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Washington’s most exclusive new music venue: Noochie’s ‘Front Porch’

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Washington’s most exclusive new music venue: Noochie’s ‘Front Porch’


There is a house a little south of D.C. that is, most of the time, just a house. A tidy, brick-faced single-family home on a quiet street full of other similar, unassuming homes.

You might not even notice it, unless you happened to be passing by as an elegantly dressed R&B singer and his eight-piece band took over the front lawn to play a quick set, as happens every so often.

“We back again, y’all,” the homeowner, 28-year-old Antwon Vincent, a rapper who performs under the name Noochie, announced to a crowd of about 10 one frigid December night. “Rain, sleet or snow. Whether it’s hot or it’s cold.”

Then he introduced that evening’s featured performer to the stage — er, porch. Grammy-nominated singer-songwriter Eric Roberson walked through the front door, shook Noochie’s hand and started crooning a slow-jam love song into a mic as if he were appearing on a late-night talk show with a studio audience.

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Welcome to Noochie’s “Live From the Front Porch,” the D.C.-centric, residential equivalent of NPR’s “Tiny Desk” concert series. It has featured big-name acts like Raheem DeVaughn and Ruben Studdard and attracted hundreds of thousands of viewers on YouTube and Instagram.

“Live From the Front Porch” originated about five years ago, when Noochie, who had been signed to Atlantic Records, was in the process of leaving his contract. Since he was in limbo with his record label, he didn’t want to release any official music, not knowing where ownership rights would lie. Instead he grabbed his iPhone and a portable speaker and started recording himself freestyling over industry beats from his front porch. Then he shared the results on Instagram.

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“I was like, let me do something that has no attachment to anything and let me just rap it. I’m not going to monetize from this, but it’ll just show people that I’m skilled and give people a visual, too,” the “Sneaky Tape 2” artist says. “It was completely out of hunger.”

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Noochie kept up the performances through the pandemic, and in March 2023, his friend Tyler Benson offered to help him increase the series’s production value. Benson replaced the rapper’s iPhone with a professional camera, which gave the duo an opportunity to do multiple takes and edit as needed. Benson’s changes also meant Noochie could capture more of his front porch, so he had an idea: “Let me put a whole band on the porch.” He swapped his portable speaker for live instrumentals.

Expanding “Live From the Front Porch” to “Live From the Front Porch Presents” happened almost by accident.

“There was no goal to put other people on it,” Noochie says, chuckling. “This started because other people weren’t putting me on stuff. People weren’t calling me. … People that I wanted to work with weren’t working with me. So I was like, ‘You know what, let me just go to square one with my own people, at my house, with my skills that I know how to do.’ I mixed all the audio myself.”

Noochie had always dreamed of having go-go legends the Backyard Band perform for his birthday, so in July he made the invite, set up the porch and decided to record the session. “Instead of being selfish,” he remembers thinking, “I can give it to everybody.”

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In the nine months since, the Front Porch sessions have animated the D.C. music scene, as followers try to track down the exact location of the house and speculate on the timing of the next concert.

But Noochie wants the events to be in service of the musicians as much as the fans.

That’s what Don Choo, a longtime family friend who used to work with Noochie’s father, D.C. hip-hop trailblazer Oneway Boobe (real name Roger Vincent), says is the real appeal of “Live From the Front Porch.” It gives artists an opportunity to home in on what they love most — the music.

“Some of the best jam sessions have happened here because there’s no ‘Lights, camera, action’ with thousands of people. This is just the artist vibing out. You get better music that way because it’s a performance that comes from the heart, it’s not to wow an audience,” Choo said on the night of the Eric Roberson concert. “Like there’s nobody here, there’s no audience, it’s just us.”

That feeling means a lot to Noochie — it’s the essence of what he’s trying to preserve and promote. The tidy, brick-faced single-family home used to belong to his father. It was here that he watched his father push through his own challenges as a musician.

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“I grew up in the era of him pursuing hip-hop in a city that was really only accepting of go-go,” Noochie says. “It was kind of like I already got to experience seeing an uphill battle firsthand.”

The rapper inherited this house just a year before his father was incarcerated in 2018.

“My dad, he was the reason I started. He’s incarcerated right now, and this was his house. He tried to sell it, but I fought for it to make sure it didn’t go nowhere, and fast-forward, here we are, and it brought a whole other meaning to what this house has meant already,” Noochie says. “This used to be the studio; like Shy Glizzy got his start here, Fat Trel has been here, there’s a lot of history here.”

Noochie, who will perform this weekend at the National Cannabis Festival, sees “Live From the Front Porch” as a way of continuing his father’s legacy — and carving out his own.

“He was a nucleus to all these people, so I’m just keeping it going; that’s how I look at it,” he says. “It’s a different group of individuals, but the spirit of it is the same. Just making sure that we all chasing the dream and we all get closer to it together.”

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Washington, D.C

The Ned announces its Washington D.C. opening • Hotel Designs

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The Ned announces its Washington D.C. opening • Hotel Designs


In 2017, The Ned established itself as a space for the discerning in London before expanding to New York and Doha. Each Ned’s Club location is unique, drawing from the rich histories of their settings yet unified by a common philosophy to share a space where professionals can meet, create, revel and have a good time.

gallery restaurant with murals and art deco details in the Ned Washington

Image credit: Ned’s Club/Rendering

The fourth and newest location— Ned’s Club Washington D.C., is inspired by the glamour of the ‘roaring twenties’ era and neoclassical designs, paying tribute to the Club’s location at the intersection of two historic properties, the 12-story Walker Building and an old bank building. The Club will occupy the upper three floors once home to iconic D.C. institutions such as Riggs Bank and American Security and Trust Company, and honour the Capital’s rich history with vintage vibes of the Art Deco era.

art deco lighting in coffered ceiling and blue columns in events space in the Nedart deco lighting in coffered ceiling and blue columns in events space in the Ned

Image credit: Ned’s Club/Rendering

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“We are thrilled to unveil Ned’s Club Washington D.C., our modern interpretation of the private member’s club, as the latest in our global collection,” expressed Gareth Banner, Group Managing Director. “It’s an honour to welcome new members to this extraordinary venue, which stands as a testament to the city’s rich history. At Ned’s Club Washington D.C., we’re not just providing physical spaces but an environment that reimagines networking, entertainment, dining and events in an iconic building and location that only D.C. could offer.”

art deco lighting and painted murals on the walls in the Loft Restaurant The Nedart deco lighting and painted murals on the walls in the Loft Restaurant The Ned

Image credit: Ned’s Club/Rendering

Taking residence within President’s Park, with a panorama of the U.S. Treasury and White House, Ned’s Club Washington D.C. offers a globally-influenced design that complements D.C.’s distinctive character.

The interiors, by Soho House Design and Stonehill Taylor, pull inspiration from the property’s Art Deco historical vestibule. Throughout the member club floors, history and art converge with custom mosaic designs on the floor complemented by a palette of vibrant gold, blue, and green. Here, members are treated to a range of spaces designed to fuse work and leisure. The tenth floor stands as a tribute to former U.S. presidents, each room reflecting the unique styles of their eras.

art deco influenced stained glass in dining room with leather and wood finishesart deco influenced stained glass in dining room with leather and wood finishes

Image credit: Ned’s Club/Rendering

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By day, The Library resonates with calmness—its furnishings echoing the sophisticated elegance reminiscent of past eras, complete with a classic fireplace. At night, it transforms into a vibrant social space with an elegant bar. The Drawing Room extends beyond culinary offers, presenting sweeping views of Washington D.C.’s iconic landmarks. The Dining Room features stained-glass fixtures and rich wooden accents to create an ambiance akin to the sun-drenched dining settings treasured during the Kennedy years.

Within the Conservatory, members are welcomed into an indoor space with greenery and natural aesthetics. Perched at the pinnacle, the Loft Restaurant and Rooftop Terrace are adorned with custom mosaic artworks that pay homage to the historical Walker Building. Here, guests indulge in sweeping views from a vantage point that captures the grandeur of the US capital.

rooftop terrace at Neds club Washington DCrooftop terrace at Neds club Washington DC

Image credit: Ned’s Club/Rendering

Following the other Ned art collections, which illustrate inclusivity at their core, Ned’s Club Washington D.C. will exhibit two permanent art collections. The first is a pointed look at gender imbalance in the American political landscape. Taking as its starting point the ratio of male presidents in American history to the number of women Presidents, the collection inverts these numbers. Entitled No President and displayed in one space together, a carefully selected collection will present the work of 46 American women artists. The second collection champions local artists, displaying the work of those who are born, based, or trained in Washington, D.C. The local collection will include site-specific commissions and a diverse range of artists, from museum-level names to emerging talent.

In addition to world-class design, members can look forward to a host of tailored events such as CEO-led workshops, rare whisky tastings, panel discussions, live music, and entertainment that capture the spirit of D.C. Ned’s Club members also enjoy access to all members-only spaces at The Ned London, The Ned NoMad New York and The Ned Doha, as well as invitations to special offsite events around the world.

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Main image credit: Ned’s Club / Rendering





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Grand Junction Mayor Anna Stout attends conference in Washington D.C.

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Grand Junction Mayor Anna Stout attends conference in Washington D.C.


GRAND JUNCTION, Colo. (KKCO) – Mayor Anna Stout of Grand Junction and around 50 mayors from across the country met with members of Congress in Washington D.C. These mayors are from the U.S. Conference of Mayors, and they took part in a two-day meeting to advocate for federal solutions to the housing and homelessness crisis affecting cities across the county.

Each mayor brought their perspective and experience on how their communities have dealt with the homelessness crisis. Elected representatives and White House officials shared resources and future federal budget insights to help city leaders with funding and programs. The three priorities that the mayoral delegation focused were on helping veterans qualify for vouchers and assistance, increasing funding for housing vouchers, and increasing the cap for project-based vouchers.

Under Mayor Stout, the City of Grand Junction has allocated over 13 million dollars to housing and homelessness projects in the past two years, and she told us that there is more work to do and much more resources are needed. “…it’s almost like being tasked with building a house but only given a hammer and nails. We need more tools, and we need more funding.”

Scott Beilfuss, an outspoken houselessness advocate and Grand Junction City Council member believes the city is not moving fast enough. “…there are some more things that I believe we could be doing here locally… …the focus of what we can do with the money we have, is not moving longer, quick enough for me.”

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Washington DC universities join Palestine student encampment on GW’s campus

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Washington DC universities join Palestine student encampment on GW’s campus


Washington, DC — On April 25, at 5 a.m., students from Students for Justice in Palestine (SJP) chapters from multiple DC universities took to George Washington University’s campus and started a Washington DC student encampment for Palestine.

George Washington University has been criticized for repressing its Palestinian students and their allies on campus while defending both on and off-campus Zionists. The university called the Metropolitan Police Department (MPD) to intimidate the students and start the sweep of the encampment. The MPD then sent out a notice to all students ordering their dispersal at 7 p.m.. In response, the organizers in DMV (DC, Maryland, Virginia) SJP made a call for increased community mobilization to stave off the police. Within a few hours, the DC community mobilized to support the encampment in the thousands. At its peak, around 2000 people were on campus at the event, chanting and supporting the students. University faculty and alumni from multiple DC universities formed a barrier between students and the police.

Because of this mass mobilization effort, 7 p.m. came and went; the police did not follow through on their dispersal order, instead waiting until late in the evening, when people had started to go home, to try to sweep the encampment.

As of April 26, the encampment is still standing, and the community continues to rally around the four demands of the students, which are for the university to one, disclose how their endowment is spent; two, divest from all companies and partnerships who participate in the colonization and ethnic cleansing of the Palestinian people; three, defend Palestine activism which has been repressed and censored, and four, declare the Zionist occupation, colonization and ethnic cleansing of the Palestinian people and the U.S.-Israeli genocide on Gaza illegal and indefensible.

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There were many community organizations present, participating in teach-ins and protests, including the Palestinian Youth Movement, Anakbayan DC, the DC Alliance Against Racist and Political Repression (DCAARPR), and many more.

A member of DCAARPR stated in their speech, “We are engaged in an act of rebellion. This moment of struggle on GW’s campus is a powerful thread in the worldwide struggle against Zionism and, by extension, American imperialism. The student movement has always been at the forefront of anti-imperialist struggles, and who has always been called as the first line of defense against them? The police!” This was followed by the masses of people chanting in unison, “MPD, KKK, IOF, they’re all the same!”.

The students continue to call for community mobilization and support in the D.C. area.

#WashingtonDC #StudentMovement #SDS #AntiWarMovement #International #MiddleEast #Palestine #DCAARPR #PYM #Anakbayan #GWU



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