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To learn 'The Truth About Dragons,' go on a quest through this kids' book

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To learn 'The Truth About Dragons,' go on a quest through this kids' book

Hanna Cha / Henry Holt and Co. (BYR)

A little boy goes on a quest — into two very different forests — to discover the truth about dragons.

“You must put your favorite cloak around your shoulders and your sturdiest boots upon your feet,” Julie Leung writes in her Caldecott Honor children’s book, The Truth About Dragons.

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“Leave on a day when the air is crisp as new paper, the wind is gentle, and the skies are clear.”

In the first forest, full of old, gnarled oak trees, the child evades mischievous hobgoblins, mossy bridges, glowing will-o’-the-wisps, and winding brooks before arriving at a yellow cottage in the middle of a boggy swamp.

There lives a wise woman who tells him the truth about dragons.

“Dragons are fearsome and fire-breathing, my child,” the wise woman says, “with wings like a bat’s and the body of a lizard. Piercing horns grace their reptilian heads.”

And that, for sure, is one truth about dragons. But our hero still has another journey to go on.

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Hanna Cha / Henry Holt and Co. (BYR)

“The book was inspired by my firstborn son,” explains Julie Leung. “We had debated a lot about which last name to give him. My husband having a very common Americanized name that’s synonymous with a soup company, and me having one that’s always been traditionally a little harder to pronounce.”

Leung was grappling with the idea of her son growing up feeling like he needed to choose between cultures — his mom’s Chinese heritage or his father’s American heritage. So she turned to folklore.

“There’s such different interpretations of the dragon mythology between Eastern and Western cultures,” Leung says, “it’s a perfect metaphor.”

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The Truth About Dragons

The Truth About Dragons

Hanna Cha / Henry Holt and Co. (BYR)


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Hanna Cha / Henry Holt and Co. (BYR)

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To depict the two mythologies, Hanna Cha illustrated the book in two completely different styles.

“I decided to use pen nibs for the first half of the book,” says Cha. “I got inspired by a lot of the older folktales and storybooks. And I loved how in those books they use borders to create a separate layer that adds to the story.”

In the first half of the book, the pages are lush and warm. A border of trees and leaves, flowers and mushrooms, frames each page. The wise woman’s cottage is full of rough-hewn wooden furniture and a stone hearth. Dried flowers hang from the ceiling, a cauldron bubbles away over a fire. “Her house smells of cedar chests, sugar cookies, and apple cider,” Leung writes.

Then, midway through the book, after the wise woman gives our hero one truth about dragons — basically that they’re all like Smaug from The Hobbit, sitting on piles of treasure and shooting flames at trespassers — the little boy steps over and out of the border of the first story, and straight into another.

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Hanna Cha / Henry Holt and Co. (BYR)

Now the illustrations are airy and cool — greens and blues replace the warm reds and browns of yore. The borders have disappeared. The oak trees have been uprooted by a bamboo forest. The child is guided by nine-tailed foxes, ghostly maidens, and the white rabbit who dwells on the moon.

“For the second half I used sumi ink and calligraphy brushes,” explains Cha. “These brushes are beautiful brushes from Korean folk art. For me, I’m more comfortable doing brushes. That has been most of my work beforehand.”

Instead of a swampy cottage, the second wise woman lives in a palace overlooking a towering waterfall. It smells of jasmine and incense. She drinks chrysanthemum tea in a tiny porcelain bowl. And, of course, she knows another truth about dragons.

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“Dragons are majestic creatures of air and fire,” Leung writes. “They rule in the skies and rivers, commanding the rain to fall and the floodwaters to rise.”

Hanna Cha says she gave careful consideration to how she’d draw the two dragons in this story differently. The fire-breathing Western dragon is deep red — on the page where you meet it, the border is made out of dented armor and bits of skeletons, evidence of its destructive powers. The god-like Eastern dragon is almost ethereal — it moves through the air like swirls of light blue liquid.

“I also really focused on a lot of the dynamic movements of how the dragons would move,” says Cha. “For the blue dragon, I imagined it kind of twisting and turning, serpent-like… this very majestic movement… And for the red dragon, I made sure to create this weight that is almost immovable, almost indestructible.”

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Hanna Cha / Henry Holt and Co. (BYR)

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Most people think they have to choose between the two dragons — red or blue, fearsome or holy, Eastern or Western mythologies. But at the end of his quest, our hero learns the real truth about dragons.

“I think a lot about the ways that we describe mixed or blended or half. There’s a lot of terminology we use when we talk about kids who are coming from different cultural and racial backgrounds,” says author Julie Leung. “And I want the idea of my kid’s future feeling like it is doubled, it is enriched, it is limitless.”

Or, as the omniscient narrator (actually his mother), tells the little boy, “Inside your heart is where the two forests meet. Both journeys are yours to take. Both worlds are yours to discover.”

Lifestyle

Smoke a joint and get deep with flowers at this guided floral design workshop in DTLA

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Smoke a joint and get deep with flowers at this guided floral design workshop in DTLA

Abriana Vicioso is the host of the Flower Hour, which takes place monthly.

(Jennifer McCord / For The Times)

Each flower carries a personal history. For Abriana Vicioso, the calla lily was her parents’ wedding flower — a symbol of her mother’s beauty. “She had this big, beautiful white calla lily in her hair,” Vicioso says. “I love my parents. They’re the reason I’m here. I’ll never forget where I came from.”

The Flower Hour begins with Vicioso announcing, with a warm smile: “Today is about touching grass.” The florist-by-trade gestures behind her to hundreds of flowers contained in buckets — blue thistles, ivory anemones and calla lilies painted silver — all twisted and unfurling into the air. “Tonight is going to be so sweet and intimate,” Vicioso says, eyeing the beautiful chaos at her feet. A grin buds across her face.

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Moments before the workshop, participants sit at candlelit tables exchanging horoscopes and comparing their favorite flowers. A mention of the illustrious bird-of-paradise flower elicits coos and awe from the women. Izamar Vazquez, who is from Jalisco, Mexico, reveals her fondness for roses, which make her feel connected to her Mexican roots.

Vicioso hosts her flower-themed wellness workshop near the iconic Original Los Angeles Flower Market in downtown L.A. In January, the first Flower Hour event sold out, prompting her to make it a monthly series. Vicioso describes the event as a “three-part journey” where participants are invited to drink herbal tea, smoke rose-petal-rolled cannabis joints and create a floral arrangement. “The guide is to connect with the medicine of flowers,” Vicioso says.

Rose petal joints, tea and flower arranging are all part of The Flower Hour event's offerings.
Herbal tea is part of the event's offerings.
Floral arranging is the main activity.

Rose petal joints, tea and flower arranging are all part of The Flower Hour event’s offerings.

The event is hosted at the Art Club, a membership-based co-working space. “The Flower Hour is really beautiful. Everyone gets to explore their creativity while meeting new people,” says Lindsay Williams, the co-owner of the Art Club.

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The idea for Flower Hour came to Vicioso during a conversation with her mother. “We joke all the time that flowers were destined to make their way into my life,” she says. She works as a florist and models on the side, even appearing in the pages of Vogue. Vicioso grew up in a Caribbean household, where flowers and offerings were part of daily life. “In my culture and religion, a lot of my family practices — an Afro-Caribbean religion — we build altars.”

Like many cultures, flowers carry sentimental value in her religion. “I’m Caribbean, so a lot of my family practices a Yoruba religion, which comes from Africa. In the Caribbean, it’s well known as Santería.”

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After a difficult year and a breakup, Vicioso wanted to marry her love of flowers with community building. Because Vicioso uses cannabis medicinally, the workshop naturally includes a smoking component. “My family has smoked cannabis for a lot of reasons for a long time. It’s a really healing plant,” she explains.

In the workshop, even the cannabis gets the floral treatment. Vicioso presents her rose-petal-wrapped joints on a silver platter at each table. She rolled each by hand. “If you’ve never smoked a rose-petal-rolled joint, the difference with this is it’s going to have roses that have a slight tobacco effect,” she announces.

During the workshop, Vicioso stresses the importance of buying cannabis from local vendors. The cannabis provided was purchased from a Northern Californian vendor. The wellness workshop aims to reclaim the healing ritual of smoking cannabis. “This is a plant that has been commercialized,” Vicioso says. “There’s a lot of Black and Brown people who are in jail for this plant.”

The resulting workshop is what Vicioso describes as “an immersive wellness experience that is the intersection of wellness, creativity, community and an appreciation of flowers.” The workshop serves as a reminder to enjoy Earth’s innate beauty in the form of flowers — including cannabis. “It’s this gift that the universe gave us for free and that I have this deep connection with,” Vicioso says.

Conversation cards to generate discussion among participants (left). The workshop serves as a "third space" for Angelenos to engage in tactile creativity and community building outside of traditional nightlife settings.
LOS ANGELES, CA -- FEBRUARY 22, 2026: Participants smoke marijuana during The Flower Hour, a floral design workshop + floral smoke sesh at The ArtClub in downtown. Photographed on Sunday, February 22, 2026. (Jennifer McCord / For The Times)
LOS ANGELES, CA -- FEBRUARY 22, 2026: The Flower Hour is a floral design workshop + floral smoke sesh at The ArtClub in downtown. Photographed on Sunday, February 22, 2026. (Jennifer McCord / For The Times)

Conversation cards to generate discussion among participants (top, letf). The workshop serves as a “third space” for Angelenos to engage in tactile creativity and community building outside of traditional nightlife settings.

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After enjoying lavender chamomile tea and smoking a joint, Vicioso introduces the flowers to the group before inviting them to pick their own. She emphasizes each flower’s personality traits, describing green dianthus as a “Dr. Seuss” plant. Then, there are calla lilies with their “main character moment.” It gets personal. “Start thinking of a flower in your life that you can discover,” she says. “If you’re feeling like you need inspiration, you can always remember that these flowers have stories.”

Vicioso infuses wisdom into her instruction on floral arrangements: There are no mistakes. Let the flowers tell you where they want to go, she urges. Intuition will be your guide — the wilder, the better.

“Hecho in Mexico” reads a sticker on a bunch of green stems. “Like me,” says Vazquez with a laugh. “They’re all doing their own thing. Like a family,” she says later, arranging stems.

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The Flower Hour participants and Vicioso, center, chat as they build their own floral arrangements.

The Flower Hour participants and Vicioso, center, chat as they build their own floral arrangements at the sold-out event.

Two participants — Vazquez and Rebeca Alvarado — are friends who run a floral design company together called Izza Rose. Like Vicioso, the friends have a connection to flowers through their Latin American culture. They met Vicioso in the floral industry and were overjoyed to discover her workshop.

“This is a great way to connect with other people,” says Vazquez.

Alvarado agrees, adding: “You’re getting to know people outside of going to bars. You can connect in different ways when there’s an activity.”

Vazquez uses flowers to stay connected to her Mexican heritage, adding that she prefers to support Mexican vendors. In recent months, the downtown L.A. flower market has struggled to recover from ongoing ICE raids. “Some are scared to come back,” says Vazquez.

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Hand-rolled cannabis joints wrapped in rose petals are presented on a silver platter at The ArtClub (top, right). The Flower Hour aims to reclaim the healing rituals of cannabis and flowers.
LOS ANGELES, CA -- FEBRUARY 22, 2026: The Flower Hour is a floral design workshop + floral smoke sesh at The ArtClub in downtown. Photographed on Sunday, February 22, 2026. (Jennifer McCord / For The Times)
LOS ANGELES, CA -- FEBRUARY 22, 2026: The Flower Hour is a floral design workshop + floral smoke sesh at The ArtClub in downtown. Photographed on Sunday, February 22, 2026. (Jennifer McCord / For The Times)

Hand-rolled cannabis joints wrapped in rose petals are presented on a silver platter at The ArtClub (top, right). The Flower Hour aims to reclaim the healing rituals of cannabis and flowers.

Another participant, Barbara Rios, was attracted to the workshop for stress relief. “You can hang out with your friends, but it’s nice to do things with your hands,” she says. “I work a stressful job, and it’s nice to have that third space that we’re all craving.”

On this February night, the participants were predominantly women, save for one man. In the future, Vicioso hopes that more men learn to engage with flowers. “There’s a statistic about men receiving flowers for the first time at their funerals, and I think we have changed that,” she says.

To conclude the workshop, Vicioso encourages participants to build lasting friendships and incorporate flower arranging into their daily practice — even if it’s just with a small, inexpensive bouquet.

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“Get some flowers together, go to the park, hang out with each other and hang out with me,” she says. Participants leave with flower arrangements in hand. In the darkness of the night air, it briefly looks as though the women carry silver calla lilies that are blooming from their palms.

A finished floral arrangement.

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‘Wait Wait’ for February 28. 2026: Live in Bloomington with Lilly King!

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‘Wait Wait’ for February 28. 2026: Live in Bloomington with Lilly King!

An underwater view shows US’ Lilly King competing in a heat of the women’s 200m breaststroke swimming event during the Paris 2024 Olympic Games at the Paris La Defense Arena in Nanterre, west of Paris, on July 31, 2024. (Photo by François-Xavier MARIT / AFP) (Photo by FRANCOIS-XAVIER MARIT/AFP via Getty Images)

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This week’s show was recorded in Bloomington, Indiana with host Peter Sagal, judge and scorekeeper Bill Kurtis, Not My Job guest Lilly King and panelists Alonzo Bodden, Josh Gondelman, and Faith Salie. Click the audio link above to hear the whole show.

Who’s Bill This Time

State of the Union is Hot; The Tribal Council Convenes Again; A Glow Up In the Doll Aisle

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Panel Questions

The Toot Tracker

Bluff The Listener

Our panelists tell three stories about a travel hack in the news, only one of which is true.

Not My Job: Olympic Swimmer Lilly King answers our questions about Lil’ Kings

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Olympic Swimmer Lilly King plays our game called, “Lilly King meet these Lil’ Kings” Three questions about short kings.

Panel Questions

Cleaning Out The Cabinet; Bedtime Stacking

Limericks

Bill Kurtis reads three news-related limericks: Getting Cozy With Cross Country Skiing; Pickleball’s New Competition; Bees Get Freaky

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Lightning Fill In The Blank

All the news we couldn’t fit anywhere else

Predictions

Our panelists predict, after American Girls, what’ll be the next toy to get an update.

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Zendaya and Tom Holland Are Married, Her Longtime Stylist Claims

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Zendaya and Tom Holland Are Married, Her Longtime Stylist Claims

Law Roach
Zendaya and Tom’s Wedding Already Happened …
Y’all Missed It!!!

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