Entertainment
How the Grateful Dead inspired Bill Walton and shaped his life's perspective
Bill Walton was a proud Deadhead.
The basketball great, who died Monday at age 71 following a prolonged cancer battle, was famously a huge fan of the Grateful Dead (and a tie-dye aficionado). A fixture at the band’s shows — he was hard to miss at nearly 7 feet — Walton reportedly had attended more than 850 shows since 1967, including when the Dead played in front of the Great Pyramids in Egypt in 1978. As a broadcaster for ESPN, Walton often inserted references to the band in his color commentary during games.
“I became the basketball player that I was because of the Grateful Dead,” said Walton in a 2016 interview with Salon. “I am the human being that I am today because of the Grateful Dead. They’re right there at the top of my teachers. Their inspiration moved me brightly.”
More than just a fan, the UCLA basketball legend, who helped lead the team to back-to-back NCAA championships (and undefeated seasons) during coach John Wooden’s tenure in the 1970s, developed a friendship with the Grateful Dead over the years. The band often would stay at Walton’s house when they were in San Diego, and the Hall of Famer attended band member Jerry Garcia’s private funeral. Not only that, his home resembled a Grateful Dead museum, with photos and memorabilia lining the walls. Walton even peppered his 2016 memoir, “Back From the Dead,” with his love of (and lyrics from) the band.
Among the anecdotes that Walton shared is how he got his Boston Celtics teammates into a Grateful Dead concert in 1985. (Walton, who was drafted first overall by the Portland Trail Blazers in 1974, had been traded by the Clippers to the Celtics in 1985.) His teammates had never seen the band perform and gathered at Larry Bird’s house before the show.
“I had to explain to everybody in the Grateful Dead that … the Celtics were just icons and they couldn’t really go out in public because they were so popular,” recounts Walton in a video previously shared on X, formerly Twitter. “They said, ‘We’ll take care of this, Bill.’ So they built this special little enclave right on the side of the stage where, unless you were on the stage, you couldn’t look into this little area. It was all curtained off. It was the perfect little place to watch the concert.”
Following news of his death, fellow Deadheads posted tributes to Walton on social media, remembering him for his kind spirit and big smile.
In a TV interview, Walton discussed how the Grateful Dead helped shape his approach to life.
“I don’t look back,” said Walton. “Over the course of my basketball career I’ve had many many setbacks and many pitfalls that I’ve stumbled into. Something that I’ve learned and I’ve received a lot of encouragement and help from my friends, particularly in the Grateful Dead, [is] don’t look back. Just keep going and something good will happen.”
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‘Clayface’ trailer teases DC Studios’ first proper horror movie
The DC universe is going full on body horror.
DC Studios released its first trailer for “Clayface” on Wednesday, giving audiences a glimpse of the gruesome origins of the shape-shifting Batman villain.
Set to an eerie rendition of the Flaming Lips’ “Do You Realize??,” the teaser flashes among various images of up-and-coming Hollywood actor Matt Hagen (portrayed by Tom Rhys Harries) before and after a violent encounter as the camera slowly zooms toward his haunted eyes and bloody, bandaged face as he is recovering on a hospital bed.
The clip also includes footage of Hagen’s clay-like, malleable face, which he appears to gain after some sort of scientific procedure.
According to the DC description, “Clayface” will see Hagen transformed into a “revenge-filled monster” and explore “the loss of one’s identity and humanity, corrosive love, and the dark underbelly of scientific ambition.”
“Clayface,” set for an Oct. 23 release, will be the third DCU film to hit theaters since James Gunn and Peter Safran took over DC Studios and reset (most of) its comic book superhero franchise. The studio’s upcoming slate also includes “Supergirl,” which will hit theaters June 26, as well as “Man of Tomorrow,” the sequel to Gunn’s 2025 blockbuster “Superman,” announced for 2027.
Who is Clayface?
Clayface is a DC Comics villain usually affiliated with Batman. The alias has been used by a number of different characters over the years, but they all usually possess shape-shifting abilities due to their clay-like bodies. Created by Bill Finger and Bob Kane, the original Clayface was a washed-up actor turned criminal who first appeared in a 1940 issue of “Detective Comics.”
Matt Hagen was the name of the second Clayface, who first appeared in an issue of “Detective Comics” in the 1960s. He was the first to have shape-shifting powers, which he gained after encountering a mysterious radioactive pool of protoplasm.
Other versions of Clayface have been introduced in various media since.
Who is in ‘Clayface’?
The upcoming film stars Tom Rhys Harries as rising Hollywood actor Hagen. The cast also includes Naomi Ackie, who is seen in the trailer, reportedly as the scientist Hagen turns to for help following his disfigurement. Also set to appear are David Dencik, Max Minghella and Eddie Marsan, as well as Nancy Carroll and Joshua James.
Who are the ‘Clayface’ filmmakers?
Director James Watkins, known for horror films including “Speak No Evil” (2024), is helming “Clayface.” The script was written by prolific horror scribe Mike Flanagan (“The Haunting of Hill House,” “Doctor Sleep”) and Hossein Amini (“The Snowman”).
The producers are Matt Reeves, Lynn Harris, James Gunn and Peter Safran. Exective producers include Michael E. Uslan, Rafi Crohn, Paul Ritchie, Chantal Nong Vo and Lars P. Winther.
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Miyamoto says he was surprised Mario Galaxy Movie reviews were even harsher than the first | VGC
Nintendo’s Shigeru Miyamoto says he’s surprised at the negative critical reception to the Super Mario Galaxy Movie.
As reported by Famitsu, Miyamoto conducted a group interview with Japanese media to mark the local release of The Super Mario Galaxy Movie.
During the interview, Miyamoto was asked for his views on the critical reception to the film in the West, where critics’ reviews have been mostly negative.
Miyamoto replied that while he understood some of the negative points aimed at The Super Mario Bros Movie, he thought the reception would be better for the sequel.
“It’s true: the situation is indeed very similar,” he said. “Actually, regarding the previous film, I felt that the critics’ opinions did hold some validity. “However, I thought things would be different this time around—only to find that the criticism is even harsher than it was before.
“It really is quite baffling: here we are—having crossed over from a different field—working hard with the specific aim of helping to revitalize the film industry, yet the very people who ought to be championing that cause seem to be the ones taking a passive stance.”
As was the case with the first film, opinion is divided between critics and the public on The Super Mario Galaxy Movie. On review aggregate site Rotten Tomatoes, the film currently has a critics’ score of 43% , while its audience score is 89%.
While this is down from the first film’s scores (which were 59% critics and 95% public) it does still appear to imply that the film’s target audience is generally enjoying it despite critical negativity.
The negative reception is unlikely to bother Universal and Illumination too much, considering the film currently has a global box office of $752 million before even releasing in Japan, meaning a $1 billion global gross is becoming increasingly likely.
Elsewhere in the interview, Miyamoto said he hoped the film would perform well in Japan, especially because it has a unique script rather than a simple localization as in other regions.
“The Japanese version is a bit unique,” he said. “Normally, we create an English version and then localize it for each country, but for the first film, we developed the English and Japanese scripts simultaneously. For this film, we didn’t simply localize the completed English version – instead, we rewrote it entirely in Japanese to create a special Japanese version.
“So, if this doesn’t become a hit in Japan, I feel a sense of pressure – as the person in charge of the Japanese version – to not let [Illumination CEO and film co-producer] Chris [Meledandri] down.
“However, judging by the reactions of the audience members who’ve seen it, I feel that Mario fans are really embracing it. I also believe we’ve created a film that people can enjoy even if they haven’t seen the previous one, so I’m hopeful about that as well.”
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