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How do you play a 400-year-old sin eater? Terrifyingly if you're 'Fargo's' Sam Spruell

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How do you play a 400-year-old sin eater? Terrifyingly if you're 'Fargo's' Sam Spruell

Debt is a theme running through Season 5 of “Fargo,” and there was no more terrifying bill collector in Noah Hawley’s latest seriocomic venture into the dark whiteout of the Upper Midwest than Ole Munch. Nor so poignant a creature, either, as portrayed by English actor Sam Spruell. Both the failed hired kidnapper and unlikely rescuer of Juno Temple’s protagonist Dot, the centuries-old sin eater pursues his own peculiar morality, burning malefactors’ eyeballs and demanding pancakes along the way.

Speaking via Zoom from the Hackney, London, home he shares with costume designer Natalie Ward and their 14-year-old son, Spruell looks tan (spray-on, he notes, for his role in the upcoming season of the British heist series “The Gold”) and sounds articulate, a far cry from his ruddy, cryptic “Fargo” apparition. Spruell mostly plays villains; a racist cop in “Small Axe: Mangrove” and “Doctor Who’s” Swarm are recent examples. But as Ole Munch’s season-capping moment demonstrates, Spruell finds the transcendent in the terrifying.

How much of Ole Munch was on the page and what was your creation?

Lots of it was in the script. Noah Hawley was quite clear when I met him who the character was. He started off by saying Ole was 400 or 500 years old, began in Europe, maybe has been in America for 200 to 300 years. He hasn’t spoken for a century. He has an eye-for-an-eye, Old Testament kind of code that he can’t relinquish. If he feels like the scales aren’t balanced between action and recompense … Noah described it as like an itch inside of his skull that he needs to scratch.

That was quite helpful. But what really unlocked the part for me was the sin-eating. Because he was poor and desperate, he was almost forced to eat the sins of the rich. People unable to break their cycle of poverty and crime because they’re not looked after by the rest of society, that was a very strong notion that I could build a character around.

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Sam Spruell plays killer Ole Munch in “Fargo.”

(Michelle Faye/FX Networks)

Ole exudes intimidation. You seem friendly, though.

I suppose some people have access to the ability to play lovers or turn on tears very quickly. My kind of capacity as an actor is darkness — and I’m not a very dark person! I’m reasonably happy, I’ve got a family who have stuck with me, but I can access darkness and intimidation. You never really play it, though; you’re playing someone who’s damaged through the whole series of events in their lives. You think about that, maybe, rather than playing a villain. Or scowling; I worked with Ridley Scott early in my career, who told me, “Just do a little less with your face.” He gave me that note when I was playing a really scary guy in “The Counselor,” and obviously it stuck.

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So many memorable, specific aspects to Ole, like his third (or is it fourth?) person syntax and sibilant voice.

Noah saying that he hadn’t spoken for 100 years was enormously useful. Your ability to form sentences in, maybe, your third language … it doesn’t flow. It’s not fluent, it’s broken, the sounds are malformed, if you like. Once you throw in that he’s got a Norwegian name, you throw in some Scandinavian sounds, so with the voice coach I built it out that way as well.

And he wears a skirt.

It’s so funny. Noah and Carol Case, the costume designer, wanted to make him timeless, but also somebody who was not moved by convention. I was coming to the same conclusion, and weirdly I sent her an email saying, “Maybe he should wear a dress?” Kind of as a joke, kind of a tryout, but Noah had said the same thing to Carol or the other way around. She started sending pictures of kilts, and I felt this was exactly right. It’s got a weird historical thing going on.

A tight black-and-white portrait of British actor Sam Spruell.

“The great thing about ‘Fargo’ is it creates characters with a real interior but who have these physical and eccentric attributes that you can really go for,” actor Sam Spruell says.

(Oliver Mayhall / For The Times)

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There’s so much that’s bizarre about Ole, yet at the very end he’s beaming.

The great thing about “Fargo” is it creates characters with a real interior but who have these physical and eccentric attributes that you can really go for. That’s the joy of it, being allowed to go for something that you’re trying to make naturalistic but is completely unnaturalistic as well. It’s a fine line, but if you feel like you’re onto something and you’re able to achieve it in a scene, there is nothing better as an actor than playing that size a character.

That all comes out in the remarkable final sequence, where only Dot knows that Ole’s come to threaten her cluelessly welcoming family, but ultimately makes him smile — perhaps for the first time — with a Bisquick biscuit.

He’s arrived at her home because of, again, that itch inside of his skull. He set her free from her imprisonment on the ranch, but there was no quid pro quo and he’s troubled by that, so he returns to gather the debt. The understanding that she’s not gonna pay it and that he’s actually got to forget about it runs through that whole scene. But the kindness element is so interesting. In preparation, I had all these boards written in my Calgary apartment: He’s never been touched, he’s never been shown any kindness, never been shown any affection or love. That scene, suddenly, he’s just wrapped up in a family’s love — ever so incrementally, so delicately, that he doesn’t even know it’s happening to him.

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That final act, where she gives him something made with love and he accepts it, is I guess the first step to him having a chance in life.

Is Bisquick a thing in Britain?

It’s not. Bisquick were in touch with my manager in the States because they wanted to gift me a box or something. It was very funny. We haven’t followed up on it yet, but maybe I should get it delivered to my home and have a proper taste of it with my kid.

Speaking of family, how has your mother, Linda Broughton, influenced your craft and career?

She is still an actor; she’s 77. She’s mainly had a life of theater, mine’s been predominantly film and telly, and it’s been a really good conversation between the two of us. We have different approaches but we’re both kind of after the truth. I did an audition tape for the part of Ole Munch, and it was my mum I’m reading the lines with. I feel incredibly lucky to have had her counsel. Hopefully I give her something in return when we talk about how to be better actors.

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Chandu Champion first reviews: Kartik Aaryan's film touches hearts with its gripping storyline | Hindi Movie News – Times of India

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Chandu Champion first reviews: Kartik Aaryan's film touches hearts with its gripping storyline | Hindi Movie News – Times of India
Chandu Champion’, the sports drama that marks Kartik Aaryan‘s debut collaboration with Kabir Khan, is scheduled to release in theaters on June 14. The film is inspired by the life of Murlikant Petkar, India’s first Paralympics gold medallist.
The first review for the film has come from the people who watched the film at the special screening hosted by Kabir Khan.Those who have watched it have shared their verdict on social media. While Sumit Kadel called ‘Chandu Champion’ one of the finest films of 2024, Siddharth Kannan wrote, “It would be an understatement to call this @TheAaryanKartik ‘s best performance. Just like #MurlikantPetkar ji, he has risen over all odds and has made an indelible mark with his performance in the film.”
Sumit Kadel took to X and wrote, “#ChanduChampion is one of the finest films of 2024. It is a sports drama done right, telling the remarkable and legendary life of Murlikant Petkar. Director Kabir Khan narrates his story with great skill, research and most importantly honesty without going overboard. The movie explores every chapter of Murlikant Petkar’s life, which is full of heroism, valor, and courage. We see his journey from his village to joining the army, becoming a world-class boxer, struggling with his injuries, and finally achieving success at the Paralympics. His story is extremely inspiring, emotional, and powerful. #KartikAaryan delivers his best performance in this film. His body transformation is extraordinary, and he looks like a real athlete throughout. More than his physical transformation, Kartik’s emotional performance is what truly stands out. There are many scenes in the film where his acting will make you cry. He is sure to be a contender for the best actor award this year. #VijayRaaz lent strong support and the child who played Kartik’s Young version is brilliant. The first half of the film is excellent, while the second half is a bit slow and stretched at times. However, the last 20 minutes make up for these shortcomings. The major highlights of Chandu Champion are the boxing matches and the fantastic war scenes just before the interval. Overall Chandu Champion is a very honest film with a beautiful story, direction, screenplay, and many inspirational moments. Kudos to producer Sajid Nadiadwala for giving the film the scale and grandeur it deserves.”

On the other hand, Siddharth Kannan wrote, “#ChanduChampion… It would be an understatement to call this @TheAaryanKartik’s best performance. Just like #MurlikantPetkar ji, he has risen over all odds and has made an indelible mark with his performance in the film. #VijayRaaz, Nobody could have been a better mentor than you in the film for apna Murli. #KabirKhan packs a punch with yet another blockbuster. #Kartik, you have shut down all those who you would have once said, #HastaKaykoHai?”

Ramesh Bala tweeted, “#ChanduChampion Review : Kabir Khan is back in full form with this film. Emotions, actions, drama, relationships, motivation and unexpectedly killer performances. The film sticks to your mind. Kartik Aaryan deserves a standing ovation. Extremely watchable movie 🍿 full Paisa vasool.”

While seeing the movie, a few audience members who were invited to the private screening were also seen crying. Sharing the video of the same on Instagram, Kartik wrote, “First screening of Chandu Champion with the Man himself. An evening filled with honor, joy and tears with THE REAL CHAMPION. The Man who refused to surrender MR MURLIKANT PETKAR.”
The Kabir Khan film is based on the life and events of Petkar, the first Paralympian gold medallist, who bravely confronted every hurdle life threw at him. The titular role is essayed by Kartik Aaryan.

Kartik Aaryan’s Most Candid Interview On Chandu Champion: I Am Manifesting A Lot And That’s Why These Roles Are Coming My Way

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Kurt Russell and Goldie Hawn's L.A. home broken into twice in four months

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Kurt Russell and Goldie Hawn's L.A. home broken into twice in four months

Kurt Russell and Goldie Hawn had two break-ins within a four-month span at their Los Angeles home, the “Death Becomes Her” star has revealed.

The couple discovered the first incident, which occurred in 2020, after coming home from dinner.

“We were gone maybe two hours and 20 minutes or something,” Hawn told Kelly Ripa on the “Let’s Talk Off Camera” podcast. The two turned on the TV and Hawn called it a night. Upon entering her bedroom, though, she came across a well-rummaged site.

“They had broken in from the balcony to our bedroom, our closets, and they completely knocked down my door, which was a safe door, so they’re very, very sophisticated,” Hawn said. “They got a lot of my goodies, if you know what I mean. So I’m thinking, ‘Oh, my God. Well, the chances are, I guess that’s it.’”

Hawn, 78, assumed that would be the first and only time, because “odds are that’s not gonna happen again.”

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Four months later, though, she was home alone with her dog when she heard a “big thump upstairs,” leaving her to wonder, “What the hell was that?”

“Was that a sonic boom?” she said. “Did somebody jump somewhere? I mean, and as it turned out, the next day, we discovered that they were trying to get in my bedroom while I was in the house.”

Now, Hawn has amped up security.

“I’m never without a guard,” she said.

Hawn and Russell have been together since 1983 but have not married. Their blended family consists of sons Oliver Hudson, Wyatt Russell, Boston Russell and daughter Kate Hudson.

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Arcadian (2024) – Movie Review

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Arcadian (2024) – Movie Review

Arcadian, 2024.

Directed by Benjamin Brewer.
Starring Nicolas Cage, Jaeden Martell, Maxwell Jenkins, Sadie Soverall, Samantha Coughlan, and Joel Gillman.

SYNOPSIS:

A father and his twin teenage sons fight to survive in a remote farmhouse at the end of the end of the world.

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Finding a human story within a post-apocalyptic creature feature is typically a creative choice to appreciate. Director Benjamin Brewer’s Arcadian (from a screenplay by Michael Nilon) has a similarly intriguing concept. It focuses on how two twin teenage boys must set aside their differences and become a more cohesive survival unit following a life-threatening injury to their father, a quieter, more restrained Nicolas Cage. Played by Jaeden Martell and Maxwell Jenkins, the boys are at odds in the expected ways; one is more mature and crafty, the other headstrong and less concerned with duties in favor of visiting a nearby farmhouse to hang around his crush (Sadie Soverall), who has also yet to see much of the leveled and decayed world beyond her home.

It’s also not necessarily an issue that the filmmakers aren’t concerned with explaining much about this apocalypse or the monsters, choosing to focus on the human element and day-to-day routines, which primarily consist of scavenging during the day and locking themselves up at night in an isolated home. The family is a tightknit trio, but even with Nicolas Cage’s calm demeanor and patience as Paul, breaking up the bickering between Joseph and Thomas, it’s made clear that they would either completely unravel without him or come together stronger than ever to protect him. 

Despite the generally compelling setup and potentially complex character dynamics, Arcadian never finds much depth within any of that. As a story, it’s going through the motions and placing the brothers in other perilous situations that come across as contrived, as if the filmmakers don’t know what else to do. Even the friendship between Thomas and Charlotte feels more like a skeleton rather than something properly fleshed out. It plays out more like an obligatory love interest subplot instead of something substantially adding to the characters and the shaky sibling dynamic.

By the time Arcadian descends into a prolonged action-packed third act against agile, prehistoric-reminiscent beasts with elongated necks, quite literally chomping at the bit to devour human flesh, there is a degree of emotional investment into these characters, albeit a lingering sensation that, much like the preceding hour, there is something off and dull about all of this. 

It also has nothing to do with the gutsy decision to sideline Nicolas Cage for a sizable portion of Arcadian; that’s a subversively clever choice, but there isn’t enough on the page for the boys to elevate the material. As for the monster design, nothing is striking or unique here. However, even if there was something aesthetically nightmarish and exciting, the presentation is drowned in darkness to cover up mid-tier CGI most likely resulting from budget constraints.  Viewers are left clinging to a human story that is disappointingly shallow and generic, especially for a time and genre that has recently seen superior offerings.

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Flickering Myth Rating – Film: ★ ★ / Movie: ★ ★ ★

Robert Kojder is a member of the Chicago Film Critics Association and the Critics Choice Association. He is also the Flickering Myth Reviews Editor. Check here for new reviews, follow my Twitter or Letterboxd, or email me at MetalGearSolid719@gmail.com

https://www.youtube.com/watch?v=embed/playlist

 

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