact between Calipari and Kentucky officials and no negotiations between the two sides. Once Arkansas engaged him, there was no looking back. Kentucky officials are believed to be working on practice facility and NIL plans, begging the questions as to where those intentions went with Calipari at the helm.

Suddenly, Arkansas is on the map in a major way again, combining a hungry Calipari, with all the star power and top-ranked recruiting classes he’ll bring, and a program eager to get back to a Final Four for the first time since 1995.

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“I’ve done this a few times in my career and the biggest thing I’m trying to create is the love affair between this program and the campus,” Calipari told The Athletic. “This program, Northwest Arkansas, this whole state, you’re trying to create a love affair. That means the kind of kids we’re recruiting, great kids that want to be involved in the community. That means as the coach, don’t cheat the position and stay inside and just watch tape. Be involved in charities, be involved in helping throughout the campus, the state.

“The other thing to change is figuring out our roster, and you have to go in now and have NIL ready, which the school will do. I don’t have to go out and do it anymore. I had to at Kentucky. Here, we’re putting a team together now. Since I’ve had to coach a new team every year, that doesn’t bother me, but they have got to be good kids. If they’re only about themselves, we won’t recruit them, they won’t be here.

“What keeps me going is chasing championships and putting my team in the best position at the end of the year to make a run. Let’s go do this and do it together.”


The question everyone has asked over the last 72 hours: Why? Why did Calipari leave Kentucky after 15 season? Why leave for Arkansas? The terms of his contract provide some answers, but it goes much deeper than that.

Multiple sources who have witnessed the situation say the relationship between Calipari and athletic director Mitch Barnhart had steadily deteriorated — and that a recent appearance on local television together, saying they got along fine and were committed to moving forward together was, essentially, a dog and pony show. That relationship was broken beyond repair in August 2022, while Calipari was with his team on an exhibition tour in the Bahamas. He’d been pressing Barnhart about the need for a new practice facility and even rounded up millions of dollars in pledges from his former players in the NBA to help fund it. But Barnhart would not budge, insisting that a then-15-year-old Joe Craft Center needed only to be refreshed, not replaced.

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So one afternoon during that trip, Calipari called a handful of reporters to his hotel suite and let loose. After a lot of spending on other sports at Kentucky, he said, it was basketball’s turn. And then came the words that went off like a stick of dynamite within the athletic department: “This is a basketball school.”

Football coach Mark Stoops was upset, publicly and privately, and Barnhart sided with his football coach – at least as Calipari saw it and still sees it. While Calipari was still in the Bahamas, being told not to issue any further public statements on the matter, not even a carefully crafted apology, Stoops and Barnhart held a joint press conference in Lexington and Calipari’s boss didn’t hold back.

“We’ll make sure we’re not entitled,” Barnhart said at one point. Basketball would always have support, he said, adding pointedly: “If that’s not good enough, you know, coaches change a lot in today’s world.”

That’s when Calipari knew the marriage – an analogy Barnhart uses often – was doomed.

There was a fundamental disagreement on what constituted sufficient support for the program. Between butting heads over facilities and feeling handcuffed in the NIL space, where the coach felt like he was on his own to round up funds, Calipari began to wonder if Kentucky really was “future-proofed.”

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“I know for a fact Coach Cal didn’t feel supported, I don’t feel like he had the school’s backing,” former Wildcats star DeMarcus Cousins told The Athletic. “There’s a lot of things going on behind the scenes, adjusting to the modern times of college basketball now. It’s more so at the top, I just don’t feel like the support was there. This situation could have been handled a lot more gracefully, especially for as much as he’s done for them. Given the guys that have come through there, I would say these were the golden years of Kentucky basketball in the modern era.”

“Cal was the perfect coach for any job, especially Kentucky,” Michigan State coach Tom Izzo told The Athletic. “You have to have skin thicker than a whale. It’s sad to me what’s happened; at all organizations it starts from the top down. Cal gets taken for granted. We talk about a bad year. A bad year for him is the year of most people’s lives.

“I don’t care if it’s at Michigan State, Kentucky or Duke. It’s just harder to do your job when you’re not aligned. There was a disconnect. There’s always two sides to every divorce. This new opportunity is going to rejuvenate Cal.”

Cousins and John Wall had ushered in the Calipari era in 2009, and many current NBA superstars followed, such as Devin Booker, Karl-Anthony Towns, Julius Randle, Bam Adebayo and Shai Gilgeous-Alexander. As Calipari believes, from his first Big Blue Madness 15 years ago to today, much has changed. For instance, sources involved with the program say Calipari and some of his star alumni were privately miffed about a steep decline in resources made available for Big Blue Madness, right down to a literal shrinking stage.

The obvious pushback from Kentucky’s perspective: There were now diminishing returns from the coach, who hadn’t reached a Final Four since 2015 and had not made the second weekend of the NCAA Tournament since 2019. Calipari and Barnhart found themselves in something of a cold war, with the coaching staff believing they needed more support to win big and Barnhart expecting to see a bigger return on his original (and massive) investment before he’d pay any more into the program under Calipari’s watch.

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Toward the end, an increasing number of fans came to think like Barnhart. Many believed he should spend big not on a practice facility but to pay Calipari’s $33 million buyout after a first-round NCAA Tournament exit last month. Barnhart declined to throw that much money away, so their strife was set to continue for at least another year. An incredibly awkward next season was set to play out in Lexington.

But then an old friend called and made him an offer he couldn’t refuse: Come to Arkansas and feel loved again, feel supported again, feel like anything is possible again.

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“The negotiations were 15 minutes of me looking at it and saying, it needs to be like this, okay with this,” Calipari said. “It was just: Do we want this? That’s how it went. It happened in a total of three days.”

And so there was Calipari on Tuesday, recording a heartfelt goodbye video from his home, where someone had planted yard signs that spelled out THANK YOU CAL. Days earlier, someone else had planted a sign with Calipari and Barnhart’s faces and the message: One needs to go!

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“The last few weeks, we’ve come to realize,” Calipari said on his video, “that this program probably needs to hear another voice.”

More than that, Calipari realized he needed another program eager to hear his.

“John brings exactly what he’s brought everywhere: a winner, a contender,” Barnes said. “He puts them in the fight and he’s going to build. He does it as quickly as anybody that’s ever coached the game.”

(Photo illustration: John Bradford / The Athletic; Photo: Jared C. Tilton / Getty)

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Ex-NFL star implores Russell Wilson to hang it up: ‘Do your TV thing’

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Ex-NFL star implores Russell Wilson to hang it up: ‘Do your TV thing’

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Russell Wilson has had his share of ups and downs in his NFL career.

He helped the Seattle Seahawks to a Super Bowl championship in 2013 and was named to the Pro Bowl four times. But the last few years of his career arguably did some damage to his legacy as he’s spent the last three seasons with three different teams.

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New York Giants quarterback Russell Wilson watches from the sidelines during the second quarter against the Philadelphia Eagles at MetLife Stadium in East Rutherford, N.J., on Oct. 9, 2025. (Brad Penner/Imagn Images)

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Wilson is still on the free-agent market as he looks to latch on to a new team for 2026. However, former NFL star Aqib Talib implored Wilson to hang up the cleats.

“Do your TV thing, Russ. It’s over with, man. Once you’ve got to decide, do I even want to play?” Talib said on “The Arena: Gridiron.” “I think you don’t really want to play. I hate when guys get to the later part of their career and then they start doing the bounce-around thing and they’re not going to win. There was no chip in New York. That’s just going to be another stop on your resume.”

Wilson reportedly garnered some interest from NFL teams.

New York Giants quarterback Russell Wilson stands on the field before a game against the Philadelphia Eagles at Lincoln Financial Field in Philadelphia, PA on Oct. 26, 2025. (Bill Streicher/Imagn Images)

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He told the New York Post that the New York Jets were one of them.

Wilson also was reportedly a candidate to take Matt Ryan’s spot on CBS’ “The NFL Today” after Ryan left to take a front office job with the Atlanta Falcons.

Wilson has 46,966 passing yards and 353 passing touchdowns in 205 career games, but the 2025 season with the New York Giants was one to forget.

Wilson started three games and made some bizarre decisions in a loss against the Chiefs. Jaxson Dart was named the starting quarterback. As he came in to take a few snaps while Dart was being checked for a concussion, Wilson was booed.

New York Giants quarterback Russell Wilson watches from the sidelines during the second half against the Denver Broncos at Empower Field at Mile High in Denver, Colo., on Oct. 19, 2025. (Ron Chenoy/Imagn Images)

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Should he end up signing with another team, Wilson will be entering his age-38 season.

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Artists, community come together to welcome World Cup to Inglewood with murals and more

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Artists, community come together to welcome World Cup to Inglewood with murals and more

A lot has changed since Jacori Perry attended Morningside High School.

Perry is now a renowned artist who goes by the names Mr. Ace and AiseBorn.

The school is now known as Inglewood High School United.

And the lecture hall on that campus now features a large, ornate mural of a soccer ball being grasped by the hands of two people — freshly painted by the 2004 Morningside graduate as the city of Inglewood prepares to host eight World Cup games at SoFi Stadium starting next month.

Local artist Mr. Ace works on his mural at Inglewood High School United on May 11. The artists, whose real name is Jacori Perry, attended the school when it was known as Morningside High more than two decades ago.

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(Eric Thayer/Los Angeles Times)

“If you told me that I would be back here painting one of the walls on this campus when I was in high school, I don’t think that I necessarily would have foreseen it,” Mr. Ace said as he was putting the finishing touches on his mural last week. “So I’m a little in amazement about just the way life works in that sense.”

He was one of several Los Angeles-based artists to participate in a Road to World Cup Community Day last month at Inglewood High United. Many of the artists — including Juan Pablo Reyes (“JP murals”), Michelle Ruby Guerrero (“Mr. B Baby”) and Angel Acordagoitia — sketched designs on portable panels (12-feet by 8-feet) and picnic tables for community members to paint.

The picnic tables will remain at the high school in front of Mr. Ace’s mural. The mobile murals will be placed throughout LAX to welcome visitors arriving for the World Cup.

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Kathryn Schloessman, CEO of the Los Angeles World Cup 2026 Host Committee, said in a news release that the event was “just one example of how the energy of the World Cup can be felt in neighborhoods across our region.”

“Students, artists, and volunteers came together to create a work of art that will live on well beyond the end of the tournament,” Schloessman said. “It’s a reflection of the creativity, diversity, and community pride that makes our region so special as we prepare to host the world for FIFA World Cup 2026.”

Community members were encouraged to take part in the painting process, no matter their skill level.

“We made it easy enough for people that have zero experience to a proficient level of experience, for them to all be involved,” said Reyes, who designed and helped paint two mural panels and three tables. “We did the sketch, and then I tried to dab a little bit of color — whatever color is supposed to be there, I dabbed a little bit of color right there, so they would have a guide. …

People stand on a scaffold and on the ground while painting a mural on a large panel.

Students and community members help paint a mural panel during a Road to World Cup Community Day event May 2 at Inglewood High School.

(Dawn M. Burkes / Los Angeles Times)

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“I was right there, kind of supervising, making sure that everything went as planned. And if anybody has questions, they’re more than welcome to let me know about them. But, yeah, it’s pretty easy for them to kind of be involved and feel that sense of ownership and have a sense of pride that, ‘Yeah, I was part of that mural-creation process.’ It’s a rich experience for them.”

Acordagoitia sketched several table-top designs for the public to paint at the event.

“They did great,” he said of the community members. “They helped a lot. They were asking questions. They got all the other colors correct. So, yeah, they were excited. A lot of kids were excited to see the live painting, because now kids are used to being on their phones. So that was a great experience for them.”

Acordagoitia also opted to paint a mural panel on his own because “it was a little more technical,” involving portraits of his 8-year-old son, a nephew and a friend.

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“I wanted to focus more on the youth because that’s really our future,” he said. “So that’s, that’s the main thing about the mural, just about the kids, soccer, culture, community. It’s exciting for me, because I grew up playing soccer and to include soccer with art, it’s just a dream come true.”

Guerrero said “the community was a big help in filling in all the background colors that I need in order to build the detail and layers” on the two mural panels she designed.

“My whole style is based on culture. And I think that there’s a connection there with the World Cup and how I feel like it brings together all the culture and just, like, celebration,” Guerrero said. “It kind of goes hand in hand with the type of work I do, because my stuff is really festive, celebrating culture. And just as an L.A.-based artist, I think the collaboration made sense.”

The four artists also took part in another Road to World Cup Community Day in downtown L.A. at Gloria Molina Grand Park on March 14. At that event, the artists sketched designs on large sculptures shaped like soccer balls and an oversized picnic table, also for community members to paint.

While Mr. Ace opted to paint his permanent mural at Inglewood High School United on his own, he was sure to include the community theme into his work.

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“The idea was really centered around just creating something that was community-based — something that represented the World Cup but also represented some sense of community,” he said. “And so what I did was try to create something that was symbolic, very direct in terms of its relationship to soccer and figuring out through that how to create something simple that [brings] into that a sense of community. And that’s how I landed on the two hands holding the soccer ball.”

A man stands in a lift and paints on a wall with blue paint as part of a mural with an ornate design.

Local artist Mr. Ace works on his World Cup-themed mural at Inglewood High School United on May 11.

(Eric Thayer / Los Angeles Times)

Back when he was a student on that campus, Mr. Ace said he was always involved in art and knew he wanted a career as an artist. He struggled to come up with the right words to describe how it felt being back there creating a work of art to be shared with the students, all of the community and everyone who happens to see it on the way to a World Cup match.

“I guess there’s no words to really describe it,” he said. “I think if any artist gets the opportunity to paint at their own high school — especially if they’ve been doing large-scale works around the city, the country or the world — I think that is a little touching. When it’s attached to something like the World Cup … you know, a large part of my childhood was spent in Inglewood, so coming from my circumstances and life, I think it’s even more intriguing.”

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Indy 500: Counting Down The 10 Best Finishes In Race History

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Indy 500: Counting Down The 10 Best Finishes In Race History

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The best Indianapolis 500 finish could be subjective, depending on which driver a fan was rooting for to win.

It certainly is in the eye of the beholder.

So take this list for what it’s worth. One view of the 10 best finishes in Indianapolis 500 history. Of course, it skews to more recent decades when the runs have come a little faster and the finishes have had a tendency to be a little closer.

We’ll add one each day to this list of fantastic finishes ahead of the 110th running of the Indy 500 on May 24 (12:30 p.m. ET on FOX).

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10. Ericsson outduels O’Ward (2022)

After a red flag, Marcus Ericsson held off Pato O’Ward in a two-lap shootout. The shootout didn’t last two laps, though, as there was a crash on the final lap behind them. Ericsson had a comfortable lead when the red flag came out for a crash with four laps to go, a situation where in past Indianapolis 500 races, they likely would have ended the race under caution with Ericsson as the winner.

9. Foyt survives chaos (1967)

How does a driver who wins by two laps end up on this list? It’s because the win nearly didn’t happen on the last lap. A big crash with cars and debris littering the frontstretch just ahead of Foyt as he came to the checkered flag forced him to navigate through the wreckage for the win.

8. Sato can’t catch Franchitti (2012)

This was one of those finishes where the leader holds on for the win, but boy did the leader have to hold on. Takuma Sato tried to pass Dario Franchitti early on the final lap but to no avail and Franchitti sped off for the victory. This was one of those Indy 500s that made you hold your breath all the way to the checkered flag.

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