Lifestyle
L.A. Fashion Week, summer camp for style sickos
Fashion weeks are like summer camps for style sickos. Especially this year’s L.A. Fashion Week, because every event happened at one single location: the W Hotel. You got to see your friends walk a show, or run into a stylist or press rep that you had to do a quick Google Image confirmation on because you only ever communicated with them via email. “You’re [enter name here], right? I’m Julissa, from Image. Yes, it is so good to meet you in person. What part of town are you in? Coffee soon?” On a loop, all week.
LAFW has had the reputation of being the underdog of fashion weeks in global cities, but its president, Ciarra Pardo, is focused on creating a new legacy. L.A. deserves something of its own that is reflective of its relationships and desires, says Pardo, whose company N4XT Experiences acquired LAFW in 2022. “What it hadn’t been doing was really celebrating Los Angeles,” Pardo says of fashion week’s past, pointing to a new kind of programming that is reflective of fashion’s relationship to the growing number of tech and beauty companies moving into L.A., and the city’s sustainable aspirations. There’s also an energy that feels less rooted in tradition than in moving toward openness and experimentation.
“We really support our designers and brands to have a more free-flowing approach, so they don’t have to go by traditional means whatsoever,” says Pardo. “They can show in a traditional runway format, they can show in a presentation, they can do incredible pop-up activations.” Brands including Rio, Private Policy, Priscavera, Theophilio, 424 and Ed Hardy participated in a number of shows, pop-ups and events throughout the week. Photographer, artist, musician and diva Tyler Matthew Oyer and I popped around the scene, where Oyer captured moments backstage and on the runway that reverberated with heat and intimacy.
Nike Sport X Style Studio
The Nike Sport X Style Studio celebrated a new Nike collection, and featured the campaign photos, shot by Thalía Gochez, throughout the space.
The Nike Sport X Style Studio, creative directed by Image’s fashion director at large Keyla Marquez, served as a soft landing spot during the week, billowing with printed organza and metallic curtains, and the enveloping aroma of a Diptyque Oud candle filling every corner of the room. The space was created in celebration of a new Nike collection, with campaign photos styled by Marquez and shot by Thalía Gochez meeting you as soon as you walked in. It featured a styling suite, where Marquez styled special guests and athletes in the new collection, along with custom pieces she made in collaboration with Sailor D. Gonzales and Rusty Reconstructed. There were three workshops led by artist and jewelry designer Georgina Treviño, and for the rest of the week LAFW attendees could be spotted with the pierced Nike bags and shoes they made under her guidance.
The Nike Sport X Style Studio was creative directed by Image’s fashion director at large Keyla Marquez.
On Thursday night, the Nike Sport X Style Studio hosted a party where Elias Lopez, a.k.a. Niño Genesis, DJ’d and I experienced the most insane charcuterie board — no, charcuterie table — I’ve ever seen in my life. (I put an entire persimmon in my purse for later — shout-out persimmon season.)
Nike’s Bob Dominguez with Spencer Christovale and Dime Jones.
Lex Orozco-Cabral and Peter Ilic.
Nike’s Aria Davis with Andrea J. from @masvinoplease.
Isaías Cabrera, Jessica Kao and Keyla Marquez.
The suite featured custom pieces made in collaboration with Sailor D. Gonzales and Rusty Reconstructed.
Ed Hardy
As someone who regards “quiet luxury” as a kind of plague (I’m bored!) — also as someone whose childhood was punctuated by paparazzi photos of early aughts celebs wearing printed and bedazzled Ed Hardy T-shirts, trucker hats and jeans — I was excited for this deeply L.A. moment. Y2K has been here and is on the precipice of leaving again (let’s be honest) so why not lean into it heavy one last time? The clothes were what you would expect in the best way possible: Classic Ed Hardy, with a twist on silhouette that felt extremely of the moment (maybe because this moment and 2004 are kind of the same moment, culturally speaking). The runway opened with the Yeah, Yeah, Yeah’s “Maps,” my low-lift karaoke song forever, and featured tops made entirely of Ed Hardy patches, low-rise embellished pinstripe pants and boxing shorts dancing with tassels up the side. The delulu part of my brain kept waiting for Lindsay Lohan or Nicole Richie to be the models closing the show. That didn’t happen, but I did spot musician Pete Wentz in the crowd along with Leah Kateb from “Love Island.”
Backstage at Ed Hardy for LAFW.
A deeply L.A. Y2K moment.
Ed Hardy creative director Kevin Christiana.
Theophilio
Theophilio closed the week with a part-party, part-runway show. Standing-room only, a DJ playing throwies from Sean Paul, a bar serving $25 drinks and seeing everyone you know made it feel like we were clubbing in L.A. But the room was clearly thick with a lot of love and anticipation for Theophilio creative director Edvin Thompson’s always sensual, elegant and sometimes irreverent vision. Models purposefully walked down the runway in flowing suits of crushed velvet and satin, matching leather mini-shorts and jackets, sequined hot pants and tank top sets in yellow smiley graphics and graffiti print. Looks were styled with exaggerated hats, including an oversized leather newsboy cap with eyelets, and a white baseball cap transformed to sculptural effect with white feathers.
Gazing upon the models strutting final looks on the highest floor of the W Hotel, with Hollywood Boulevard and the hills twinkling in the background, felt like a fitting reminder of where we were in space and time: L.A., the future.
The room was clearly thick with a lot of love and anticipation for Theophilio’s always sensual, elegant and sometimes irreverent vision.
Theophilio creative director Edvin Thompson.
Lifestyle
‘Scream 7’ takes a weak stab at continuing the franchise : Pop Culture Happy Hour
Neve Campbell in Scream 7.
Paramount Pictures
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Paramount Pictures
The OG Scream Queen Neve Campbell returns. Scream 7 re-centers the franchise back on Sidney Prescott. She has a new life, a family, and lots of baggage. You know the drill: Someone dressing up as the masked slasher Ghostface comes for her, her family and friends. There’s lots of stabbing and murder and so many red herrings it’s practically a smorgasbord.
Follow Pop Culture Happy Hour on Letterboxd at letterboxd.com/nprpopculture
Lifestyle
Smoke a joint and get deep with flowers at this guided floral design workshop in DTLA
Abriana Vicioso is the host of the Flower Hour, which takes place monthly.
(Jennifer McCord / For The Times)
Each flower carries a personal history. For Abriana Vicioso, the calla lily was her parents’ wedding flower — a symbol of her mother’s beauty. “She had this big, beautiful white calla lily in her hair,” Vicioso says. “I love my parents. They’re the reason I’m here. I’ll never forget where I came from.”
The Flower Hour begins with Vicioso announcing, with a warm smile: “Today is about touching grass.” The florist-by-trade gestures behind her to hundreds of flowers contained in buckets — blue thistles, ivory anemones and calla lilies painted silver — all twisted and unfurling into the air. “Tonight is going to be so sweet and intimate,” Vicioso says, eyeing the beautiful chaos at her feet. A grin buds across her face.
Moments before the workshop, participants sit at candlelit tables exchanging horoscopes and comparing their favorite flowers. A mention of the illustrious bird-of-paradise flower elicits coos and awe from the women. Izamar Vazquez, who is from Jalisco, Mexico, reveals her fondness for roses, which make her feel connected to her Mexican roots.
Vicioso hosts her flower-themed wellness workshop near the iconic Original Los Angeles Flower Market in downtown L.A. In January, the first Flower Hour event sold out, prompting her to make it a monthly series. Vicioso describes the event as a “three-part journey” where participants are invited to drink herbal tea, smoke rose-petal-rolled cannabis joints and create a floral arrangement. “The guide is to connect with the medicine of flowers,” Vicioso says.
Rose petal joints, tea and flower arranging are all part of The Flower Hour event’s offerings.
The event is hosted at the Art Club, a membership-based co-working space. “The Flower Hour is really beautiful. Everyone gets to explore their creativity while meeting new people,” says Lindsay Williams, the co-owner of the Art Club.
The idea for Flower Hour came to Vicioso during a conversation with her mother. “We joke all the time that flowers were destined to make their way into my life,” she says. She works as a florist and models on the side, even appearing in the pages of Vogue. Vicioso grew up in a Caribbean household, where flowers and offerings were part of daily life. “In my culture and religion, a lot of my family practices — an Afro-Caribbean religion — we build altars.”
Like many cultures, flowers carry sentimental value in her religion. “I’m Caribbean, so a lot of my family practices a Yoruba religion, which comes from Africa. In the Caribbean, it’s well known as Santería.”
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After a difficult year and a breakup, Vicioso wanted to marry her love of flowers with community building. Because Vicioso uses cannabis medicinally, the workshop naturally includes a smoking component. “My family has smoked cannabis for a lot of reasons for a long time. It’s a really healing plant,” she explains.
In the workshop, even the cannabis gets the floral treatment. Vicioso presents her rose-petal-wrapped joints on a silver platter at each table. She rolled each by hand. “If you’ve never smoked a rose-petal-rolled joint, the difference with this is it’s going to have roses that have a slight tobacco effect,” she announces.
During the workshop, Vicioso stresses the importance of buying cannabis from local vendors. The cannabis provided was purchased from a Northern Californian vendor. The wellness workshop aims to reclaim the healing ritual of smoking cannabis. “This is a plant that has been commercialized,” Vicioso says. “There’s a lot of Black and Brown people who are in jail for this plant.”
The resulting workshop is what Vicioso describes as “an immersive wellness experience that is the intersection of wellness, creativity, community and an appreciation of flowers.” The workshop serves as a reminder to enjoy Earth’s innate beauty in the form of flowers — including cannabis. “It’s this gift that the universe gave us for free and that I have this deep connection with,” Vicioso says.
Conversation cards to generate discussion among participants (top, letf). The workshop serves as a “third space” for Angelenos to engage in tactile creativity and community building outside of traditional nightlife settings.
After enjoying lavender chamomile tea and smoking a joint, Vicioso introduces the flowers to the group before inviting them to pick their own. She emphasizes each flower’s personality traits, describing green dianthus as a “Dr. Seuss” plant. Then, there are calla lilies with their “main character moment.” It gets personal. “Start thinking of a flower in your life that you can discover,” she says. “If you’re feeling like you need inspiration, you can always remember that these flowers have stories.”
Vicioso infuses wisdom into her instruction on floral arrangements: There are no mistakes. Let the flowers tell you where they want to go, she urges. Intuition will be your guide — the wilder, the better.
“Hecho in Mexico” reads a sticker on a bunch of green stems. “Like me,” says Vazquez with a laugh. “They’re all doing their own thing. Like a family,” she says later, arranging stems.
The Flower Hour participants and Vicioso, center, chat as they build their own floral arrangements at the sold-out event.
Two participants — Vazquez and Rebeca Alvarado — are friends who run a floral design company together called Izza Rose. Like Vicioso, the friends have a connection to flowers through their Latin American culture. They met Vicioso in the floral industry and were overjoyed to discover her workshop.
“This is a great way to connect with other people,” says Vazquez.
Alvarado agrees, adding: “You’re getting to know people outside of going to bars. You can connect in different ways when there’s an activity.”
Vazquez uses flowers to stay connected to her Mexican heritage, adding that she prefers to support Mexican vendors. In recent months, the downtown L.A. flower market has struggled to recover from ongoing ICE raids. “Some are scared to come back,” says Vazquez.
Hand-rolled cannabis joints wrapped in rose petals are presented on a silver platter at The ArtClub (top, right). The Flower Hour aims to reclaim the healing rituals of cannabis and flowers.
Another participant, Barbara Rios, was attracted to the workshop for stress relief. “You can hang out with your friends, but it’s nice to do things with your hands,” she says. “I work a stressful job, and it’s nice to have that third space that we’re all craving.”
On this February night, the participants were predominantly women, save for one man. In the future, Vicioso hopes that more men learn to engage with flowers. “There’s a statistic about men receiving flowers for the first time at their funerals, and I think we have changed that,” she says.
To conclude the workshop, Vicioso encourages participants to build lasting friendships and incorporate flower arranging into their daily practice — even if it’s just with a small, inexpensive bouquet.
“Get some flowers together, go to the park, hang out with each other and hang out with me,” she says. Participants leave with flower arrangements in hand. In the darkness of the night air, it briefly looks as though the women carry silver calla lilies that are blooming from their palms.
Lifestyle
‘Wait Wait’ for February 28. 2026: Live in Bloomington with Lilly King!
An underwater view shows US’ Lilly King competing in a heat of the women’s 200m breaststroke swimming event during the Paris 2024 Olympic Games at the Paris La Defense Arena in Nanterre, west of Paris, on July 31, 2024. (Photo by François-Xavier MARIT / AFP) (Photo by FRANCOIS-XAVIER MARIT/AFP via Getty Images)
François-Xavier Marit/Getty Images
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This week’s show was recorded in Bloomington, Indiana with host Peter Sagal, judge and scorekeeper Bill Kurtis, Not My Job guest Lilly King and panelists Alonzo Bodden, Josh Gondelman, and Faith Salie. Click the audio link above to hear the whole show.
Who’s Bill This Time
State of the Union is Hot; The Tribal Council Convenes Again; A Glow Up In the Doll Aisle
Panel Questions
The Toot Tracker
Bluff The Listener
Our panelists tell three stories about a travel hack in the news, only one of which is true.
Not My Job: Olympic Swimmer Lilly King answers our questions about Lil’ Kings
Olympic Swimmer Lilly King plays our game called, “Lilly King meet these Lil’ Kings” Three questions about short kings.
Panel Questions
Cleaning Out The Cabinet; Bedtime Stacking
Limericks
Bill Kurtis reads three news-related limericks: Getting Cozy With Cross Country Skiing; Pickleball’s New Competition; Bees Get Freaky
Lightning Fill In The Blank
All the news we couldn’t fit anywhere else
Predictions
Our panelists predict, after American Girls, what’ll be the next toy to get an update.
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