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The history of the 'Minneapolis Sound' pioneered by Prince

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The history of the 'Minneapolis Sound' pioneered by Prince


The Minneapolis Sound is a music genre popularized by Prince and his many side bands, including Morris Day and The Time, the Family, Vanity 6 and Apollonia 6, as well as Jimmy Jam and Terry Lewis (working most notably with Janet Jackson) and the Jets. The Minneapolis Sound defined the sonic landscape of the 1980s and 1990s with its heavy punk- and rock-guitar solos, hard-driving, funky bass lines, and synth-forward, new-wave pop sensibilities. In the twenty-first century, it continues to influence artists like Janelle Monáe, Lizzo, Bruno Mars and Brittany Howard.

The unique blending of musical styles that became the Minneapolis Sound has its foundations in the geography, demography, and culture of its namesake city. Racial housing covenants concentrated African Americans into the Northside and Southside neighborhoods, where the artists associated with it grew up; the white rock music dominating the radio airwaves influenced their sound aesthetic; and the strong Minneapolis school-music programs taught by Jimmy Hamilton educating them in the business of music and music theory. But perhaps the most crucial ingredient in the development of the Minneapolis Sound was the community center The Way. Created after the civil unrest in the Near North neighborhood in 1966 and 1967, The Way was the cornerstone of local arts and music. Musically inclined kids from the Northside such as Prince, Terry Lewis, Morris Day, and André Cymone hung out with local musicians like Pierre Lewis and Sonny Thompson. They absorbed the rhythm and blues, soul, and funk grooves of the house band the Family, while playing on instruments The Way provided. They then took their skills to the street, playing in Battles of the Bands throughout the city.

While these young artists were honing their musical skills, another key ingredient of the genre’s unique sounds developed. In the 1970s, the LinnDrum machine and Polymoog synthesizers revolutionized the sonic landscape of popular music. Even folk singer Cat Stevens experimented with these instruments on his pioneering pop-synth album “Izitso” (1977), partially recorded at Minneapolis’s premier recording studio, Sound 80. At the same time, a young, local musical prodigy named Prince Rogers Nelson was also recording in the studio, “got hip to Polymoogs,” and became a master of the drum machine. Prince, and then, later, James “Jimmy Jam” Harris III and Terry Lewis, infused these emerging technologies into their funk, rock, soul, punk, and new wave sensibilities to create a layered, complex synthesis of music never heard before.

The 1980s were the heyday of the Minneapolis Sound. Prince’s popularity grew with each album he released that decade — “Dirty Mind” (1980), “Controversy” (1981), and “1999” (1982) — and his striking looks, fashion, and dancing spurred MTV to play his videos in heavy rotation. He was such a prolific artist that he wrote more songs that his record label allowed him to release, so he created numerous side projects with artists like Morris Day and the Time (which included Jimmy Jam and Terry Lewis), Jill Jones and Sheila E. With no Number One hits and only one Top Ten album (“1999”), Prince pitched the idea of a major motion picture to accompany his fifth album to his label, Warner Bros. The movie and album “Purple Rain” were released in 1984 and were instant hits, making Prince an international superstar and putting Minneapolis on the musical map. During the last half of the 1980s and throughout the rest of his life, Prince continued to explore new musical styles, and to evolve the Minneapolis Sound.

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After being fired by Prince in 1983, Jimmy Jam and Terry Lewis started Flyte Tyme Productions and opened a recording studio in South Minneapolis. The songwriting and producing duo had success with the Human League and S.O.S., but it was their work with Janet Jackson in the mid-1980s that catapulted them and their version of the Minneapolis Sound into worldwide fame. Infusing their New Jack Swing with Jackson’s neo-soul innovations, the trio went on to create numerous hit albums throughout the early 2000s. Jam and Lewis are among the most successful songwriting and producing duos of all time.

Another popular Minneapolis Sound band was The Jets — eight Tongan American siblings who had attended Robbinsdale Cooper High School together. Having started out as a family band in 1977, they released the hit “Crush On You” in 1986 and performed on three subsequent world tours.



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Minneapolis, MN

Bauhaus Brew Labs in northeast Minneapolis set to close next month

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Bauhaus Brew Labs in northeast Minneapolis set to close next month


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With evictions on the rise, Minnesota lawmakers pass $40 million in rental assistance

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With evictions on the rise, Minnesota lawmakers pass  million in rental assistance


Minnesota legislators passed a housing bill on May 13 that includes $40 million in emergency rental assistance, a partial answer to pleas that have been coming from Twin Cities metro area officials and others since the early December start of Operation Metro Surge.

The $165 million bill is now headed to the desk of Gov. Tim Walz. It also includes $100 million to build affordable housing, $14 million for housing meant to meet workforce needs in Greater Minnesota, $4 million to support manufactured homes and $4 million for a homelessness prevention strategy threatened by federal cuts.  

State Rep. Liish Kozlowski (DFL-Duluth), who authored the rental assistance portion of the bill, said it has been “the most pressing issue facing Minnesotans” since the session began.

The funds will be distributed through the state’s Family Homeless Prevention and Assistance Program, which partners with counties, nonprofits and other organizations. To be eligible, participants must be Minnesota residents undergoing a housing crisis who have an income at or below 200% of federal poverty guidelines. 

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Kozlowski believes the “lion’s share” of the funding will go toward the Twin Cities metro, but that every county in the state will receive some portion. They added that they were hopeful that residents would receive the dollars by the time June rent comes due, but that money would definitely be available by July.

Kozlowski said the bill was “the thing I’m most proud of and also it gives me heartburn,” acknowledging that even a figure as large as $40 million pales in comparison to the estimated cost of meeting emergency assistance needs for the state’s low-income households, which Minnesota Housing pegs at $350 million.

The decision comes as eviction filing rates statewide continue to slightly outpace last year. As of May 1, 2026, nearly 8,500 households had received an eviction notice this year, up about 8% from the same time period in 2025.

The money will come from a state fund originally created for counties to pay out settlements connected to a U.S. Supreme Court decision that found the state’s forfeiture law was unconstitutional.

Minneapolis City Council members, who have been calling on the state to add to funds approved by the city, as well as those raised privately through sites like Stand With Minnesota, said they were relieved to see it finally happen.

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“My community, my colleagues and I on the Council, and people throughout the city and state have been telling lawmakers that emergency rental assistance is desperately needed in the wake of Operation Metro Surge,” said Council member Aisha Chughtai (Ward 10). “This is a win for working class people.”

Council member Jason Chavez agreed, saying that “this action is exactly what is needed to keep more neighbors housed.” He added, though, that many residents still need more time – a nod to the Council’s efforts to extend the eviction timeline, which have been met with vetos from Mayor Jacob Frey.

Frey’s spokesperson said the mayor was thankful that the state has invested in emergency rental assistance, a measure he has said he prefers to eviction period extensions.

St. Paul City Council President Rebecca Noecker (Ward 2) said the bill’s passage was “really exciting news,” saying the need for rental assistance is bottomless.

“We’ll be fighting for as much of that money as possible in St. Paul,” Noecker said. The announcement made her even more grateful, she said, that the Council passed an ordinance extending St. Paul’s eviction timeline to 60 days – which coincidentally went into effect on May 14 and will last through the end of 2026.

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PTSD leave policy adds financial pressure to Minneapolis Fire Department

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PTSD leave policy adds financial pressure to Minneapolis Fire Department


“You will expose yourself to things that most of the public won’t see, except maybe once in their life. But yep, we’re doing it. Fire departments are doing it on a very regular basis,” said Mike Dobesh, president of MNFire, an organization dedicated to keeping firefighters healthy, mentally and physically, and on the job.  

“The fire service is recognizing that any of those unexpected events that we go to, yes, we sign up to do it, but at the same time, those unexpected events can cause trauma; that trauma can lead to PTSD,” Dobesh said.

However, paying for all those firefighters on mandatory PTSD leave is putting the Minneapolis Fire Department in the red. It’s all the overtime needed to fill in for the firefighters on leave.  

“From the therapists that I’ve talked to, usually eight to 10 visits can get that firefighter back on the rig,” Dobesh said, which is the goal of the mandatory leave with treatment. “But then it’s going to be something that’s going to have to be managed for the… probably the rest of their career, because it’s not something that’s just going to go away.”

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Dobesh says that PTSD was the number one claim MNFire had on its critical illness policy last year.

In 2023, Minnesota lawmakers created the PTSD leave policy in an effort to keep firefighters from applying for permanent duty disability benefits. The policy requires firefighters and other first responders to take up to 32 weeks of paid leave and get treatment first.

“A trauma-informed therapist can meet with a firefighter, desensitize that firefighter, get them back to work,” Dobesh said.

But that policy is costing some fire departments millions. The Minneapolis Fire Department told the city council this week that 7% to 8% of its firefighters are currently out on PTSD leave, and the overtime other firefighters are working to fill in for them has put the department up to $7 million over budget in recent years. It’s projected to go over again this year.

So what are things they can do to maybe prevent some of these problems that they’re having because of PTSD? Speed up access to treatment, according to Dobesh.

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“The sooner we can get in and have that firefighter seen, the more likely they’re going to have a very positive outcome and get back on the job,” he said.

Dobesh says if and when a firefighter needs help varies from person to person, but his organization provides five free treatment sessions for any firefighter who’s struggling.

Minnesota firefighters can call MnFIRE’s helpline 24/7 at 888-784-6634 or visit mnfirehealth.org. 

MFD Interim Chief Melanie Rucker shared the following statement late Wednesday night:

“The utilization of these leaves is often unavoidable and reflects benefits that support the health and well-being of our fire personnel. We take the health and wellness very seriously, including mental health. Through transparent communication with leadership regarding evolving staffing needs and necessary overtime budget adjustments, we can effectively address the budget overages and return to a sustainable path forward.”

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Click here to watch the Minneapolis Budget Committee meeting on May 4.



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