Lifestyle
Billy Bob Thornton is a strong 'Landman' – but the show's women are often caricatures
Billy Bob Thornton as Tommy Norris in Landman.
Emerson Miller/Paramount+
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Emerson Miller/Paramount+
There is no one who plays the world-weary working man in a white-collar job quite like Billy Bob Thornton.
On Paramount+’s engaging new drama series, Landman, his pissed off, cynic-with-a-heart-of-gold character is Tommy Norris, a crisis executive with fictional M-Tex Oil company. It’s Tommy’s job to troubleshoot M-Tex’s crews of roughneck pump workers, securing leases from landowners allowing the company to pump oil from desolate swatches in the Permian Basin — an area in West Texas and southeastern New Mexico considered the highest producing oil field in the U.S.
That means Tommy does everything from negotiate a lease agreement with members of a Mexican drug cartel — while blindfolded and bound like prize turkey — to accidentally crushing the tip of his pinky finger while shutting off a valve to keep a burning pump fire at bay.
If only there was a female character drawn as well as Tommy in this series, Landman would transform from an entertaining TV drama to a captivating classic.
Making us care for a money-grubbing oil company
Tommy is the profane, chain-smoking glue that holds Landman‘s compelling story together. Admittedly, he doesn’t look much like a white-collar guy here, shuttling between crisis spots in a looming pickup truck, a cowboy hat and a knowing scowl.
He’s also a self-admitted non-drinking alcoholic (who doesn’t count downing the occasional Michelob Ultra) moseying through a disaster-filled day with a worn-out, self-aware confidence. When his grown daughter marvels at his salt-of-the-earth wisdom, he tells her, “I spent all my life being wrong. I never forget the lessons.”


This is a masterful bit of storytelling magic by co-creator and writer Taylor Sheridan – the wunderkind who co-created the hit show Yellowstone and lots of other testosterone-filled series. Based on Landman co-creator Christian Wallace’s hit podcast Boomtown, the show manages a unique magic trick: getting us to care about a profit-obsessed oil company that Tommy admits is sending roughnecks to work dangerous wells that couldn’t pass federal labor standards, ending the first episode Sunday with an accident that kills three of them.
As Tommy tells it, the oil industry is a dirty-but-necessary business that fuels everything from our cars to the clothes we wear and the medicine that keeps us healthy. And the only part of it Tommy doesn’t have clocked cold is the part that involves his family – including a wild child daughter, even wilder ex-wife and an adult son determined to learn the business by working one of its most dangerous jobs, as a newbie roughneck.
On the surface, it’s another of Sheridan’s many drama series triumphs, harnessing Thornton’s on-screen charisma to fuel a gutsy story about a modern-day oil boomtown. Like so many of his shows, it portrays a working man’s culture from an area of life rarely highlighted in Hollywood, educating viewers on its subtleties while highlighting the stuff that binds us all.
But — like most of his other shows — it is also a very male culture. Which is where Landman misses the mark by a mile.
Too many of Landman’s women are caricatures and male fantasies
The stark contrast between how working men are humanized in Landman‘s first episodes and how the women aren’t made it tough to enjoy the many parts of this that work so well.
In the first two episodes, which debuted Sunday, the female characters are mostly empty caricatures. Heroes alum Ali Larter plays Tommy’s volatile ex-wife Angela, who has to debate whether to leave a vacation with her current wealthy husband to see their son when he’s caught in the explosion mentioned earlier. Demi Moore is Cami Miller, wife to Jon Hamm’s oil company owner Monty Miller – we mostly see her swimming in a pool and lounging at gala dinners in early episodes. Michelle Randolph is Tommy and Angela’s grown daughter Ainsley, who is beautiful, self-centered and often blithely unaware of how her sex appeal affects the men around her.
Jon Hamm as Monty Miller and Demi Moore as his wife Cami Miller.
Emerson Miller/Paramount+
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Emerson Miller/Paramount+
Just about the only female character shown working in the first few episodes – besides waitresses in local watering holes and coffeeshops – is Kayla Wallace’s Rebecca Savage, a powerhouse lawyer sent to represent M-Tex. With razor sharp suits and a no BS attitude, she dominates by bringing more masculine energy than the men around her.
Sheridan is one of the most successful showrunners in TV today. Currently, he has created or co-created four series all airing new episodes at the same time, mostly on Paramount+ – Landman, Tulsa King, Lioness and Yellowstone (which is his only series on the Paramount Network cable channel, but on Peacock streaming).

When star Kevin Costner bumped heads with Sheridan over conflicts between filming Yellowstone and Costner’s passion project western Horizon at the same time, guess who got written out of the show? This is true Hollywood power.
It’s tough to imagine drafting actresses as amazing as Moore and Larter, only to leave them playing caricatures and male fantasies. So I’m hoping Sheridan will accept the challenge of creating female characters who exist outside the male gaze – beyond empty tropes, oversized emotionalism and calculated reflections of male energy.
Because, once he nails that, his series can finally be as strong creatively as they are commercially.

Lifestyle
Hungarian filmmaker Béla Tarr — known for bleak, existential movies — has died
Hungarian director Béla Tarr at the Berlin International Film Festival in 2011.
Andreas Rentz/Getty Images
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Andreas Rentz/Getty Images
Béla Tarr, the Hungarian arthouse director best known for his bleak, existential and challenging films, including Sátántangó and Werckmeister Harmonies, has died at the age of 70. The Hungarian Filmmakers’ Association shared a statement on Tuesday announcing Tarr’s passing after a serious illness, but did not specify further details.
Tarr was born in communist-era Hungary in 1955 and made his filmmaking debut in 1979 with Family Nest, the first of nine feature films that would culminate in his 2011 film The Turin Horse. Damnation, released in 1988 at the Berlin International Film Festival, was his first film to draw global acclaim, and launched Tarr from a little-known director of social dramas to a fixture on the international film festival circuit.
Tarr’s reputation for films tinged with misery and hard-heartedness, distinguished by black-and-white cinematography and unusually long sequences, only grew throughout the 1990s and 2000s, particularly after his 1994 film Sátántangó. The epic drama, following a Hungarian village facing the fallout of communism, is best known for its length, clocking in at seven-and-a-half hours.
Based on the novel by Hungarian writer László Krasznahorkai, who won the Nobel Prize in Literature last year and frequently collaborated with Tarr, the film became a touchstone for the “slow cinema” movement, with Tarr joining the ranks of directors such as Andrei Tarkovsky, Chantal Akerman and Theo Angelopoulos. Writer and critic Susan Sontag hailed Sátántangó as “devastating, enthralling for every minute of its seven hours.”
Tarr’s next breakthrough came in 2000 with his film Werckmeister Harmonies, the first of three movies co-directed by his partner, the editor Ágnes Hranitzky. Another loose adaptation of a Krasznahorkai novel, the film depicts the strange arrival of a circus in a small town in Hungary. With only 39 shots making up the film’s two-and-a-half-hour runtime, Tarr’s penchant for long takes was on full display.
Like Sátántangó, it was a major success with both critics and the arthouse crowd. Both films popularized Tarr’s style and drew the admiration of independent directors such as Jim Jarmusch and Gus Van Sant, the latter of which cited Tarr as a direct influence on his films: “They get so much closer to the real rhythms of life that it is like seeing the birth of a new cinema. He is one of the few genuinely visionary filmmakers.”
The actress Tilda Swinton is another admirer of Tarr’s, and starred in the filmmaker’s 2007 film The Man from London. At the premiere, Tarr announced that his next film would be his last. That 2011 film, The Turin Horse, was typically bleak but with an apocalyptic twist, following a man and his daughter as they face the end of the world. The film won the Grand Jury Prize at the Berlin International Film Festival.
After the release of The Turin Horse, Tarr opened an international film program in 2013 called film.factory as part of the Sarajevo Film Academy. He led and taught in the school for four years, inviting various filmmakers and actors to teach workshops and mentor students, including Swinton, Van Sant, Jarmusch, Juliette Binoche and Gael García Bernal.
In the last years of his life, he worked on a number of artistic projects, including an exhibition at a film museum in Amsterdam. He remained politically outspoken throughout his life, condemning the rise of nationalism and criticizing the government of Hungarian leader Viktor Orbán.
Lifestyle
Epic stretch of SoCal rainfall muddies roads, spurs beach advisories. When will it end?
California’s wet winter continued Sunday, with the heaviest rain occurring into the evening, and more precipitation forecast for Monday before tapering off on Tuesday, according to the National Weather Service.
A flood advisory was in effect for most of Los Angeles County until 10 p.m.
Los Angeles and Ventura counties’ coastal and valley regions could receive roughly half an inch to an inch more rain, with mountain areas getting one to two additional inches Sunday, officials said. The next two days will be lighter, said Robbie Munroe, a meteorologist at the weather service office in Oxnard.
Rains in Southern California have broken records this season, with some areas approaching average rain totals for an entire season. As of Sunday morning, the region had seen nearly 14 inches of rain since Oct. 1, more than three times the average of 4 inches for this time of year. An average rain season, which goes from July 1 to June 30, is 14.25 inches, officials said.
“There’s the potential that we’ll already meet our average rainfall for the entire 12-month period by later today if we end up getting half an inch or more of rain,” Munroe added.
The wet weather prompted multiple road closures over the weekend, including a 3.6-mile stretch of Topanga Canyon Boulevard between Pacific Coast Highway and Grand View Drive as well as State Route 33 between Fairview Road and Lockwood Valley Road in the Los Padres National Forest. The California Department of Transportation also closed all lanes along State Route 2 from 3.3 miles east of Newcomb’s Ranch to State Route 138 in Angeles National Forest.
Los Angeles County Department of Public Health officials say beachgoers should stay out of the water to avoid the higher bacteria levels brought on by rain.
After storms, especially near discharging storm drains, creeks and rivers, the water can be contaminated with E. coli, trash, chemicals and other public health hazards.
The advisory, which will be in effect until at least 4 p.m. Monday, could be extended if the rain continues.
In Ventura County on Sunday, the 101 Freeway was reopened after lanes were closed due to flooding Saturday. But there was at least one spinout as well as a vehicle stuck in mud on the highway Sunday, according to the National Weather Service. The freeway was also closed Saturday in Santa Barbara County in both directions near Goleta due to debris flows but reopened Sunday, according to Caltrans.
Santa Barbara Airport reopened and all commercial flights and fixed-wing aircraft were cleared for normal operations Sunday morning. The airport had shut down and grounded all flights Saturday due to flooded runways.
In Orange County early Sunday afternoon, firefighters rescued a man clinging to a section of a tunnel in cold, fast-moving water in a storm channel at Bolsa Avenue and Goldenwest Street in Westminster, according to fire officials.
A swift-water rescue team deployed a helicopter, lowered inflated firehoses and positioned an aerial ladder to allow responders to secure the man and bring him to safety before transporting him to a hospital for evaluation.
Heavy rains continued to batter Southern California mountain areas. Wrightwood in San Bernardino County — slammed recently with mud and debris — was closed Sunday except to residents as heavy equipment was brought in to clear mud and debris from roadways, the news-gathering organization OnScene reported.
After canceling live racing on New Year’s Eve and New Year’s Day due to heavy showers, Santa Anita Park also called off events Saturday and Sunday.
After several atmospheric river systems have come through, familiar conditions are set to return to the region later this week.
“We’ll get a good break from the rain and it’ll let things dry out a little bit, and we may even be looking at Santa Ana conditions as we head into next weekend,” Munroe said. The weather will likely be “mostly sunny” and breezy in the valleys and mountains.
Lifestyle
‘Stranger Things’ is over, but did they get the ending right? : Pop Culture Happy Hour
Millie Bobby Brown in the final season of Stranger Things.
Netflix
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Netflix
After five seasons and almost ten years, the saga of Netflix’s Stranger Things has reached its end. In a two-hour finale, we found out what happened to our heroes (including Millie Bobby Brown and Finn Wolfhard) when they set out to battle the forces of evil. The final season had new faces and new revelations, along with moments of friendship and conflict among the folks we’ve known and loved since the night Will Byers (Noah Schnapp) first disappeared. But did it stick the landing?
To access bonus episodes and sponsor-free listening for Pop Culture Happy Hour, subscribe to Pop Culture Happy Hour+ at plus.npr.org/happy.
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