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For once — a true crime story that isn't focused on the killer

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For once — a true crime story that isn't focused on the killer

Woman of the Hour is Anna Kendrick’s feature directorial debut. She also stars as Sheryl.

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In a lot of true crime stories, no one is treated as more interesting than the criminal at the center. Mildly interesting are the police, the journalists, and the family involved. But not the person who got hurt, let alone the people who just barely didn’t get hurt.

In the new Netflix film Woman of the Hour, however, there’s little interest in the thinking or the life of real-life convicted serial killer Rodney Alcala. Alcala appeared on The Dating Game in 1978, where he won a date with aspiring actress Cheryl Bradshaw. But once she met him, Bradshaw got the creeps. She refused to go out with him. Alcala was later convicted of murders committed both before and after the show.

Woman of the Hour stars Anna Kendrick as Sheryl (the spelling is changed, perhaps to underscore that this is a loose interpretation of the real story beyond those basics; the real Bradshaw has remained largely private). Kendrick also directed the movie, her feature debut, from a script by Ian McDonald. This Sheryl is frustrated by her stalled acting career, and particularly by the open lack of respect she’s shown at auditions where men talk to each other about her appearance and her worth as if she weren’t there. She’s about to bail on Los Angeles altogether when her agent gives her news: There’s a job. As a bachelorette on The Dating Game. Hesitantly, Sheryl decides to do it.

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Interspersed with Sheryl’s story is that of Alcala, played by Daniel Zovatto, as he lures women into vulnerable positions and then strangles them. If he has reasons, we don’t know them. If he has a past, we don’t see it. He exists here as a menace, as a threat that cannot be understood – it simply has to be navigated.

The film is not interested at all in examining what makes a killer do what he does, as if there is something to unlock that will make it seem reasonable to remove a woman’s pantyhose, wrap them around her neck, and squeeze until she’s dead. Instead, it is interested in the women, and in the social forces that facilitate crimes like these – particularly the ones that allow them to continue even after they could be stopped. Does misogyny motivate violence against women? Of course. Does it enable violence against women in a practical sense by closing off their paths to safety? In this story, yes.

Sheryl’s discomfort from the minute she arrives at the studio goes unnoticed by the callous host (Tony Hale) and just about everyone else – except the woman doing her makeup, who puffs powder onto her face and winkingly assures her it’s OK to do whatever she wants, because she owes the show nothing. It’s the first affirmation she’s had that she does not need to be trapped by the circumstances. Elsewhere, we meet Laura (Nicolette Robinson), a young woman who attends the Dating Game taping with her boyfriend, recognizes Alcala as the man who brutalized a friend of hers, and tries to get someone to pay attention. Laura’s certainty that Alcala is the man who killed her friend is treated either patronizingly (by her boyfriend) or cruelly (by a security guard at the studio). The police give her the runaround. And even after Sheryl becomes convinced that Alcala is dangerous while sharing a drink with him after the taping, she has a difficult time getting herself to safety.

What Kendrick plays so well here is the impossible calculus that can confront a woman (or any person) in her position when she’s frightened by a man (or any person). Do you ignore the hairs that stand up on the back of your neck, because you might be imagining it? Do you pacify him, keep him calm, just try to be nice until you can run? Or do you turn, steel yourself, and tell him to leave you the [heck] alone? When are the risks of being gentle greater than the risks of screaming? Because the film jumps around in time through Alcala’s crimes, we see not only Sheryl’s efforts to make herself safe, but also the efforts of a young runaway (Autumn Best) who does decide to get in his car, and thus has even fewer options.

Kendrick’s direction effectively builds the sense of dread that surrounds this man who is not particularly special, other than that he kills women. There are times when killers — perhaps Ted Bundy is the best example — are recreated on film as if they have a special aura, something mysterious that gives them power over others. Rodney Alcala, in this story, is just a murderer, and the script maintains that being a murderer does not, in and of itself, make you interesting. And he doesn’t keep wiggling out of trouble because he’s brilliant. He keeps wiggling out of trouble largely because the society he lives in is, in many ways, on his side. And contrary to the underpinnings of many crime shows and films, the police do not act with great urgency every time a woman is brutalized. If this version of Rodney has a skill, it’s weaponizing his victims’ desire to be polite and friendly, and getting them to miss the last real chance they have to get away.

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There’s a very well done shot near the end of the film in which Sheryl walks across a parking lot, the sounds of her shoes clacking on the pavement. If you have taken that walk, and many of you have, you will recognize it immediately. The whole film, really, is about that walk — and about the mix of luck, choices and a functioning society that might help you take it soon enough to save your life.

This piece also appeared in NPR’s Pop Culture Happy Hour newsletter. Sign up for the newsletter so you don’t miss the next one, plus get weekly recommendations about what’s making us happy.

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Shy on the dance floor? Virtual reality ‘partners’ aim to help you find your groove

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Shy on the dance floor? Virtual reality ‘partners’ aim to help you find your groove

Entrepreneur David Huang tests out a VR headset while conducting demonstrations of the social dance lesson app Dance Guru at the Augmented World Expo in Long Beach, Calif., June 17, 2026.

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Wedding season is in full swing, bringing with it a familiar sense of dread for anyone who fears the dance floor.

But relief may finally be at hand with the help of a new app, Dance Guru, and a virtual reality (VR) headset.

The social dance instruction app transports users to a spacious, digital dance studio. Waiting inside is a computer-generated coach: a handsome, male avatar wearing a shirt open to his navel. He speaks with a slightly gravelly English accent.

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“Watch me now,” he instructs at the start of a waltz lesson — which NPR tried out at the Augmented World Expo in Long Beach, Calif., an annual conference showcasing the latest developments in virtual and augmented reality.

The avatar then demonstrates a basic box step.

From there, the lesson becomes interactive. The coach tells the user to hold his hand while an electric pinging sound tracks the student’s foot placement.

“One, two, three, four, five, six,” the virtual teacher counts down.

When the user stumbles, he remains remarkably patient. “Do not worry, foundations take time. Let’s try that again. Work on grounding your steps more intentionally.”

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Solving the beginner’s dilemma

Dance Guru creator David Huang said he came up with the idea for the app a couple of years ago out of frustration.

“I always wanted to learn to dance and I was always terrible at it,” Huang said. “And I always ended up stopping midway through the lessons.”

He soon realized that many beginners hit the exact same roadblocks.

“Private lessons are too expensive, and you feel like you’re always forgetting the dance steps,” Huang said. “You cannot find a partner to dance with. So I figured maybe I can create something like this.”

The Dance Guru platform currently offers tutorials in salsa, bachata, waltz, and cha-cha, in both lead and follow modes. To make the digital instruction feel authentic, Huang used motion-capture technology to record the movements of real-life dance teachers — with their permission.

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Building on the legacy of online tutorials and video games

Dance Guru belongs to a small but growing wave of apps using VR to demystify social dance. At a nearby booth, conference attendee Victor Chen is testing out a competing app called Trip the Light. It currently offers salsa lessons, as well as freestyle options, where a user can dance with a partner without having to learn specific steps.

Trip the Light's booth at the Augmented World Expo included posters of the app's virtual instructors. Real-life performers, who gave Trip the Light permission to motion capture their movements, were used as a basis for these avatars.

Trip the Light’s booth at the Augmented World Expo included posters of the app’s virtual instructors. Real-life performers, who gave Trip the Light permission to motion capture their movements, were used as a basis for these avatars.

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“A lot of times when you’re trying to learn a choreography, it’s watching a YouTube video and you have to pause it, rewind, and play it,” Chen said. “If you were to have a virtual avatar dancing in front of you and correcting for any parts that you missed, it might be a lot easier.”

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How to have the best Sunday in L.A., according to Deidre Hall

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How to have the best Sunday in L.A., according to Deidre Hall

For half a century, Deidre Hall has taken on every kind of disaster in the drama-packed town of Salem, Ill., as a star of “Days of Our Lives.”

There was the time — actually, it happened twice — when her character, Dr. Marlena Evans, was famously possessed by the devil and even levitated.

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In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.

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Or the time a serial killer, who was actually Marlena under hypnosis, seemed to kill several beloved characters. The long-running show’s storylines have become legendary, and in March, while promoting “Hail Mary,” actor Ryan Gosling even gave Hall a shout-out, admitting he was a fan, praising the hard work of soap opera actors and calling her an “OG acting inspiration.”

But Hall’s real life in Santa Monica is much quieter than her character’s, and she likes it that way.

“When I bought my house in Santa Monica, I didn’t realize how great it would be to live near Montana Avenue,” says Hall, 78, about the popular shopping spot. Every day, she walks to the main street with her golden retriever, Riley, and enjoys Pilates, art and good food along the way. “The owners of the Farms Market even keep dog biscuits, so guess where the dog wants to go every time we walk — the Farms, of course,” she says, laughing.

When she isn’t filming the daily soap opera, which airs on Peacock, Hall enjoys raising monarch butterflies, exploring the shops and restaurants on Montana, and hosting movie nights at home with her two sons.

Here’s what a perfect day in L.A. looks like for her.

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This interview has been lightly edited and condensed for length and clarity.

7 a.m.: Breakfast and dog walk

I usually kick off my day with a protein shake, feed our golden retriever and take her out for a walk. She’s a phenomenal girl. When we adopted her, her name was Riley, but I did think about naming her after Mrs. Hughes from “Downton Abbey.”

10 a.m.: Church and garden time

After I walk the dog and go to church, I like to spend some time in my yard. I’m not a natural gardener, but I really enjoy it. I started raising monarch butterflies because my identical twin sister, who played my twin on the show, planted a butterfly garden. Monarchs are amazing because they are transitional. Every year, they travel from Mexico to southern New England, but it’s getting harder for them. Their numbers have dropped by about 80%. To help, I plant milkweed, which is what they need to survive. I buy my milkweed from the Staghorn Garden on Wilshire Boulevard in Santa Monica. Julie, who owns the nursery, is delightful and has a wide variety of milkweed. The monarchs always seem to find my garden. Julie was raising some caterpillars too, and she cared a lot about them. We talked about how important it is to help the butterflies. That’s why I do this. Sometimes I get milkweed with eggs already on it, and Julie knows her butterflies are going to a good home.

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1 p.m.: Walk to Montana Avenue for some lunch

I live near Montana and love taking long walks, going to Pilates and trying out the great restaurants nearby, like R+D Kitchen and La La Land. I’m a big fan of the waffles at the Courtyard Kitchen. Just a few days ago, I had a chicken salad on raisin bread with an Arnold Palmer, and it was delicious. It is right on Montana and has a nice outdoor seating area. It’s one of my favorite spots. La La Land always has a long line in the morning, which is perfect if you want coffee. They serve coffee, doughnuts, croissants and avocado toast. There’s plenty of outdoor seating, and you can even bring your dog.

2 p.m.: Peek inside a clock shop

There’s a small clock shop on Montana Avenue that’s closed on Sundays, but if you walk by, you’ll see all kinds of clocks — standing, table and wall clocks. The owner is great at fixing them. Once, I bought a wall clock from MacKenzie-Childs, but it didn’t work. And I was really upset because it matched everything else on my countertop. I brought it to the owner and said, “I love this, but I can’t make it work.” He fixed it right away. His name is John, but I call him Geppetto. And we all know why. He really does have a magic touch.

2:30 p.m.: Visit a neighborhood art gallery

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Ten Women Gallery is run by 10 artists, all of whom show their work there. I was drawn to some watercolors there, bought a few cards and spoke with one of the artists. She told me, “You seem to love watercolors,” and mentioned that the artist who painted them, Pamela Harnois, lives in Los Angeles and teaches nearby. I got Pamela’s name and found out she taught at the Brentwood Art School. I was so inspired by her gift that I started taking private lessons with her on Saturdays. That gallery is where I discovered my love for watercolor painting.

3 p.m.: Grab some ice cream at Rori’s

The other day, my longtime girlfriend wanted to get ice cream and told me, “We are walking to Rori’s Artisanal Creamery.” It’s a small shop on Montana near Lincoln. They make everything themselves, using local ingredients from grass-fed cows with no added hormones. The place is family-owned and probably has the healthiest ice cream you’ll find. They switch up their flavors often, but my favorite is the salted caramel.

6 p.m.: Family dinner and movie night at home

R+D Kitchen is always packed, so my sons, who are 31 and 33, do the cooking. They come over, and together we make salads and cook dinner. There’s a neighborhood grocery store called the Farms, off Montana, a small family-run place that has everything we need. Everyone knows each other there, and people bring their dogs. We try to have movie night every Sunday. Sometimes the day changes, but we always make sure to have one night a week where we cook a meal and sit down as a family. Keeping that tradition has become really important to us. My sons are great cooks, which is funny because they definitely didn’t get that from me. [Laughs]

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9 p.m.: Take Riley for one last walk and visit neighbors

After dinner, I take my dog for a walk. It’s a great way to meet neighbors. We always go around the same block. We’ve met so many people, and since she’s a golden retriever, she loves meeting everyone.

10 p.m.: News, knitting and bedtime

I am a news junkie, so I usually watch whatever is on the news before I go to bed. I have a long-standing passion for knitting. Lately, though, the news would make me drop a stitch.

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Iris van Herpen Reaches for the Stars

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For Iris van Herpen, couture is a laboratory as much as a runway. Our chief fashion critic, Vanessa Friedman, takes us inside this Dutch designer’s latest Paris show — from sci-fi-inspired gowns to an audacious attempt at a dress made of charged plasma.

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