Movie Reviews
‘Dear Santa’ Review: A Devilishly Fun Jack Black Elevates Paramount+’s Mediocre Holiday Comedy
Christmas-themed movies have become so ubiquitous it’s hard to avoid the feeling that filmmakers have come to think of them as annuities for their retirement accounts. So it’s no wonder that the Farrelly brothers have waded into the territory for the first time, with their new comedy directed by Bobby Farrelly making its debut on Paramount+. And while Dear Santa doesn’t exactly qualify for entry in the filmmakers’ pantheon beside the likes of There’s Something About Mary and Dumb and Dumber, it should fulfill its goal of being trotted out annually for holiday consumption alongside the turkey and the eggnog.
Considering that the words “Santa” and “Satan” contain exactly the same letters, it’s amazing that it’s taken this long for someone to come up with the idea for a movie about an 11-year-old with dyslexia who writes a letter to Santa, only to find it answered by Satan thanks to inadvertent letter placement.
Dear Santa
The Bottom Line ‘Tis the season for mediocre Christmas movies.
Release date: Monday, Nov. 25 (Paramount+)
Cast: Jack Black, Robert Timothy Smith, Keegan Michael-Key, Brianne Howey, Hayes MacArthur, Post Malone, P.J. Byrne, Jaden Carson Baker, Kai Cech
Director: Bobby Farrelly
Screenwriters: Ricky Blitt, Peter Farrelly
Rated PG-13,
1 hour 48 minutes
Jack Black, in his first collaboration with the Farrellys since 2001’s Shallow Hall, plays Satan, who shows up one night in the bedroom of Liam (Robert Timothy Smith, a real find) after the bespectacled tween has written what he thought was a letter to Santa. Satan, sporting horns and a burgundy leather-and-fur outfit and announcing that he’s there “in the naughty flesh,” doesn’t bother at first to inform Liam of the truth but instead offers him three wishes, in the devilish hope of stealing the little boy’s soul.
Liam’s first wish is for the romantic attentions of Emma (Kai Cech), his classmate with whom he’s besotted. Satan instantly grants it and it isn’t long before Liam is escorting Emma to a Post Malone concert, complete with VIP seats and backstage pass. This plot element provides the opportunity for an extended sequence featuring the superstar rapper-singer playing himself, which should help the film appeal to its desired teen demographic.
As with any deal involving Satan, things quickly grow complicated, here in the form of subplots involving Liam’s friend Gibby (Jaden Carson Baker) having to pretend to be a cancer patient and Liam’s concerned parents (Brianne Howey, Hayes MacArthur) having him see a child psychologist. (The shrink is played by the always funny but unfortunately underutilized Keegan-Michael Key.)
It should hardly come as a revelation that Black’s hardworking comedic efforts are the film’s saving grace. Adopting a deep growl that makes him sound like late-period Jack Nicholson, the actor is clearly having a ball with his colorful role, and the fun proves infectious. He makes the many bad jokes bearable and the decent ones even funnier with his typically manic, perfectly timed delivery.
And to be fair, there are a few decent ones in the screenplay co-written by Peter Farrelly and Ricky Blitt (Family Guy, Loudermilk), even if it inevitably includes bathroom humor in the form of Satan casting a gastrointestinal distress spell on Liam’s obnoxious English teacher (P.J. Byrne). “Every time a grown man sharts himself, a demon earns its horns,” a smug Satan informs Liam. There are several funny pop culture references that should please adults while befuddling the target audience, including a reference to One Flew Over the Cuckoo’s Nest and Satan announcing that he’s staying at the “Redrum Motor Lodge.”
“You can probably guess my room number,” he adds.
Culminating in a maudlin ending that seems a bit much even for a film of this type, Dear Santa is the sort of forgettable holiday fare — much like the current theatrical misfire Red One — that will probably nonetheless live on forever on streaming services. And if no less a figure than Charles Dickens could resort to creating a Christmas story for some quick cash (look it up), why shouldn’t the movie studios?
Full credits
Production: Farrelly Brothers, Kraymation Films
Distributor: Paramount+
Cast: Jack Black, Robert Timothy Smith, Keegan Michael-Key, Brianne Howey, Hayes MacArthur, Post Malone, P.J. Byrne, Jaden Carson Baker, Kai Cech
Director: Bobby Farrelly
Screenwriters: Ricky Blitt, Peter Farrelly
Producers: Peter Farrelly, Bobby Farrelly, Jeremy Kramer
Executive producer: Gretel Twombly
Director of photography: C. Kimes Miles
Production designer: Tim Galvin
Editor: Julie Garces
Composer: Rupert Gregson-Williams
Costume designer: Bao Tranchi
Rated PG-13,
1 hour 48 minutes
Movie Reviews
Movie reviews reveal 2026’s best Certified Fresh films are arriving in March – Art Threat
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Movie Reviews reveal 2026’s best Certified Fresh films are arriving this month with stellar critical acclaim. March 2026 brings an extraordinary lineup of top-rated releases. Critics and audiences are celebrating these exceptional films together.
🔥 Quick Facts
- Project Hail Mary: 95% Tomatometer, 96% audience score, released March 20, 2026
- Certified Fresh Status: 75% critic rating or higher with 5+ Top Critics reviews required
- March Releases: Hoppers (94%), GOAT (84%), Send Help (93%) all certified fresh
- Streaming Options: Multiple platforms including Netflix, Peacock with exclusive March releases
Project Hail Mary Dominates with 95% Critical Acclaim
Project Hail Mary opened March 20, 2026, becoming the standout theatrical certif fresh hit of the month. Ryan Gosling stars as science teacher Ryland Grace, waking up light-years from home with no memory. The sci-fi epic, directed by Phil Lord and Chris Miller, earned 95% from critics and 96% audience approval. Cinephiles praise its visual splendor and emotional depth.
According to reviews, the film balances spectacular space sequences with genuine human moments that resonate deeply. Amazon MGM Studios released this 156-minute masterpiece based on Andy Weir’s beloved novel. Early box office numbers exceed expectations significantly.
Streaming Certified Fresh Titles Light Up March
March 24, 2026 delivered major streaming victories. GOAT (Greatest of All Time) hit platforms with 84% critic score and 93% audience approval. This animated sports comedy features Caleb McLaughlin as an anthropomorphic goat chasing championship glory. Send Help arrived simultaneously, earning 93% critical praise with 87% viewer satisfaction. Both titles capture hearts through humor and heart.
Streaming platforms flooded March with 69 new movies and shows total. Critics celebrated the diverse quality spanning cult classics, acclaimed dramas, and blockbuster franchises all at once.
Beyond the Blockbusters: Other Standout Certified Fresh March Releases
| Title | Tomatometer Score | Release Date | Status |
| Hoppers | 94% | March 6, 2026 | Theaters |
| Ready or Not 2 | 73% | March 20, 2026 | Theaters |
| Late Shift | 96% | March 20, 2026 | Theaters |
| Two Prosecutors | 97% | March 20, 2026 | Theaters |
“Visually, it is strong and immersive, but the real strength of Project Hail Mary is not spectacle alone. It is the sense of wonder and humanity running through the entire experience. The film knows when to be exciting, when to be funny, and when to slow down and let the emotional moments land.”
— IMDb Critics, Film Review Community
What Makes a Film Certified Fresh on Rotten Tomatoes
Certified Fresh status represents the industry’s gold standard for quality filmmaking. A movie earning this distinction must achieve at least 75% rating from professional critics. Additionally, films require 5 or more Top Critics reviews for certification. Recent updates tightened these standards to ensure only genuinely excellent films qualify.
This rigorous process explains why March’s nine certified fresh titles matter significantly. Critics spent hours analyzing each film thoroughly before adding their names. The combined critical weight behind these movies suggests spring viewing will be exceptional.
Plan Your March Movie Marathon Now – Which Film Will You Watch First?
Theater-goers should prioritize Project Hail Mary before it leaves cinemas. The 156-minute runtime demands a big screen experience. Meanwhile, streaming subscribers face delightful choices between GOAT’s comedy charm and Send Help’s heartfelt drama. Ready or Not 2 and Late Shift round out theatrical options perfectly.
New releases continue flowing through March 27, 2026, keeping entertainment options fresh. Kiki’s Delivery Service rereleased March 13, while Stand by Me returned March 27 with new appreciation. Which certified fresh film matches your mood this weekend?
Sources
- Rotten Tomatoes – Official certification database and critical scoring system
- Variety – Best movies streaming in March 2026 coverage
- The Wrap – Most anticipated films arriving in March analysis
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Movie Reviews
MOVIE REVIEW: “THE KINDERHOOK CREATURE” is a fantastic deep dive into one of cryptozoology’s lesser-known mysteries – Rue Morgue
By BREANNA WHIPPLE
Starring Bruce G. Hallenbeck, Martha Hallenbeck and Paul Bartholomew
Directed by Seth Breedlove
Small Town Monsters
Whether you are a skeptic or a believer, it cannot be denied that certain pockets of our planet are hotspots for unusual activity. You’d be hard-pressed to find a person unfamiliar with the mysterious disappearances in the Bermuda Triangle, for example. Furthermore, places like Skinwalker Ranch in Utah have been documented extensively after multitudes of reports of various phenomena – UFOs, ghosts, cryptids, ancient shapeshifting elemental spirits that consume human flesh… it has it all. The Pacific Northwest is another location of intrigue with phenomena ranging from UFOs and cryptids to ghosts and sea monsters.
More often than not, all that is supernatural seems to flow collectively. It’s not at all uncommon for grey aliens to come with a side of poltergeists and shapeshifters. Evidently, where there is smoke, there is fire. And Kinderhook, New York, is one such place ablaze with the high strangeness.


THE KINDERHOOK CREATURE is a companion piece to The Kinderhook Creature & Beyond: A Personal Reminiscence by Bruce G. Hallenbeck. Naturally, Hallenbeck guides the unfolding events chronicled in the doc. Growing up under the care of his beloved late grandmother, Martha Hallenbeck, in a home surrounded by dense woods, he has memories that read like a choose-your-own-adventure novel. An unseen, incomprehensible, supernatural threat to shock and astound lurks around every corner. Martha was once quoted as saying, “I’d love to live in a haunted house!” Bruce’s apt response was, “Grandma, I think you do.”
“Haunted” feels like an inappropriate description. What happens in Kinderhook is so fantastical that it is difficult to fit under a single umbrella. White, bloblike apparitions are only the tip of the iceberg. A sargantuan beast with red eyes, the doc’s eponymous creature, has been seen stalking nearby. Strange noises emanate from the woods, UFOs have been spotted, objects have levitated and strange dreams have been had… Something is very different in Kinderhook.

To call THE KINDERHOOK CREATURE a wild-ride would be a gross understatement – the film is so full of so many unexpected twists, turns and encounters that it is a curious wonder why the area hasn’t been more widely acknowledged in cryptozoological circles until now. Again, director Seth Breedlove and the Small Monsters team have shone their spotlight on a tiny, strange corner of the world. On top of fantastic interview content, the documentary is chock-full of archival footage. Masterfully edited, THE KINDERHOOK CREATURE is made with love and attentive care, which is much deserved for a field of interest that isn’t always taken very seriously.
Of course, mystery is the source of the allure. As a species, we simply cannot know everything. Not every mystery can be solved, regardless of how advanced we become. Apelike humanoid sightings have been reported for as long as Indigenous people have been recording history with hide and stone. Theorists pore over speculations of time-travelling advanced beings, primitive species, protectors of the forest… It all sounds outrageous to those who have yet to open their mind to the possibility that there are forces at work that we simply cannot comprehend. One can easily write off the Patterson-Gimlin film as a hoax, but how can one explain the similarities in sightings from around the globe, again, for decades, if not centuries? One of the tales told in THE KINDERHOOK CREATURE mentions a sighting of a family of the Bigfoot-like cryptid. A similar occurrence is documented in the 1956 book The Long Walk by Sławomir Rawicz – a dramatic, first-hand account of a group of Gulag escapees in the 1940s that encountered a family of Yeti-like creatures in the Himalayas after fleeing Siberia on foot.

Even in the specific cases presented in THE KINDERHOOK CREATURE, there are curious synchronicities spanning a century. A woman speaks of an instance in 1981 when she and a friend skipped school to pick apples. While biking down a dirt road flanked by corn fields on both sides, they encountered a massive creature that towered above the stalks. Its gait was so wide that it was able to jump across the road with ease, its apelike arms swinging. What the girls likely did not know was that 100 years earlier, in 1881, livestock regularly went missing in the area. Locals eventually found a cave with piles of bones lying outside the entrance. Upon this discovery, they encountered a similar beast. They shot at it, nearly missing it. However, it left a mysterious lock of brown hair behind.
Breedlove has proved time and time again that Small Town Monsters is the reigning champion of quality cryptozoological documentaries. Aside from the obvious fun that naturally comes with investigating strange phenomena, much of the film focuses on Hallenbeck’s relationship with his grandmother. The bond they shared was beyond unique. They seemed to share an abundance of love, joy, fun and an appreciation for the mysterious.
We can learn a lot from these stories, exploring history, fear and curiosity. With THE KINDERHOOK CREATURE, Small Town Monsters again proves that cryptids and the legends that surround them will never get boring.
THE KINDERHOOK CREATURE: IN THE SHADOW OF SASQUATCH is available now on digital platforms.
Movie Reviews
Ron Brown’s movie reviews: ‘Project Hail Mary’ and more
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A native of Rockford, Lisa Dent, heard 2 pm to 6 pm weekdays, began her radio career in Fort Atkinson, Wisconsin in 1981. She has worked at stations in Minneapolis, San Diego, Seattle, and Houston. Dent returned to Chicago in 2002. (Click for more.)
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