Connect with us

Lifestyle

Our 2024 holiday movie guide has you covered, from Hanukkah to 'Hot Frosty'

Published

on

Our 2024 holiday movie guide has you covered, from Hanukkah to 'Hot Frosty'

In Netflix’s Our Little Secret, Lindsay Lohan plays Avery, a woman spending Christmas with her boyfriend’s family — including her ex, who happens to be dating her boyfriend’s sister.

Chuck Zlotnick/Netflix


hide caption

toggle caption

Advertisement

Chuck Zlotnick/Netflix

As is tradition, we find ourselves once again in the heart of holiday movie season. This year’s installments include everything from a snowman who “comes to life,” shirtless Chad Michael Murray, Jack Black as Satan, and two Donna Kelce cameos. An exhaustive list would be prohibitive for both my editorial resources and your patience, but holiday movies are too dear to too many people to skip an update about what’s shaking in this particular glittery snow globe.

Here, we’ve broken down the highlights of the season, from the heavy-hitters to new franchise installments and goofy titles. There are casting surprises (like stars of The Office), and Hanukkah movies on the way. Many of these TV movies are out as of Thanksgiving, but we’ve noted the premiere dates of those yet to come.

Let’s take a tour through some highlights.

Advertisement

High-profile entries

Every year, a few holiday TV movies poke their heads above the sea of films made for the die-hards — the people who can tell you off the tops of their heads exactly which frequent lead starred opposite Brandon Routh in The Nine Lives of Christmas — and become known to the wider population.

(It was Kimberley Sustad, obviously. She’s not only been a great lead for Hallmark, but she’s now writing for them, too.)

Here are a few that may reach you even if you are not a close follower of this space. They lean toward Netflix, simply because of its size and reach, as well as the fact that Netflix makes fewer movies and makes a bigger deal out of each of them than some of the other providers.

Hot Frosty

Advertisement

YouTube

Social media may have given you the lowdown on Hot Frosty, which ran for many days at the very top of Netflix’s list of hottest movies. But just in case: Hot Frosty stars Lacey Chabert (of Party of Five, Mean Girls, and roughly 15 prior Christmas movies by my count) and Dustin Milligan (Schitt’s Creek). She plays a woman who puts a magic scarf on a very realistic snowman who comes to life; he plays the “comes to life.” What follows is a very, very silly — but fortunately self-aware — little comedy also starring Craig Robinson and Joe Lo Truglio (in a Brooklyn Nine-Nine reunion) as local law enforcement. They are in pursuit of the snowman because they believe him to be a dangerous streaker. That’s right: a dangerous streaker. I mean, he did come to life without pants on.

The Merry Gentlemen

YouTube

Advertisement

Speaking of coming to life without pants on: I’ve always thought the holiday movie market needs more exotic dancers. Netflix comes through with The Merry Gentlemen, in which Chad Michael Murray (of One Tree Hill) and some other shirtless fellows save Christmas. He meets a woman, played by Britt Robertson, who wants desperately to save her parents’ struggling small music venue, The Rhythm Room (!). She comes up with an idea: a PG-13 all-male revue featuring hot men she happens to know in her personal life. My favorite supporting Merry Gentleman: a local played by Maxwell Caulfield, who looked great in Grease 2 when he was in his early 20s and looks great in this in his 60s. You go, Maxwell Caulfield. Don’t you let them touch your chest hair, either. (This, by the way, is the film that has dethroned Hot Frosty atop the Netflix Top 10 list as of this writing.)

Holiday Touchdown: A Chiefs Love Story

YouTube

When Hallmark announced Holiday Touchdown: A Chiefs Love Story (Nov. 30) over the summer, it seemed perfectly clear that its intent was to capitalize on the whole Taylor Swift-and-Travis Kelce thing. And don’t get me wrong: That’s true. (Donna Kelce has a cameo — although hilariously, she also has one in Hallmark’s Christmas on Call, which takes place in Philadelphia. No favoritism for Mama Kelce!) Holiday Touchdown was also made as a partnership with the team, much like Hallmark partnerships that have existed in the past with locations like Dollywood (Christmas at Dollywood), the Plaza Hotel (Christmas at the Plaza) and the Biltmore Estate (A Biltmore Christmas).

Advertisement

If you want to see more TV movies from the high-volume producers, you can find the Hallmark ones here, the Lifetime ones here, the UPTV ones here, the BET ones here, and the “faith-based” Great American Family ones here.

But Holiday Touchdown is not directly inspired by the Travis/Taylor story. It’s about a woman (Hunter King) whose family is obsessed with the Kansas City Chiefs, and they’re being considered as part of the team’s Fan Of The Year contest. (…Sure.) She meets a guy (Tyler Hynes) who works for the team and becomes the family’s handler for the contest while also falling for her (an enormous conflict of interest, tssk). There’s a magic hat (sure!), there are many (many many) Kansas City cameos and references, and there is an avalanche of Chiefs branding. This one might be a B for regular Hallmark-ers, but it’s an A for Kansas City locals and anybody who’s ever shared a sports team obsession with people they love.

And here’s the twist! There is a movie that looks directly Travis/Taylor inspired, and it’s over on Lifetime. Called Christmas in the Spotlight, it is about a pop megastar and a football player – he’s just not a Chiefs player. Glad we could clear this up.

Advertisement

Our Little Secret

YouTube

Lindsay Lohan was very charming in last year’s Falling for Christmas on Netflix; this year, she’s back with Our Little Secret, in which she plays a woman who goes to spend the holidays with the family of her new boyfriend and runs into — dun! — her old boyfriend, who’s dating her new boyfriend’s sister. Kristin Chenoweth has the time of her life as the prospective mother-in-law, and Lindsay Lohan is, yet again, a durably charismatic lead who’s still got her comedy chops.

Franchises and sequels

Advertisement

YouTube

You may remember 2022’s Three Wise Men and a Baby, starring three of Hallmark’s top leading men — Andrew Walker, Tyler Hynes and Paul Campbell, or as I admit I knew them for a long time while thoroughly enjoying their work, “that one guy,” “that other guy,” and “oh sure that guy.” They were brothers stuck caring for a baby over the holidays. Naturally, we now get the sequel titled Three Wiser Men and a Boy. This is mostly a straight-up family comedy; it’s one of several Hallmark is doing this year that are not really romcoms even if they have romance elements. And, driven by the charm of the three leads, it’s a lot of fun. (These stories are co-written by Campbell and … Kimberley Sustad!)

As a side note, it’s been interesting to see Hallmark lean into the popularity of their male leads, who, for a long time, were treated as largely interchangeable partners for higher-profile actresses. They’re even airing a reality show this year called Finding Mr. Christmas, hosted by Jonathan Bennett, in which men compete for a spot in a Hallmark movie called Happy Howlidays, which will then air on Dec. 21.

Advertisement

YouTube

Also up: BET+’s Brewster’s Millions: Christmas (Dec. 5), a sequel about the niece of Montgomery Brewster, played by Richard Pryor in the 1985 movie. Perhaps not the sequel we were expecting this year, but hey — long waits before stories get picked up again are the norm at this point.

We should also note a momentous franchise retirement: Between 2018 and 2023, Hallmark made the loosely connected films Time for Me to Come Home for Christmas, Time for You to Come Home for Christmas, Time for Him to Come Home for Christmas, Time for Her to Come Home for Christmas, Time for Them to Come Home for Christmas, and Time for Us to Come Home for Christmas. Perhaps owing to their exhaustion of the most familiar personal pronouns, they have seemingly completed this series.

What is that title?

Sometimes, the most enjoyable part of previewing holiday movies is looking ahead to the titles that will quite understandably make you wonder whether you are hallucinating — and then assuring you that you are not. Here are some of my favorite titles of 2024.

Advertisement

A Very Merry Beauty Salon (Lifetime, Dec. 7)

Tia Mowry plays a salon owner who is preparing for a charity ball, and she meets a dashing wine CEO, and what’s not to like about that?

The Holiday Junkie (Lifetime, Dec. 14)

Jennifer Love Hewitt co-wrote, directed and stars in this story about a woman who works with her mother as a decorator with a special fondness for Christmas. After her mom dies, she meets a Grinchy man who can perhaps help her deal with grief and also kissing.

A ’90s Christmas (Hallmark, Nov. 29)

Advertisement

I am deeply wounded by the suggestion that the ’90s are ready for their nostalgia run (I know, I know, you don’t have to tell me how the math plays out), but here we are. This one is about a woman who seemingly goes back to 1999 with the help of … an enchanted Uber? (The description says “a mysterious rideshare experience.” I think that means “enchanted Uber.”)

Fun with casting

YouTube

Confessions of a Christmas Letter (Hallmark) is about a mom played by Angela Kinsey (of The Office) who loves her family very much but struggles with her desire to write a competitively braggy Christmas letter about them. Her ultimate goal? To impress the man at the post office who keeps a “Hall of Fame” of Christmas letters. He is played by Brian Baumgartner (who played Kevin on The Office). So she hires a novelist to spend two weeks writing one for her (uh, I am AVAILABLE FOR THIS GIG). While sparks do fly between said novelist and her daughter, this movie is mostly about this woman’s efforts to accept her imperfect family Christmas as the one that’s perfect for them.

Advertisement

Holiday Mismatch (Hallmark) features two moms who don’t get along, who accidentally set up their adult children and then have to try to get them to break up. The moms are played by Beth Broderick and Caroline Rhea, who spent years playing the two aunts on Sabrina The Teenage Witch.

YouTube

Something quite different: Jack Black’s holiday movie highlight up to this point might be, well, The Holiday. But this season, on Paramount+, in Dear Santa, he shows up as Satan (yep), after a kid’s misspelling accidentally summons the wrong higher power at Christmas. Also around for this one: Keegan-Michael Key and Post Malone. In some ways, it’s mostly surprising that Jack Black hasn’t played Satan before now.

Advertisement

What about Hanukkah?

YouTube

When the big purveyors of holiday movies do Hanukkah, the results can be mixed, to say the least. BUT. Hallmark made an excellent Hanukkah one last year called Round and Round, so I have higher hopes for these entries than I used to. This year, Hallmark has two. One, called Leah’s Perfect Gift (Dec. 8), is about a Jewish woman who loves Christmas (though she doesn’t celebrate it) and welcomes the chance to participate with her boyfriend’s family, only to find things are more complicated than they might seem. It sounds like a tough premise to get perfectly right, but also maybe like a chance for some interesting storytelling.

More straightforward-sounding is Hanukkah on the Rocks (Dec. 13), in which a corporate lawyer ends up bartending for “quirky regulars” at a Chicago bar, goes on a quest for Hanukkah candles, and that’s about the size of that.

Advertisement

Also of note

Most Hallmark Christmas movies have until very recently had a pretty consistent soft-rom-com tone, but it feels like they’re starting to branch out a little. I enjoyed The Christmas Charade, which is about a woman who gets wrapped up in a spy operation. It reminded me of ’80s shows I adored like Remington Steele, where beautiful and well-dressed people have adventures while flirting. More of this, say I!

The 5-Year Christmas Party (Hallmark) floats on the outstanding chemistry between Katie Findlay and Jordan Fisher, who play old friends who keep being tempted to make out all the time. It’s lovely and quite funny, and while I was watching this one, I had the thought: “It’s nice that women characters in Hallmark movies are sometimes allowed to have short hair now.”

YouTube

Advertisement

To say that Hallmark has a sketchy relationship with diversity is an understatement, but I liked Christmas with the Singhs, which tries to engage with difference in a more straightforward way than their past TV movies. This one is about what it’s like to try to manage families with different holiday traditions when they’re joined by marriage.

YouTube

As a person with a long history of watching The Amazing Race, I had a great time with Jingle Bell Run (Hallmark), which follows two people thrown together on a team for what amounts to a Christmas-themed Amazing Race. Obviously they fall in love, and it’s super-charming. It stars Ashley Williams and Andrew Walker, who are two of the bigger stars in the Hallmark firmament, and it even gently acknowledges once or twice that they’re getting older, which is very welcome. (I mean, it happens.)

Advertisement

If you like Finland, or dogs, perhaps you’re up for The Finnish Line (Hallmark, Dec. 1), which is about dogsledding. As a person who has parasocial relationships with many internet dogs, including some sled dogs, this spoke to me personally. (Although I don’t think its grasp on the realities of mushing is terribly firm.)

So grab a blanket, grab your cocoa, grab a snuggly person or pet or just your warmest sweater, and enjoy some of the standard and not-so-standard offerings of the holiday season.

Lifestyle

‘American Classic’ is a hidden gem that gets even better as it goes

Published

on

‘American Classic’ is a hidden gem that gets even better as it goes

Kevin Kline plays actor Richard Bean, and Laura Linney is his sister-in-law Kristen, in American Classic.

David Giesbrecht/MGM+


hide caption

toggle caption

Advertisement

David Giesbrecht/MGM+

American Classic is a hidden gem, in more ways than one. It’s hidden because it’s on MGM+, a stand-alone streaming service that, let’s face it, most people don’t have. But MGM+ is available without subscription for a seven-day free trial, on its website or through Prime Video and Roku. And you should find and watch American Classic, because it’s an absolutely charming and wonderful TV jewel.

Charming, in the way it brings small towns and ordinary people to life, as in Northern Exposure. Wonderful, in the way it reflects the joys of local theater productions, as in Slings & Arrows, and the American Playhouse production of Kurt Vonnegut’s Who Am I This Time?

The creators of American Classic are Michael Hoffman and Bob Martin. Martin co-wrote and co-created Slings & Arrows, so that comparison comes easily. And back in the early 1980s, Who Am I This Time? was about people who transformed onstage from ordinary citizens into extraordinary performers. It’s a conceit that works only if you have brilliant actors to bring it to life convincingly. That American Playhouse production had two young actors — Christopher Walken and Susan Sarandon — so yes, it worked. And American Classic, with its mix of veteran and young actors, does, too.

Advertisement

American Classic begins with Kevin Kline, as Shakespearean actor Richard Bean, confronting a New York Times drama critic about his negative opening-night review of Richard’s King Lear. The next day, Richard’s agent, played by Tony Shalhoub, calls Richard in to tell him his tantrum was captured by cellphone and went viral, and that he has to lay low for a while.

Richard returns home to the small town of Millersburg, Pa., where his parents ran a local theater. Almost everyone we meet is a treasure. His father, who has bouts of dementia, is played by Len Cariou, who starred on Broadway in Sweeney Todd. Richard’s brother, Jon, is played by Jon Tenney of The Closer, and his wife, Kristen, is played by the great Laura Linney, from Ozark and John Adams.

Things get even more complicated because the old theater is now a dinner theater, filling its schedule with performances by touring regional companies. Its survival is at risk, so Richard decides to save the theater by mounting a new production of Thornton Wilder’s Our Town, casting the local small-town residents to play … local small-town residents.

Miranda, Richard’s college-bound niece, continues the family theatrical tradition — and Nell Verlaque, the young actress who plays her, has a breakout role here. She’s terrific — funny, touching, totally natural. And when she takes the stage as Emily in Our Town, she’s heart-wrenching. Playwright Wilder is served magnificently here — and so is William Shakespeare, whose works and words Kline tackles in more than one inspirational scene in this series.

I don’t want to reveal too much about the conflicts, and surprises, in American Classic, but please trust me: The more episodes you watch, the better it gets. The characters evolve, and go in unexpected directions and pairings. Kline’s Richard starts out thinking about only himself, but ends up just the opposite. And if, as Shakespeare wrote, the play’s the thing, the thing here is, the plays we see, and the soliloquies we hear, are spellbinding.

Advertisement

And there’s plenty of fun to be had outside the classics in American Classic. The table reads are the most delightful since the ones in Only Murders in the Building. The dinner-table arguments are the most explosive since the ones in The Bear. Some scenes are take-your-breath-away dramatic. Others are infectiously silly, as when Richard works with a cast member forced upon him by the angel of this new Our Town production.

Take the effort to find, and watch, American Classic. It’ll remind you why, when it’s this good, it’s easy to love the theater. And television.

Continue Reading

Lifestyle

The L.A. coffee shop is for wearing Dries Van Noten head to toe

Published

on

The L.A. coffee shop is for wearing Dries Van Noten head to toe

The ritual of meeting up and hanging out at a coffee shop in L.A. is a showcase of style filled with a subtle site-specific tension. Don’t you see it? Comfort battles formality fighting to break free. Hiding out chafes against being perceived. In the end, we make ourselves at home at all costs — and pull a look while doing it.

It’s the morning after a night out. Two friends meet up at Chainsaw in Melrose Hill, the cafe with the flan lattes, crispy arepas and sorbet-colored wall everybody and their mom has been talking about.

Miraculously, the line of people that usually snakes down Melrose yearning for a slice of chef Karla Subero Pittol’s passion lime fruit icebox pie is nonexistent today. Thank God, because the party was sick last night — the DJ mixed Nelly Furtado’s “Promiscuous” into Peaches’ “F— the Pain Away” and the walls were sweating — so making it to the cafe’s front door alone is like wading through viscous, knee-high water. Senses dull and blunt in that special way where it feels like your brain is wearing a weighted vest. The sun, an oppressor. Caffeine needed via IV drip.

The mood: “Don’t look at me,” as they look around furtively, still waking up. “But wait, do. I’m wearing the new Dries Van Noten from head to toe.”

Advertisement
Daniel and Sirena wearing Dries Van Noten

Daniel, left, wears Dries Van Noten mac, henley, pants, oxford shoes, necklace and socks. Sirena wears Dries Van Noten blouse, micro shorts, sneakers, shell charm necklace, cuff and bag and Los Angeles Apparel socks.

Image March 2026 Loitering at Dries stills
Daniel and Sirena wearing Dries Van Noten

If a fit is fire and no one is around to see it, does it make a sound? A certain kind of L.A. coffee shop is (blessedly) one of the few everyday runways we have, followed up by the Los Feliz post office and the Alvarado Car Wash in Echo Park. We come to a coffee shop like Chainsaw for strawberry matchas the color of emeralds and rubies and crackling papas fritas that come with a tamarind barbecue sauce so good it may as well be categorized as a Schedule 1. But we stay for something else.

There is a game we play at the L.A. coffee shop. We’re all in on it — the deniers especially. It can best be summed up by that mood: “Don’t look at me. But wait, do.” Do. Do. Do. Do. We go to a coffee shop to see each other, to be seen. And we pretend we’re not doing it. How cute. Yes, I’m peering at you from behind my hoodie and my sunglasses but the hoodie is a niche L.A. brand and the glasses are vintage designer. I wore them just for you. One time I was sitting at what is to me amazing and to some an insufferable coffee shop in the Arts District where a regular was wearing a headpiece made entirely of plastic sunglasses that covered every inch of his face — at least a foot long in all directions — jangling with every movement he made. Respect, I thought.

Dries Van Noten’s spring/summer 2026 collection feels so right in a place like this. The women’s show, titled “Wavelength,” is about “balancing hard and soft, stiff and fluid, casual and refined, simple and complex,” writes designer Julian Klausner in the show notes. While for the men’s show, titled “A Perfect Day,” Klausner contextualizes: “A man in love, on a stroll at the beach at dawn, after a party. Shirt unbuttoned, sleeves rolled up, the silhouette takes on a new life. I asked myself: What is formal? What is casual? How do these feel?” What is formal or casual? How do you balance hard and soft? The L.A. coffee shop is a container for this spectrum. A dynamic that works because of the tension. A master class in this beautiful dance. There is no more fitting place to wear the SS26 Dries beige tuxedo jacket with heather gray capri sweats and pink satin boxing boots, no better audience for the floor-length striped sheer gown worn with satin sneakers — because even though no one will bat an eye, you trust that your contribution has been clocked and appreciated.

Daniel wears Dries Van Noten coat, shorts, sneakers and socks. Sirena wears Dries Van Noten jacket, micro shorts and sneakers

Daniel wears Dries Van Noten coat, shorts, sneakers and socks. Sirena wears Dries Van Noten jacket, micro shorts and sneakers.

Advertisement
Image March 2026 Loitering at Dries stills
Image March 2026 Loitering at Dries
Daniel wears Dries Van Noten coat, shorts, sneakers and socks. Sirena wears Dries Van Noten jacket, micro shorts and sneakers

Back at Chainsaw the friends drink their iced lattes, they eat their beautiful chocolate milk tres leches in a coupe. They’re revived — buzzing, even; at the glorious point in the caffeinated beverage where everything is beautiful, nothing hurts and at least one of them feels like a creative genius. The longer they stay, the more their style reveals itself. Before they were flexing in a secret way. Now they’re just flexing. Looking back at you looking at them, the contract understood. Doing it for the show. Wait, when did they change? How long have they been here? It doesn’t matter. They have all day. Time ceases to exist in a place like this.

Advertisement
Image March 2026 Loitering at Dries
Daniel wears Dries Van Noten tuxedo coat, pants, scarf, sneakers and necklace and Hanes tank top. Sirena wears Dries Van Note

Daniel wears Dries Van Noten tuxedo coat, pants, scarf, sneakers and necklace and Hanes tank top. Sirena wears Dries Van Noten jacket, micro shorts, sneakers and socks.

Image March 2026 Loitering at Dries stills
Image March 2026 Loitering at Dries stills
Image March 2026 Loitering at Dries stills
Image March 2026 Loitering at Dries

Creative direction Julissa James
Photography and video direction Alejandra Washington
Styling Keyla Marquez
Hair and makeup Jaime Diaz
Cinematographer Joshua D. Pankiw
1st AC Ruben Plascencia
Gaffer Luis Angel Herrera
Production Mere Studios
Styling assistant Ronben
Production assistant Benjamin Turner
Models Sirena Warren, Daniel Aguilera
Location Chainsaw
Special thanks Kevin Silva and Miguel Maldonado from Next Management

Advertisement

Continue Reading

Lifestyle

Nature needs a little help in the inventive Pixar movie ‘Hoppers’ : Pop Culture Happy Hour

Published

on

Nature needs a little help in the inventive Pixar movie ‘Hoppers’ : Pop Culture Happy Hour

Piper Curda as Mabel in Hoppers.

Disney


hide caption

toggle caption

Advertisement

Disney

In Disney and Pixar’s delightful new film Hoppers, a young woman (Piper Curda) learns a beloved glade is under threat from the town’s slimy mayor (Jon Hamm). But luckily, she discovers that her college professor has developed technology that can let her live as one of the critters she loves – by allowing her mind to “hop” into an animatronic beaver. And it just might just allow her to help save the glade from serious risk of destruction.

Follow Pop Culture Happy Hour on Letterboxd at letterboxd.com/nprpopculture

Subscribe to Pop Culture Happy Hour Plus at plus.npr.org/happyhour

Advertisement
Continue Reading
Advertisement

Trending