Lifestyle
Amber Glenn Is Carving a New Path for Figure Skaters
When Amber Glenn was named the top U.S. women’s figure skater for a second consecutive year in January, she collapsed in tears, releasing mountains of pressure that had been weighing on her chiseled shoulders.
This week, she is aiming to add another gold medal to her pile at the World Figure Skating Championships in Boston. If she pulls it off, Ms. Glenn would finish her season an undefeated champion and become the first American figure skater to claim the women’s World Championship title in almost 20 years.
It would be Ms. Glenn’s biggest win yet, but only the latest in a series of firsts for a woman who has landed the triple axel jump in all of her competitions this season — one that, for Ms. Glenn, has been filled with triumph and tragedy after a plane crash in January killed 11 figure skaters, some of whom she had shared the ice with just days before they died.
If Ms. Glenn wins or even medals at Worlds, she will be the first openly L.G.B.T.Q. woman to do so in a sport whose female athletes largely tend to mold their likenesses to that of a cookie-cutter ice queen.
Ms. Glenn, by contrast, has grown her profile by celebrating what makes her different.
She is a pansexual figure skater who jumps with the power of a pole-vaulter, models her hairstyles off those of brassy pop stars, collects lightsabers — and is primed to be America’s next big skating star at 25, an age when most of her peers have long retired.
A Story of Perseverance
On a Saturday evening in February, Ms. Glenn darted around the corners of the ice rink at Chelsea Piers in Manhattan at double-digit speeds as her short-program music — “This Time” by Janet Jackson — blared from loudspeakers. She was in New York to fine-tune some of her choreography before the World Championships this month.
Ms. Glenn’s girlish freckles were offset by graphic winged eyeliner and blond hair that trailed behind her like a parachute as she skated.
Earlier that day, Ms. Glenn said in an interview that the last eight months had “been a lot.” She began training for the current season last spring and won her first gold medal last September at the Lombardia Trophy competition in Bergamo, Italy.
She has not stopped winning since. Over the course of several weeks last November and December, Ms. Glenn traversed the globe numerous times, earning first place in three major competitions that included the Grand Prix Final in Grenoble, France, where on Dec. 7 she became the first American woman to be crowned champion in 14 years.
Two weeks later, she clinched gold at Nationals in Wichita, Kan., by a slim margin.
But Ms. Glenn’s career, which began more than two decades ago at an ice rink inside a shopping mall, has not been a linear ride to the top.
At 14, she became the U.S. junior women’s champion. About a year later, Ms. Glenn was hospitalized for depression and anxiety, which stopped her from skating for five months. At the time, she was also restricting her eating — consuming one or two Lean Cuisine meals a day. In more recent years, she has suffered multiple severe concussions and has been haunted by mistakes, like missed jumps, that she has attributed to anxiety. It has not helped that many of her injuries and stumbles have played out on live television.
Terry Gannon, an NBC sports commentator who has called nationally televised figure-skating events since the 1990s, attributed Ms. Glenn’s successes this season to perseverance.
“I feel like I have lived this journey with her and watched her through the years knowing she had the ability but coming up short,” said Mr. Gannon, who described Ms. Glenn’s story as emotionally satisfying to viewers. “Now we see her break through at the highest level,” he added.
Her winning season harks back to the time when American skaters like Dorothy Hamill and Michelle Kwan dominated the sport. As a rising star of women’s singles, figure skating’s marquee event, Ms. Glenn has created some fresh buzz in the run-up to next year’s Milan-Cortina Winter Olympics. “It’s hugely important to the success of American skating to have a star who has a chance to win” at the Olympics, Mr. Gannon said.
Sasha Cohen was the last American to do so, earning a silver medal at the Turin Winter Olympics in 2006. If Ms. Glenn’s winning streak carries into next year, when Team USA skaters are determined, the country may have its next best chance at an Olympic medal.
Mastering the Triple Axel
On the ice, Ms. Glenn has become known for certain hallmarks: Landing jumps with her arms stretched vertically in a dramatic V-shape, wearing the dark lipstick of a prima ballerina, performing with a mane of multiple ponytails that she says is inspired by the pop star Kesha.
While she skates with an easy elegance, her approach to the sport has often been described using words like “explosive” and “aggressive.” “That is usually a trademark of men’s skating, they are allowed to be aggressive and muscled,” said Kaitlyn Weaver, 35, a champion ice dancer and two-time Olympian who is now a choreographer for Ms. Glenn.
Ms. Glenn said she had leaned into athleticism rather than “conforming to look smaller.” This approach is embodied by her embrace of the triple axel, a feat in which skaters hurl themselves face-forward into the air and rotate 1,260 degrees before landing backward on a single foot. Ms. Glenn has been the only women’s skater of her level to land a ratified triple axel this season in international competition, according to the International Skating Union.
Ms. Glenn’s free skate program at last year’s World Championships began with a perfect triple axel — and ended in multiple spills onto the ice. She ultimately finished in 10th place, a result that she attributed to her anxiety flaring up during her program. “My brain didn’t know the difference between competing and having to fight a bear,” as she put it.
Last summer, Ms. Glenn began integrating neurotherapy into her two-hour practices as a way to mitigate her performance anxiety. She wires herself to a device that tracks her heart rate and brain waves, which helps visualize when her anxiety spikes.
Caroline Silby, a sport psychology consultant who works with skaters worldwide, suggested neurotherapy to Ms. Glenn. “Throughout her career, she’s always had moments of brilliance, it wasn’t like she wasn’t doing it.” Ms. Silby said. “She just wasn’t doing it consistently.”
She added, “When the whole world talks about how you can’t do the second half of your program, it’s about ‘OK, how can we get the brain to stay quiet?’”
Embracing Her Identity
Ms. Glenn’s mother, Cathlene Glenn, said there had always been hints that her daughter was different from other girls her age when she was growing up in Plano, Texas. Among them: Ms. Glenn, who began skating as a 5-year-old at the rink inside the nearby Stonebriar Centre mall, gravitated toward dinosaur toys over dolls, her mother said.
She added that, by the time Ms. Glenn had turned 8, coaches were remarking that she had exceptional talent. By 11, she had mastered every triple jump except the axel.
But in a sport in which an intermediate pair of skates can cost $800, the money required to keep Ms. Glenn skating at a high level became a source of friction for her parents. To save on lessons and rink fees, her mother worked as a nanny for a former coach of Ms. Glenn’s and at the front desk of the mall ice rink. Her father, Richard Glenn, a law enforcement officer, worked overtime and took outside jobs doing security at movie theaters and hospitals.
Ms. Glenn, for her part, said she did not tell her parents when she was outgrowing her skates. “I still have the bunions and scars to prove it,” she said.
These days, she wears pairs that can cost around $1,500 — and she gets them for free from Jackson Ultima, which uses her image in promotional campaigns.
At Chelsea Piers, her skates’ blades were pushed to the limit as she ripped into the ice with expansive lunges and razor-sharp turns. She typically practices at the Broadmoor World Arena, a U.S. Olympic training site in Colorado Springs, Colo., not far from her home in the city. Above the rink, a flag with Ms. Glenn’s name flies alongside others bearing the names of fellow American champions like Peggy Fleming.
Ms. Glenn’s reputation as a different kind of skater was bolstered in 2019, when she opened up about her pansexual identity in an article for Dallas Voice magazine. Months after it was published, she arrived at Nationals in 2020 to see dozens of fans in the stands holding the Pride flag in her honor.
Ms. Weaver, who at the time had not yet started working as a choreographer with Ms. Glenn, recalled watching the scene on TV and “weeping.” In 2021, Ms. Weaver became the first Olympic female skater to publicly come out as queer. “We work against a stereotype,” she said, likening openly queer female skaters to openly gay N.F.L. players.
Having learned to be more comfortable in her skin, Ms. Glenn now holds a pride flag when she skates a victory lap at competitions. Lately, she had been thinking about the ways she could help people like herself at a time in which Ms. Glenn said “identities are being erased.”
“Sometimes, I’m looking at the world where we are taking so many steps back,” she added. “I want to be part of the people who keep us moving forward.”
She was speaking on a video call in late February from her apartment in Colorado Springs, which Ms. Glenn shares with her dog, Uki, a schipperke who, like Ms. Glenn, has learned to spin on demand.
Tragedies Amid Triumphs
Around Ms. Glenn’s apartment are items that offer glimpses of her personality. There are lightsabers hung on a wall (she is a fan of “Star Wars”) and a cabinet filled with Magic the Gathering and Pokémon cards. Instead of real flowers, she decorates the space with Lego floral arrangements because of her travel schedule. “It’s nice to have ones that stick around,” she said.
She moved to “the Springs” in the summer of 2022, she said, to work with top coaches — and to take advantage of free physical therapy and personal training sessions offered by the area’s Olympic training site, which are subsidized by organizations including the U.S. Olympic and Paralympic Committee. It’s also the first time Ms. Glenn has lived on her own.
Her main coach, Damon Allen, said Ms. Glenn’s newly independent lifestyle has helped shift her competitive course. Mr. Allen, 51, will accompany her to the World Championships. “The preparation is the same we have been doing all year,” he said. “We are keeping it simple.”
To earn the women’s singles gold medal, she will need to defeat Kaori Sakamoto, 24, the Japanese skater who has won it the last three years.
Skaters of Ms. Sakamoto’s and Ms. Glenn’s age have historically been rare sights atop the championship podiums in women’s figure skating, a sport in which the last three Olympic gold medalists were between the ages of 15 and 17 when they won. In the wake of a doping scandal involving a 15-year-old Russian skater that rocked the Beijing Winter Olympics in 2022, the minimum age for female skaters to compete in the games was raised to 17.
At Ms. Glenn’s training rink, she refers to herself as the “fun aunt,” Mr. Allen said. Her friend Gracie Gold, 29, a retired two-time national champion who has spoken about her own struggles as a skater, jokingly said that late bloomers in the sport like Ms. Glenn were “only weird to people in skating that need to go outside and touch grass.”
“I don’t think hockey or football would be as popular if the general public was watching 14-year-old boys do it,” Ms. Gold added.
She is one of many skaters whom Ms. Glenn has fostered friendships with. Through gestures like bringing flowers to fellow athletes at practices, Ms. Glenn has tried to bolster camaraderie in a sport known for a cutthroat culture, which has been embodied by instances like the Olympian Nancy Kerrigan being clubbed in the knee in a hit ordered by a man who was then married to a rival skater.
Ms. Glenn, who was home-schooled from the second grade through her senior year of high school, said she learned social cues largely by being around other young people at the mall where she started skating.
Her kind overtures to peers were motivated by Ms. Glenn’s experiences at competitions during her early days in the sport. “I remember feeling so scared,” she said. “I thought, I don’t want to feel like this. If one day I’m able to, I want to help everyone to be comfortable.’
When the recent plane crash killed a group of 28 athletes, parents and personnel affiliated with U.S. Figure Skating, “it broke my heart,” Ms. Glenn said — especially because of what she had told some of the young skaters while practicing with them about 72 hours before the crash.
“What hit me so hard is I told them to make friends that they would have for the rest of their life,” she said.
Earlier this month, Ms. Glenn participated in Legacy on Ice, a nationally televised event honoring the victims of the plane crash. Days before, her grandmother Barbara Glenn, a longtime rink-side presence at her competitions, died.
“She loves to skate with emotion,” Ms. Glenn’s mother said. “She wants to feel her feelings out on the ice. I think that skate was very therapeutic for her.” The death of Ms. Glenn’s childhood dog, Ginger, this month was another emotional blow.
In a phone interview on Saturday, Ms. Glenn said that the grief she had lately experienced had given her a new perspective going into the World Championships.
“I get upset about my mistakes,” she said. “But there are so many other things that are more serious.”
Fresh Air critic Justin Chang says All of a Sudden (starring Tao Okamoto and Virginie Efira) was his favorite movie at the 2026 Cannes Film Festival.
Courtesy of the Cannes Film Festival.
hide caption
toggle caption
Courtesy of the Cannes Film Festival.
The first Cannes Film Festival I ever attended, in May 2006, was a deliriously star-studded affair. Penélope Cruz, Ethan Hawke and Kirsten Dunst walked up the red-carpeted steps. Future Oscar hopefuls like Volver, Babel and Marie Antoinette competed for the Palme d’Or, the festival’s top prize. There were world premieres of blockbusters like The Da Vinci Code and X-Men: The Last Stand — terrible movies, but great photo ops. And near the end of the festival, I walked into a film I knew nothing about called Pan’s Labyrinth and emerged knowing I’d seen a classic.
This year’s Cannes kicked off with a 20th-anniversary screening of Pan’s Labyrinth, but otherwise, there wasn’t much of that 2006-era razzle-dazzle. The major Hollywood studios tightened their belts and stayed home, perhaps with still-fresh memories of the stinging Cannes reception for the last Indiana Jones movie back in 2023.
But there were stars here and there. Demi Moore and Stellan Skarsgård were on this year’s jury. Adam Driver and Miles Teller showed up for the world premiere of James Gray’s terrific 1986-set crime drama, Paper Tiger, in which they play brothers who unwisely go into business with the Russian mob. Driver and Teller are outstanding, and Scarlett Johansson is heartbreakingly good as a family member forced to deal with the fallout.
Paper Tiger deserved a prize, but it left the festival empty-handed. Instead, the jury awarded the Palme d’Or to the gripping and sometimes infuriating small-town drama Fjord. It’s the second Palme win for the Romanian filmmaker Cristian Mungiu; he won his first in 2007 for the movie 4 Months, 3 Weeks and 2 Days.
In Fjord, Sebastian Stan and Renate Reinsve are almost unrecognizable as an evangelical Christian couple who have recently moved from Romania to a small Norwegian town with their five children. When the couple are accused of child abuse, Fjord becomes a fierce battle between the forces of religious conservatism and secular liberalism. It may be set in Norway, but it’s likely to resonate with American audiences when it opens later this year.
I hope there will also be robust turnout for Minotaur, a perfectly chilled tale of adultery and murder that won the Grand Prix, or second place. It’s a remake of the 1969 Claude Chabrol drama La Femme Infidèle, this time set in Russia, not long after the 2022 invasion of Ukraine. The director of Minotaur, Andrey Zvyagintsev, nearly died of COVID during the pandemic, and it was moving to see him back in Cannes with a film this powerful and uncompromising in its critique of the Putin regime.
One of the buzziest out-of-competition titles was Club Kid, a hugely enjoyable comedy directed by the actor, writer, comedian and social-media star Jordan Firstman. He plays a gay New York City club promoter who’s sent reeling when he learns that he has a 10-year-old son. The result is basically a ketamine-laced version of every adult-bonds-with-cute-kid movie you’ve ever seen, but Firstman is a real talent.
Firstman’s also one of several queer filmmakers who made a bold impression at the festival this year. Jane Schoenbrun, the director of the inventive transgender allegory I Saw the TV Glow, came to Cannes with their third feature, Teenage Sex and Death at Camp Miasma. Starring a very game Hannah Einbinder and Gillian Anderson, the movie is a clever homage to, and deconstruction of, ’80s and ’90s slasher thrillers, digging deep into the often-unspoken connections between our love of pop culture and our hang-ups about sex and desire.
Along with Paper Tiger, Club Kid and Camp Miasma were welcome reminders that American cinema isn’t close to dead, at Cannes or anywhere else. Even so, I can’t say that I minded the general absence of Hollywood at the festival this year. One of the reasons I keep returning to Cannes is that it shows interesting movies from all over the world — movies like the gorgeous and moving Rwanda-set drama, Ben’Imana, about efforts to bring about truth and reconciliation years after the 1994 genocide. The film earned its director, Marie-Clémentine Dusabejambo, the Caméra d’Or prize for best debut feature.
My favorite film at Cannes this year was All of a Sudden, from the Japanese director Ryûsuke Hamaguchi. Set in and around a Parisian elder-care home, it uses the close bond between two women — one French and one Japanese — to raise haunting questions about how we live, how we die, and most of all, how we talk to each other. Like Hamaguchi’s Oscar-winning Drive My Car, All of a Sudden is a reminder that something as simple as a conversation between friends can make for sublimely moving cinema. I can’t wait to see it again, and I can’t wait for you to see it, too.
Cary Elwes may not have been born in Los Angeles, but it’s probably fair to consider the native Brit an honorary Angeleno. The “Princess Bride” star was born in and spent his formative years kicking around London; he moved to L.A. in 1990, on his brother’s recommendation. He met his wife, photographer Lisa Marie Kurbikoff, at a cookoff in Malibu about a year later and the two married in 2000. A daughter, Dominique, arrived in 2007.
In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.
Elwes has spent his years in California not just establishing his family life, but also further enmeshing himself in Hollywood. He’s appeared in everything from “Saw” to “Ella Enchanted,” and played a corrupt government agent in a couple of “Mission Impossible” movies. His latest role is as a former cop turned private detective in Peacock’s new crime thriller, “M.I.A.,” streaming now.
“I’ve been out here for quite a bit now and while [2025’s] fires were pretty devastating — changing a lot of the landscape and people’s lives in ways that none of us could have imagined — I’m hopeful,” Elwes says. “I feel like we’re going to build back stronger and better. Things can seem dark sometimes, but I still have a spark of hope in my heart.”
Here’s how Elwes would spend his perfect, hopeful Sunday in Los Angeles.
This interview has been edited for length and clarity.
10 a.m.: Coffee and a chat
We wake up around 10 a.m., which is kind of late for me. Then we’ll have our coffee. I tend to lean toward Gelson’s beans, which I find have a particular flavor I tend to like. I do like my coffee. It’s probably the only addiction I really have.
Anyway, after I finish up my coffee, I’ll typically ask my wife and daughter what they’d like to do for the day. My daughter is 19, and she’s terrific. I always tell my wife she’s the best production we’ll ever do together.
Noon: Leisurely lunch
My wife is very fond of this Italian restaurant in Woodland Hills called Casaléna. It’s right off Ventura Boulevard and it’s terrific. Even their salads are extraordinary. It’s fairly new, too, but it’s always booked out solid so you really have to make a reservation in advance. Luckily, my wife and daughter are organized, so if they want to go there, they’ll have planned ahead.
2 p.m.: Head to the movies
We like to go see movies at the Imax at Universal CityWalk. The quality of that theater is very, very good and seeing films on the biggest screen possible is important to us.
My wife and I went on a date to see “Michael” in Imax, which was sold out and it was phenomenal. Antoine Fuqua did a great job and our friend Colman [Domingo] was honestly transformative as Joe Jackson. And Jaafar Jackson, who’s Michael’s nephew, is remarkable. It’s an extraordinary film, but sold out with people cheering and dancing? That made it a phenomenon. People were interacting with the movie as it played and it was remarkable.
If we’re not interested in whatever’s playing at the time, we might go for a hike in Tapia Park. I grew up watching “MASH” as a kid and when I realized they filmed there, I thought “How blessed am I to be living just a few miles from where such an iconic series was made?”
It’s a really beautiful park too. If you take a long hike, you’ll see waterfalls and lots of wildlife. On a nice afternoon, taking the dog out there for a walk? You can’t beat it.
There’s so much rich history here. I remember going on the Universal Studio Tour for the first time when I visited L.A. as a kid. They had a thing where they’d pick a couple of tour guests and the guide would put you on camera in front of a blue screen and you’d reenact a scene from a movie. The tour also took you by the “Jaws” shark coming out of the water and through an old western town, and I found out years later that a director friend of mine had been making westerns there when I was a kid and I didn’t even know it.
That tour was fantastic. With parting the sea for “The Ten Commandments” and then the boulders coming down the hill during the rockslide? Absolutely magnificent.
5 p.m.: Pick a Getty, any Getty
Depending on what time our movie ends or if we just end up going for a walk instead, we might go over to the Getty Center. We love it there. Usually we’ll go in the afternoon — maybe we’ll have a late lunch up there — and sometimes we’ll go to the Getty Villa instead, which luckily survived the Palisades fire.
We just love being around art. We’ll walk through the entire collection, plus whatever exhibit they have on at the time. We’ll go to LACMA sometimes, too, or even the Academy Museum to see whatever new exhibits they have.
Culturally, we really try to keep busy. Sometimes we’ll want to sit at home and play Spite and Malice or watch a show on TV, but mostly I try to go out and encourage my family to do the same, especially because we live in such a wonderfully diverse, cultural city.
7 p.m.: Taco time
I always leave meal decisions up to the girls, and sometimes they like to go out and get tacos. We like the fish tacos at Escuela. It’s pretty close to Quentin Tarantino’s movie theater, the New Beverly Cinema, which we like to go to as well. I took my daughter to see “Jaws” there, in fact, which she loved.
9 p.m.: More movies
I’m trying to educate my daughter in the films and TV shows that I watched growing up. She’s taking a film history class in school. She wants to be an actor as well, so I want her to have an understanding of the history of film and history of performance, so I show her the great performances that inspired me as a kid and encourage her in that way.
When I grew up in England, we literally had two channels, both in black and white. Young people can’t quite wrap their heads around that now, but it really did make you pay attention because you had to be sitting in front of the television to catch a show or movie you wanted to watch.
I remember that the BBC, particularly on weekends, would have matinee screenings of movies. We actually had pretty good quality TV in England growing up, but they’d also heavily focus on British films from the ‘40s all the way through to the ‘60s so I got my education from that particular style of films, like the postwar films, ‘50s films, and the Ealing comedies. David Lean and Laurence Olivier, Ralph Richardson … a lot of the films they were in or directed really helped shape who I am today.
Alec Guinness and Peter Sellers had a very strong influence on me as a kid, too, so I really want to try to share with my daughter why these films meant so much to me.
10:30 p.m.: Books in bed
I’m not really a late-night person anymore. I used to be when I was a kid, but now, unless we’re out on a date, my wife and I are homebodies.
Julia Demaree Nikhinson/AP
A federal judge has blocked President Trump from adding his name to the Kennedy Center, saying that the Washington, D.C. arts complex was named for the late president John F. Kennedy. In a ruling on Friday, the judge also temporarily blocked the administration from closing the Kennedy Center for a planned two-year renovation that was slated to begin in July.
U.S. District Court Judge Christopher Cooper wrote in his ruling that: “The Kennedy Center’s organic statute makes crystal clear that the Center is to be named for President Kennedy, and it cannot bear any other formal name or public memorial based on the Board’s unilateral say-so. Congress gave the Kennedy Center its name, and only Congress can change it.”
A Kennedy Center spokesperson told NPR in an email Friday afternoon that it will appeal the decision. Roma Daravi, vice president of public relations for the complex, wrote: “We will review the decision carefully though the reality remains — the Center requires an urgent and significant restoration – a truth that even the plaintiff acknowledges. With $257 million secured by President Trump and approved by Congress, the resources are in place and we remain committed to pursuing every lawful avenue to ensure the Trump Kennedy Center is restored as a national cultural landmark for all Americans to enjoy.”
NPR has requested comment from the White House, but did not receive an immediate reply.
As part of his ruling, Judge Cooper ordered that all signage and online materials referring to the “Donald J. Trump and John F. Kennedy Memorial Center for the Performing Arts,” the “Trump Kennedy Center,” or anything similar must be removed within 14 days.
The judge also blocked, for now, plans to close the Kennedy Center for two years of renovations. Trump and the center’s current voting board members – all of whom were selected by the president, who also became chairman of the center last year – had planned to start the renovations in early July, just after the 250th anniversary celebrations. In his 94-page ruling, Judge Cooper called the renovation plans “murky,” and wrote: “None of the board members had sufficient information in advance of the March 16 meeting to make a well-considered decision to close the center.” The center has been winding down its programming and has already dismissed most of its programming staff.
Referring to a Truth Social post written by President Trump in February, the judge also wrote: “There was no ‘one year review of the Trump Kennedy Center, that has taken place with Contractors, Musical Experts, Art Institutions, and other Advisors and Consultants, deciding between’ complete and partial closure, as President Trump claimed.”
Cooper’s ruling resulted from a lawsuit filed in March by Rep. Joyce Beatty of Ohio, an ex-officio member of the Kennedy Center board whose voting rights there were stripped last year.
The ruling does not prevent the Kennedy Center’s board from a future closure, but the judge said that it should do so only after the board has “sufficient information to make a considered, independent decision, taking account of its obligation to both maintain and operate a premiere arts venue and its solemn duty to memorialize a fallen President.”
-
Indiana6 minutes agoThe newest spots to eat, drink and shop along the coast of Indiana and southwest Michigan
-
Iowa9 minutes agoDemocrats put a ‘bullseye’ on Iowa, eager to turn the red state purple
-
Kansas21 minutes agoWhere to watch Kansas City Royals vs Texas Rangers: TV channel, start time, streaming for May 30
-
Kentucky24 minutes agoIt’s National Mint Julep Day! How many are served during Kentucky Derby weekend?
-
Maryland29 minutes agoKittleman breaks with Republicans, the party of his father
-
Louisiana29 minutes agoAs Seas Rise, Louisiana Faces a Choice: Plan for Movement or Let Crisis Decide – Inside Climate News
-
Maine36 minutes ago25 best places to eat for cheap across Maine
-
Michigan44 minutes agoThe Top 25 Michigan men’s basketball players since 1989: No. 22-20
