Sports
Arsenal's Africa-inspired away kit tells the story of their unique connection to Black culture
Arsenal’s new away kit is designed by an immigrant.
Foday Dumbuya, the founder and creative director of London-based menswear brand Labrum, wants you to know that.
Forget the demeaning connotations foisted upon people who have put down fresh roots in a country they weren’t born in by those who seek to divide — Dumbuya’s heritage is a point of pride, so much so that Labrum has used “designed by an immigrant” as a slogan on numerous products.
In collaboration with Arsenal’s usual kit supplier Adidas, Labrum has dressed manager Mikel Arteta’s side for away games next season, creating a kit that pays homage, directly, deliberately and unashamedly, to the club’s players and fans shaped by the African diaspora.
Predominantly black with red and green details to mimic the Pan-African flag, Arsenal’s away kit also boasts panels with a black-and-white zigzag design, intended to represent the flow of people who emigrated from African nations in the 1920s and the art that came with them.
This is not a football kit that only Black people can wear but it is designed to tell a story, and this project, which shines a light on Arsenal’s connection to Black culture, wouldn’t have been the same if it involved another Premier League club.
Arsenal’s 2024-25 away kit and its accompanying collection (Daniel Barnes/The Athletic)
Fashion brands collaborating with recognised manufacturers to make kits is nothing new.
Juventus’ fourth strip in 2019-20 was co-produced by Palace, Daily Paper lent its style to Ajax’s 2022-23 third shirt, the Jamaica national team’s kits in 2023 were made in collaboration with Wales Bonner and last season, AC Milan released two strips designed in partnership with LA-based label Pleasures.
So what makes Labrum’s association with Arsenal stand out? For starters, this is the strip Bukayo Saka, Martin Odegaard and company will likely wear at Old Trafford and Anfield in 2024-25.
This is no throwaway side collection to be quietly buried among a season’s worth of releases. As Arsenal’s primary away kit, it will be seen — and is designed to start a conversation about the club’s Black influences.
“With Arsenal, they have a huge African fanbase,” says Dumbuya, who was born in Sierra Leone and moved to London aged 12. “From when (Nwankwo) Kanu, (Emmanuel) Eboue, Kolo Toure and all those guys used to play for Arsenal; I think African fans gravitate to that because they can see themselves in those players.
“The next thing will be, ‘How we follow through with this?’. Can we connect conversations and can we influence a community of people to understand Africa as a whole, understand being Black in London, Pan-Africanism, and also the work that Arsenal has been doing for a while now?
Arsenal’s new away kit (Daniel Barnes/The Athletic)
“Sometimes, you educate yourself by seeing something and you don’t have a clue about what it means, but now you’re prompted to go and investigate it. People talk about Pan-Africanism. Now it’s in your face.”
Labrum’s name is a Latin term that loosely translates as ‘having an edge’.
Its clothes are inspired by west Africa and in 2023, Labrum won The Queen Elizabeth II Award for British Design, which Dumbuya received from King Charles.
Last year, ex-Arsenal and England striker Ian Wright walked the runway for Labrum at London Fashion Week. Chelsea’s Trevoh Chalobah has modelled for the brand. It has also designed clothes for Saka, Arsenal team-mate Reiss Nelson and former England international Rio Ferdinand.
When Netflix sponsored Hackney Wick FC — of Eastern Counties First Division South, tier nine of the English football pyramid — Dumbuya designed their kits. Labrum also outfitted the Sierra Leone team at the Tokyo Olympics three years ago and, in partnership with Adidas, will do so again at this summer’s Games in Paris.
Ian Wright and England rugby union star Maro Itoje have modelled for Labrum at London Fashion Week (Getty Images)
Yet designing an African-inspired Arsenal kit feels like a landmark moment for Dumbuya, who founded Labrum in 2014 and expects to see his designs worn in a game for the first time when Arteta’s side face fellow Premier League club Bournemouth in a friendly in Los Angeles on Wednesday (the early hours of Thursday UK time) to begin a three-match U.S. pre-season tour.
“I don’t know if another club would have done this, how it would transcend to those African fans, because they might not have a huge African fanbase,” says Dumbuya.
“Talking to Arsenal and Adidas, they’ve both always pioneered Black culture, Black history — from hip hop to other cultural stuff — that’s why we thought it’s a relationship and collaboration that was bound to happen.
“They chose wisely to find a brand; not just because we’re big and noisy, but more how authentic we are and that we tell stories about where we’re from, about London, and about west Africa. When things feel natural, people gravitate to it.”
How does one define the particular nuances of Arsenal’s connection to Black culture?
Lots of clubs have Black fans, of course, but Arsenal’s unique relationship is distinct, the outcome of a swathe of geological, societal and cultural factors, including the different Black heroes numerous generations of fans have seen play at the club’s former home Highbury or the Emirates Stadium.
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“I’m not an Arsenal fan per se, but I’m certainly one in the sense that I’m a Londoner and to be involved in Black identity and Black people, you have some affiliation with Arsenal at some level, be it in the playground, in the cultural spaces like the churches and the barber shop,” says Clive Chijioke Nwonka, associate professor of film, culture and society at University College London and co-editor of Black Arsenal, an upcoming book that explores the club’s place in Black British culture.
Arsenal’s players departed for their U.S. tour earlier this week wearing items from the Adidas-Labrum collection (Stuart MacFarlane/Arsenal FC via Getty Images)
“This is a shirt that attempts to celebrate what has been largely recognised, which is a movement towards Arsenal by people of the Black diaspora over a number of years — not just recently — and it’s only natural that brands and manufacturers move to that kind of space, and make it something that can be tangible and can be packaged for mass consumption.
“I think when we are talking about and describing Black culture, and Black culture production, we must also just be cognisant that what is really important is Black people and Black people’s experiences of that, which often sometimes is lost when we begin talking about brand culture.
“That being said, I am relieved that the final design was done using a Black designer, because that hasn’t always been the case.”
Authenticity matters and Arsenal, Adidas and Labrum all have a responsibility to ensure their partnership resonates.
That can be particularly difficult when a nod to culture is communicated through a piece of sportswear, a tangible item that people will purchase and wear.
The African diaspora is defined as the movement of people outside the continent and, subsequently, the people living around the world who can trace their roots back to Africa, whether that movement happened willingly or by force.
Expect to see this Arsenal away shirt. A lot. It’s bound to be popular and in 2024, football kits have evolved into desirable fashion items.
Labrum founder creative director Foday Dumbuya (Henry Nicholls/AFP via Getty Images)
It will also carry a particular weight and provide a knowing nod to Black culture, no matter who wears it and where they come from.
“I think this is something that we would struggle to conceive of and even accept if another club had done something similar but that’s also why it needs a particular form of ethics around it, and curation and description, because it can’t just be ‘business as usual — here is another brand product’,” says Nwonka.
“I welcome the shirt and I celebrate the shirt because I know that is something that’s only possible through the optics and lens of Arsenal, and no one else.
“I think the best way that I can describe this in a broad way is that the Black Africa shirt attempts to capture and materialise what is already in existence or has already been expressed. They’re not creating Black Africa. The Arsenal connection already exists. Here is something that is now able to be distributed and shared.
“Of course, there’s an economic dimension there — but that’s neither here nor there, because everything we do in terms of being fans is a transaction in many ways — but it’s capturing and packaging and kind of materialising what is already present, already expressed, already felt by people.”
“I want people always to remember the first club that actually celebrated their fanbase outside of their territory and also included everything about that particular territory, which is Africa as a whole,” says Labrum creator Dumbuya, who is an Arsenal fan.
“It hasn’t been done before. The players that came from abroad have actually changed this league and have added so much depth and culture, so when people sort of remember the kit, I’m hoping that’s what they remember — that it was a celebration of those past players and the Arsenal African fanbase.”
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(Top photos: Adidas/Labrum)
Sports
Roman Reigns domesticates Jacob Fatu to retain World Heavyweight Championship at WWE Clash in Italy
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Roman Reigns has been called the “Head of the Table” for a reason.
He was an undisputed WWE champion for years and leader of The Bloodline before he made his way back to the top of the company at WrestleMania 42, defeating CM Punk for the World Heavyweight Championship.
Since the win, Jacob Fatu has been the biggest thorn in his side. Fatu made clear he wanted everything that Reigns had. Reigns’ win over Fatu at Backlash earlier this month wasn’t enough. He challenged Reigns to Tribal Combat at Clash in Italy – a match meant to put Reigns’ title of “Tribal Chief” on the line.
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Roman Reigns delivers a spear to Jacob Fatu during Clash in Italy at Inalpi Arena in Torino di Sangro, Italy, on May 31, 2026. (Andrew Timms/WWE)
Reigns had already dispatched challengers to his place in his family when it came to Tribal Combat. Jey Uso and Solo Sikoa both tried and failed over the years. Reigns was trying to make sure that Fatu would never challenge him again in an effort to “domesticate” him. One of the strategies was to eliminate Fatu’s use of the Tongan Death Grip – a move that Fatu has pulled out over and over again.
Reigns used a toolbox to crush Fatu’s hand and, for a moment, keep the use of the Tongan Death Grip at bay. It would take way more than that to keep Fatu down. Reigns knew he needed to dig deep. He speared Fatu through a barricade, trampling security members in the process.
Jacob Fatu prepares for his match during Clash in Italy at Inalpi Arena in Torino di Sangro, Italy, on May 31, 2026. (Rich Freeda/WWE)
He walked around the ring yelling that he didn’t need anyone’s help as he took off the turnbuckles. Fatu tried to hit another Tongan Death Grip but couldn’t synch it in. Reigns countered with a Superman Punch, but Fatu ate all of them. Reigns tried for a spear, but Fatu hit it on Reigns first.
Fatu hit a pop-up Samona Drop and then a moonsault. Still, he couldn’t pin Reigns. On the second pin attempt, Reigns hit a low blow on Fatu. The two men, leaving it all on the line, were gassed in the middle of the ring.
Reigns got up and smashed Fatu’s head on the exposed turnbuckle. Fatu was dazed and Reigns speared him through the table. Fatu got back up and Reigns hit one more spear. It was the last one he needed.
Reigns defeated Fatu, keeping the World Heavyweight Championship and remaining the Head of the Table.
Roman Reigns celebrates his win during Clash in Italy at Inalpi Arena in Torino di Sangro, Italy, on May 31, 2026. (Andrew Timms/WWE)
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Fatu must now fall in line behind Reigns and The Usos. However, Solo Sikoa, Talla Tonga and Tama Tonga were also looking on to see Fatu’s loss.
Not a cake or a ribbon-wrapped present, but the Dodgers celebrated manager Dave Roberts’ 54th birthday with a 9-1 win over the Phillies on Sunday. The Dodgers ended their homestand with a 5-1 record despite their six-game winning streak ending the night before.
“I like the prospects of winning a baseball game,” Roberts said about what he wanted for his birthday. “It seems like we always play on my birthday. It’s just like any other day. Just kind of a little bit of gratitude, obviously.”
Dodgers pitcher Yoshinobu Yamamoto (4-5) held the Phillies hitless over the first three innings thanks, in part, to the defense.
Phillies left fielder Brandon Marsh tried to steal second in the second inning, but he took off too early. Yamamoto swung around and tossed the ball to Alex Freeland, who nabbed Marsh’s hands.
Yamamoto, much like Roki Sasaki the night before, threw his pitches faster than normal. But the elevated velocity didn’t seem to affect his performance. Despite throwing his four-seam fastball 1 mph faster than usual, the pitch resulted in a strike 76% of the time.
Philadelphia’s Trea Turner and Alex Bohm each snagged singles in the fourth inning, but little came to fruition. When Roberts pulled Yamamoto in the sixth, he had blanked his opponents with 10 strikeouts, four hits and two walks.
“Having a guy like Yoshinobu take the ball, it just gives you that extra confidence,” Roberts said. “You’re trying to win a series against a good team in the midst of 10 in a row. There’s just a lot of dependability with him.”
Yet no one — not the Phillies (30-29) nor the Dodgers (38-21) — had a harder game at the plate than home plate umpire Sean Barber, who had nine ABS challenges, three of which were upheld.
The Dodgers tallied 13 hits against the Phillies, and the runs followed close behind. In the second, Alex Freeland’s RBI double bounced off the center-field wall. As Philadelphia’s Justin Crawford rushed to track it down, Max Muncy sprinted around third and slid into home plate, avoiding the tag by catcher J.T. Realmuto.
Realmuto left in the bottom of the fourth inning with a left wrist contusion from a pitch that had hit him earlier in the game. He will undergo further testing, according to the team.
Kyle Tucker took a step toward overcoming his recent struggles with a third-inning RBI single down the first-base line. The ball skidded against the dirt and deflected off the base over Bryce Harper’s head. Freddie Freeman scored.
Ryan Ward receives a sunflower seed shower from teammate Andy Pages after hitting a home run for the Dodgers on Sunday.
(Ronaldo Bolanos / Los Angeles Times)
Tucker was one for 17 at Dodger Stadium before he finally connected a hit off Phillies pitcher Andrew Painter (1-6).
“I think that speaks to not being selective enough, because he is a guy that by nature can run deep counts and still be fine getting to two strikes, but it just seems like he’s much more hyperaggressive than I recall,” Roberts said before the game. “That’s just what my eyes see. But, yeah, he’s working hard to try to work through it.”
From there, the Dodgers kept scoring.
Ryan Ward and Freeland each homered to right field. It was Ward’s first home run in his first game at Dodger Stadium. Alex Call, who pinch-hit for Ward in the fifth, also drove in two runs with an RBI single to shallow center left field.
Andy Pages scored in the sixth inning on a Freeman sacrifice fly, and Max Muncy hit a seventh-inning home run.
Bryson Stott finally put the Phillies on the board with a home run in the ninth. By then, though, the Dodgers had already wrapped the bow on Roberts’ birthday gift.
Dodgers activate Jack Dreyer
The Dodgers activated left-handed reliever Jack Dreyer from the injured list and, in a corresponding move, optioned Paul Gervase to triple-A Oklahoma City.
Dreyer had been one of the Dodgers’ most consistent relievers before he missed 13 games with left shoulder inflammation. In 20 appearances, he held a 2.08 ERA with five earned runs and 24 strikeouts.
“Really excited to be back, obviously to do what I can to help the team,” Dreyer said. “Feeling great, so just ready to go whenever my number is called.”
Blake Snell, recovering from surgery to remove loose bodies from his left elbow, is throwing plyo balls but is not on a throwing progression yet like closer Edwin Díaz.
Sports
Super Bowl champion Joe Theismann explains why Commanders are poised to bounce back from disappointing season
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Super Bowl champion Joe Theismann, who spent his entire career with the then-Washington Redskins, is excited for the Commanders this season despite an underwhelming season last year.
Last season, the Commanders went 5-12 after making the NFC Championship in 2024. Theismann, 76, said the team ran out of gas last season as they dealt with injuries.
“It was a lot of injuries in key places last year. The defense, I think, was very susceptible in certain areas,” Theismann told Fox News Digital in a recent interview. “With Bobby (Wagner) getting older now, obviously, we just sort of ran out of gas. 17 games is a lot of football games, right? I mean, that that’s a lot of wear and tear on your body. I don’t care how young you think you are, your body’s going to tell you you’re not that young.”
Jayden Daniels of the Washington Commanders looks on from the sidelines after leaving the game during the second half against the Minnesota Vikings at U.S. Bank Stadium in Minneapolis, Minn., on Dec. 7, 2025. (Ellen Schmidt/Getty Images)
The Commanders defense struggled last season, giving up 26.5 points per game, which was 27th in the NFL. The team addressed their porous defense in the NFL Draft, drafting Ohio State linebacker Sonny Styles with the No. 7 overall pick.
“Our number one pick is going to be something special going forward,” Theismann said. “I think we added some really great pieces on defense.”
The Commanders invested heavily in their defense. Former Los Angeles Chargers pass rusher Odafe Oweh (four-year, $100 million), former Kansas City Chiefs linebacker Leo Chenal (three-year, $24.75 million), and former Houston Texans defensive tackle Tim Settle (three-year, $24 million) were among their key free agent additions.
Star wide receiver Terry McLaurin missed the majority of the Commanders’ offseason program due to a contract holdout, and Theismann pointed out he will be an active participant in this year’s program.
SUPER BOWL CHAMPION JOE THEISMANN WEIGHS IMPACT OF JAXSON DART-ABDUL CARTER TRUMP CONTROVERSY ON LOCKER ROOM
Ohio State Buckeyes linebacker Sonny Styles gets into position during the 2025 Cotton Bowl quarterfinal game at AT&T Stadium in Arlington, Texas, on Dec. 31, 2025. (Jerome Miron/Imagn Images)
The Commanders made a change at offensive coordinator after mutually agreeing to part ways with Kliff Kingsbury. The Commanders promoted David Blough to replace Kingsbury, and Theismann noted how the offense will be called differently.
“I think David Blough will call the games a little differently than Kliff did. A Little more play action, a little more under center. And this is what Jayden (Daniels) had a chance to work on while he was not participating in the games at the end of the season. So, he’s a little bit ahead of the curve when it comes to that as well,” Theismann said.
Daniels was limited to just seven games due to injury last season, giving him the opportunity to get a head start on a new system late in the season.
Theismann did note that while the Commanders got better, the rest of the NFC East got better as well.
“The division itself has improved. The Giants got better. I think the coaching change makes a difference. Jaxson Dart is coming into another year. Defensively, they really didn’t play to the talent that they have,” Theismann said. “The Cowboys added defensive talent. They needed some help there. The Eagles are the Eagles; they’re not going away. I mean, everybody is trying to bust on Jalen (Hurts) and all he does is show up and do the job and win football games.”
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Former player Joe Theismann speaks during the announcement of the Washington Football Team’s name change to the Washington Commanders at FedExField in Landover, Md., on Feb. 2, 2022. (Rob Carr/Getty Images)
Theismann played in the NFL for 12 seasons, spending his whole career with the then-Washington Redskins. He was named the league MVP in 1983 and made the Pro Bowl twice.
He led the Redskins to the Super Bowl in 1982, when they beat the Miami Dolphins 27-17 in Super Bowl XVII. In his career, Theismann completed 56.7% of his passes for 25,206 yards with 160 touchdowns and 138 interceptions.
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Theismann will be competing in the American Century Championship from July 10-12 at Edgewood Golf Course in Lake Tahoe. The tournament will be broadcast on NBC and Peacock.
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